Today we get a new Teaser for eagerly-awaited BRIDGERTON Season 4, Part 2, arriving February 26, 2026!

BRIDGERTON S4
Part 1 Premiere Date (episodes 401-404): January 29, 2026
Part 2 Premiere Date (episodes 405-408): February 26, 2026

Synopsis: From Shondaland and Jess Brownell, BRIDGERTON returns for a fairy-tale inspired fourth season. Bohemian second son Benedict Bridgerton (Luke Thompson) refuses to settle down, despite pleas to the contrary from matriarch Lady Violet Bridgerton (Ruth Gemmell). Until — at Violet’s masquerade ball, Benedict is awestruck by a masked, mysterious Lady in Silver. With the reluctant help of his sister Eloise (Claudia Jessie), Benedict sets out in society to uncover the young lady’s identity. But in fact, his heart’s desire is not in society at all — she is a resourceful maid called Sophie Baek (Yerin Ha), working for the formidable Lady of the house, Araminta Gun (Katie Leung).

When fate brings Benedict and Sophie back together, Benedict wrestles between the reality of his affection for this intriguing maid and the fantasy of the Lady in Silver — unaware that they are the same person. Will Benedict’s inability to see these women as one in the same derail the undeniable spark between him and Sophie? And can love truly conquer anything — even a cross-class connection forbidden by society?

Inspiring Benedict’s journey are the marriages of his siblings —including Francesca (Hannah Dodd) to John Stirling (Victor Alli), and Colin (Luke Newton) to Penelope (Nicola Coughlan), who faces new challenges as a now public gossip columnist.

(Photo/video credit: George Pimentel Photography/Netflix)

Starbucks is introducing the Iced Banana Bread Matcha, a perfect flavour combo that went viral last year. Inspired by the comforting  flavours of a classic baked treat, this inviting beverage combines unsweetened matcha with brown sugar syrup and milk over ice, topped with a layer of velvety banana cream cold foam and a caramel crunch topping.

The Return of Lactose-Free Milk:
Starting on Feb. 10, lactose-free milk is officially back at Starbucks, making beverages even more accessible and enjoyable for customers. There will be no additional fee for choosing lactose-free milk.

Be My Valentine:
With love in the air, Starbucks has launched a lineup of simplistically sweet drinkware that’s perfect for Valentine’s gifting. This collection leans into the heart-shaped designs we know and love.

Back to ‘71:
Starting on Feb. 9, a new bold, dark-roast coffee blend will be available across Starbucks locations. The 1971 Roast celebrates Starbucks five decades of roasting craft. With notes of toasted sugar and rich walnut, this coffee is crafted from a blend of the finest beans from Colombia, Sumatra and Brazil. 
We’re sending you an e-gift card shortly so you can try the new Iced Banana Bread Matcha for yourself.

Today we get a new Trailer for Andrew Stanton‘s IN THE BLINK OF AN EYE which premiered at Sundance! It arrives February 27, 2026 on Hulu on Disney+.

DIRECTED BY

ANDREW STANTON

WRITTEN BY

COLBY DAY

PRODUCED BY

JARED IAN GOLDMAN, P.G.A.

CAST

RASHIDA JONES, KATE MCKINNON, DAVEED DIGGS, JORGE VARGAS, TANAYA BEATTY

THREE STORYLINES, SPANNING THOUSANDS OF YEARS, INTERSECT AND REFLECT ON HOPE, CONNECTION, AND THE CIRCLE OF LIFE.

ATTENTION ARMY – BTS is back.

BTS THE COMEBACK LIVE | ARIRANG will stream live exclusively on Netflix March 21, 2026, at 8 PM KST (4 AM PST / 7 AM EST).

Streaming live from the historic Gwanghwamun in Seoul, this monumental performance celebrates the release of their highly anticipated new album, ARIRANG.

Netflix has partnered with HYBE to bring the pop royalty back to the stage for this unprecedented, historic worldwide comeback event.

BTS members RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook reunite on the global stage for the first time.

This event comes on the heels of the announcement of BTS’ new album and world tour. BTS’ fifth studio album, ARIRANG, is a deeply reflective body of work that explores their identity and roots. After the album release, the band will embark on a massive ARIRANG World Tour (2026–2027), which will span 34 regions and 82 shows across Asia, North and Latin America, Europe, the Middle East, and beyond.

And, because we’re that obsessed, BTS: THE RETURN, a BTS documentary film showcasing the making of their newest comeback album, arrives on Netflix on March 27, 2026.

This feature-length documentary chronicles the long-awaited return of pop royalty, BTS. From acclaimed director Bao Nguyen (The Stringer, The Greatest Night in Pop) and renowned producers, This Machine (Martha, Karol G) and HYBE, the film offers unprecedented access, following BTS as they come back together to begin a reunion set to be etched in pop culture history, while reflecting on the journey that transformed seven Korean members into global icons. Since their debut in 2013, BTS built one of the most devoted fan communities in the world. After completing South Korea’s mandatory military service, the seven members reunite in Los Angeles to make music together, returning to a shared creative space shaped by time apart and personal change. As millions of fans await the comeback of the decade, BTS confronts quieter questions: how to begin again, how to honor the past without being bound by it, and how to move forward together. Through moments of doubt, laughter, and rediscovery, they create new music that reflects who they are now—culminating in what will become a landmark album of its time. Intimate, emotional, and often joyful, BTS: THE RETURN is a story only BTS can tell: a portrait of resilience, brotherhood, and reinvention.

BTS THE COMEBACK LIVE | ARIRANG marks an expansion of Netflix’s live programming, becoming the first-ever live event broadcast from Korea to be livestreamed globally. This latest addition follows a robust lineup of live events, including Skyscraper Live, Star Search, Jake vs Joshua, WWE Raw, NFL Christmas Gameday, Paul vs Tyson, Canelo vs Crawford, Six Kings Slam and much more. Looking ahead, Netflix’s live slate includes MLB games, the FIFA Women’s World Cup, and The Actor Awards.

BTS THE COMEBACK LIVE | ARIRANG

Format: Live Special

Premiere Date: March 21, 2026 at 8 PM KST (4 AM PST / 7 AM EST)

Director: Hamish Hamilton

Executive Producers: HYBE, BIGHIT MUSIC, Guy Carrington, Garrett English and Kevin Hermanson

Production Company: Done + Dusted

This is a ticketed event with more information to be shared at a later date.

BTS: THE RETURN

Format: Film

Premiere Date: March 27, 2026

Director: Bao Nguyen

Executive Producers: Mark Blatty, Melissa Robledo, Seonjeong Shin, Nicole Kim, Kyewon Suh, James Shin

Producers: Jane Cha Cutler, Bao Nguyen, R.J. Cutler, Elise Pearlstein, Trevor Smith, Choongeon Lee, Namjo Kim, Se Jun Lee

Production Companies: This Machine, HYBE, EAST Films

About BTS

BTS, an acronym of Bangtan Sonyeondan or “Beyond the Scene,” are a GRAMMY-nominated South Korean boyband that has been capturing the hearts of millions of fans globally since their debut in June 2013. The members of BTS are RM, Jin, SUGA, j-hope, Jimin, V, and Jung Kook. Gaining recognition for their authentic and self-produced music, top-notch performances, and their deep connection with fans, the band has established a legacy as 21st century pop icons breaking countless world records. While imparting a positive influence through activities such as the LOVE MYSELF campaign and the UN ‘Speak Yourself’ speech, the band has mobilized millions of fans across the world (named ARMY), earned six No.1 Billboard Hot 100 singles since 2020, and performed multiple sold-out stadium shows across the world. They were also named TIME’s Entertainer of the Year 2020. BTS are 5-time GRAMMY nominees (63rd to 65th GRAMMY Awards) and have been recognized with numerous prestigious awards like the Billboard Music Awards, American Music Awards (Artist of the Year 2021) and MTV Video Music Awards. The band will release their fifth studio album ARIRANG on March 20, 2026 with a massive world tour to follow, signaling a return set to be etched in pop culture history.

Online casino development in the Philippines has followed a deliberate path shaped by regulation, economic priorities, and cultural familiarity with gaming.

Unlike industries that expanded without clear boundaries, digital gaming in the country evolved through a cycle of experimentation, correction, and institutional oversight.

This process explains why today’s online casino environment looks markedly different from its earlier iterations.

Digital gaming gained momentum in the mid-2010s as internet access improved and mobile adoption accelerated nationwide.

At the same time, the Philippine government maintained an existing legal framework for games of chance, allowing online platforms to operate under defined licenses rather than informal arrangements.

This combination of demand and structure positioned the country as an attractive base for gaming operators seeking legitimacy.

However, early growth also revealed the limits of scale-driven expansion. Offshore-oriented platforms, while economically active, operated at volumes that strained enforcement mechanisms.

As participation increased, so did concerns over financial transparency, consumer protection, and the broader social impact of always-on access to wagering platforms.

Importantly, gaming itself was not new to Filipino society. Community card games, bingo halls, and festival-based betting activities have long existed as recreational outlets.

What changed was accessibility. The shift to digital removed physical barriers, increasing both convenience and risk. These realities pushed regulators to refine, not remove, the industry.

Rather than dismantling online casinos altogether, policymakers opted for recalibration.

The decision to eliminate offshore-focused operations while preserving domestically regulated platforms reframed digital gaming as a controlled form of entertainment aligned with national law.

This approach laid the foundation for a modern online casino ecosystem built on accountability, transparency, and long-term sustainability.

Expansion and Its Limits

The period between 2016 and 2019 marked the fastest growth phase for online casino platforms in the Philippines.

Licensing mechanisms attracted foreign interest, while gaming companies became visible contributors to employment and commercial real estate demand in key urban centers. For a time, the industry’s success was measured largely by scale.

Yet expansion alone proved insufficient as a benchmark for stability. As platforms multiplied, enforcement challenges surfaced, particularly among operators catering to foreign markets.

Investigations into financial irregularities exposed how digital gaming systems could be misused when oversight lagged behind operational growth. These developments gradually shifted public sentiment and prompted closer scrutiny from regulators.

At the same time, social considerations became harder to ignore. Increased digital access amplified exposure risks, raising concerns around excessive play, financial strain, and the need for stronger consumer safeguards.

Advocacy groups and religious organizations called for clearer limits, reinforcing the idea that growth without structure carried long-term consequences.

The government’s decision to shut down Philippine Offshore Gaming Operators in 2024 reflected this accumulated pressure.

Crucially, the move did not equate online casinos with illegality. Instead, it clarified which models aligned with Philippine law. Offshore-facing platforms were removed, while locally accountable operators remained.

This shift reduced the industry’s size but strengthened its credibility. Compliance, transparency, and player protection moved from optional practices to non-negotiable requirements, reshaping what success in the online casino sector truly meant.

PAGCOR’s Role in Online Casino Legitimacy

The backbone of the Philippine online casino system is the Philippine Amusement and Gaming Corporation (PAGCOR).

Established under Presidential Decree No. 1067-A, PAGCOR was designed to centralize authority over games of chance, ensuring that regulation remained a direct state function rather than a delegated responsibility.

PAGCOR’s mandate balances revenue generation with strict supervision. Licensed operators contribute to public funds while remaining subject to continuous oversight, auditing, and reporting.

This structure embeds accountability into daily operations, differentiating regulated platforms from informal or offshore alternatives.

For online casinos, compliance extends beyond licensing. Operators must maintain physical accountability within the Philippines, adhere to national financial regulations, and implement anti-money laundering systems aligned with global standards.

Over time, PAGCOR expanded its framework to include responsible gaming policies, player exclusion mechanisms, and advertising controls.

These requirements are part of how licensed platforms are built and maintained.

Under this model, legitimacy is defined by adherence to rules rather than market reach. A compliant online casino serves domestic players, operates transparently, and aligns with national interests.

This regulatory architecture ensures that digital gaming functions as regulated entertainment, not as an unchecked parallel economy. Trust, within the Philippine system, is earned through governance and consistency.

Domestic Operators and the Post-Reform Industry

Following the removal of offshore gaming operations, the Philippine online casino landscape entered a consolidation phase.

What remained were platforms explicitly designed to operate within PAGCOR’s regulatory boundaries. This shift elevated domestic operators as the standard-bearers of the industry’s future.

DigiPlus exemplifies this regulated model. As a Philippine-based digital entertainment company, it operates multiple PAGCOR-licensed platforms while maintaining physical gaming sites nationwide.

This dual presence satisfies legal requirements and reinforces operational accountability.

Unlike offshore-oriented entities, DigiPlus focuses on Filipino players and locally familiar games. Its digital offerings reflect cultural context while integrating responsible gaming tools that align with regulatory expectations.

As a publicly listed company, DigiPlus is also subject to heightened disclosure, governance, and compliance standards.

Its measurable contributions, ranging from tax revenue and employment to social development initiatives, illustrate how regulated online casinos can function as legitimate economic participants.

These outcomes are the result of operating within the framework that PAGCOR was designed to enforce.

GameZone, within the DigiPlus ecosystem, represents how online casino platforms can modernize without abandoning discipline. It demonstrates that digital gaming does not need to exist at the margins to succeed.

Instead, sustainability is achieved through alignment with law, transparency, and player protection.

How Online Casino Platforms Are Stepping Up

The evolution of the Philippine online casino industry reflects a broader lesson in governance and adaptation. Growth alone did not define success; regulation ultimately shaped sustainability.

By drawing a clear line between offshore operations and domestically accountable platforms, policymakers preserved digital gaming while correcting its vulnerabilities.

Today’s environment is smaller, more structured, and more credible. Online casinos operating under PAGCOR oversight are no longer exceptions within the system but its intended outcome.

Regulation has transformed digital gaming from a volume-driven experiment into a controlled form of entertainment aligned with public interest.

Companies like DigiPlus illustrate how innovation can coexist with accountability. Through transparent operations, cultural relevance, and responsible gaming standards, regulated platforms demonstrate why oversight matters.

The GameZone online casino, in particular, shows that online casinos can evolve responsibly without sacrificing accessibility or player trust.

The Philippine experience underscores a key principle: digital gaming thrives when rules are clear, enforcement is consistent, and operators respect the communities they serve. In this balance, the online casino industry finds not just legality but durability.

FAQs

Q: Is online casino gaming legal in the Philippines?

A: Yes, provided the platform operates under PAGCOR licensing and complies with Philippine law.

Q: Why were offshore gaming operators removed?

A: Offshore-focused platforms raised regulatory and security concerns that conflicted with domestic oversight.

Q: What makes an online casino legitimate?

A: PAGCOR licensing, physical accountability in the Philippines, AML compliance, and responsible gaming systems.

Q: How are players protected under the regulation?

A: Through exclusion programs, spending controls, advertising limits, and continuous monitoring.

Q: What role does GameZone play today?

A: GameZone represents a locally regulated online casino platform aligned with national standards and player protection.

WATCH THE TRAILER FOR VVS FILMS’ MAYA & SAMAR

IN THEATRES MARCH 20TH, 2026

Following its World Premiere at the 66th Thessaloniki International Film Festival in November 2025, Anita Doron’s MAYA & SAMAR is set for a Canadian theatrical release on March 20, 2026. The film is produced by Serendipity Point Films and January Films, and will be distributed in Canada by VVS Films, with Distant Horizon handling international sales.

SYNOPSIS

Maya, a rising journalist at a hip indie website, covers sex and music with free-flowing thought and liberal practice. Samar, a queer Afghan who landed in Greece following a harrowing escape from the Taliban, lives without papers in Athens, dancing in a club for cash. After a fateful meeting on the outskirts of Athens, their worlds collide in a brief yet torrid affair that exposes their conflicting cultures. With Samar, Maya crafts her latest headline; with Maya, Samar crafts an unexpected twist, exposing the raw truth behind privilege.

PRESENTED BY

VVS Films

Serendipity Point Films

January Films

PRODUCERS

Laura Lanktree

Robert Lantos

Julia Rosenberg

STARRING

Nicolette Pearse

Amanda Babaei Vieira

Brenna Coates

DIRECTED BY

Anita Doron

WRITTEN BY

Tamara Berger

Click here for Interview & Review requests

Courtesy of VVS Films

MAYA & SAMAR was filmed on location in Athens, Greece and Hamilton, Canada and is a Canada-Hellenic Republic co-production with Filmiki.

All Things Go Festival today announced the lineup for its Toronto 2026 edition, taking place on June 6th and 7th at the iconic downtown waterfront venue RBC Amphitheatre. The festival is renowned for centering female, LGBTQ+, gender-expansive, and marginalized artists to great success. As Billboard just said, “The Toronto edition of All Things Go is about to get hotter.”

The lineup for Saturday, June 6th is led by genre-defying phenomenon, award-winning artist Kesha and Toronto rock band The Beaches, winners of the 2024 Juno Award for Group of the Year, along with Rachel Chinouriri, who played last year’s All Things Go in NY and DC, as well as Holly Humberstone, Sofia Camera and Bella Kay.

The lineup for Sunday, June 7th features some of today’s most beloved and innovative artists, led by trailblazer and returning ATG headliner Lorde and GRAMMY winners Wet Leg, along with Del Water Gap, Jade Lemac, Momma, and Flower Face.

All Things Go has once again partnered with Live Nation Women, aligned in a shared mission to champion women and expand opportunities for artists and fans. Last year’s festival featured iconic sets from Reneé Rapp, Kacey Musgraves, Role Model, Charlotte Cardin, and many more…

All Things Go 2026 editions in the DC and New York will return this year, with more information to come soon.

Sign-up here for more.

Last year’s successful All Things Go expansion to Toronto, Canada was praised by the likes of Billboard Canada, Much Music, Toronto NOW, Toronto.com etc.

“From the very first act to the final headliner, every set is part of an immersive experience that has made All Things Go one of the most talked about festivals in North America. This year, Toronto audiences get to be part of it for the first time.” – Now Toronto

“One of the best parts of the festival is that there were no overlapping set times. Every artist’s set followed an organized schedule on one stage, giving fans the chance to see everyone. The Toronto expansion signified the festival’s growth while maintaining its commitment to cultivating inclusive spaces within the music community.” – Billboard Canada

“An epic music festival is coming to Toronto for the first time and its star-studded lineup just dropped.” – Toronto.com

About All Things Go: 

All Things Go is an independent music festival based in Washington, DC and New York City, renowned for its innovative approach to curation and community. Since its founding in 2011, All Things Go has showcased an impressive lineup of groundbreaking artists, including Billie Eilish, boygenius, Lana Del Rey, Maggie Rogers, Reneé Rapp, Hozier, Lorde, Laufey, Mitski, HAIM, Janelle Monáe, Charli XCX, MUNA, Carly Rae Jepsen, Bleachers, Tove Lo, Doechii, Clairo, Djo, Lucy Dacus and many more. At the heart of the festival is a passionate and inclusive fan community known as “The Besties,” embodying the festival’s commitment to diversity and belonging. 

The benefit compilation All Things Go: 10 Years was released late last year, with 100% of proceeds supporting The Ally Coalition, a nonprofit founded by Jack and Rachel Antonoff that aids LGBTQ+ youth. The track “Jesus and John Wayne,” by googly eyes with Joy Oladokun and August Ponthier, was named one of NPR’s best songs of 2025. The compilation showcased original songs and collaborations from artists across the All Things Go community, including Kesha, Hudson Mohawke, Maren Morris (prod. Jack Antonoff), Rachel Chinouriri, and Bartees Strange. 

Recognized internationally, All Things Go was nominated for Pollstar’s Music Festival of the Year in 2023 and 2025 and has been featured prominently in media outlets such as The New York Times, Variety, Forbes, NME, Rolling Stone, Billboard, CNN, Pitchfork, NPR, and The Washington Post.

About Live Nation Women:

Live Nation Women is a division of Live Nation with a mission to drive progress for women within our company, across our industry, and around the world. We center women in every program, initiative, project, and tour with a focus on the advancement of women within Live Nation, advocacy for women across the live music industry, and the amplification of female artists and leaders.

Two-time Academy Award®-winning director Chloé Zhao (Nomadland, The Rider, Eternals) brings her most emotionally moving work yet to the poetic drama, HAMNET, arriving on digital* platforms to buy or rent starting February 3, 2026, and on 4K Ultra HD, Blu-ray™ and DVD on March 3, 2026, from Universal Pictures Home Entertainment. Winner of two Golden Globe Awards for Best Motion Picture Drama and Best Actress Drama, Focus Features’ HAMNET has now received eight Academy Award® nominations for Best Picture of the Year, Best Director, Actress in a Leading Role, Adapted Screenplay, Costume Design, Achievement in Casting, Original Score and Production Design. The film has also earned 11 BAFTA Award nominations for Best Film, Leading Actress, Best Supporting Actor, Best Supporting Actress, Best Original Score, Best British Film, Best Direction, Best Makeup & Hair, Best Adapted Screenplay, Best Costume Design and Best Production Design.

Based on Maggie O’Farrell’s New York Times bestselling novel, HAMNET tells the untold story behind one of Shakespeare’s most memorable works, Hamlet. It is an inspiring journey of love and the creative brilliance that shaped a legacy and became Shakespeare’s greatest masterpiece. Academy Award® nominee Paul Mescal (Aftersun, Gladiator II) artfully portrays William Shakespeare with emotional vulnerability and intensity, while Jessie Buckley’s (Wild Rose, The Lost Daughter) Golden Globe winning performance as his wife Agnes has been hailed as “the performance of a lifetime – and for all time” (AFI). Chloé Zhao’s HAMNET is earning extraordinary acclaim as a film that made Bong Joon Ho say, “I felt healed watching this film,” moved Denis Villeneuve “both times” he saw it, and earned Jane Fonda’s praise as “a perfect film.” Commended for its period-accurate authenticity and immersive visual storytelling, HAMNET celebrates the power of imagination and the creative spirit. Captivating bonus features include three compelling behind-the-scenes featurettes, an exclusive commentary from Zhao herself offering an intimate director’s perspective, and an exploration on how the Tudor Period was created on set.

HAMNET also features moving performances from two-time Academy Award® nominee Emily Watson (Hilary and Jackie, Breaking the Waves) and award-winning actor Joe Alwyn (The Favourite, Harriet). With breathtaking cinematography, the film was photographed by Academy Award® nominee Łukasz Żal (The Zone of Interest, Ida), and masterfully co-produced by three-time BAFTA Award nominee Liza Marshall (“The State,” “The Long Firm”), Academy Award® nominee Pippa Harris (1917, “Call the Midwife”), Nicolas Gonda (The Tree of Life, Age Out), Academy Award® winner Sam Mendes (1917, American Beauty), and three-time Academy Award®-winning producer Steven Spielberg (Schindler’s List, The Fabelmans, Jurassic Park franchise).

EXCLUSIVE BONUS CONTENT WHEN YOU PURCHASE AT PARTICIPATING RETAILERS:

FAMILY IS FOREVER — Step behind the scenes of HAMNET and witness the heartwarming connections forged between Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, and the young “Shakespeare children,” culminating in a moving performance of Macbeth’s witches and unforgettable moments with director Chloé Zhao.
CULTIVATING CREATIVITY — Discover how Chloé Zhao’s visionary direction and infectious warmth inspired Jessie Buckley, Paul Mescal, and Maggie O’Farrell to bring HAMNET to life. Join the cast and crew as they share joyful memories and celebrate the creative magic behind the scenes.
RECREATING THE TUDOR PERIOD — Explore the extraordinary craftsmanship that built HAMNET’s immersive Tudor world, from the stunning recreation of the Globe Theatre to the meticulous period costumes and sets, this featurette invites you to experience the artistry that made history come alive.
DIRECTOR’S COMMENTARY WITH CHLOÉ ZHAO

• A digital purchase provides a limited license to access the content. See the retailer’s terms for details.
  For more information on HAMNET, please visit:
  Website: https://www.universalpicturesathome.com/movies/hamnet
  Press Release: https://www.universalpicturesathome.com/press-release/hamnet-press-release
  Trailer: https://uni.pictures/HAMNET_Trailer
  X: @hamnetmovie | @UniPicsAtHome
  Instagram: @hamnetmovie | @UniPicsAtHome
  Facebook: /hamnetmovie | /UniPicsAtHome
  TikTok: @focusfeatures | @UniPicsAtHome

FILMMAKERS:
Cast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Noah Jupe, Jacobi Jupe
Casting by: Nina Gold CSA
Music By: Max Richter
Costume Designer: Malgosia Turzanska
Edited By: Chloé ZhaoACE, Affonso Goncalves ACE
Production Designer: Fiona Crombie
Director of Photography: Łukasz Żal PSC
Executive Producers: Kristie Macosko Kreiger, Chloé Zhao, Laurie Borg
Produced By: Liza Marshall p.g.a, Pippa Harris p.g.a, Nicolas Gonda p.g.a, Steven Spielberg p.g.a, Sam Mendes p.g.a
Based on the Novel: Hamnet
Written By: Maggie O’Farrell
Screenplay By: Chloé Zhao, Maggie O’Farrell
Directed by: Chloé Zhao

TECHNICAL INFORMATION 4K UHD:
Street Date: March 3, 2026
UPC Number: 191329285473 (US) / 191329285633 (CDN)
Disc Size: BD 100
Aspect Ratio: 16:9 1.78:1 Widescreen
Rating: PG-13 (Thematic content, some strong sexuality, and partial nudity)
Languages/Subtitles: English, French Canadian, Latin American Spanish
Sound: English (Dolby Atmos for Feature, Dolby Digital 2.0 for Bonus Content), French Canadian (Dolby Digital 5.1), Latin American Spanish (Dolby Digital 5.1)
Run Time: 2:05:11

TECHNICAL INFORMATION BLU-RAY™:
Street Date: March 3, 2026
UPC Number: 191329285619 (US) / 191329285480 (CDN)
Disc Size: BD 50
Aspect Ratio: 16:9 1.78:1 Widescreen
Rating: PG-13 (Thematic content, some strong sexuality, and partial nudity)
Languages/Subtitles: English, French Canadian, Latin American Spanish
Sound: English (Dolby Atmos for Feature, Dolby Digital 2.0 for Bonus Content), French Canadian (Dolby Digital 5.1), Latin American Spanish (Dolby Digital 5.1)
Run Time: 2:05:11

TECHNICAL INFORMATION DVD:
Street Date: March 3, 2026
UPC Number: 191329285466 (US) / 191329285626 (CDN)
Disc Size: DVD 9
Aspect Ratio: 16:9 1.78:1 Anamorphic Widescreen
Rating: PG-13 (Thematic content, some strong sexuality, and partial nudity)
Languages/Subtitles: English, French Canadian, Latin American Spanish
Sound: English (Dolby Digital 5.1 for Feature, Dolby Digital 2.0 for Bonus Content), French Canadian (Dolby Digital 5.1), Latin American Spanish (Dolby Digital 5.1)
Run Time: 2:05:19

ABOUT UNIVERSAL PICTURES HOME ENTERTAINMENT:
Universal Pictures Home Entertainment (UPHE – www.uphe.com) is a unit of Universal Filmed Entertainment Group (UFEG). UFEG produces, acquires, markets and distributes filmed entertainment worldwide in various media formats for theatrical, home entertainment, television and other distribution platforms, as well as consumer products, interactive gaming and live entertainment. The global division includes Universal Pictures, Focus Features, Universal Pictures Home Entertainment, Universal Brand Development, Fandango, DreamWorks Animation Film and Television. UFEG is part of NBCUniversal, one of the world’s leading media and entertainment companies in the development, production and marketing of entertainment, news and information to a global audience. NBCUniversal owns and operates a valuable portfolio of news and entertainment networks, a premier motion picture company, significant television production operations, a leading television stations group, world-renowned theme parks and a suite of leading Internet-based businesses. NBCUniversal is a subsidiary of Comcast Corporation.

Looking for romantic ways to spend your Valentine’s Day? Gladstone House, Broadview Hotel, and Postmark Hotel, all Archive Hospitality properties, have some lovely dine and stay options for you. Let’s check them out!

Gladstone House 

• Eat
  • Cassette & The Café are serving up signature Valentine’s Day features, including a braised beef or lamb shank and truffle gnocchi, plus half-priced bottles of wine and a special cocktail. Reservations can be made here.
  • Cassette is open for brunch all weekend long, including a ticketed R&B Soul Suite brunch on Sunday, Feb. 15. Tickets for Soul Suite are available here.
• Live entertainment
  • On Friday, Feb. 13, Mira Mela will perform with a quartet after dinner service. Tickets can be purchased here.
  • On Saturday, Feb. 15, guitarist Leo Orlov will play for guests during dinner service. Reservations for Cassette can be made here.
  • Meagan De Lima will perform an ode to Olivia Dean’s The Art of Loving on Sunday, Feb. 15, with tickets on sale here.
• Stay
  • Room add-ons, including late checkout, in-room bubbly, and discounted rates for 3+ night stays, are available throughout the long weekend. Room reservations can be booked here.

Broadview Hotel 

• Eat
  • Oyster and bubbly will flow all weekend long on The Rooftop and at The Bistro, including during brunch. Reservations can be made here.
• Stay
  • Room add-ons, including late checkout, bubbly in-room, and discounts for 3+ night stays, are available over the long weekend. Room reservations can be made here.

Postmark Hotel 

• Eat
  • From Friday to Sunday, Overlea will offer a special prix fixe “Made for Two” chef’s tasting menu. Reservations are available here.
• Stay
  • To make the weekend extra special, “Room For Two” add-ons are available, including discounts for 3+ night stays, plus optional in-room amenities such as a dozen roses, housemade chocolates, and a bottle of bubbly. Reservations can be booked here.

Roywoods, Toronto’s favourite Caribbean restaurant group, is proud to introduce Roywoods Patty, its newest concept bringing authentic Jamaican patties to the heart of the city. The flagship kiosk is now open inside TMU Station (Formerly Dundas Station), offering commuters a quick, delicious, and healthier Caribbean bite on the go.

Crafted for busy Torontonians, Roywoods Patty serves handmade, seed oil-free patties baked fresh daily in-house. By using only high-quality fats, the patties deliver a cleaner taste, easier digestion, and none of the inflammatory effects commonly linked to processed seed oils, providing a guilt-free way to enjoy bold Caribbean flavours while keeping city living in mind.

The menu features signature fillings, including:

 Spicy Beef – Our classic blend with real scotch bonnet heat, plus the option to add
cheddar cheese.
 Jerk Chicken – Shredded chicken marinated in our famous house jerk sauce.
 Curry Shrimp – Spicy shrimp in a creamy, savory Jamaican curry sauce with a hint of
sweetness.
 Oxtail – Slow-braised oxtail with rich, thick gravy, wrapped in golden, flaky pastry.
 Veggie Medley – A seasonal mix of callaloo, carrots, and peppers for meat-free options.

Patty lovers can also pair their favourites with freshly baked sweets such as cookies, cinnamon buns, and creamy flan, or enjoy steaming coffee, espresso, and chilled tropical beverages.

“In today’s economy, we know families and commuters are looking for options that are both affordable and high quality,” says Regis Cito, Co-Founder of Roywoods “With Roywoods Patty, we’re able to offer healthy, seed oil-free patties made fresh daily at a price that makes sense. City living is fast and busy; people shouldn’t have to compromise on taste, quality, or value. This kiosk allows our customers to enjoy authentic Caribbean flavours that are better for them, without breaking the bank.”

Designed for life on the go, Roywoods Patty transforms the daily TTC rush into a quick Caribbean escape, giving commuters a faster, fresher way to enjoy Jamaican patties, without compromise.

Location: TMU Station, Toronto ( Line 1 Yonge–University)
Opening Date: Thursday February 5th 2026
Operating Times: 8AM to 8PM

To celebrate opening day, 416 free patties will be given away during the ROYWOODS PATTY TMU launch! Get there early!