The little voices inside Riley’s head know her inside and out—but next summer, everything changes when Disney and Pixar’s “Inside Out 2” introduces a new Emotion: Anxiety. According to director Kelsey Mann, the new character promises to stir things up within headquarters. “Anxiety, voiced by Maya Hawke, might be new to the crew, but she’s not really the type to take a back seat,” said Mann. “That makes a lot of sense if you think about it in terms of what goes on inside all our minds.” A trailer, poster and film stills are now available for what promises to be the feel-good (or feel-everything) film of Summer 2024.
Disney and Pixar’s “Inside Out 2” returns to the mind of newly minted teenager Riley just as headquarters is undergoing a sudden demolition to make room for something entirely unexpected: new Emotions! Joy, Sadness, Anger, Fear and Disgust, who’ve long been running a successful operation by all accounts, aren’t sure how to feel when Anxiety shows up. And it looks like she’s not alone. Maya Hawke lends her voice to Anxiety, alongside Amy Poehler as Joy, Phyllis Smith as Sadness, Lewis Black as Anger, Tony Hale as Fear, and Liza Lapira as Disgust. Directed by Kelsey Mann and produced by Mark Nielsen, “Inside Out 2” releases only in theatres Summer 2024.
By Amanda Gilmore
Ethan Hawke returns to the Director’s chair to explore the life and art of American Author Flannery O’Connor, who’s stunningly portrayed by his own daughter Maya Hawke.
Hawke and Co-Writer Shelby Gaines’s Script focuses on O’Connor’s life when she left New York City in 1950 and returned home to live with her mother Regina (a dazzling Laura Linney). It was here that she was diagnosed with lupus. At the time, getting this diagnosis felt like a death sentence. And that’s how O’Connor took it. Thus, she believed her time was limited to making the lasting mark she desired. Maya Hawke captivates as the Author grapples with her identity and her artistry.
Just like Hawke’s prior directorial ventures, Wildcat examines the artist’s way. He achieves this by blending O’Connor’s life with visual tellings of her short stories. He places her mother and those parts of her real life in the visual recreations of her stories. This creates the connection between life and art that O’Connor always claimed.
A highlight of Wildcat is the examination of the relationship O’Connor has with her faith. The Screenwriters spend significant time connecting the Author’s religion with the harsh judgement she places on herself for her dark imagination. The Filmmakers imply that this judgement halted the young author’s career early on. As the ending comes, O’Connor finally accepts her imagination for what it is and separates it from her relationship with God. She went on to become one of the most prominent writers of her generation.
Wildcat screens at TIFF ’23:
Monday, September 11 at 8:45 PM at Royal Alexandra Theatre
Wednesday, September 13 at 7:30 PM at Scotiabank Theatre Toronto
Saturday, September 16 at 11:30 AM at Scotiabank Theatre Toronto
By Amanda Gilmore
Visionary Director Wes Anderson delivers a witty Sci-Fi about loneliness.
Asteroid City is about a TV show broadcast about a play that’s about people visiting a place called Asteroid City. Yes, you read the correctly. In typical quirky Anderson fashion, he brings us into this story through a character telling a story. In so doing, he delivers layers of themes that merge into one universal look at humanity.
Anderson first introduces us to a black-and-white TV Show with a story being told by a Broadcast Host played brilliantly by Bryan Cranston. He tells us about a playwright (Edward Norton) who was in search of a cast to perform in his new play that had yet to have a name — ahem…it becomes titled Asteroid City. Anderson then pulls back the curtain and brings us into the play, broken down with title card Acts and Scenes, and the familiar world of vibrant colour we’ve come to expect from the visionary arrives.
The play is about Augie (a fantastic Jason Schwartzman) who’s driving to Asteroid City with his son Woodrow (Jake Ryan) and three daughters. Woodrow is going to be awarded a medal at the Junior Stargazer convention in the town. When they arrive, Augie informs his children that their mother passed away three-weeks prior. This is the first indication of a slightly darker tone for Anderson even while being in this enchanting colourful world. He examines themes such as grief, loneliness and slight apathy.
While in a diner in-town, Augie and Woodrow meet actress Midge Campbell (Scarlett Johansson) and her daughter (Grace Edwards). Johansson excels in this quirky role that we rarely get to see her play. Her character is quite meta as she’s an actress who’s playing an actress in the play Asteroid City.
Augie and Midge slowly build a kinship as they often meet in the windows of their adjoining rentals. Angie runs lines with Midge as she rehearses for her next big role. Frustrated that he isn’t giving much emotion, Augie finally confesses. He hasn’t been feeling much of anything since his wife’s death. This leads Midge to tell him to use that grief and put it into the character.
For all of the spectacular visuals in Asteroid City, this is the most beautiful thing Anderson has delivered. This is a small but powerful message of how art can help channel emotional pain. He cements this theme when we return to black and white. As the actor playing Augie steps backstage and out on a balcony. He runs into the actress (Margot Robbie) who was going to play his wife before they decided to kill off her character. With only this scene, Robbie captivates as she delivers a monologue about the grief of losing the role but the fact that she’s now at a different production just next door. Things end but you need to feel and work through the emotions to move forward.
Anderson’s packed in quite an Ensemble that whom knock it out of the park. He also delivers on the Sci-Fi front. With a few scenes that are such fun that you’ll be craving more.
Asteroid City screens at Cannes ’23:
Tue May 23 at 7PM at GRAND THÉÂTRE LUMIÈRE
Wed May 24 at 8:30AM at GRAND THÉÂTRE LUMIÈRE
Wed May 24 at 8:30AM at AGNÈS VARDA THEATRE
Wed May 24 at 2:30PM at GRAND THÉÂTRE LUMIÈRE
Wed May 24 at 4PM at CINEUM IMAX
Thu May 25 at 2PM at CINEUM AURORE
Sat May 27 at 3:15PM at AGNÈS VARDA THEATRE
We’re at the halfway point almost of TIFF ’19 and we are looking forward to enjoying some films soon! Before all that though, there are plenty of stars to spot around the City and today was EPIC!
See our sightings below. Hover cursor right to navigate albums.
THE LAUNDROMAT – Premiere
GUNS AKIMBO – Press Stop
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#TIFF19: #DanielRadcliffe x #SamaraWeaving at #TIFF for #GunsAkimbo. #HuaweiP30Pro
HONEY BOY – Press Stop
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BAD EDUCATION – Press Stop
WASP NETWORK – Press Stop
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#TIFF19: #GaelGarciaBernal x #EdgarRamirez x #WagnerMoura at #TIFF for #WaspNetwork. #HuaweiP30Pro
UNCUT GEMS – Press Stop
JUDY – Press Stop
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#TIFF19: The Cast of #Judy. #ReneeZellweger, #FinnWittrock + Director #RupertGoold.
HUMAN CAPITAL – Press Stop
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#TIFF19: With burgeoning stars #MayaHawke x #BettyGabriel, at #TIFF for #HumanCapital. #HuaweiP30Pro
JOKER – Premiere
#TIFF19: #JoaquinPhoenix + #RooneyMara at the #TIFF Premiere of #GoldenLion winner, #Joker. On a separate post I will show you who made a surprise visit! pic.twitter.com/dUcIFsB7Mw
— MR. WILL WONG 📸 (@mrwillw) September 10, 2019
#TIFF19: #JoaquinPhoenix at the #TIFF Premiere of #Joker. pic.twitter.com/uha0WlQXbc
— MR. WILL WONG 📸 (@mrwillw) September 10, 2019
(Photo credit : Mr. Will Wong)
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