#CANNES: “ASTEROID CITY” REVIEW

By Amanda Gilmore

Visionary Director Wes Anderson delivers a witty Sci-Fi about loneliness.

Asteroid City is about a TV show broadcast about a play that’s about people visiting a place called Asteroid City. Yes, you read the correctly. In typical quirky Anderson fashion, he brings us into this story through a character telling a story. In so doing, he delivers layers of themes that merge into one universal look at humanity.

Anderson first introduces us to a black-and-white TV Show with a story being told by a Broadcast Host played brilliantly by Bryan Cranston. He tells us about a playwright (Edward Norton) who was in search of a cast to perform in his new play that had yet to have a name — ahem…it becomes titled Asteroid City. Anderson then pulls back the curtain and brings us into the play, broken down with title card Acts and Scenes, and the familiar world of vibrant colour we’ve come to expect from the visionary arrives.

The play is about Augie (a fantastic Jason Schwartzman) who’s driving to Asteroid City with his son Woodrow (Jake Ryan) and three daughters. Woodrow is going to be awarded a medal at the Junior Stargazer convention in the town. When they arrive, Augie informs his children that their mother passed away three-weeks prior. This is the first indication of a slightly darker tone for Anderson even while being in this enchanting colourful world. He examines themes such as grief, loneliness and slight apathy.

While in a diner in-town, Augie and Woodrow meet actress Midge Campbell (Scarlett Johansson) and her daughter (Grace Edwards). Johansson excels in this quirky role that we rarely get to see her play. Her character is quite meta as she’s an actress who’s playing an actress in the play Asteroid City.

Augie and Midge slowly build a kinship as they often meet in the windows of their adjoining rentals. Angie runs lines with Midge as she rehearses for her next big role. Frustrated that he isn’t giving much emotion, Augie finally confesses. He hasn’t been feeling much of anything since his wife’s death. This leads Midge to tell him to use that grief and put it into the character.

For all of the spectacular visuals in Asteroid City, this is the most beautiful thing Anderson has delivered. This is a small but powerful message of how art can help channel emotional pain. He cements this theme when we return to black and white. As the actor playing Augie steps backstage and out on a balcony. He runs into the actress (Margot Robbie) who was going to play his wife before they decided to kill off her character. With only this scene, Robbie captivates as she delivers a monologue about the grief of losing the role but the fact that she’s now at a different production just next door. Things end but you need to feel and work through the emotions to move forward.

Anderson’s packed in quite an Ensemble that whom knock it out of the park. He also delivers on the Sci-Fi front. With a few scenes that are such fun that you’ll be craving more.

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Asteroid City screens at Cannes ’23:

Tue May 23 at 7PM at GRAND THÉÂTRE LUMIÈRE

Wed May 24 at 8:30AM at GRAND THÉÂTRE LUMIÈRE

Wed May 24 at 8:30AM at AGNÈS VARDA THEATRE

Wed May 24 at 2:30PM at GRAND THÉÂTRE LUMIÈRE

Wed May 24 at 4PM at CINEUM IMAX

Thu May 25 at 2PM at CINEUM AURORE

Sat May 27 at 3:15PM at AGNÈS VARDA THEATRE