Some of you might recall that my dear Friend Jonathan Godfrey, a fellow Film Aficionado has pitched-in a few Reviews here of late. He thought of the brilliant idea of us combining our perspectives together for you all to read right in time for the 85th annual Academy Awards. As it turns out, we have rather different opinions on how we feel the Oscars will unfold. We both live for Oscars Day and these would be our choices if we were given Ballots by the Academy…
SUPPORTING ACTRESS & ACTRESS IN A LEADING ROLE
Jonathan Godfrey: Ladies first, I am a Gentleman after all. And when it comes to the fairer sex I must admit my fondness for Anne Hathaway, however when it comes to this year’s Best Supporting Actress, she is not my Flagbearer. Helen Hunt is, and the sexuality she exudes in The Sessions makes her so.
Mr. Will: Although I would agree that the brazen and physically-correct Helen Hunt was superb in The Sessions, it was Hathaway who devastated me most as Fantine in Les Misérables. In fact her performance was so good that if the Academy would allow it, she could well have won Actress in a Leading Role this year. The last two-thirds of Les Misérables never could match that level of intensity it had when she was on-screen. Mark my words, it will be a Hathaway Sweep this Awards season, completed by an Oscar win here. Anne, I’m still on for Soy Lattes and Salon Day some time. Text me, A-Hath!
Jonathan Godfrey: As for Actress in a Leading Role, my choice is far more mainstream. Jennifer Lawrence is unforgettable in Silver Linings Playbook, and such an impression should be adequately awarded.
Mr. Will: Inasmuch as I love J-Law – and I really do – I really just don’t think she’s earned it yet. When you measure her performance here against recent Winners like Natalie Portman in Black Swan, Hilary Swank in Million Dollar Baby/Boys Don’t Cry, Charlize Theron in Monster or Meryl Streep in The Iron Lady, her Silver Linings Playbook work just doesn’t stack-up to that caliber. I’m so sorry to say it – don’t Katniss me with a Crossbow! I also would hate to see her peak this early in her career as I think her best work is still ahead of her. The Oscars Curse can be detrimental, ask Mira Sorvino. Therefore, my vote goes to the effervescent Jessica Chastain. Her stone-cold performance as Maya in Zero Dark Thirty in my opinion, dug that extra layer deeper and left an impression with me long after I left the theatre. Kudos also to a then six-year-old Quvenzhané Wallis who wowed me in Beasts of the Southern Wild, a born natural. Naomi Watts I adore, starting off so strong in The Impossible, but alas it is her role which didn’t give her as much to work with after she fell ill for most of the Film.
SUPPORTING ACTOR & ACTOR IN A LEADING ROLE
Jonathan Godrey: My choices here are for the pair of Chaps who star opposite each other in The Master. Yes, I was one of those Oddballs impressed by that haunting theological treatise. And so I believe Philip Seymour Hoffman to be Supporting Actor, and Joaquin Phoenix the Actor in a Leading Role. Color me crazy (a suitable shade), for that Film drove me to madness (its own indelible mark).
Mr. Will: Odd, indeed! The Master was this year’s Tree of Life for me. Although sartorially exquisite, it went completely over my head. I appreciate Phoenix‘s daringness and Hoffman‘s conviction here, but it is Christoph Waltz who lit-up the Screen for me in Django Unchained, giving us a performance equally brilliant to the one he gave us in 2009’s Inglourious Basterds. This Man fascinates me: his range, his ability to command a scene and his working chemistry with Quentin Tarantino is just explosive. And can I say what an injustice it is that Leonardo DiCaprio didn’t get recognized?
As for Actor in a Leading Role I begrudgingly have to say the incomparable Daniel Day-Lewis is the odds-on choice. And I say “begrudgingly” because I know how Hugh Jackman gave it his all in Les Misérables, finally getting that long-overdue Academy acknowledgment. In any other year it could’ve been him.
COSTUME DESIGN, PRODUCTION DESIGN & ORIGINAL SCORE
Jonathan Godfrey: Though I do not believe I am qualified to comment on every Technical category, I do wish to talk about a few. It may be Paul Delgado’s first nomination, but he is deserving of the gold for Costume Design nonetheless. The Wardrobe he stitched for Les Misérables is inspiring, so is Sarah Greenwood & Katie Spencer’s work on Anna Karenina. To them the aesthetic award of Best Production Design is given easily. They made the stage a character of its own, a truth too often overlooked. Lastly, may Mychael Danna take the Oscar for Original Score in Life of Pi. We Torontonians must stick together.
Mr. Will: I tend to agree with you Jonathan, despite our v. different opinions in the Acting categories. In any given year there are several Nominees in categories such as Short Film – Animated or Short Film – Live Action which we unfortunately don’t get an opportunity to evaluate. In terms of Costume Design, Colleen Atwood has built her own legacy and her work for Snow White and The Huntsman cannot be overlooked as a possible Dark Horse, but yes, the Costumes in Anna Karenina were stunning – a Film defined by its Fashion. I do think though that Les Misérables has more fuel in its tank at this point in Awards Season. I’d give the upper hand to Delgado here for his work in the Musical.
As for Production Design, I’m inclined to say that the Duo of Eve Stewart & Anna Lynch-Robinson for Les Misérables also will be awarded. Hard to believe they made us believe we were amidst the June Rebellion in France all within the confines of a few Soundstages. As for Original Score, I love John Williams as does the Academy making him the choice, although Thomas Newman for Skyfall might give him a run for his money.
I also would like to commend the phenomenal Makeup and Hairstyling in the under-appreciated Hitchcock. You go, Howard Berger, Peter Montagna & Martin Samuel! Anyone who can turn Sir Anthony Hopkins so believably into such a widely-recognizable Icon deserves a round of applause in my books.
ADAPTED SCREENPLAY, ORIGINAL SCREENPLAY & DIRECTING
Jonathan Godfrey: Lucy Alibar & Benh Zeitlin cannot go unmentioned for Adapted Screenplay. Theirs is a story of life, its beauty and opposing struggle. Beasts of the Southern Wild is absolutely brilliant and so is Amour. Thus, for Original Screenplay the statue goes to Michael Haneke. However, as much as I am torn in denying Haneke the Award for Directing, it nevertheless goes to a worthy Opponent. Benh Zeitlin took home the honours at Sundance for Beasts, and here he shall have them again. His Film reminds the World that life is in the living.
Mr. Will: Argo was my fave Film of 2012, so I am pretty much rooting for Chris Terrio to be awarded Adapted Screenplay for his enthralling, humanistic and detailed work. For Original Screenplay, my heart is with Tarantino for Django Unchained; an unparalleled Storyteller, in a league of his own.
As for Directing, it still to this day does not sit well with me that Ben Affleck so cruelly was overlooked for Argo. The Golden Globes, BAFTAs, DGAs and Broadcast Film Critics Association Awards got it right. The Academy, not so much. That being said, the legendary Steven Spielberg is as deserving as he’s ever been for Lincoln, drawing phenomenal performances all around from his superior-caliber Cast, paying a fitting tribute to a Man who changed our World.
BEST PICTURE
Jonathan Godfrey: Beasts of the Southern Wild is my selection for Best Picture. All of the Nominees are deserving of the honour this year, and I believe Les Misérables and Amour to be especially so. That said, Beasts remains my choice, one I have been debating for weeks on-end. In time, I shall see if the Academy agrees with me, and I do not worry if they don’t. I’m happy to have seen all of the nominated Films, and to have enjoyed them in turn. I hope those interested do the same, and come to their own honest conclusions.
Mr. Will: Although I walked away from Zero Dark Thirty thinking for sure it was this year’s Best Picture, I’ve seen both Silver Linings Playbook and Argo gain a huge amount of momentum over the past few weeks, particularly the latter. To be honest, I think Argo is peaking at the right moment to take it all, especially with Affleck‘s snubbing reminding the Academy how badly they’ve messed-up failing to recognize his work as a Director. Argo, it is.
And thank you so much Jonathan for generously sharing your thoughts with us. You definitely have a unique perspective and offer a refreshing take! I do think you’re terribly wrong about Hathaway though and you know it!
ABC airs the 85th annual Academy Awards on Sunday, February 24, 2013 at 7:00 PM EST.
(Photo credit: Mr. Will Wong)
Giving just a taste of what’s to come at the Oscars next month, the 70th annual Golden Globe Awards took place tonight at the Beverly Hilton in Los Angeles. As originally thought, the Race to next month’s Oscars is just as wide-open as ever based on tonight’s results. The Hollywood Foreign Press Association awarded top Honours to Argo for Motion Picture – Drama, when many thought Zero Dark Thirty or Lincoln would be victorious. To further illustrate the drastic differences between the HFPA‘s tastes and that of the Academy, Ben Affleck shocked many in failing to garner a mention for Best Director when Oscar Nominees were unveiled this past Thursday. To put this into context, Affleck‘s win tonight for Motion Picture – Director had him defeating previous Oscar Winners Kathryn Bigelow and even past Cecil B. DeMille Award Winner, Steven Spielberg. Nonetheless, with Argo nabbing two key Awards, in addition to Django Unchained winning Original Screenplay and Supporting Actor in a Motion Picture (Christoph Waltz) and Les Misérables also winning an impressive three Awards: Motion Picture – Musical or Comedy, Actor in a Musical or Comedy (Hugh Jackman) and Supporting Actress in a Musical or Comedy (Anne Hathaway), these three Best Picture Nominees definitely cannot be ruled-out.
Jodie Foster, a six-time Golden Globe Nominee herself, was honoured with the Cecil B. DeMille Award this year, raising quite a few eyebrows with her v. candid Speech which for the first time publicly had her addressing her Sexuality. “I’m just gonna put it out there loud and proud, so I’m gonna need your support on this. I am single. Yes I am”, she said with a bit of nervousness. “I already did my coming-out a thousand years ago in the Stone Age in those very quaint days when a fragile young Girl would open-up to Family and Friends”. On her longevity as an Actress Foster says, “There are a few secrets to keeping your Psyche intact over such a long career – love people and stay beside them.”.
As predicted, Jessica Chastain and Daniel Day-Lewis won respectively for Best Actress and Actor in a Motion Picture – Drama. This is the second time Chastain has been nominated, her first Nomination coming with 2011’s The Help. Also this is the sixth time the reclusive Day-Lewis has been nominated and his second time winning the prestigious Award. He won in 2008 for There Will Be Blood.
Meanwhile, Hugh Jackman earned his first-ever Golden Globe for Actor in a Motion Picture – Musical or Comedy, with Les Misérables; he received his first nomination back in 2002 for Kate & Leopold. Jackman edged-out Bradley Cooper, a first-time Nominee for his work on Motion Picture – Musical or Comedy Winner Silver Linings Playbook. Both Actors will vie with Day-Lewis at next month’s Oscars for the coveted Best Actor Award.
The Hunger Games Star Jennifer Lawrence, won her first Golden Globe for Actress in a Motion Picture – Musical or Comedy for her work in Silver Linings Playbook. “What can I say? I beat Meryl!”, she joked upon accepting her Award from hilarious Anchorman 2 Duo, Kristen Wiig and Will Ferrell. “JLaw” as she likes to be called, received her first Golden Globe in 2010 for Breakthrough Role in Winter’s Bone.
Three-time Golden Globe Nominee Anne Hathaway was seen widely as a heavy Favourite to win for Supporting Actress in a Motion Picture and did not disappoint for her work in Les Misérables. Defeating an exceptionally-talented Group including Helen Hunt, Nicole Kidman, Amy Adams and Sally Field, Hathaway likely will take home Best Supporting Actress next month also. The New York Native’s Acceptance Speech was full of compliments, giving nods to Co-Host Tina Fey, using a word she made famous, “Blarg!” and also praising Field for her Oscar-winning work in Norma Rae.
Despite some heavy competition, two-time Golden Globe Nominee and now two-time Winner Waltz rose above all to win Supporting Actor in a Motion Picture for his spirited turn in Django Unchained. With the exception of Co-Star Leonardo DiCaprio, he will be up against Philip Seymour Hoffman, Tommy Lee Jones and Alan Arkin again next month at the Oscars in the same Category.
In the Television categories, HBO‘s Sarah Palin-inspired Game Change and Showtime Drama Series Homeland walked away the big Winners. The former won for Mini-Series or Motion Picture for Television, in addition to Stars Julianne Moore and Ed Harris each winning Actress and Supporting Actor respectively. The latter garnered four nominations this year, including Television Series – Drama. New Mom Claire Danes, who won last year for Actress in a Television Series – Drama repeated the feat again this year, while Co-Star Damian Lewis won the Award for Actor. HBO‘s Breakout Hit Girls despite falling short at the Primetime Emmy Awards late last year, would not be refused tonight winning Television Series – Comedy and also its Writer and Star Lena Dunham winning Actress in a Television Series – Comedy. Coincidentally or not, Season Two of the Series premiered tonight.
As always, Fashion is a huge part of the Festivities and especially stunning on the Red Carpet tonight were Hathaway donning an elegant white Chanel Dress. Chastain rarely disappoints and tonight she chose Calvin Klein as her Clothier of choice, looking Classic Hollywood and Katharine Hepburn-esque. Lawrence also drew a lot of attention for her red Dior Couture Dress cinched with a thematically-appropriate gold belt, as did Foster in a navy Armani Number. Lucy Liu who currently stars in TV Series Elementary, may have drawn some mixed responses for her floral Carolina Herrera Dress, but she gets big points here for the inspired Look. Also, hilariously snappy Co-Hosts Tina Fey and Amy Poehler graced the Carpet in Wife and Husband Outfits, Fey looking particularly amazing in L’wren Scott. Of the Gentleman, no one can deny that Leonardo DiCaprio was King of the Ball in Tom Ford!
For a complete list of Winners, click here.
(Photo credit: @GoldenGlobes)
If this doesn’t give you goosebumps, I don’t know what will. An Extended Look at Les Misérables has just been released and here we get insights from Amanda Seyfried, Hugh Jackman, Eddie Redmayne, Samantha Barks, Russell Crowe and Anne Hathaway on the groundbreaking process of recording all Songs while live-acting, versus in-studio weeks prior. Redmayne says it most eloquently about the process, “The fragility of emotions is matching the words the characters are saying”.
Watch the Extended First Look below:
Everything about this says Best Picture.
Les Misérables opens Christmas Day via Universal Pictures.
(Photo/video credit: Universal Pictures)
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