#TIFF20: “I CARE A LOT”

By Amanda Gilmore for Mr. Will Wong

J Blakeson’s dark Thriller follows a legal Conservator with insidious intentions. Marla (Rosamund Pike), along with her life and work partner Fran (Eiza González), have created a despicable business of defrauding their elderly clients. Their newest target is the rich and unassuming  Jennifer (Dianne Wiest). After lying to a judge in an emergency hearing, claiming Jennifer has Dementia, Marla gains guardianship of her. However, Jennifer isn’t who she appears to be. Marla and Fran quickly realize they are messing with the wrong woman.

This could have been a Drama about seniors being taken advantage of by the state and appointed guardians. But thankfully, it’s a lot more than that. Blakeson adds a mafia storyline which turns this Drama into a Thriller.

At the forefront is Pike  who delivers her best work since Gone Girl.  She excels as the icy Marla. Being an Antagonist, she finds herself battling against an Antagonist of her own, that being Crime Lord (Peter Dinklage) who has close ties with Jennifer. Dinklage is outstanding as a Gangster who will stop at nothing to get his mother back and away from Marla‘s control. The Film’s shining moment is when Pike and Dinklage come face-to-face and we witness their shifts in power.

I Care A Lot is a cautionary tale about the corrupt web of elderly abuse. We don’t get to see these feminist characters as this in leading roles nearly enough, but we sure wish we did.

I Care A Lot screens at TIFF ’20 as follows:

Sat, Sep 12 9:30pm
RBC Lakeside Drive-In at Ontario Place

Sun, Sep 13 6:00pm
Online at Bell Digital Cinema

#TIFF20: “AMMONITE”

By Amanda Gilmore for Mr. Will Wong

Francis Lee’s latest takes us to 19th-century Dorset. It follows real-life Palaeontologist Mary Anning (Kate Winslet) as she searches the coastline for marine fossils. She spends her days alone, walking the shore and helping at her mother’s tiny shop. Soon she finds her solitary life becomes upended when she’s asked by another Palaeontologist to care for his melancholic wife, Charlotte (Saoirse Ronan). In need of the money, she agrees. Gradually, Mary and Charlotte grow close.

Lee does an amazing job shooting the Film in a show-don’t-tell way. There is limited dialogue throughout. Instead, he creates scenes where the weather, objects and characters actions speak volumes. This becomes integral in escalating visually the blossoming love between Mary and Charlotte. In the First Act, Mary is rightfully angry and curt, while Charlotte is mourning the loss of her child. The beautiful coast’s weather parallels their emotions. There are overcast skies and violent waves attacking the coastline. As they spend time together, the clouds clear and the waters calm.

Ammonite is more than a period-Romance. Lee focuses on the work of the incredible Mary and the theme of women taking ownership of their work. During the 19th-century, no Scientific Society would take-in a woman. No matter how hard and astounding Mary’s work was, she was excluded. However, there were male Scientists who were interested in learning from her, being the best in her field. But in the end, they knew she was in need of money. So, they would pay her for what she found and put their names on it. In focusing on this, Lee enhances his Script with a love story involving ownership and class.

Mary loved and lived for her work. It didn’t matter that in doing so, she wouldn’t be part of the upper-class. However, Charlotte is part of the upper-class. It’s here that conflict arises in their relationship. So many times, we have witnessed a forbidden same-sex romance. Although that is at play here, Ammonite focuses on their differing upbringings and that divides them no matter how badly they want to be together. Once again, Lee shows us this instead of telling us. He places his characters on opposite sides of Mary’s glassed sea-creature on display inside the British Museum.

With the talent of Winslet and Ronan in the Film’s lead roles, we are expecting greatness, and they do not disappoint. Winslet is always dynamite. Here, she gives one of her strongest performances. She encapsulates the anger Mary has for having to sell her work and her vulnerability when falling in love with Charlotte. Ronan gives a performance like we’ve never seen from her before. She’s strongest in portraying Charlotte’s grief and her desperation to keep Mary close to her. Their raw emotion feels authentic and honest, especially in their love scenes that are shot meticulously and delicately. And with minimal screen time, Fiona Shaw captivates as a previous love of Mary’s.

While at times it lags a little, this period-Romance which fuses Gender Politics and Classism, is made-up for with stellar performances, particularly by Winslet.

Ammonite screens at TIFF ’20 as follows:

Fri, Sep 11 9:15pm & 9:30pm
TIFF Bell Lightbox

Sat, Sep 12 6:00pm
Online at Bell Digital Cinema

Mon, Sep 14 12:30pm
TIFF Bell Lightbox

#TIFF20: THE DRIVE-IN EXPERIENCE

By Mr. Will Wong

As you know, we’ve been attending TIFF for several years now and we in all honesty were kinda excited for the first time to experience it in Drive-In format. This screening option is reserved more for the higher-profile titles at the Festival, with films divided between RBC Lakeside Drive-In and OLG Play Stage (Ontario Place Boulevard x Remembrance Drive) , plus VISA Skyline Drive-In (20 Polson Street).

We had the joy of seeing a Film at RBC Lakeside Drive-In and it was a pleasurable, well-executed experience which we can see being used again in future editions of the Festival. We loved the private experience of seeing a Movie with plenty of personal space from others. We could even make comments and not worry about distracting others. And the acoustics were perfect. Above this, we loved the retro charm of all this.

A few key things on the experience to guide you through it if you plan to see your films this way at TIFF ’20:

1. Doors open two hours before your Movie starts, but we arrived an hour early and had plenty of time to settle-in comfortably without having to queue to get in.
2. Upon arriving at the gate of the venue, you should have your digital tickets ready for scanning on your phone and you will be guided along by volunteers on a path to the theatre.
3. On your ticket, you are provided a reserved parking spot (sorted by colour coding) for your car and volunteers will guide you to that spot. Ensure you turn your headlights off. This is a courtesy to others.
4. A volunteer will brief you on the experience, including where washrooms are and what station to tune-into on your car radio to enjoy the Movie.
5. Concessions are available at the venues. You will be provided instructions or a link how to order on your phone and they will be brought to you, usually in a contactless manner. It also is totally fine to bring your own food. We did!
6. RBC Lakeside Drive-In has a stage with a live musical guest during the pre-show. It is good etiquette to honk your car to show appreciation for the performance.
7. With your car being on Accessory mode to keep your radio on to watch the Movie, it will turn off on its own at some point. If that happens just turn your car back on, carefully keep your headlights off so not to distract others.
8. There are Mazda Guest Automative Services available in case your car battery dies.
9. If you must leave your car during the Movie, ensure you keep at least 6 ft away from others and ensure you have a face covering on.
10. Do your research and check the length of your Film. It is a good idea to get a head start on the exit rush of cars out the venue once the Film ends, unless you do enjoy sitting through the credits. Which is totally fine too, but be prepared to wait!

Some snaps of our experience, which we were able to enjoy at TIFF ’20 courtesy of the 2020 Acura ILX!

A special thanks to H&M Canada for the fashion as well! Many of you are asking about the face covering and this is an official TIFF ’20 mask available only at the TIFF Bell Lightbox Gift Shop!

View this post on Instagram

Nomadland at RBC Lakeside Drive-In. Made possible with the 2020 #AcuraILX. Fashion by @HM Canada. Official face mask available at @tiff_net Gift Shop.🙏 #TIFF20

A post shared by Mr. Will Wong 📸 (@mrwillwong) on Sep 11, 2020 at 6:13pm PDT

(Photo credit: Mr. Will Wong)

#TIFF20: “NOMADLAND”

By Mr. Will Wong

All eyes are on Chloé Zhao who debuted at TIFF ’17 with The Rider, topping several best-of lists that year. While her work on Marvel’s The Eternals is on its way to us, sophomore effort NOMADLAND comes with high hopes and she does not disappoint.

The Film centers on Fern (Frances McDormand), a widow whom after the economic crash in 2008, loses her home and lives a content life free to roam as a nomad. Not yet able to retire, she lives out of her sometimes reliable van, taking-on odd jobs as a means of survival. Once a supply teacher, she now takes on temporary work at the Amazon warehouse for a bit. She works as a host at an RV park for a while, among other one-off gigs. She is our eyes and ears into this little-known about world travelling place to place with no destination, meeting several fascinating people along the way, who also live the nomadic life and through Fern, we learn their stories as well. These characters, played by non-actors give the Film an earthiness and soul that feels so authentic and Fern blends right into the world.

The story we want to know most about though is why she chooses this way of life with no benefits to take care of her should she fall ill and not knowing if she has enough money to cover repairs on her van. While at times appearing uncomfortable, she never once complains about the life. And at once when offered a choice to settle down and live comfortably a few times throughout the Film, she never takes them. If anything, she appears even more like a fish-out-of-water dwelling in the world of others. She is enigmatic and McDormand effortlessly draws us into Fern‘s way of life, which is comprised of constant moving parts.

Zhao not only directs, but adapts Jessica Bruder’s Nomadland: Surviving America in the Twenty-First Century and the Film feels very much like a Documentary and we are just a fly on the wall. The Rider Cinematographer Joshua James Richards teams-up with Zhao once again, capturing breathtaking landscapes and Fern as part of them, so exquisitely. Visually, Nomadland has an understated sense of style yet a comforting familiarity to it. Ludovico Einaudi‘s piano-driven Score is soothing and complements the imagery perfectly.

The Film is about surviving and living one’s own truth and while very much a quiet piece, it is a thought-provoking one.

NOMADLAND screens at TIFF ’20 as follows:

Fri, Sep 11
RBC Lakeside Drive-In at Ontario Place
9:15pm

Sat, Sep 12
Online at Bell Digital Cinema
Premium

#TIFF20: “SPRING BLOSSOM”

By George Kozera for Mr. Will Wong

Despite her luminous smile, it becomes quickly apparent that 16-year-old Suzanne (Suzanne Lindon) is bored. She is clearly not interested in the nonsensical prattle of her friends and classmates and escapes being in their company as often as possible. Even when she decides to go to a classmate’s house party, much to the surprise of her parents and older sister, she doesn’t quite fit in – she doesn’t like beer and when asked to rate all the boys there from 1 to 10, she tellingly replies with “they’re all 5s”. Then one day, passing a theatre on the way home from school, she notices a handsome, curly-haired and bearded man. Raphael is 35 years old and an actor and she senses that they are kindred spirits. They ultimately meet and realize that, despite their age difference, they are compatible in so many ways and a relationship slowly blossoms.

SPRING BLOSSOM, from France, is an atmospheric, languidly paced tale of love, made remarkable due to the immeasurable talents of Lindon. Not only is she the star of this Movie, she wrote the Script when she was 15-years-old and directed this Feature as well. Reminding me of a young Genevieve Bujold, she has the screen presence and charisma that rivals the auspicious debuts of Julia Roberts and Leonardo DiCaprio. Bathed in whites, her directorial choices mostly hit the spot despite a few self-indulgently choreographed moments. As a Writer, her ear for dialogue is authentic and fluid and the Plot is believable, never prurient. Arnaud Valois registers beautifully in the role of Raphael and never fails to captivate.

With Paris as a backdrop, I was swept away in a haze of Gauloise while being transfixed throughout SPRING BLOSSOM.

SPRING BLOSSOM screens at TIFF ’20 as follows:

Thu, Sep 10
TIFF Bell Lightbox
Subtitled
7:30pm

Fri, Sep 11
Online at Bell Digital Cinema
Subtitled
Streaming in Canada. Available from:
6:00pm

Thu, Sep 17
TIFF Bell Lightbox
Subtitled

#TIFF20: IN CONVERSATION WITH…. HALLE BERRY

By Mr. Will Wong

As per of TIFF‘s SHARE HER JOURNEY initiative promoting emerging females in Film, the public got to enjoy a free virtual event, In Conversation with…. Halle Berry tonight, hosted by CBC‘s Amanda Parris.

Having been in the industry for over 30 years, Berry‘s career has been nothing short of legendary. In addition to winning an Oscar for her work in 2001’s Monster’s Ball, her extraordinary catalog has seen her star in the X-Men Franchise, John Wick: Chapter 3 – Parabellum, Jungle Fever, Boomerang and several more impactful films of our time. She has seen an incredible longevity and tonight she reflected on her path to success.

Berry makes her directorial debut at TIFF ’20 with BRUISED, which premieres at the Festival. The MMA Sports-Drama sees her starring as disgraced fighter Jackie “Justice” who must face an up-and-coming rival in the ring and also confront the son she abandoned several years prior. The Film just sold in a huge deal for $20 million to Netflix.

Berry on getting into acting:

“I was looking for an outlet to explore what I had to say that modelling couldn’t. Originally, I thought I’d be a reporter and travel around the world reporting the news. In acting, I let the universe set forth what I should be doing. It happened with my directorial debut and when I started acting.”.

On being more than her shell and playing a drug addict in Spike Lee‘s Jungle Fever, her breakthrough role:

“I grew-up in an environment where I knew I didn’t always fit in. I knew I was full of substance and had tons of stories to tell. I knew I was always more than my shell. I felt from Jungle Fever on, I could be seen as more than a pretty face model-turned-actor.”.

On her Oscar-winning role in Monster’s Ball:

“I always go for the dark horse character in the race and I’m always drawn to that. This speaks to my own brokenness. I get to have a cathartic experience and share parts of myself I don’t always present so forwardly. I know where exactly the pain of this character lives innately.”.

On whether she watches her performances again:

“I watch them only once to prepare for Press and once at the Premiere. I never go back and watch them. That is the hardest thing to do. In my directorial debut, I had to watch myself over and over and over and that was one of the hardest aspects.”

On how she feels about the thought that Monster’s Ball propagates the idea of a ‘White Saviour‘:

“I stand behind everything I ever said. It was an important story to tell and a character I related to. I never looked at Billy Bob as the ‘White Saviour‘, but instead, two characters who needed love. I’ve never thought of the Film as being about ‘black and white’.”.

On winning an Oscar:

“I’ve never embraced any character thinking this is going to get me an award. Once you get an award, there is nothing to ensure you’ll get another award. The unfair expectation is once you do win an award, you will continue to win like you had control over that the first time. I’ve tried to stay hungry as an Actor and take risks… I can’t say it got any easier after I won that award.”.

On the changing landscape for coloured women in Entertainment:

“I do see things have changed. 20 years ago, we were in a different situation than we are today. Look at our landscape. I think our best movies are on TV. and it’s full of colour. I’m really proud to be part of the evolution. It’s starting to feel better.”.

On her directorial debut, BRUISED, which she had to re-imagine instead with a middle-aged black woman. The role originally was written for an Irish-American white woman.

“I wanna see someone rise above obstacle. That’s what most people relate to. We’re all struggling to survive and show-up for ourselves and our families.”.

“I was charged with finding someone to bring this story to life. After speaking to the Producers, I realized through the prodding of a close friend of mine I could direct this after thinking ‘Nobody understands what’s in my head!'”. “I pitched myself as the Director and I was off to the races.”.

Our Review of BRUISED will be posted later next week, be sure to check back.

(Photo credit: TIFF)

#TIFF20: “FALLING”

Review by Amanda Gilmore for Mr. Will Wong

Viggo Mortensen’s Toronto-made directorial debut follows a turbulent relationship between father and son. With Falling, Mortensen examines the strong bond between relatives even after they’ve become severed. The focus here is on the relationship between John (Mortensen) and his ill yet overtly profane father Willis (Lance Henriksen).

Early, the conflict starts with conservative Willis being forced to move from his rural farm to Los Angeles to be cared for. It’s a difficult decision for John to make. Willis physically and mentally-abused his wife, Gwen (Hannah Gross), while John was growing up. He also relentlessly spews sexist, racist and homophobic remarks. Despite being against his father’s hateful rhetoric, John decides to move Willis in with him, his husband and child.

Mortensen’s Film works. His Script is filled with familial conflict and tension. For example, scenes where John’s family are having or making dinner are filled with tender moments of affection. These moments are often challenged by Willis who figuratively has his hand on the trigger, aiming at his family’s happiness. Although this makes for complex, emotional scenes it creates an irredeemable character. Mortensen doesn’t give much room for the audience to sympathize with Willis. His repetitious hate speech causes our blood to boil. However, this might be Mortensen’s intension. If so, he’s succeeded.

John repeatedly forgives his father’s inexcusable insults. Even when Willis is degrading who John and his family are. This becomes problematic for the story because John is happily married to a man. There isn’t a clear explanation as to why he easily forgives his father’s repugnant insults. Unfortunately, it’s this gray area that’s not clearly explained which hinders the storyline.

The one thing about Willis that isn’t wrong is who’s playing him. Henriksen is a powerhouse as the ailing repugnant patriarch. He’s fully committed to each hideous line Willis spews. Mortensen turns-in a touching performance as a man torn between caring for a hurtful father and protecting his family from degradation. While not getting a lot of screen time, Gross manages to turn in an impactful performance as the endearing Gwen.

Falling screens at TIFF ’20 as follows:

Fri, Sep 11 4:30 pm

TIFF Bell Lightbox

Sun, Sep 13 4:45 pm

TIFF Bell Lightbox

Mon, Sep 14 6 pm

Bell TV customer exclusive

Thu, Sep 17 6 pm

Bell Digital Cinema

#TIFF20: “SHIVA BABY”

Review by Amanda Gilmore for Mr. Will Wong

Perennial undergrad student Dani (Rachel Sennot) is at a crossroads in her life. She doesn’t know what to do with her career and she’s in a money-exchange relationship with an older man Max (Danny Deferrari). When her parents haul her to a Shiva (a Jewish mourning event), her past, present and future converge in one house. Surprisingly, she encounters her ex Maya (Molly Gordon) and current flame Max. At once, she is hounded by questions from extended family and friends at the affair. As the pressure surmounts, Dani’s anxiety reaches a breaking point.

It’s hard to believe Shiva Baby is a first-time Feature. Writer-Director Emma Seligman navigates her story with the precision and confidence of a seasoned Filmmaker. She has a clear vision and executes it masterfully. Her Script includes heavy themes of inner-turmoil laced with Comedy, making can make this tightrope to walk. Seligman manages to balance herself steadily.

Another feat Seligman achieves is giving this Dramedy a very distinct feel. She borrows a bit from the Horror genre to heighten Dani’s anxiety. The disquieting Score by Ariel Marx could easily have been used in a Horror film, yet it triumphs in this heartfelt Coming-of-Age story. Not only does it parallel the trepidation of the protagonist, but instills great tension in its audience.

There are moments where Seligman’s whip-smart dialogue is delivered by multiple characters in succession, overpowering us as we immerse ourselves in Dani’s building unease. As a result, we feel both a mix of empathy and anxiousness. Cinematographer Maria Rusche adds to the escalating tension with close-up shots that induce a claustrophobic feeling. This is further aided by the stellar, concise editing by Hanna Park, who for example, makes quick jumps between dialogue, close-up shots and the ear-piercing cries of a baby.

At the heart of Shiva Baby is its endearingly-flawed characters. Seligman manages to get us invested in each character because she gives the same detailed attention to her one-line characters as she does Dani. Our protragonist is placed in a series of cringe-worthy situations which many of us relate to. Refreshingly, she’s never pigeon-holed and is perfectly brought to life by the outstanding performance from Sennot.

As the lead, Sennot commands the screen and encapsulates the essence of Dani – her anxiety, her secretiveness and her fire. However wrong Dani’s actions are, we sympathize with her because Sennot makes it hard not to. She also excels at understanding the power-dynamics within each scene in Seligman’s Script. Sennot is surrounded by an immensely-talented Ensemble. Gordon is delightful as the still-in-love ex. Polly Draper and Fred Melamed are superb as Dani’s supportive, yet overbearing parents. And Dianna Agron is just captivating as a woman slowly learning of her husband’s deceit.

Overall, Shiva Baby is a hilarious, heartfelt Film about the surmounting pressures of family expectations and growing up. At its core are its stellar performances and expert filmmaking all around.

Shiva Baby screens at TIFF:

Thu, Sep 10
Online at Bell Digital Cinema
Streaming in Canada Available from:
6:00pm

Thu, Sep 17
TIFF Bell Lightbox
12:00pm

#TIFF20: A PHOTO RETROSPECTIVE

By Mr. Will Wong

My love of Film and Stars go hand-in-hand. I’ll never forget seeing my first Film at the Toronto International Film Festival in 2001. After spending a couple weeks in Singapore earlier that Summer and hearing nothing but raves about Chicken Rice War, I thought I’d never get a chance to see it back home in Toronto. The chance came at the Festival, I got my ticket and being fashionably-late always, I remember being guided into a full theatre at Varsity Cinema by a volunteer usher in the pitch dark, before finally finding a seat somewhere at the front. This would become my favourite spot to sit watching Movies at the Festival. Odd, I know! But sitting close to the screen, you can see every bit of emotion on the face of an Actor, small details in the set design and best of all, be right up-front when the Q&A happens after the Film. How cool was it that we got to hear the Director (Chee Kong Cheah) talk all about the process of making the Film and even get to ask him questions? I was overjoyed. I felt right in my element. This was the place I was meant to be.

After that, I made it a point of putting aside a bit of money every year for my one big splurge in September, getting to see three, four Movies a day for the duration of the Festival, maybe taking one rest day for laundry and quality time with my dog. “Normal” people go on vacation with the couple weeks off work they get a year. Mine always go towards TIFF.

I’ll never forget the generosity of someone who gave me a tip-sheet on the greatest spots to see the stars at TIFF. Back in the day I first began going to TIFF, Press Conferences were held at the now-gone Sutton Place Hotel. Easily in one afternoon, you could see Brad Pitt, George Clooney and Charlize Theron come right through the side door. Paps would tell me to move. Clipboards got propped over my face by autograph hounds in pursuit of a “graph”. My one dry Sharpie given to Drew Barrymore literally f*cked-up an entire signing spree, leaving everyone with faded scribbles on their memorabilia and 8×10s. I literally got booed when the infamous parched pen was traced back to me. I never asked for autographs, but I had to have Drew‘s. But clearly none of that got me down because I loved the rush so much. I couldn’t believe my luck that I’d stumbled upon this secret celebrity underworld. I’d juggle my Stargazing in-between Movies and this ignited my decision to start a website devoted entirely to the joy this brought me. To TIFF I am indebted as it has led me to you.

Over the years I’ve spent many a TIFF cramming in the Films and snapping stars around town and I thought with the talent and fans staying safe right now in the Pandemic – as they should – I thought it would be fun to share some of my favourite snaps from over the years!

I think it’s hard to dispute why TIFF is the world’s greatest Film Festival and I have the photos to prove it. The red carpets won’t be rolled-out and my camera sits on the shelf this year. While things aren’t the same this Festival, we are hopeful for what’s to come next year as we adapt to our new normal. Be safe everyone, and be sure to bookmark this page and check regularly for our #TIFF20 coverage.

xMr. Will

(Photo credit: Mr. Will Wong)

#TIFF20: ANNOUNCING OFFICIAL FESTIVAL PARTNERS FOR MR. WILL WONG

It’s that time of the year again! We admit TIFF ’20 couldn’t gave come any sooner as it is the highlight of our year every year. While our expectations have been managed of a reduced Festival in light of our current climate, we still plan to celebrate the best Film Festival in the world however we can. We understand the star power won’t be here in the City like previous years, but we are still excited to deliver you content just as you were there with us at the Festival! We’ve got our Films picked-out and look forward to bringing you highlights from some star-studded In-Conversations with the likes of Halle Berry, Denzel Washington, Saoirse Ronan and more, plus daily reviews of the Festival’s most-buzzed titles! Team Mr. Will are thrilled to deliver you our best coverage just like we do every year, even if on a different scale!

We spoke to The Toronto Sun‘s Jane Stevenson about how this year’s set-up impacts our plans here.

First are foremost we’d like to thank our partners, returning and new this year.

H&M CANADA – H&M still remains our favourite fashion go-to year after year and while there are a limited number of physical events to attend this year, we’re still honoured to showcase pieces from their Fall/Winter 2020 Collection! With the seasons changing, H&M wants to help you build your best and coziest Fall wardrobe. With all H&M stores officially reopened across Canada, they have great, fashionable Fall items and amazing deals happening both online and in store. We’re thrilled to rock a couple new pieces from their Fall/Winter 2020 Collection at some TIFF ’20 in-person events.

CHATIME CANADA – We are obsessed with Chatime and are delighted again this year to give our Readers and Followers a chance to win some gift vouchers. Others try, but Chatime has proven time and again to be the best Bubble Tea available and we’re thrilled they’re branching-out to several new areas for you to see what the crazy is all about! We live a walk away from a location but often just Uber Eats it in as nothing’s better than bypassing the wait! My recommendations are their Brown Sugar Pearl Milk Tea, Wintermelon Iced Tea or Iced Grapefruit Black Tea! Be sure to try their brand-new Tea of the Month, the Brown Rice Green Tea with Fresh Milk and also their 1 litre Super Cups Also right in-time for Mid-Autumn Festival, you also can find limited edition Mooncakes in select stores by Bake Code!

NTD APPAREL INC. – We understand safety should always come at the expense of fun and style. NTD Apparel Inc.’s official licensed merchandise are available at several retailers like Winners, Walmart, Canadian Tire and more! We offered you a chance to win some JAWS and BACK TO THE FUTURE face coverings in July and those were a huge hit!

SONY PICTURES HOME ENTERTAINMENT – One of our favourite purveyor of cinematic hits has in recent months brought us our favourites on Home Entertainment including Bad Boys For Life, Little Women, A Beautiful Day in the Neighbourhood, Once Upon a Time…in Hollywood, Bloodshot and more!

ACURA CANADA – As TIFF this year while largely is digital, it will include a Drive-In component, more than ever do we need an amazing ride for the task. We’ll be arriving in style TIFF ’20 in the 2020 ACURA ILX TECH A-SPEC! We’ve already got a few Premieres on our schedule that we’ll enjoy in the ILX and we can’t wait to take you along with us for the ride!

NINJA KITCHEN CANADA – One of the joys of our pandemic has been sharpening our culinary skills and we were excited to launch a Cooking section on our website and the feedback has been amazing! Never did we realize before how much the Ninja Kitchen Air Fryer would elevate and simplify our cooking experience. We’ve made everything from Roast Chicken to Doughnuts to Steak and it is a joy to know we can have our favourite Sweet Potato Fries whenever we want now! Being home at TIFF this year more than ever for screenings, we appreciate the value of good food at home while we’re screening the Festival’s hottest titles.

STARBUCKS CANADA – Starbucks was a part of my daily life before the pandemic and it broke my heart that being home meant I couldn’t have my Starbucks every day. We’re so happy their stores are open again full-service and right in time for Pumpkin Spice Latte season – our favourite thing to have every TIFF, iced or hot! And don’t forget to try their brand-new Apple Oat Flat White. The ever-popular Oat Beverage is now available as a dairy alternative!

HAPPY HAND SANITIZER – More than ever before do we depend on staying safe with some sanitizer. Available at retailers like Well.ca and Whole Foods, Happy Hand Sanitizer sprays on easy, moisturizes, dries quick and is unscented. Best of all, it isn’t goopy like many others on the market. It also is safe for continued daily use at 80% alcohol and available in 2 and 8 oz. bottles. We don’t go anywhere without it! And best of all, it’s Canadian-made!

More excitingly, we’re thrilled to give our lucky Readers a chance to enjoy some of the products our partners offer! One lucky Readers will win our MR. WILL’S TIFF SURVIVAL PRIZE PACK which is an annual highlight. This year, the prize is more thrilling than ever!

The Prize Pack includes:

1 Ninja Kitchen Air Fryer, 3.8L (value $189 CAN)
4 Chatime Canada Gift Drink Vouchers with official Chatime Reusable Straws (value $60 CAN)
$25 Starbucks Canada Gift Card (value $25 CAN)
1 H&M Canada VIP Discount Card, good for 25% off
1 Sony Pictures Home Entertainment Canada Blu-ray™  Set including: Bad Boys For Life, Little Women, A Beautiful Day in the Neighbourhood, Once Upon a Time…in Hollywood and Bloodshot! (value $125)
NTD Apparel Inc. official licensed BACK TO THE FUTURE and JAWS Face Coverings (value $25)
2 2 oz. bottles of HAPPY Hand Sanitizer (value $15)

A total value of at least $500 CAN! If the drawn winner is from the Great Toronto Area, I will hand-deliver the package to you during TIFF ’20.

To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK. You can Re-Tweet this Contest Tweet from @mrwillw or tag two friends on this Post on our Instagram for an extra chance! You must be following and we will be verifying!

Even if you don’t win the Prize Pack, we’ve got some goodies to give away on our Social Media throughout the Fest!

MRWILL on Twitter

MR. WILL on Instagram

DAVE BALDWIN on Twitter

AMANDA GILMORE on Twitter

Bookmark this link here and check back often for our rolling TIFF ’20 coverage.

#TIFF20 runs September 10-20, 2020.

Happy TIFF, everyone!

Team Mr. Will