By Mr. Will Wong
As per of TIFF‘s SHARE HER JOURNEY initiative promoting emerging females in Film, the public got to enjoy a free virtual event, In Conversation with…. Halle Berry tonight, hosted by CBC‘s Amanda Parris.
Having been in the industry for over 30 years, Berry‘s career has been nothing short of legendary. In addition to winning an Oscar for her work in 2001’s Monster’s Ball, her extraordinary catalog has seen her star in the X-Men Franchise, John Wick: Chapter 3 – Parabellum, Jungle Fever, Boomerang and several more impactful films of our time. She has seen an incredible longevity and tonight she reflected on her path to success.
Berry makes her directorial debut at TIFF ’20 with BRUISED, which premieres at the Festival. The MMA Sports-Drama sees her starring as disgraced fighter Jackie “Justice” who must face an up-and-coming rival in the ring and also confront the son she abandoned several years prior. The Film just sold in a huge deal for $20 million to Netflix.
Berry on getting into acting:
“I was looking for an outlet to explore what I had to say that modelling couldn’t. Originally, I thought I’d be a reporter and travel around the world reporting the news. In acting, I let the universe set forth what I should be doing. It happened with my directorial debut and when I started acting.”.
On being more than her shell and playing a drug addict in Spike Lee‘s Jungle Fever, her breakthrough role:
“I grew-up in an environment where I knew I didn’t always fit in. I knew I was full of substance and had tons of stories to tell. I knew I was always more than my shell. I felt from Jungle Fever on, I could be seen as more than a pretty face model-turned-actor.”.
On her Oscar-winning role in Monster’s Ball:
“I always go for the dark horse character in the race and I’m always drawn to that. This speaks to my own brokenness. I get to have a cathartic experience and share parts of myself I don’t always present so forwardly. I know where exactly the pain of this character lives innately.”.
On whether she watches her performances again:
“I watch them only once to prepare for Press and once at the Premiere. I never go back and watch them. That is the hardest thing to do. In my directorial debut, I had to watch myself over and over and over and that was one of the hardest aspects.”
On how she feels about the thought that Monster’s Ball propagates the idea of a ‘White Saviour‘:
“I stand behind everything I ever said. It was an important story to tell and a character I related to. I never looked at Billy Bob as the ‘White Saviour‘, but instead, two characters who needed love. I’ve never thought of the Film as being about ‘black and white’.”.
On winning an Oscar:
“I’ve never embraced any character thinking this is going to get me an award. Once you get an award, there is nothing to ensure you’ll get another award. The unfair expectation is once you do win an award, you will continue to win like you had control over that the first time. I’ve tried to stay hungry as an Actor and take risks… I can’t say it got any easier after I won that award.”.
On the changing landscape for coloured women in Entertainment:
“I do see things have changed. 20 years ago, we were in a different situation than we are today. Look at our landscape. I think our best movies are on TV. and it’s full of colour. I’m really proud to be part of the evolution. It’s starting to feel better.”.
On her directorial debut, BRUISED, which she had to re-imagine instead with a middle-aged black woman. The role originally was written for an Irish-American white woman.
“I wanna see someone rise above obstacle. That’s what most people relate to. We’re all struggling to survive and show-up for ourselves and our families.”.
“I was charged with finding someone to bring this story to life. After speaking to the Producers, I realized through the prodding of a close friend of mine I could direct this after thinking ‘Nobody understands what’s in my head!'”. “I pitched myself as the Director and I was off to the races.”.
Our Review of BRUISED will be posted later next week, be sure to check back.
(Photo credit: TIFF)
Review by Amanda Gilmore for Mr. Will Wong
Viggo Mortensen’s Toronto-made directorial debut follows a turbulent relationship between father and son. With Falling, Mortensen examines the strong bond between relatives even after they’ve become severed. The focus here is on the relationship between John (Mortensen) and his ill yet overtly profane father Willis (Lance Henriksen).
Early, the conflict starts with conservative Willis being forced to move from his rural farm to Los Angeles to be cared for. It’s a difficult decision for John to make. Willis physically and mentally-abused his wife, Gwen (Hannah Gross), while John was growing up. He also relentlessly spews sexist, racist and homophobic remarks. Despite being against his father’s hateful rhetoric, John decides to move Willis in with him, his husband and child.
Mortensen’s Film works. His Script is filled with familial conflict and tension. For example, scenes where John’s family are having or making dinner are filled with tender moments of affection. These moments are often challenged by Willis who figuratively has his hand on the trigger, aiming at his family’s happiness. Although this makes for complex, emotional scenes it creates an irredeemable character. Mortensen doesn’t give much room for the audience to sympathize with Willis. His repetitious hate speech causes our blood to boil. However, this might be Mortensen’s intension. If so, he’s succeeded.
John repeatedly forgives his father’s inexcusable insults. Even when Willis is degrading who John and his family are. This becomes problematic for the story because John is happily married to a man. There isn’t a clear explanation as to why he easily forgives his father’s repugnant insults. Unfortunately, it’s this gray area that’s not clearly explained which hinders the storyline.
The one thing about Willis that isn’t wrong is who’s playing him. Henriksen is a powerhouse as the ailing repugnant patriarch. He’s fully committed to each hideous line Willis spews. Mortensen turns-in a touching performance as a man torn between caring for a hurtful father and protecting his family from degradation. While not getting a lot of screen time, Gross manages to turn in an impactful performance as the endearing Gwen.
Falling screens at TIFF ’20 as follows:
Fri, Sep 11 4:30 pm
TIFF Bell Lightbox
Sun, Sep 13 4:45 pm
TIFF Bell Lightbox
Mon, Sep 14 6 pm
Bell TV customer exclusive
Thu, Sep 17 6 pm
Bell Digital Cinema
Review by Amanda Gilmore for Mr. Will Wong
Perennial undergrad student Dani (Rachel Sennot) is at a crossroads in her life. She doesn’t know what to do with her career and she’s in a money-exchange relationship with an older man Max (Danny Deferrari). When her parents haul her to a Shiva (a Jewish mourning event), her past, present and future converge in one house. Surprisingly, she encounters her ex Maya (Molly Gordon) and current flame Max. At once, she is hounded by questions from extended family and friends at the affair. As the pressure surmounts, Dani’s anxiety reaches a breaking point.
It’s hard to believe Shiva Baby is a first-time Feature. Writer-Director Emma Seligman navigates her story with the precision and confidence of a seasoned Filmmaker. She has a clear vision and executes it masterfully. Her Script includes heavy themes of inner-turmoil laced with Comedy, making can make this tightrope to walk. Seligman manages to balance herself steadily.
Another feat Seligman achieves is giving this Dramedy a very distinct feel. She borrows a bit from the Horror genre to heighten Dani’s anxiety. The disquieting Score by Ariel Marx could easily have been used in a Horror film, yet it triumphs in this heartfelt Coming-of-Age story. Not only does it parallel the trepidation of the protagonist, but instills great tension in its audience.
There are moments where Seligman’s whip-smart dialogue is delivered by multiple characters in succession, overpowering us as we immerse ourselves in Dani’s building unease. As a result, we feel both a mix of empathy and anxiousness. Cinematographer Maria Rusche adds to the escalating tension with close-up shots that induce a claustrophobic feeling. This is further aided by the stellar, concise editing by Hanna Park, who for example, makes quick jumps between dialogue, close-up shots and the ear-piercing cries of a baby.
At the heart of Shiva Baby is its endearingly-flawed characters. Seligman manages to get us invested in each character because she gives the same detailed attention to her one-line characters as she does Dani. Our protragonist is placed in a series of cringe-worthy situations which many of us relate to. Refreshingly, she’s never pigeon-holed and is perfectly brought to life by the outstanding performance from Sennot.
As the lead, Sennot commands the screen and encapsulates the essence of Dani – her anxiety, her secretiveness and her fire. However wrong Dani’s actions are, we sympathize with her because Sennot makes it hard not to. She also excels at understanding the power-dynamics within each scene in Seligman’s Script. Sennot is surrounded by an immensely-talented Ensemble. Gordon is delightful as the still-in-love ex. Polly Draper and Fred Melamed are superb as Dani’s supportive, yet overbearing parents. And Dianna Agron is just captivating as a woman slowly learning of her husband’s deceit.
Overall, Shiva Baby is a hilarious, heartfelt Film about the surmounting pressures of family expectations and growing up. At its core are its stellar performances and expert filmmaking all around.
Shiva Baby screens at TIFF:
By Mr. Will Wong
My love of Film and Stars go hand-in-hand. I’ll never forget seeing my first Film at the Toronto International Film Festival in 2001. After spending a couple weeks in Singapore earlier that Summer and hearing nothing but raves about Chicken Rice War, I thought I’d never get a chance to see it back home in Toronto. The chance came at the Festival, I got my ticket and being fashionably-late always, I remember being guided into a full theatre at Varsity Cinema by a volunteer usher in the pitch dark, before finally finding a seat somewhere at the front. This would become my favourite spot to sit watching Movies at the Festival. Odd, I know! But sitting close to the screen, you can see every bit of emotion on the face of an Actor, small details in the set design and best of all, be right up-front when the Q&A happens after the Film. How cool was it that we got to hear the Director (Chee Kong Cheah) talk all about the process of making the Film and even get to ask him questions? I was overjoyed. I felt right in my element. This was the place I was meant to be.
After that, I made it a point of putting aside a bit of money every year for my one big splurge in September, getting to see three, four Movies a day for the duration of the Festival, maybe taking one rest day for laundry and quality time with my dog. “Normal” people go on vacation with the couple weeks off work they get a year. Mine always go towards TIFF.
I’ll never forget the generosity of someone who gave me a tip-sheet on the greatest spots to see the stars at TIFF. Back in the day I first began going to TIFF, Press Conferences were held at the now-gone Sutton Place Hotel. Easily in one afternoon, you could see Brad Pitt, George Clooney and Charlize Theron come right through the side door. Paps would tell me to move. Clipboards got propped over my face by autograph hounds in pursuit of a “graph”. My one dry Sharpie given to Drew Barrymore literally f*cked-up an entire signing spree, leaving everyone with faded scribbles on their memorabilia and 8×10s. I literally got booed when the infamous parched pen was traced back to me. I never asked for autographs, but I had to have Drew‘s. But clearly none of that got me down because I loved the rush so much. I couldn’t believe my luck that I’d stumbled upon this secret celebrity underworld. I’d juggle my Stargazing in-between Movies and this ignited my decision to start a website devoted entirely to the joy this brought me. To TIFF I am indebted as it has led me to you.
Over the years I’ve spent many a TIFF cramming in the Films and snapping stars around town and I thought with the talent and fans staying safe right now in the Pandemic – as they should – I thought it would be fun to share some of my favourite snaps from over the years!
I think it’s hard to dispute why TIFF is the world’s greatest Film Festival and I have the photos to prove it. The red carpets won’t be rolled-out and my camera sits on the shelf this year. While things aren’t the same this Festival, we are hopeful for what’s to come next year as we adapt to our new normal. Be safe everyone, and be sure to bookmark this page and check regularly for our #TIFF20 coverage.
xMr. Will


























































(Photo credit: Mr. Will Wong)
It’s that time of the year again! We admit TIFF ’20 couldn’t gave come any sooner as it is the highlight of our year every year. While our expectations have been managed of a reduced Festival in light of our current climate, we still plan to celebrate the best Film Festival in the world however we can. We understand the star power won’t be here in the City like previous years, but we are still excited to deliver you content just as you were there with us at the Festival! We’ve got our Films picked-out and look forward to bringing you highlights from some star-studded In-Conversations with the likes of Halle Berry, Denzel Washington, Saoirse Ronan and more, plus daily reviews of the Festival’s most-buzzed titles! Team Mr. Will are thrilled to deliver you our best coverage just like we do every year, even if on a different scale!
We spoke to The Toronto Sun‘s Jane Stevenson about how this year’s set-up impacts our plans here.
First are foremost we’d like to thank our partners, returning and new this year.
H&M CANADA – H&M still remains our favourite fashion go-to year after year and while there are a limited number of physical events to attend this year, we’re still honoured to showcase pieces from their Fall/Winter 2020 Collection! With the seasons changing, H&M wants to help you build your best and coziest Fall wardrobe. With all H&M stores officially reopened across Canada, they have great, fashionable Fall items and amazing deals happening both online and in store. We’re thrilled to rock a couple new pieces from their Fall/Winter 2020 Collection at some TIFF ’20 in-person events.
CHATIME CANADA – We are obsessed with Chatime and are delighted again this year to give our Readers and Followers a chance to win some gift vouchers. Others try, but Chatime has proven time and again to be the best Bubble Tea available and we’re thrilled they’re branching-out to several new areas for you to see what the crazy is all about! We live a walk away from a location but often just Uber Eats it in as nothing’s better than bypassing the wait! My recommendations are their Brown Sugar Pearl Milk Tea, Wintermelon Iced Tea or Iced Grapefruit Black Tea! Be sure to try their brand-new Tea of the Month, the Brown Rice Green Tea with Fresh Milk and also their 1 litre Super Cups Also right in-time for Mid-Autumn Festival, you also can find limited edition Mooncakes in select stores by Bake Code!
NTD APPAREL INC. – We understand safety should always come at the expense of fun and style. NTD Apparel Inc.’s official licensed merchandise are available at several retailers like Winners, Walmart, Canadian Tire and more! We offered you a chance to win some JAWS and BACK TO THE FUTURE face coverings in July and those were a huge hit!
SONY PICTURES HOME ENTERTAINMENT – One of our favourite purveyor of cinematic hits has in recent months brought us our favourites on Home Entertainment including Bad Boys For Life, Little Women, A Beautiful Day in the Neighbourhood, Once Upon a Time…in Hollywood, Bloodshot and more!
ACURA CANADA – As TIFF this year while largely is digital, it will include a Drive-In component, more than ever do we need an amazing ride for the task. We’ll be arriving in style TIFF ’20 in the 2020 ACURA ILX TECH A-SPEC! We’ve already got a few Premieres on our schedule that we’ll enjoy in the ILX and we can’t wait to take you along with us for the ride!
NINJA KITCHEN CANADA – One of the joys of our pandemic has been sharpening our culinary skills and we were excited to launch a Cooking section on our website and the feedback has been amazing! Never did we realize before how much the Ninja Kitchen Air Fryer would elevate and simplify our cooking experience. We’ve made everything from Roast Chicken to Doughnuts to Steak and it is a joy to know we can have our favourite Sweet Potato Fries whenever we want now! Being home at TIFF this year more than ever for screenings, we appreciate the value of good food at home while we’re screening the Festival’s hottest titles.
STARBUCKS CANADA – Starbucks was a part of my daily life before the pandemic and it broke my heart that being home meant I couldn’t have my Starbucks every day. We’re so happy their stores are open again full-service and right in time for Pumpkin Spice Latte season – our favourite thing to have every TIFF, iced or hot! And don’t forget to try their brand-new Apple Oat Flat White. The ever-popular Oat Beverage is now available as a dairy alternative!
HAPPY HAND SANITIZER – More than ever before do we depend on staying safe with some sanitizer. Available at retailers like Well.ca and Whole Foods, Happy Hand Sanitizer sprays on easy, moisturizes, dries quick and is unscented. Best of all, it isn’t goopy like many others on the market. It also is safe for continued daily use at 80% alcohol and available in 2 and 8 oz. bottles. We don’t go anywhere without it! And best of all, it’s Canadian-made!
More excitingly, we’re thrilled to give our lucky Readers a chance to enjoy some of the products our partners offer! One lucky Readers will win our MR. WILL’S TIFF SURVIVAL PRIZE PACK which is an annual highlight. This year, the prize is more thrilling than ever!
The Prize Pack includes:
1 Ninja Kitchen Air Fryer, 3.8L (value $189 CAN)
4 Chatime Canada Gift Drink Vouchers with official Chatime Reusable Straws (value $60 CAN)
$25 Starbucks Canada Gift Card (value $25 CAN)
1 H&M Canada VIP Discount Card, good for 25% off
1 Sony Pictures Home Entertainment Canada Blu-ray™ Set including: Bad Boys For Life, Little Women, A Beautiful Day in the Neighbourhood, Once Upon a Time…in Hollywood and Bloodshot! (value $125)
NTD Apparel Inc. official licensed BACK TO THE FUTURE and JAWS Face Coverings (value $25)
2 2 oz. bottles of HAPPY Hand Sanitizer (value $15)
A total value of at least $500 CAN! If the drawn winner is from the Great Toronto Area, I will hand-deliver the package to you during TIFF ’20.
To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK. You can Re-Tweet this Contest Tweet from @mrwillw or tag two friends on this Post on our Instagram for an extra chance! You must be following and we will be verifying!
Even if you don’t win the Prize Pack, we’ve got some goodies to give away on our Social Media throughout the Fest!
#TIFF20 runs September 10-20, 2020.
Happy TIFF, everyone!
Team Mr. Will
Official TIFF ’20 selection AMMONITE gets its first official Trailer. We know many of you like us are excited about this!
Synopsis:
1840s England, acclaimed but overlooked fossil hunter Mary Anning (Kate Winslet) and a young woman (Saoirse Ronan) sent to convalesce by the sea develop an intense relationship, altering both of their lives forever.
See the Trailer:
AMMONITE is in theatres this November via Elevation Pictures.
(Photo/video credit: Elevation Pictures)
More exciting TIFF ’20 announcements today were made including additional In Conversation With… talks, Special Events, and Short Cuts. Above this, the People’s Choice Awards will be returning again this year, plus the new IMDbPro Short Cuts Awards and Amplify Voices Awards presented by Canada Goose.
In Conversation With… Halle Berry
This conversation delves into all aspects of Berry’s experience directing Bruised, in which she also stars, and will also provide a first-person discussion about her groundbreaking film and television career that spans 30 years. As previously announced, this event is part of TIFF’s Share Her Journey initiative in support of women behind and in front of the camera.
In Conversation With… Claire Denis & Barry Jenkins
Prolific French auteur Claire Denis and Oscar-winning writer-director Barry Jenkins come together for a conversation that’s been years in the making.
In Conversation With… Ava DuVernay
Oscar-nominated multi-hyphenate Ava DuVernay discusses art, activism, and Black Lives Matter in this intimate conversation.
Presented by BRON
In Conversation With… Saoirse Ronan
Four-time Oscar nominee Saoirse Ronan discusses her powerhouse performances over the past decade that have catapulted her to international fame.
In Conversation With… Barry Levinson & Denzel Washington
Master filmmaker Barry Levinson discusses the art of directing with Denzel Washington in this conversation between two Academy Award winners.
Presented by BRON
In Conversation With… D-Nice & Anthony Mandler
Club Quarantine founder D-Nice and Anthony Mandler, one of the most influential music-video directors of our time, discuss the power of music and film.
Presented by BRON
Above this a variety of intriguing Special Events have been announced as well:
Underplayed Stacey Lee | Canada
The Boy from Medellín Matthew Heineman | USA
The Truffle Hunters Michael Dweck, Gregory Kershaw | Italy/USA/Greece
The Water Man David Oyelowo | USA
Wolfwalkers Tomm Moore, Ross Stewart | Ireland/Luxembourg/France
BLACK LIVES MATTER events will be front and center as Co-Head Cameron Bailey‘s PLANET AFRICA Programme returns after first debuting 25 years ago. Other offerings include:
Akilla’s Escape Charles Officer | Canada
Downstream to Kinshasa (En route pour le milliard) Dieudo Hamadi | Democratic Republic of the Congo/France/Belgium
40 Years A Prisoner Tommy Oliver | USA
The Way I See It Dawn Porter | USA
A wide variety of voices and genres are represented in this Short Film Programme at TIFF.
4 North A Jordan Canning, Howie Shia | Canada
Aniksha Vincent Toi | Canada
The Archivists Igor Drljača | Canada
As Spring Comes (Comme la neige au printemps) Marie-Ève Juste | Canada
Benjamin, Benny, Ben Paul Shkordoff | Canada
Black Bodies Kelly Fyffe-Marshall | Canada
David Zach Woods | USA
Drought Remi Itani | Lebanon
Dustin Naïla Guiguet | France
Every Day’s Like This Lev Lewis | Canada
Found Me David Findlay | Canada
The Game (Das Spiel) Roman Hodel | Switzerland
History of Civilization (История Цивилизации) Zhannat Alshanova | Kazakhstan
In Sudden Darkness Tayler Montague | USA
Loose Fish Francisco Canton, Pato Martinez | Morocco/USA/Argentina
Marlon Brando Vincent Tilanus | Netherlands
Mountain Cat (Shiluus) Lkhagvadulam Purev-Ochir | Mongolia/United Kingdom
Navozande, the musician Reza Riahi | France
O Black Hole! Renee Zhan | United Kingdom
Our Hearts Beat Like War (Zchuhit Bayam) Elinor Nechemya | Israel
Pilar Yngwie Boley, Diana van Houten, J.J. Epping | Netherlands/Belgium
Point and Line to Plane Sofia Bohdanowicz | Canada/USA/Iceland/Russia
The Price of Cheap Rent Amina Sutton, Maya Tanaka | USA
RKLSS Tank Standing Buffalo | Canada
Rules for Werewolves Jeremy Schaulin-Rioux | Canada/USA
Scars Alex Anna | Canada/France
Sër Bi (Les Tissus Blancs) Moly Kane | France/Senegal
Shooting Star (Comme une comète) Ariane Louis-Seize | Canada
Sing Me a Lullaby Tiffany Hsiung | Canada
Sinking Ship (La Naufrage) Sasha Leigh Henry | Canada
Stephanie Leonardo van Dijl | Belgium
Still Processing Sophy Romvari | Canada
Strong Son Ian Bawa | Canada
Succor Hannah Cheesman | Canada
Tie (Elo) Alexandra Ramires | Portugal/France
The Water Walker James Burns | United States
The winner of this coveted Award – now in its 45th year – will be announced Sunday, September 20, 2020.
Films programmed in this year’s Short Cuts selection are eligible for three jury-selected IMDbPro Short Cuts Awards: Best Film, Best Canadian Film, and the Share Her Journey Award for best film by a woman. Each prize is valued at $10,000. These will be announced Sunday, September 20, 2020.
These awards will be presented to the three best feature films by under-represented filmmakers. Three BIPOC and Canadian Filmmakers will be award $10,000 each.
For more information and how tickets can be purchased, click here.
The official Film Schedule also now is available here.
(Photo credit: Mr. Will Wong)
The complete list of Films to premiere at the 45th Toronto International Film Festival was released earlier today. More than ever, this year’s films are focused on representation and inclusion being a point of focus. We see loud and clear, movies this year about women, black people, indigenous people and people of colour.
Added to the slate are films like Kornél Mundruczó‘s PIECES OF A WOMAN starring The Crown’s Vanessa Kirby as a woman coping with the loss of her baby; Viggo Mortensen‘s directorial debut FALLING, shot here in Toronto, about a gay man dealing with his prejudiced father Emma Seligman‘s SHIVA BABY starring Molly Gordon (Good Boys) about a young woman who runs into her sugar daddy at a funeral with her family; J Blakeson‘s I CARE A LOT is about a legal conservator (Rosamund Pike) who defrauds elderly clients who has a run-in with a gangster;Cathy Brady‘s WILDFIRE starring Anne Heche, centering on a young girl who releases a dark secret in her friendship with a wild horse; Sonia Kennebeck‘s Documentary ENEMIES OF THE STATE which is about a family targeted by the U.S. government when it is learned their son is a hacker; Florian Zeller‘s THE FATHER starring Anthony Hopkins and Olivia Colman, centering on a man who refuses help from his daughter and his coping with aging; the Horror SHADOW IN THE CLOUD by Roseanne Liang and starring Chloë Grace Moretz, about a WWII pilot travelling with top secret documents, who discovers an evil force; and Regina King‘s ONE NIGHT IN MIAMI where we see Boxer Cassius Clay work together with Malcolm X, Sam Cooke and Jim Brow to change the course of history in the segregated South. Mira Nair‘s A SUITABLE BOY is set to close the Festival.
These are in addition to some of the centerpiece films announced prior like AMMONITE, NOMADLAND, GOOD JOE BELL, CONCRETE COWBOY, BRUISED and Opening Night Gala DAVID BYRNE’S AMERICAN UTOPIA.
Canadian representation is also very pronounced with Director Aisling Chin-Yee returning with NO ORDINARY MAN, a Documentary about a transgender Jazz Musician Billy Tipton who for many years was framed as an ambitious woman passing as a man in pursuit of music career. Others include Tracey Deer‘s BEANS, Michelle Latimer‘s two films INCONVENIENT INDIAN and TRICKSTER and both Madeleine Sims-Fewer/Dusty Mancinelli co-directed VIOLATION.
On this year’s lineup, TIFF Co-Head and Artistic Director says, “This year’s lineup reflects that tumult. The names you already know are doing brand new things this year, and there’s a whole crop of exciting new names to discover.”.
Complete line-up below:
180 Degree Rule Farnoosh Samadi | Iran
76 Days Hao Wu, Anonymous, Weixi Chen | USA
Ammonite Francis Lee | United Kingdom
Another Round (Druk) Thomas Vinterberg | Denmark
Bandar Band Manijeh Hekmat | Iran/Germany
Beans Tracey Deer | Canada
Beginning (Dasatskisi) Dea Kulumbegashvili | Georgia/France
The Best is Yet to Come (Bu Zhi Bu Xiu) Wang Jing | China
Bruised Halle Berry | USA
City Hall Frederick Wiseman | USA
Concrete Cowboy Ricky Staub | USA
David Byrne’s American Utopia Spike Lee | USA (Opening Night Film)
The Disciple Chaitanya Tamhane | India
Enemies of the State Sonia Kennebeck | USA
Falling Viggo Mortensen | Canada/United Kingdom
The Father Florian Zeller | United Kingdom/France
Fauna Nicolás Pereda | Mexico/Canada
Fireball: Visitors from Darker Worlds Werner Herzog, Clive Oppenheimer | United Kingdom/USA
Gaza mon amour Tarzan Nasser, Arab Nasser | Palestine/France/Germany/Portugal/Qatar
Get the Hell Out (Tao Chu Li Fa Yuan) I-Fan Wang | Taiwan
Good Joe Bell Reinaldo Marcus Green | USA
I Care A Lot J Blakeson | United Kingdom
Inconvenient Indian Michelle Latimer | Canada
The Inheritance Ephraim Asili | USA
Lift Like a Girl (Ash Ya Captain) Mayye Zayed | Egypt/Germany/Denmark
Limbo Ben Sharrock | United Kingdom
Memory House (Casa de Antiguidades) João Paulo Miranda Maria | Brazil/France
MLK/FBI Sam Pollard | USA
The New Corporation: The Unfortunately Necessary Sequel Joel Bakan, Jennifer Abbott | Canada
New Order (Nuevo orden) Michel Franco | Mexico
Night of the Kings (La Nuit des Rois) Philippe Lacôte | Côte d’Ivoire/France/Canada/Senegal
Nomadland Chloé Zhao | USA
No Ordinary Man Aisling Chin-Yee, Chase Joynt | Canada
Notturno Gianfranco Rosi | Italy/France/Germany
One Night in Miami Regina King | USA
Penguin Bloom Glendyn Ivin | Australia
Pieces of a Woman Kornél Mundruczó | USA/Canada/Hungary
Preparations to Be Together For an Unknown Period of Time (Felkészülés meghatározatlan ideig tartó együttlétre) Lili Horvát | Hungary
Quo Vadis, Aïda? Jasmila Žbanić | Bosnia and Herzegovina/Norway/The Netherlands/Austria/Romania/France/Germany/Poland/Turkey
Shadow In The Cloud Roseanne Liang | USA/New Zealand
Shiva Baby Emma Seligman | USA/Canada
Spring Blossom Suzanne Lindon | France
A Suitable Boy Mira Nair | United Kingdom/India (Closing Night Presentation)
Summer of 85 (Été 85) François Ozon | France
The Third Day Felix Barrett, Dennis Kelly | United Kingdom
Trickster Michelle Latimer | Canada
True Mothers (Asa Ga Kuru) Naomi Kawase | Japan
Under the Open Sky (Subarashiki Sekai) Miwa Nishikawa | Japan
Violation Madeleine Sims-Fewer, Dusty Mancinelli | Canada
Wildfire Cathy Brady | United Kingdom/Ireland
The Toronto International Film Festival runs September 10–19, 2020.
More here on Films and their respective Programmes.
(Photo credit: Elevation Pictures)
Chinese-born and L.A.-based Filmmaker Chloé Zhao won accolades with 2017’s The Rider and since then has signed-on to direct Marvel’s The Eternals. Coming next is her Film, NOMADLAND starring and produced by Frances McDormand which will be doing the Festival rounds at at the New York, Venice and Toronto International Film Festival. The latter two will premiere on September 11, 2020. Telluride also will be hosting a special Drive-In Screening in lieu of their Festival being cancelled this year.
Synopsis:
NOMADLAND marks the first project between Zhao and Searchlight and the fifth between McDormand and Searchlight. McDormand won an Oscar for her performance in Martin McDonagh’s film Three Billboards Outside Ebbing, Missouri, which Searchlight released globally in 2017. Zhao adapted NOMADLAND from journalist Jessica Bruder’s 2017 non-fiction book Nomadland: Surviving America in the Twenty-First Century following McDormand and producer Peter Spears’ acquisition of the literary adaptation rights shortly after publication. The film follows Fern (McDormand), a woman who, after the economic collapse of a company town in rural Nevada, packs her van and sets off on the road exploring a life outside of conventional society as a modern-day nomad. The film features real nomads Linda May, Swankie, and Bob Wells as Fern’s mentors and comrades in her exploration through the vast landscape of the American West.
Searchlight Pictures release NOMADLAND this Fall.
(Photo credit: Searchlight Pictures)
Academy Award-nominated, Golden Globe and Emmy-winning Actress ALFRE WOODARD certainly is a veteran of the screen having produced a phenomenal résumé which includes St. Elsewhere, L.A. Law, Hill Street Blues, Scrooged, Desperate Housewives, Down in the Delta and of course, Best Picture-winning 12 Years a Slave. In addition to a celebrated career, she has been a vocal supporter in the fight against AIDS and LGBTQ rights.
Woodard made an appearance at TIFF ’19 in September for her latest, CLEMENCY which won top honours at Sundance a year ago and much more acclaim to follow. She gifted fans with another appearance tonight at TIFF Bell Lightbox in support of the Film. She did a Q&A following the Screening with TIFF’s Cameron Bailey and took her time granting Selfie requests from a sizable crowd of Fans!
See our Snap!
Clemency plays also in Toronto at The Carlton.
(Photo credit: Mr. Will Wong)
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