DUNGEONS & DRAGONS: HONOR AMONG THIEVES debuts atop the Box Office with $40 million from 3,855 theatres for Paramount Pictures. Following its premiere at SXSW, buzz for the Action-Fantasy has continued to grow and it gets a stellar 91% on the Tomatometer.

JOHN WICK: CHAPTER 4 isn’t too far behind in second with $30 million from 3,855 theatres in its second weekend for Lionsgate and Cineplex Pictures, a total $124 million grossed in North America.

Faith film HIS ONLY SON debuts in third with $5.8 million from 1,920 theaters for Angel Studios.

CREED III gets $5.2 million this weekend for Warner Bros., taking its five-week tally of $148.7 million.

Fifth is SCREAM VI earns $4.6 million from 3,106 theaters for Paramount Pictures, edging close to $100 million in its run.

It’s an incredible Franchise best for JOHN WICK: CHAPTER 3, debuting at #1 with $70.6 million from 3,855 theatres for Lionsgate/Cineplex Pictures. Not only this, it gets 95% on the Tomatometer from Critics. Previous best opening for the Series was 2019’s JOHN WICK: PARABELLUM with $56 million. Four films in this weekend’s Top Five are all installments in Franchises.

Second is SCREAM VI with $8.8 million from 3,355 theatres for Paramount Pictures. Over three weeks, it has made $90.3 million.

SHAZAM! FURY OF THE GODS is third $8.5 million, a total $45.2 million grossed over two weeks for Warner Bros.

CREED III continues to perform well in fourth with $8.1 million also for Warner Bros. Over four weeks it has made $140.6 million.

Rounding things out in fifth is 65 with $3.2 million for Sony Pictures, earning $27 million over three weeks.

SHAZAM! FURY OF THE GODS descends upon theatres in victorious form, taking the #1 spot at the Box Office in its debut with $30 million this weekend from 4,071 theates for Warner Bros. It gets 54% on the Tomatometer, falling short of the 90% score its Predecessor got in 2019, opening with $53 million.

SCREAM VI slips to second spot but is still going strong with $18 million from 3,676 theatres for Paramount Pictures, a two-week total of $76.5 million.

Third goes to CREED III with $15.8 million for United Artists Releasing/Warner Bros. It has made $128.1 million over its three weeks of release.

65 is fourth with $5.5 million from 3,405 theatres for Sony Pictures, a two week take of $22.1 million

ANT-MAN & THE WASP: QUANTUMANIA rounds this Top Five out with $4.7 million, a total $206.4 million over five weeks for Disney/Marvel.

SCREAM VI makes some noise in its debut with $42 million from 3,675 theatres for Paramount Pictures/Spyglass Media. This latest installment, a first without Neve Campbell, gets 76% on the Tomatometer from Critics. This marks a best for the Franchise, besting 2022’s SCREAM, which opened with $30 million just as theatres were just re-opening during Covid-19, and also a $34 million openings for SCREAM 3 back in 2000.

CREED III is still fighting in its second week with $24 million from 4,007 theatres, a tally of $102 million in North America for Warner Bros.

65 starring Adam Driver, opens in third with $10 million from 3,405 theatres for Sony Pictures. It gets 36% on the Tomatometer.

Fourth goes to ANT-MAN & THE WASP: QUANTUMANIA with $7.3 million for Marvel/Disney, so very close to the $200 million-mark domestically.

Fifth is COCAINE BEAR with $6.3 million for Universal Pictures, a run of $51.9 million.

CREED III sets a Franchise record opening to the tune of $55.1 million from 4,007 theatres for MGM/Warner Bros. The directorial debut from Michael B. Jordan gets 87% on the Tomatometer. 2019’s CREED II previously had the best opening of the would-be trilogy with a $35 million opening. MGM last year was acquired by Amazon Studios/Prime Video, so this is a big win in the theatrical market for them.

ANT-MAN AND THE WASP: QUANTUMANIA is in second this weekend with $13.3 million from 3,825 theatres, taking its run to $187.6 million in North America for Disney/Marvel.

Third is COCAINE BEAR with $10.8 million week two from 3,571 theatres bringing it to $41 million for Universal Pictures.

In fourth DEMON SLAYER AND THE SWORDSMITH VILLAGE with $10.7 million in its opening from 1,780 theatres for Crunchyroll.

JESUS REVOLUTION caps-off the Top Five with $10.3 million for Liosngate/Cineplex Pictures, a two week tally of $31 million.

Michael B. Jordan takes us into the Director’s Chair on this new Featurette from upcoming CREED III, letting us know what it’s like to be behind the lens for the first time ever.

Synopsis:

From Metro Goldwyn Mayer Pictures comes “Creed III,” with Michael B. Jordan making his directorial debut and returning in the role of Adonis Creed in the third installment of the hit franchise.

After dominating the boxing world, Adonis Creed has been thriving in both his career and family life. When a childhood friend and former boxing prodigy, Damian (Jonathan Majors), resurfaces after serving a long sentence in prison, he is eager to prove that he deserves his shot in the ring. The face-off between former friends is more than just a fight. To settle the score, Adonis must put his future on the line to battle Damian—a fighter who has nothing to lose. The film also stars Tessa Thompson (“Creed” franchise, “Passing”), Jonathan Majors (“Da 5 Bloods,” “Lovecraft Country”), Wood Harris (“Creed” franchise, “Blade Runner 2049”), Florian Munteanu (“Creed II,” “Shang-Chi and the Legend of the Ten Rings”), newcomer Mila Kent, and Phylicia Rashad (“Creed” franchise, “Soul”).

Jordan directs from a screenplay by Keenan Coogler (“Space Jam: A New Legacy”) & Zach Baylin (“King Richard”), from a story by Ryan Coogler (“Black Panther: Wakanda Forever”) and Keenan Coogler & Zach Baylin. It is produced by Irwin Winkler, Charles Winkler, William Chartoff, David Winkler, Ryan Coogler, Michael B. Jordan, Elizabeth Raposo, Jonathan Glickman and Sylvester Stallone. The executive producers are Sev Ohanian, Zinzi Coogler, Nicolas Stern and Adam Rosenberg.

Jordan is joined behind the camera by director of photography Kramer Morgenthau (“Creed II,” “Thor: The Dark World”), production designer Jahmin Assa (“mid90s,” “Angelyne”), editor Tyler Nelson (“The Batman,” “Rememory”), costume designer Lizz Wolf (“Creed II,” “Pacific Rim: Uprising”), with a score by composer Joseph Shirley (“Jackass Forever,” “The Book of Boba Fett”).

Metro Goldwyn Mayer Pictures Presents A Chartoff-Winkler Production, “Creed III,” which will be distributed in North America by MGM and internationally by Warner Bros. Pictures and is set to open in territories beginning March 1, 2023.

(Photo/video credit: Warner Bros. Pictures Canada)

We proudly present the new Canadian Trailer for CREED III, the latest in this riveting series, this time around with star Michael B. Jordan direting.

Synopsis:

From Metro Goldwyn Mayer Pictures comes “Creed III,” with Michael B. Jordan making his directorial debut and returning in the role of Adonis Creed in the third installment of the hit franchise. The film also stars Tessa Thompson (“Creed” franchise, “Passing”), Jonathan Majors (“Da 5 Bloods,” “Lovecraft Country”), Wood Harris (“Creed” franchise, “Blade Runner 2049”), Florian Munteanu (“Creed II,” “Shang-Chi and the Legend of the Ten Rings”), newcomer Mila Kent, and Phylicia Rashad (“Creed” franchise, “Soul”).

Jordan directs from a screenplay by Keenan Coogler (“Space Jam: A New Legacy”) & Zach Baylin (“King Richard”), from a story by Ryan Coogler (“Black Panther: Wakanda Forever”) and Keenan Coogler & Zach Baylin. It is produced by Irwin Winkler, Charles Winkler, William Chartoff, David Winkler, Ryan Coogler, Michael B. Jordan, Elizabeth Raposo, Jonathan Glickman and Sylvester Stallone. The executive producers are Sev Ohanian, Zinzi Coogler, Nicolas Stern and Adam Rosenberg.

Jordan is joined behind the camera by director of photography Kramer Morgenthau (“Creed II,” “Thor: The Dark World”), production designer Jahmin Assa (“mid90s,” “Angelyne”), editor Tyler Nelson (“The Batman,” “Rememory”), costume designer Lizz Wolf (“Creed II,” “Pacific Rim: Uprising”), with a score by composer Joseph Shirley (“Jackass Forever,” “The Book of Boba Fett”).

Metro Goldwyn Mayer Pictures Presents A Chartoff-Winkler Production, “Creed III,” which will be distributed in North America by MGM and internationally by Warner Bros. Pictures and is set to open in territories beginning March 1, 2023.

(Photo/video credit: Warner Bros. Pictures Canada)

It’s a fight to the finish this weekend with RALPH BREAKS THE INTERNET expected to take top spot a third straight weekend at the Box Office.  The Sequel to Wreck-It Ralph is on target to take $15.4 million from 3,795 theatres for Disney, a total $140 million grossed to date domestically.

THE GRINCH continues to show amazing resiliency, to take $15.3 million from 3,841 theatres for Universal Pictures, getting edged-out oh so narrowly. Over five weeks it has made $223 million in North America.

CREED II settles for third with $9.7 million, a total $95.8 million made over three weeks for Warner Bros.

Oscar Contender GREEN BOOK is in seventh with $3.7 million for Universal Pictures, from 1,181 theatres, a total $19.8 million made over four weeks.

Rounding-out the Top Ten is WIDOWS with $3 million for 20th Century Fox, a total $38 million made over four weeks.

RALPH BREAKS THE INTERNET continues to run the game at the Box Office with a decisive $25.1 million from 4,017 theatres in its second week out for Disney. In total it has grossed $118.6 million over two weeks.

In second is THE GRINCH with $16.8 million from 3,924 theatres for Universal Pictures. Over four weeks, it has made $202.5 million.

In third is CREED II with $16.4 million for Warner Bros., a total $80.7 million in two weeks domestically.

BOHEMIAN RHAPSODY continues to go strong in fifth with $7.9 million, now in its fifth week out, a total $164.2 million for 20th Century Fox.

THE POSSESSION OF HANNAH GRACE debuts in seventh with $6.1 million for Sony Pictures. It gets 19% from Critics on the Tomatometer and a C- CinemaScore.

Rounding-out the Top Ten is Oscar Contender, GREEN BOOK with $4.1 million from 1,065 theatres for Universal Pictures. It has made $14.2 across North American over two weeks.

First the Internet, now the Box Office! RALPH BREAKS THE INTERNET has a stellar U.S. Thanksgiving weekend opening for Disney with $54.8 million, besting its 2012 Predecessor which debuted with $49 million. It plays in 4,017 theatres and gets 86% on the Tomatometer and an A- CinemaScore.

In second is CREED II with $36 million from 3,442 theatres for Warner Bros. It gets an A CinemaScore and 82% on the Tomatometer. This also bests 2015’s CREED which opened with $29.3 million.

FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD slips to second spot this weekend with $29 million from 4,163 theatres for Warner Bros. 

THE GRINCH lands in fourth with $28.5 million for Universal Pictures, a three-week tally of $178.8 million domestically.

GREEN BOOK, which won the People’s Choice Award at TIFF ’18, opens in ninth spot with $5.2 million from 1,063 theatres for Focus Features/Universal Pictures.

A STAR IS BORN rounds-out the Top Ten with $2.9 million for Warner Bros., bringing its North American run to $191 million.