DUNE takes top spot at the Box Office a second straight week for Warner Bros., with $15.5 million from 4,125 theatres, for a two-week tally of $69.3 million domestically.
In second is former #1, HALLOWEEN KILLS, taking $8.7 million from 3,616 theatres for Universal Pictures. Over three weeks, it has grossed $85.9 million.
A surprise third is MY HERO ACADEMIA: WORLD HEROES” MISSION with $7.9 million from 1,602 theatres. The Anime Feature gets 80% on the Tomatometer.
NO TIME TO DIE lands in fourth with $7.7 million from 3,507 theatres, a four week run of $133.2 million for Universal Pictures.
VENOM: LET THERE BE CARNAGE rounds-out the Top Five with $5.6 million, a total $190 million over five weeks for Sony Pictures.
Notables include also Edgar Wright‘s LAST NIGHT IN SOHO debuting in sixth with $4.3 million from 3,016 theatres for Universal Pictures. The Thriller-Horror which did the Festival rounds including TIFF ’21, gets 73% on the Tomatometer.
ANTLERS starring Keri Russell and Jesse Plemons, opens in seventh with $4.1 million from 2,800 theatres for Searchlight Pictures. It garnered 62% on the Tomatometer.
We don’t believe we made it through another TIFF! While this year’s Festival certainly was a bit more scaled-back we definitely were not short of things to do, equally putting in long days. So thankful to the Team for contributing their Reviews of the most key titles to surface at TIFF ’21 including Dave Baldwin, Amanda Gilmore and George Kozera. So thankful to be a Torontonian and be gifted every year with this amazing Festival. We’re so appreciative of the considerations for our safety and the fact that we were able to enjoy the Festival both in-person and at-home. We will never take for granted this flexibility.
Once again we must thank some of our official partners in our coverage of the Festival this year! We couldn’t have done it without their generosity and support and we’re always thrilled to get our Readers and Followers excited about their amazing products and services.
•1 $50 Starbucks Canada Gift Card •1 $50 Chatime gift card + 1x T-shirt +1x Tumbler + 1x Stainless Steel Straw set •1 $50 Gift Card at Lone Star Texas Grill •1 $50 Gift Card at Frankie’s Nashville Hot Chicken •1 Happy Gift Set including 1 Rose Quartz Roller + Gua Sha set, 1 Happy Face Mask, 1 bottle 250ml Happy Sanitizer and a Happy 3-Toothbrush set •1 The Beauty of Eczema’s Bathing Oil and Bath Salts At-Home Spa Set •1 Antipodes Manuka Honey Skin-Brightening Beehive Box •1 boscia Skin Nutrition Body Collection •1 bottle of Nature’s Sunshine new Hair, Skin & Nails capsules and BioGuard Hand and Body Cream •1 H&M Canada VIP Card •1 Official MR. WILL WONG Baseball Cap
Team Mr. Will also share their favourites of the Festival and also their predictions which Film will win that coveted People’s Choice Award!
TIFF’21 was a substantial upgrade from TIFF’20. Full Stop. The quality of films was substantially stronger, the in-person and digital offerings were better, and the all-around experience was so much closer to the TIFF we all know and love from those simpler, pre-pandemic times. There are some learnings the programming team will need to reflect on for next year’s festival, but I sincerely hope they continue with the hybrid experience despite some of the hiccups they encountered this year. It allows for an easier and more efficient means of discovery for everyone, and lets audiences still feel like they are part of the action even if they are watching from home. I had a blast watching so many movies this year, and am already looking forward to endlessly re-watching many of them. Yet I know in my bones that I would not have been able to see nearly as many had it only been an in-person festival. And while I am bummed to have missed out on Last Night in Soho and Spencer, I am overjoyed at everything I did get to see — including some of the more forgettable titles. Next year will no doubt look different again, but here’s hoping it will still feel like TIFF because where else can you go from watching a hit Broadway musical adaptation like Dear Evan Hansen to an Oscar-prestige play like The Power of the Dog to the absolute madness of the Palme d’Or winning Titane?
The Eyes of Tammy Faye
Last Night in Soho
Dear Evan Hansen
People’s Choice Award Prediction: Spencer
We’re still mesmerized by Kristen Stewart’s work in Spencer, which almost is side-by-side as our favourite with Jessica Chastain‘s mind-blowing portrayal of Tammy Faye Bakker in The Eyes of Tammy Faye! We still are obsessed with Last Night in Soho and can’t wait to see it again in October! We missed The Power of the Dog but are thankful it will be available soon on Netflix! So excited to see some of these titles propel into Awards Season success.
We’ve hit peak starpower at TIFF ’21 and even with Red Carpets and talent scaled back there’s still plenty enough to keep us busy!
The 2021 TIFF Tribute Gala took place earlier today at Roy Thomson Hall with this year’s Honourees taking the stage to accept their awards. Those in attendance included:
Jessica Chastain — TIFF Tribute Actor Award supported by the Tory Family Benedict Cumberbatch — TIFF Tribute Actor Award Denis Villeneuve — TIFF Ebert Director Award Alanis Obomsawin — Jeff Skoll Award in Impact Media supported by Participant Media Ari Wegner — TIFF Variety Artisan Award Danis Goulet — TIFF Emerging Talent Award presented by L’Oréal Paris and supported by MGM Dionne Warwick — TIFF Special Tribute Award
We caught some special moments as the stars arrived and we even saw Benedict Cumberbatch and Dionne Warwick share an embrace. R&B Legend Warwick, here for Documentary DON’T MAKE ME OVER, shared that she admittedly was a little starstruck seeing Cumberbatch, whom she admires for her work on SHERLOCK, which she was obsessed with streaming during the Pandemic! Cumberbatch is receiving tons of Oscar buzz for his work in Jane Campion‘s THE POWER OF THE DOG. Review here.
Chastain and Villeneuve, both busy with Press Days today for their respective films THE FORGIVEN and DUNE, made time to walk over to the fans, snapping Selfies and signing autographs. Chastain was stunning in a colour block Moschino outfit!
The Awards air Saturday, September 18, 2021 at 7pm ET on CTV, CTV.ca and the CTV app in Canada.
Several other Premieres took place across the City including MONTANA STORY which stars Owen Teague and Haley Lu Richardson, which many are commending for its heart and compassion. We spotted the stars and Co-Directors Scott McGehee and David Siegel, Ubering about with the Film’s stars earlier. Review to come shortly.
One of our greatest highlights finally is a moment with Rebecca Ferguson, whom we admire so deeply. This chameleon of an Actress has won acclaim for her work on the Mission: Impossible Franchise, The White Queen and more popularly, The Greatest Showman. Oh yeah, her! Ferguson stars in DUNE, which premiered at Ontario Place‘s Cinesphere and will be busy with Villeneuve with a day of press in support of the hotly-anticipated October 22, 2021 release. Review here.
We decided to take it easy tonight, wrapping early. Tomorrow will be pretty much the last day we’ll be out snapping content with more of a focus on the Films after Monday. Who knows, I might even have a little special sidekick out with me tomorrow!
Aspiring fashion designer Ellie (Thomasin McKenzie) leaves the English countryside of Cornwall to attend fashion school in London. Ellie loves the 1960s and to her luck, when she moves into her new flat she can mysteriously enter into ’60s Soho. It’s there she encounters fashionable aspiring singer Sandy (Anya Taylor-Joy). However, Ellie quickly learns that the glamour of the era isn’t what it appears to be. She gets pulled into the grim life Sandy was forced into until the past starts haunting Ellie into the present.
Director and Co-Writer Edgar Wright swings us into the dazzling world of London in the ’60s, with the help of outstanding set and costume design. During Ellie’s first foray, Wright uses mirrors to show how Ellie and Sandy are separated but attached. It’s magical to watch these mirror scenes, especially when they become more sinister. He spins this nostalgic fun into a Psychological Horror filled with terrifying ghosts. Wright uses lighting, sound and creative camera work that creates tension, suspense and scares.
Wright along with Co-Writer Krysty Wilson-Cairns have crafted a psychological horror centred around the horrors an aspiring female singer in the 60s, and even today would experience. Making it an examination of a moment in time when women would be conned and forced into a life where they were treated as currency. Without giving too much away, this is also a story of women taking back their agency.
Sandy’s story is being witnessed by modern-day Ellie, along with its audience. And Ellie, like us, iscarrying the beliefs of today into what she sees in the 60s. McKenzie excels at showing the increment changes in Ellie’s personality changes. She begins as a joyful, innocent girl heading to the big city. Once she visits the 60s, she becomes emboldened. And once we hit the third act, McKenzie shows the terror of Ellie’s daily life. It’s a feat to accomplish and McKenzie excels at every turn.
She’s joined by the force that is Taylor-Joy. Her undeniable talent to express emotion with one single glance is fully utilized. In the beginning, she shows Sandy’s determination and hope. As time passes, Sandy’s life becomes a prison run by her manager Jack, an impressive performance from Matt Smith. With this, Taylor-Joy makes us witness the light in Sandy’s eyes disappear. Additionally, there is a delightful performance from Diana Rigg as Ellie’s rulemaking live-in landlord.
Last Night in Soho is a Psychological Horror that builds tension and gives scares. It’s got a strong central storyline, pitch-perfect performances and has ample amounts of creative flair.
A new Trailer and Poster have arrived for Edgar Wright‘s LAST NIGHT IN SOHO starring Thomasin Mackenzie and Anya Taylor-Joy. How coincidental is it that Taylor-Joy starred as Thomasin in a breakout role in THE WITCH and now stars alongside Mackenzie? The Film premieres at TIFF ’21 this weekend after minds being blown in Venice.
Edgar Wright’s psychological thriller about a young girl, passionate in fashion design, who is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it appears, and time seems to fall apart with shady consequences…
See the Teaser:
Also, some Stills from the Film:
LAST NIGHT IN SOHO arrives in theatres October 29, 2021 via Focus Features.