Review by Amanda Gilmore for Mr. Will Wong
Robert Eggers‘ second Feature takes place on a remote New England island where two isolated lighthouse keepers (Willem Dafoe and Robert Pattinson) attempt to keep their sanity.
Everything about The Lighthouse is sublime.
It merges multiple genres into one of the most enthralling and unforgettable filmgoing experiences of the year. The direction by Robert Eggers is impeccable from the spellbinding opening shot until the horrifying finale. These consistently engrossing scenes are aided by the beautiful black-and-white Cinematography by Jarin Blaschke and the all-consuming sound by Damian Volpe. The Screenplay written by Eggers and Max Eggers infuses themes of isolation and power within their purposeful and story-advancing 19th-century dialogue. Then there are the outstanding career-best performances from Robbert Pattinson and Willem Dafoe. Both performances give everlasting haunting effects long after the credits roll.
The Lighthouse screens at TIFF on Sat, Sep 7 at Ryerson Theatre at 9 PM and Sun, Sep 8 at Scotiabank Theatre at 7:45 PM.
TIFF ’19 officially has kicked into high gear and you won’t believe the star power we witnessed!
Check it out. Hover right on each album to navigate.
HUSTLERS – #SheInspiresMe Panel
SEBERG – Press Stop
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#TIFF19: #KristenStewart winning raves for her work in #Seberg. #TIFF #KStew #HuaweiP30Pro
SYNCHRONIC – Press Stop
THE FRIEND – Press Stop
COLOR OUT OF SPACE – Press Stop

SOUND OF METAL – Press Stop
KNIVES OUT – Press Stop
JOJO RABBIT – Press Stop
THE LIGHTHOUSE – Press Stop

Informative and fun segment Will!! We’re on Festival Street tonight and off to a film tomorrow. Hope to see you around town Handsome! You’re always in the heart of all the media excitement. pic.twitter.com/SIZEnlLlxL
— YYZ Bliss (@yyz_bliss) September 7, 2019
(Photo/video credit: Mr. Will Wong)
Review by Amanda Gilmore for Mr. Will Wong
When Lily (Dakota Fanning) arrives in London, England as a refugee she begins searching for the man she loves with the hope he ended up there too.
This Story centers on one woman trying to find the man she loves in a foreign city interweaves many prominent issues happening in our world today. Although the Film takes place in the 1970s, it touches on how the poor treatment of refugees in camps, race relations, and more. It also showcases tender performances from Fanning and Wunmi Mosaku who plays a fellow refugee expecting her second child.
Sweetness In The Belly screens at TIFF on Sat, Sep 7 at Scotiabank Theatre at 6 PM and Mon, Sep 9 at Scotiabank Theatre at 4:15 PM.
Review by Amanda Gilmore for Mr. Will Wong
Sarah (Eva Green) is an astronaut and mother who has dreamed of going to space her entire life. When the opportunity finally comes what will she have to sacrifice to make her dream a reality?
Proxima is a movie that talks about the sacrifices we make, specifically women, to have the delicate balance of family and dreams. What Director-Writer Alice Winocour does is never judge Sarah and her decisions. She uses the camera as a fly-on-the-wall allowing the audience to project their judgments upon her themselves. The writing is rich and Green is outstanding in the role. She also has great chemistry with her onscreen daughter which leads to the audience’s investment into their relationship.
Proxima screens at TIFF on Sat, Sep 7 at Winter Garden Theatre at 6:15 PM, Sun, Sep 8 at Scotiabank Theatre at 1:45 PM and Fri, Sep 13 at TIFF Bell Lightbox at 1:15 PM.
Review by Amanda Gilmore for Mr. Will Wong
Katie (TIFF ’19 Rising Star Kacey Rohl) has become the poster girl around her school campus after lying about being diagnosed with cancer. But how long can this fabrication continue when someone may know the truth?
Co-Directors and Writers Calvin Thomas and Yonah Lewis have created a female protagonist who’s hard to route for. Although Katie is doing the unthinkable Thomas and Lewis have brought in themes are fame and social media to help us understand why she’s doing what she’s doing. It’s a mix of those themes and Rohl’s vulnerable and stunning performance which allow the audience to often sympathize with the despicable things she does.
White Lie screens at TIFF on Sat, Sep 7 at TIFF Bell Lightbox at 3 PM and Fri, Sep 13 at Scotiabank Theatre at 6:30 PM.
Review by Amanda Gilmore for Mr. Will Wong
The Film follows the life of singer Helen Reddy (Tilda Cobham-Hervey) from the time she arrived in New York to her performance during the women’s rally in Washington years later.
This is one hell of a timely biopic. With women’s rights being a prominent topic today I Am Woman draws parallels between the 1960s and 1970s to the present, and all by focusing on one woman. Reddy is brought to the screen by Cobham-Hervey, who has a powerful presence and captures Reddy’s performance quirks completely. Tilda is surrounded by other strong cast members including Peters who plays Reddy’s husband and manager, and Danielle Macdonald who plays prominent music journalist Lilian Roxon.
I Am Woman screens at TIFF on Thu, Sep 5 at Elgin Theatre at 5 PM, Fri, Sep 6 at Ryerson Theatre at 2:15 PM, and Fri, Sep 13 at Scotiabank Theatre at 9:15 AM.
Rain and the cold can’t stop us! While this has been one of the chillier editions of TIFF ever, the show must still go on! Lots of amazing sightings as the Festival gets ready to hit a high-point this weekend! See the snaps!
Hover cursor right to navigate slideshows.
THE REST OF US – Press Stop
LIMETOWN – Premiere
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#TIFF19: Gorgeous #JessicaBiel at the Premiere for #Limetown. #TIFF #HuaweiP30Pro
DADS– Press Stop
I AM WOMAN – Press Stop
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BLACKBIRD – Press Stop
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#TIFF19: The Cast of #Blackbird: #SusanSarandon, #RainnWilson + #SamNeill. #HuaweiP30Pro
JUST MERCY – Afterparty x Press Stop
(Photo credit: Mr. Will Wong)
Review by David Baldwin for Mr. Will Wong
After Nicole (Dakota Johnson) is diagnosed with cancer, her friend Dane (Jason Segel) moves in to help her and her husband Matthew (Casey Affleck) with her appointments and treatments, taking care of their kids and keeping the house in order. And what is initially planned as a short multi-week stay quickly extends into many months.
The Friend is based on a true story, so that alone makes the emotional turmoil this family endures that much more devastating. While some scenes are heavy-handed, the core ensemble of Johnson, Affleck and especially Segel all deliver terrific work. But the Film around them is a mess. It jumps back and forth around timelines much too often, rarely stopping before jumping back into some part of the present. These flashbacks should be developing the characters better, but they seem to function only to piece together a vaguely coherent backstory. They share some facts with us, but keep others enigmatic (although one needless gut punch gets a lot of focus). I understand the struggle of not knowing what to cut, but feel like there was some pertinent information left out that could have taken The Friend from just being good to being truly great. Make sure you bring the tissues.
THE FRIEND screens during TIFF at the following times:
Friday September 6, 6:00pm @ Princess of Wales [World Premiere]
Saturday September 7, 2:30pm @ Princess of Wales
Review by David Baldwin for Mr. Will Wong
Kathy (Anastasia Phillips) has always been taking care of her alcoholic mother Tammy (Felicity Huffman). She is constantly cleaning-up after her and literally talking her off the ledge of a train platform. But when Tammy gets diagnosed with cancer, Kathy must decide if she is going to continue assisting Tammy or move on completely.
In only her second Feature film, Amy Jo Johnson has given us a riveting depiction of the cycle of abuse and the long-term trauma it leaves behind. The Film runs 85-minutes long, and Johnson uses every single second to compose a very gritty and very real experience that lingers long after the credits. The strong direction extends into excellent work from both Phillips and Huffman, who practically light-up the screen. The Supporting Cast is wonderful as well, but they cannot even dream of competing with these two powerhouse talents. While the emotional catharsis of the ending was lost on me, the Film’s only other real stumbling block is a goofy subplot involving a trashy talk show. It aims to add some layer of satire, but ends up being a distraction that takes away valuable time watching Phillips and Huffman soar.
TAMMY’S ALWAYS DYING screens during TIFF at the following times:
Thursday September 5, 6:00pm @ Scotiabank Theatre [World Premiere]
Sunday September 8, 7:00pm @ Scotiabank Theatre
Saturday September 14, 1:00pm @ Scotiabank Theatre
Review by Amanda Gilmore for Mr. Will Wong
In a not-too-distant dystopia, The Pit is a form of prison that houses citizens in vertically stacked cells. They get fed through a platform that lowers from the top to bottom leaving those in higher cells with a feast while the ones below fight for leftovers if there are any.
This intelligent single-setting Socio-Political Thriller states important lessons about society and those with power in a simple way. The screenplay is enriched with characters who are entirely unique in their survival and political views. And those perspectives are the basis of the ample amounts of shocking violence that ensue. This is one to look out for at TIFF ’19.
The Platform screens at TIFF on Fri, Sep 6 at Ryerson Theatre at 11:59 PM, Sun, Sep 8 at Scotiabank Theatre at 10 PM, and Sun, Sep 15 at Scotiabank Theatre at 7:15 PM.
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