What a fantastic year in Cinema 2024 was! The Team – Nicholas Porteous, Amanda Gilmore, Justin Waldman, David Baldwin and Mr. Will unveil for you their best-of 2024 film lists here which you absolutely cannot miss! There are some surprises!
What were your faves? Let us know on IG and FB!
We thank you so much for your supporting all these years including 2024 and cannot wait to bring you the goods in 2025 whether it be first looks, screening pass giveaways, reviews or interviews, we will continue to be there for you!
To an epic 2025!
Team Mr. Will
TRANSFORMERS ONE debuts atop the Box Office with $26 million from 3,978 theatres for Paramount Pictures. The star-studded Animated Feature gets 88% on the Tomatometer. Franchise best opening still goes to 2009’s TRANSFORMERS: REVENGE OF THE FALLEN with $108 million.
A close second is BEETLEJUICE BEETLEJUICE with $24.5 million from 4,172 theatres for Warner Bros. Over three weeks now, it has grossed $225 million.
Third goes to SPEAK NO EVIL with $5.7 million for Universal Pictures, reaching $21.2 million in its two week run.
Fourth is NEVER LET GO with $4 million for Lionsgate/Cineplex Pictures, from 2,667 theatres. It gets a passing 61% on the Tomatometer.
Rounding out the Top Five is THE SUBSTANCE with $3.5 million from 1,949 theatres for MUBI, hot off its TIFF ’24 Premiere, opening to raves at 88% on the Tomatometer
After 11 days of cinematic magic, moments, and memories, TIFF officially concludes the 49th edition of the Toronto International Film Festival, presented by Rogers, by celebrating the best of the fest with its annual awards slate. A total of 10 awards were handed out at the awards ceremony today, including jury-awarded prizes and the renowned People’s Choice Awards, also presented by Rogers, that signals the official start to awards season.
“As we conclude this year’s Festival and present these 10 awards today, I’d like to extend my heartfelt gratitude to our dedicated juries, our TIFF programmers, and all of the filmmakers who have shared their work with us,” said Cameron Bailey, CEO of TIFF. “Most importantly, I want to thank our audience, who are truly the best in the world. Their passion and enthusiasm bring this festival to life every year, and we couldn’t do it without them. To The Life of Chuck, The Substance, and The Tragically Hip: No Dress Rehearsal, this year’s winners of the People’s Choice Awards, presented by Rogers, I can’t wait to see the future awards and accolades that await your incredible films.”
PEOPLE’S CHOICE AWARD PRESENTED BY ROGERS
The 47th edition of TIFF’s People’s Choice Awards, presented by Rogers, has been distinguished as the audience’s top title at the Festival as voted by the viewing public. All feature films and series in TIFF’s Official Selection are eligible.
People’s Choice Midnight Madness Award presented by Rogers is: The Substance, dir. Coralie Fargeat | United Kingdom/USA/France
The first runner-up is: Dead Talents Society, dir. John Hsu | Taiwan
The second runner-up is: Friendship, dir. Andrew DeYoung | USA
People’s Choice Documentary Award presented by Rogers is: The Tragically Hip: No Dress Rehearsal, dir. Mike Downie | Canada
The first runner-up is: Will & Harper, dir. Josh Greenbaum | USA
The second runner-up is: Your Tomorrow, dir. Ali Weinstein | Canada
People’s Choice Award presented by Rogers is: The Life of Chuck, dir. Mike Flanagan | USA
The first runner-up is: Emilia Pérez, dir. Jacques Audiard | France/USA/Mexico
The second runner-up is: Anora, dir. Sean Baker | USA
SHORT CUTS AWARDS
Short Cuts Awards are for Best International Film and Best Canadian Film. Each of the two winning films will receive a bursary of $10,000 CAD. The 2024 jurors for the Short Cuts Awards were Luis De Filippis, Micah Kernan, and Shane Smith.
Short Cuts Award for Best International Film:
Deck 5B, dir. Malin Ingrid Johansson | Sweden
Short Cut Jury’s statement: “By subverting narrative expectations at every turn, while adding layers of insight and potent emotional truths that evocatively illustrate the tensions between motherhood and desire, this deeply moving film enthralled the jury, staying with us long after we’d watched it. Helmed by a gifted filmmaker, skillfully eliciting an exceptional performance from her lead actress, in service of a nuanced, heartbreaking story, the jury is thrilled to present the award for Best International Short Film to Deck 5B, directed by Malin Ingrid Johansson.”
Honourable Mention:
Quota, dir. Job Roggeveen, Joris Oprins, Marieke Blaauw | Netherlands
Short Cut Jury’s statement: “In its three-minute runtime, this inventive animation does exactly what the best shorts do: make us ask big questions in little timeframes. The work tackles the timely issue of the cost of human invention and innovation on our tired planet. In a world where going viral has become synonymous with success, it asks if perhaps the real virus is us and our unquenchable need for more. The jury is pleased to present an honourable mention to the filmmaking team of Job, Joris & Marieke for their short Quota. We also applaud the filmmakers for practicing what they preach by choosing not to attend the Festival this year as a way to limit their carbon footprint and stay within their ‘quota.’”
Short Cuts Award for Best Canadian Film:
Are You Scared To Be Yourself Because You Think That You Might Fail?, dir. Bec Pecaut | Canada
Short Cut Jury’s statement: “This filmmaker was able to capture a moment in life with such authenticity in an effortless way. The jury was inspired to join these characters on a heartful expedition through decisions that were scary, funny, challenging, and ultimately real. The exploration of familial bonds and how they shift during adulthood resulted in an emotional journey from start to finish. The jury is thrilled to award the Short Cuts Award for Best Canadian Short Film to director Bec Pecault for Are You Scared To Be Yourself Because You Think That You Might Fail?”
FIPRESCI AWARD
The FIPRESCI jury is awarding the Prize of International Critics, dedicated to emerging filmmakers, to a debut feature film having its World Premiere in TIFF’s Discovery programme. The 2024 FIPRESCI jury members are Li Cheuk-to, Pierre-Simon Gutman, Azadeh Jafari, Saffron Maeve, and Wilfred Okiche.
FIPRESCI Award:
Mother Mother, dir. K’naan Warsame | Somalia
By David Baldwin
Elisabeth Sparkle (Demi Moore) was once Hollywood royalty. Fearing she may fade into total obscurity after getting sacked from her TV fitness show, she turns to a black-market injection program called “The Substance”. Using it creates a younger version of herself, Sue (Margaret Qualley), but it comes with a catch: each body is only allowed to exist for a week at a time before they need to swap back or else they risk irreversible consequences.
You may have an idea of where it goes from there, but trust me when I tell you that nothing can prepare you for THE SUBSTANCE. You will not be the same after watching this satirical nightmare that is as much an indictment of archaic female beauty standards as it is a masterpiece of Body Horror that would make even the genre’s Maestro David Cronenberg blush. I will not mince words – THE SUBSTANCE is disgusting and goes to some absolutely revolting places. In other words, this is one the Midnight Madness sickos are going to adore and anyone else should probably avoid.
I am one of those sickos and I loved every minute of THE SUBSTANCE.
Writer/Director Coralie Fargeat’s first film, the bloody thriller Revenge, was awesome. What she does here in only her second picture makes that film look like an angry Disney Princess movie. She swings for the fences right from the jump, crafting an experience that gradually takes over nearly every one of your senses. The way she incorporates sound is impeccable and her Editing (done alongside Jerome Eltabet and Valentin Féron) is magnificent. While I was not a fan of some of the CGI effects, the stunning makeup work more than makes up for it.
Even better are the genuine special effects on display here: the performances by Moore and Qualley. They are both incredible, firing on all cylinders and delivering the best performances of their careers. They both tap into something primal and give off an aura of raw, animalistic energy that continually grows stronger throughout. They compliment each other and breathe frighteningly real life into Fargeat’s poison-laced dialogue. And though he is used sparingly, Dennis Quaid is deliciously over-the-top as the shit weasel studio executive named (of course he is), Harvey. For my money, he has the most sickening, stomach-churning scene in the entire film – which says a lot given the places this theme park ride from hell takes you.
THE SUBSTANCE screens at TIFF’24:
Thursday, September 5 at 11:59PM at Royal Alexandra Theatre
Friday, September 6 at 7:30PM at Scotiabank Theatre Toronto
Friday, September 13 at 5:45PM at Scotiabank Theatre Toronto
MUBI, the global film distributor, production company and streaming service is thrilled to announce the Canadian release date for Coralie Fargeat’s deliriously entertaining and ruthlessly satirical new film THE SUBSTANCE, which received its World Premiere at the 77th Cannes Film Festival to riotous acclaim, winning the prize for Best Screenplay. Also, launched today is the new official teaser for the film.
Starring Demi Moore, Margaret Qualley and Dennis Quaid, this Cannes sensation turns toxic beauty culture inside out with a be-careful-what-you-wish-for fable for the ages. Explosive, provocative and twisted, THE SUBSTANCE announces the arrival of a thrillingly visionary filmmaker.
Have you ever dreamt of a better version of yourself? You. Only better in every way. Seriously. You’ve got to try this new product, The Substance. IT CHANGED MY LIFE.
It generates another you.
A new, younger, more beautiful, more perfect, you. And there’s only one rule: You share time.
One week for you. One week for the new you.
Seven days each. A perfect balance.
Easy. Right?
Written and directed by Coralie Fargeat (Revenge), The Substance stars Demi Moore (G.I. Jane, A Few Good Men, Indecent Proposal), Margaret Qualley (Once Upon a Time in Hollywood, Maid, Kinds of Kindness, Fosse Verdon), and Dennis Quaid (Far from Heaven, The Rookie, The Day After Tomorrow).
Director of Photography on the film is Benjamin Kracun (Promising Young Woman, Beast), co-editors are Coralie Fargeat, Jerome Eltabet (Revenge) and Valentin Féron, music is composed by Raffertie (I May Destroy You), Production Design is led by Stanislas Reydellet (Le Bal Des Folles), and Costume Design is by Emmanuelle Youchnovski (Café de Flore, La belle époque).
The Substance is produced by Coralie Fargeat, and Eric Fellner and Tim Bevan for Working Title following Fargeat’s acclaimed debut feature Revenge, which world premiered at the Toronto International Film Festival in 2017 and was written, directed and co-edited by Fargeat. Alexandra Loewy of Working Title and Nicolas Royer of A Good Story are Executive Producers.
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