AQUAMAN continues to splash a second week at the Box Office, taking $52.1 million for Warner Bros. from 4,125 theatres. Over two weeks it has made $189.3 million domestically.

In second is MARY POPPINS RETURNS with $32 million from 4,090 theatres for Disney, a two-week tally of $102.9 million gross in North America.

BUMBLEBEE lands in third with $20.6 million for Paramount Pictures from 3,550 theatres, a two-week total of $66.9 million in these parts.

SPIDER-MAN: INTO THE SPIDER-VERSE (which like Bumblebee stars Hailee Steinfeld also), is in fourth with $19.3 million from 3,813 theatres for Sony Pictures. $104.6 million is its total in its second week of release.

VICE is in sixth with $8.2 million from 2,442 theatres for Annapurna Pictures/eOne Films. Since its Christmas Day release, it has made $18.1 million. It gets 64% on the Tomatometer and a C+ CinemaScore.

HOLMES & WATSON opens in seventh with $7.6 million from 2,776 theatres for Sony Pictures. It gets 9% on the Tomatometer and a D+ CinemaScore.

THE GRINCH rounds things out in the Top Ten with $4.9 million for Universal Pictures, a healthy total $266.2 million over eight weeks.

AQUAMAN makes a huge splash this pre-Christmas weekend at the Box Office. It opens with $70 million from 4,125 theatres for Warner Bros. It passes with a 63% on the Tomatometer and gets also an A- CinemaScore which should give it some fins to swim with through the Holiday Season.

BUMBLEBEE, the latest in the Transformers Franchise debuts in second spot with stellar reviews at $22.7 million from 3,550 theatres for Paramount Pictures. It gets 94% on the Tomatometer – shocking – and an A- CinemaScore from Audiences.

In third is MARY POPPINS RETURNS with $21.7 million from 4,090 theatres for Disney. The Sequel, some 50+ years in-the-making, gets 77% on the Tomatometer and an A- CinemaScore.

SPIDER-MAN: INTO THE SPIDER-VERSE gets $18 million in its second week out for Sony Pictures, a tally of $66.1 million domestically. This lands it in fourth spot.

SECOND ACT starring Jennifer Lopez, debuts in seventh with $7.1 million for STX Entertainment/Elevation Pictures. It gets 42% on the Tomatometer and a B+ CinemaScore.

WELCOME TO MARWEN opens in ninth with $2.6 million for Universal Pictures. It gets 25% on the Tomatometer and a B- CinemaScore.

Rounding things out is MARY, QUEEN OF SCOTS with $2.5 million for Universal Pictures/Focus Features with $2.5 million, a total $3.8 million in three weeks of limited release. It gets 61% on the Tomatometer.

SPIDERMAN: INTO THE SPIDER-VERSE has has Moviegoers ‘into’ it at the pre-Holiday Office this weekend with $36 million from 3,813 theatres for Sony Pictures. The Animated Feature including the voices of Chris Pine, Jake Johnson and Hailee Steinfeld, comes with great acclaim, earning 97% on the Tomatometer and a rare A+ CinemaScore. Nothing still beats the Franchise’s best opening in 2007 with Spider-Man 3.

Clint Eastwood‘s latest, THE MULE, opens in second spot with $17.8 million from 2,588 theatres for Warner Bros. The Drama passes with 64% on the Tomatometer and an A- CinemaScore.

In third is THE GRINCH with $12.5 million for Universal Pictures. Its six-week total takes it to $240 million domestically.

MORTAL ENGINES, brought to us by the same people behind Lord of the Rings, opens in fifth for Universal Pictures with $7.5 million from 3,103 theatres. It gets 26% on the Tomatometer and a B- CinemaScore.

ONCE UPON A DEADPOOL, a PG-13 Re-Cut of DEADPOOL 2 with new Holiday-themed scenes, rounds-out the Top Ten with $2.6 million from 1,566 theatres for 20th Century Fox. It gets 52% on the Tomatometer.

Sony Pictures Canada, Universal Music Canada x Mr. Will want to give Readers a chance to win a copy of the SPIDER-MAN: INTO THE SPIDER-VERSE Soundtrack on CD. The Disc features new Music by Post Malone, Swae Lee, Nicki Minaj, Jaden Smith and more!

Synopsis:
Brooklyn teen Miles Morales (Shameik Moore) is embarrassed that his police officer dad drives him to school in a cruiser. His dad isn’t impressed by Spider-Man, who gets a lot of credit for catching bad guys.

When Spider-Man (Jake Johnson) saves Miles from a monster, the superhero introduces the boy to the limitless possibilities of the Spider-Verse, where more than one person can wear the mask of Spider-Man. Peter Parker offers to teach Miles to be Spider-Man, but advises him not to do it like him (Peter), but to do it like himself.

Listen now to Post Malone x Swae Lee‘s new track “Sunflower” from the SPIDER-MAN: INTO THE SPIDER-VERSE Soundtrack, out Dec. 14 – https://postmalone.lnk.to/snflwruf

Trailer:

To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK. Re-Tweet this Tweet from @mrwillw for another chance!

Sony Pictures Canada release SPIDER-MAN: INTO THE SPIDER-VERSE, in theatres Friday, December 14, 2018.

(Photo/video credit: Sony Pictures Canada/Universal Music)

Swinging into theatres this Christmas is SPIDER-MAN: INTO THE SPIDER-VERSE! Just announced are new Voice Cast additions: Hailee Steinfeld, Mahershala Ali, Jake Johnson, Liev Schreiber, Brian Tyree Henry, Luna Lauren Velez and Lily Tomlin.

Synopsis:

Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind.  Spider-Man™: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.  Directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman, the screenplay is by Phil Lord.  The film is produced, in association with Marvel, by Avi Arad, Amy Pascal, Phil Lord, Christopher Miller, and Christina Steinber.

See the new Trailer:

SPIDER-MAN: INTO THE SPIDER-VERSE is in theatres via Sony Pictures Canada this Christmas.

(Photo/video credit: Sony Pictures Canada)

For a second week straight, DUNKIRK tops the Box Office for Warner Bros. with $27.5 million from 3,748 theatres, but if anything it is a narrow victory. Over two weeks, it has grossed $102 million.

THE EMOJI MOVIE debuts a close second with $27 million for Sony Pictures from 4,075 theatres. Critically it gets 6% on the Tomatometer and a B CinemaScore.

GIRLS TRIP continues with a strong showing with $20 million, good enough for third in its second week out for Universal Pictures. It has made $65 million over two weeks.

ATOMIC BLONDE opens in fourth with $18.3 million for Focus Features/Universal Pictures from 3,305 theatres. It gets 75% on the Tomatometer and a B CinemaScore.

SPIDER-MAN: HOMECOMING is in firth with $13.6 million now in its fourth week out, a total $278.4 million earned for Sony Pictures.

WONDER WOMAN rounds-out the Top Ten for Warner Bros. with $3.6 million, a total $395 million over nine weeks.

Taking the top of the Box Office in its debut is Christopher Nolan‘s eagerly-awaited new Film DUNKIRK, earning $51 million from 3,720 theatres across North America for Warner Bros.  It gets a phenomenal 92% on the Tomatometer from Critics and an A- CinemaScore from Audiences. This lands ahead of 2014’s Interstellar which opened with $47.5 million in 3,561 theatres. Nolan has continued a legacy of domination with these Films, 2010’s Inception and The Dark Knight Trilogy.

Debuting in second with $29.2 million is Universal Pictures’ GIRLS TRIP, which gets both stellar reviews, coming in at 89% on the Tomatometer and a rare A+ CinemaScore also.  The Malcolm D. Lee Comedy plays in 2,195 theatres domestically.

SPIDER-MAN: HOMECOMING is in third with $20 million for Sony Pictures in its third week out.

WAR FOR THE PLANET OF THE APES is in fourth with $18.5 million for 20th Century Fox in its second week out.

In fifth is VALERIAN AND THE CITY OF A THOUSAND PLANETS with $16.7 million from 3,533 theatres for STX Entertainment/eOne Films.  The Fantasy from visionary Luc Besson gets 55% on the Tomatometer and a B- CinemaScore.

Rounding-out the Top Ten is Toronto-made WISH UPON with $2.1 million in its second week out for Broad Green Pictures.

WAR FOR THE PLANET OF THE APES sure isn’t ‘monkeying’ around! The Action/Fantasy is all business at the Box Office, taking-in $57.5 million from 4,022 theatres in its debut for 20th Century Fox. It gets a 94% on the Tomatometer and an A- CinemaScore from audiences. 2014’s DAWN OF THE PLANET OF THE APES still holds the franchise best with a $72 million opening.

In second is SPIDER-MAN HOMECOMING, last week’s number one Film. It earns $47.4 million its second week out in 4,348 theatres for Sony Pictures, a total $210 million earned domestically.

In third is DESPICABLE ME 3 with $19.2 million for Universal Pictures. Over three weeks it has grossed $188 million in North America.

BABY DRIVER is in fourth this weekend with $8.7 million from 3,043 theatres for Sony Pictures, a total $73 million made over three weeks.

THE BIG SICK expands to 2,597 theatres for Lionsgate Films/Elevation Pictures, taking $7.4 million in its fourth week out. It has made $15.8 million thus far.

Toronto-made WISH UPON might not be getting a Canadian release, but it opens in seventh in the U.S. with $5.6 million from 2,250 theatres. It gets 20% on the Tomatometer and a C- CinemaScore.

THE HOUSE rounds-out the Top Ten with $1.8 million for Warner Bros. in its third week out with $23 million tallied in total.

SPIDER-MAN: HOMECOMING spins a web on its competition, climbing to the top of the Box Office in its debut for Sony Pictures. It earns $119 million from 4,348 theatres and gets a 95% on the Tomatometer, plus a fantastic A CinemaScore. The franchise’s record still belongs to Spider-Man 3 (2007) which opened with $151 million.

In second is DESPICABLE ME 3 with $37.4 million from 4,535 theatres in its second week out for Universal Pictures. Thus far it has grossed a healthy $152.5 million domestically.

BABY DRIVER continues to be bankable for Sony Pictures with $12.5 million from 3,226 theatres in its second week out, a total $56 million over two weeks.

In fourth is the v. lasting WONDER WOMAN with $10.6 million for Warner Bros. from 3,091 theatres in its sixth week. Thus far it has earned $369 million in North America and looks like it’ll be around for a bit longer in the Top Ten.

In fifth is CARS 3 for Disney with $6.2 million, a total $134 million tally over four weeks.

THE BIG SICK expands to 326 theatres this weekend in earns an impressive $3.2 million for Elevation Pictures/Lionsgate Films. Over three weeks, the semi-autobiographical Rom-Com has made $6.4 million already in limited release. Critics have given it 97% on the Tomatometer.

THE BEGUILED rounds-out the Top Ten with $2.4 million from 941 theatres for Universal Pictures/Focus Features in its third week out, a total $7.4 million over three weeks.

“You’re the Spider-Man from YouTube!”.

Although we had our doubts, this new Trailer for SPIDER-MAN: HOMECOMING alleviates many concerns. And if it’s an added incentive, Robert Downey Jr. gets plenty of screen time as his Iron-Man/Tony Stark gets a pivotal story line crossing here as Spider-Man/Peter Parker‘s mentor.

Synopsis:
A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine – distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man – but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened.

See the Trailer:

Sony Pictures Canada release SPIDER-MAN: HOMECOMING Friday, July 7, 2017.

(Photo/video credit: Sony Pictures)