For a second straight week, CAPTAIN AMERICA: CIVIL WAR absolutely dominates the Box Office with $70 million in its second weekend from 4,226 theatres for Disney/Marvel. Its two week tally comes to $293 million in North America alone.
THE JUNGLE BOOK makes it a Disney double in second with $17 million now in its fifth week, a total of $310 million grossed domestically.
MONEY MONSTER opens in third with $14 million from 3,104 theatres for Sony Pictures. The satire-thriller directed by Jodie Foster starring Julia Roberts, Jack O’Connell and George Clooney earns a 55% on the Tomatometer from Critics and also a B+ CinemaScore from Audiences.
Horror THE DARKNESS debuts in fourth with $5.5 million from 1,755 theatres for Hightop Releasing, out only in the U.S. It stars Kevin Bacon and gets a C CinemaScore and a 0% on the Tomatometer.
MOTHER’S DAY is in fifth this weekend with $3.3 million for Open Road Films/Elevation Pictures, nearing the $30 million mark.
KEANU is in eight with $1.8 million for Warner Bros., totaling $18 million over three weeks.
THE BOSS rounds-out the Top Ten with $1 million in its sixth week out for Universal Pictures, just having surpassed $60 million.
Umm… can we go to Cannes? The lineup for the prestigious Film Festival has been revealed and this year 49 titles from 28 countries will be making their way to the CroisetteMay 11-12, 2016. The Festival is seen as a precursor to some of the Films that will be seen Awards Season as contenders and also in our City, TIFF this September?
Among the highlights are Woody Allen‘s latest, Café Society, which re-teams once again Kristen Stewart and Jesse Eisenberg. The Film is about a young man in the ’30s who goes to Paris looking to work in Film, but he falls in love and is swept away by the café society. It opens the Festival.
Unlike other years, no Closing Night Film was announced. Like TIFF, they will re-screen the winner of the prestigious Palme d’Or.
American Honey from Andrea Arnold (Transparent), is a British Film about a group of young people who travel the U.S. selling magazine subscriptions and the antics they get into. Shia Labeouf and Riley Keough star.
Elle is the latest from Paul Verhoeven (Showgirls, Basic Instinct) and it centers around a video game company executive who gets attacked in her own home. She devotes her energies into finding her assailant and what results is much like an unpredictable video game.
Canada is well-represented by festival darling Xavier Dolan‘s latest, It’s Only the End of the World. It centers on a man who returns home to tell his family he’s dying. It stars Vincent Cassel, Marion Cotillard and Léa Seydoux.
Visionary Pedro Almodóvar returns to the festival circuit with his latest Julieta, which follows the life of a woman on the verge of madness and her life 30 years prior when things were grand.
Loving from Jeff Nichols follows an interracial couple who go to prison for being in love in 1958. Ruth Negga and Joel Edgerton star.
Jim Jarsmusch returns with his latest, Paterson, about a bus driver who dabbles in poetry. Star Wars: The Force Awakens’Adam Driver stars.
Sean Penn directs The Last Face, starring Charlize Theron and Javier Bardem, both aid workers who fall in love in a war-torn Liberia.
Park Chan-wook (Oldboy) returns with The Handmaiden, about an heiress who falls for a thief.
Nicolas Winding Refn is developing a reputation for stylish, unconventional and polarizing Films and he returns with The Neon Demon, starring Elle Fanning as a supermodel whom is preyed upon by her rivals.
Personal Shopper stars Kristen Stewart as a young woman working as a shopper for a celebrity. Olivier Assayas directs.
Screening out of competition, meaning they are not competing for the Palme d’Or, are Jodie Foster‘s New York-filmed Money Monster starring Julia Roberts, George Clooney and Jack O’Connell. Steven Spielberg‘s eagerly-awaited Roald Dahl adaptation, The BFG also premieres. TheNice Guys by Shane Black, stars Ryan Gosling and Russell Crowe – a pair of almost-cops who bend the rules surrounding a missing girl’s investigation.
We were actually in New York last spring while it was filming on Wall Street so it’s a bit surreal we are seeing the brand new trailer for Jodie Foster’s star-studded MONEY MONSTER!
In the taut and tense thriller Money Monster, Lee Gates (George Clooney) is a bombastic TV personality whose popular financial network show has made him the money wiz of Wall Street. But after he hawks a high tech stock that mysteriously crashes, an irate investor (Jack O’Connell) takes Gates, his crew, and his ace producer Patty Fenn (Julia Roberts) hostage live on air. Unfolding in real time, Gates and Fenn must find a way to keep themselves alive while simultaneously uncovering the truth behind a tangle of big money lies.
See the Trailer:
Some Snaps of George (+ Amal!) + Jack on-set last May:
Stars of the Film, Fashion and Music Worlds gathered Monday night at New York’s Metropolitan Museum of Modern Art, for Fashion’s biggest night, the Costume Institute Ball – known more as the Met Ball or Met Gala – for a 44th year. As in previous years, the night was nothing short of spectacular and this year’s theme was China: Through the Looking Glass, which explores the Country’s influence on Fashion as we know it today. An Exhibition put-on in conjunction with the Museum’s Department of Asian Art, commences now through August, with the Gala kicking it all off.
The ultra-exclusive Affair is invite-only and if you are fortunate enough to be granted the opportunity to purchase a ticket even, acceptance is pending the approval of the most revered and feared Woman in the Industry, Anna Wintour.
Just so there was no confusion in the hierarchy, the dazzling A-List of predominantly female Talent would see its biggest stars Jay-Z and Beyoncé (in a revealing sheer Givenchy) arrive approximately three hours late, drawing a crowd of cheers from onlookers who lined street for a long glance at beauty and innovation when finally they did arrive.
Although a list of Guests was published prior, with Jennifer Lawrence named Event Chair this year, few know fully who exactly will arrive until they walk the many steps of the Red Carpet. Some Starlets stayed within their comfort zone wearing with an array of pretty form-fitting gowns. Others took major fashion risks, staying true to the Night’s established theme including Trailblazer Sarah Jessica Parker who had donned a Chinese Opera-like Headpiece over an H&M Dress, a strong contingent of Chinese Actresses including Gong Li, Ziyi Zhang, Carina Lau, Li Bing Bing, Gao Yuan Yuan, Tang Wei and more donned intricate creations with floral themed patterns. Dolce & Gabbana was most daring and our personal favourite, dressing a handful of Starlets like Karen Elson, Brie Larson and more in decadent golds with dazzling Tiaras fit for a Queen. Red-hot Moschino now underseen by Jeremy Scott, saw the likes of Madonna and Katy Perry garbed head-to-toe in his vision, the latter who turned heads with a cropped Pixie Cut which turned to blonde at the Afterparty which she had co-hosted. Not quite thematically correct, but still a visual Feast.
Others getting high praise for their looks were friends Anne Hathaway in a hooded gold Ralph Lauren numbers, Lady Gaga in a Zac Posen Pantsuit, Rosie Huntington-Whiteley in rose-coloured Versace and Sophie Turner in teal Burberry Dress. And speaking of teal, Miley Cyrus would dazzle in a high-neck Alexander Wang dress, with her hair slicked-back and coloured as such. We also are a huge Fan of Kate Hudson‘s gold Michael Kors number.
Social Media was lit afire when Perry, Madonna and perceived Pop Rival Lady Gaga posed for Selfies together at the Ball’s official Afterparty in the City’s Meatpacking District. Both Lady Gaga and Rihanna also themselves would throw their own bashes, which would see the likes of Naomi Campbell, Robert Pattinson and his girlfriend FKA Twigs returning to their star-crammed Hotel in the wee hours at the break of dawn.