#BOXOFFICE: “JASON BOURNE” BIRTHS ANOTHER #1 FOR ITS FRANCHISE
JASON BOURNE takes the top of the Box Office in its debut, continuing its Franchise’s legacy of success with $59 million from 4,026 theatres for Universal Pictures. In relation to its Predecessors, it still cannot surpass the $69 million opening of 2007’s THE BOURNE ULTIMATUM but is second best, firmly ahead of 2005’s THE BOURNE SUPREMACY. Critics gave it a 56% on the Tomatometer, but Audiences loved it with an A- CinemaScore.
After dominating last weekend, STAR TREK BEYOND takes second position with $24 million for Paramount Pictures. In two weeks, it has grossed $105 million in North America.
Opening in third for STX Entertainment and eOne Films is BAD MOMS with $23.7 million from 3,215 theatres. The Comedy starring Mila Kunis, Kathryn Hahn and Kristen Bell gets a strong A CinemaScore, while Critics gave it a passing 63% on the Tomatometer. This definitely will help give it legs to go on in coming weeks.
THE SECRET LIFE OF PETS still is going strong in fourth with $17 million for Universal Pictures. Over four weeks it is almost at the $300 million-mark.
ICE AGE: COLLISION COURSE is in fifth with $10.9 million for 20th Century Fox, a total of $42 million in two weeks.
LIGHTS OUT continues to be the “little engine who could”, powering along in sixth with $10 million for Warner Bros. Made for less than $5 million, the Horror is now en route to $42 million in earnings.
NERVE opens in ninth with $9 million for Lionsgate Films/eOne Films. Since its opening Wednesday it has made $15 million. Critics gave it a 56% on the Tomatometer, while Audiences gave it an A- CinemaScore.
CAFÉ SOCIETY rounds-out the Top Ten with $2.4 million from only 565 theatres for Lionsgate Films/Amazon (a rare partnership) and Mongrel Media. The Woody Allen Film get a 71% on the Tomatometer.
#FIRSTLOOK: 2016 CANNES FILM FESTIVAL ANNOUNCES ITS LINEUP
Umm… can we go to Cannes? The lineup for the prestigious Film Festival has been revealed and this year 49 titles from 28 countries will be making their way to the Croisette May 11-12, 2016. The Festival is seen as a precursor to some of the Films that will be seen Awards Season as contenders and also in our City, TIFF this September?
Among the highlights are Woody Allen‘s latest, Café Society, which re-teams once again Kristen Stewart and Jesse Eisenberg. The Film is about a young man in the ’30s who goes to Paris looking to work in Film, but he falls in love and is swept away by the café society. It opens the Festival.
Unlike other years, no Closing Night Film was announced. Like TIFF, they will re-screen the winner of the prestigious Palme d’Or.
American Honey from Andrea Arnold (Transparent), is a British Film about a group of young people who travel the U.S. selling magazine subscriptions and the antics they get into. Shia Labeouf and Riley Keough star.
Elle is the latest from Paul Verhoeven (Showgirls, Basic Instinct) and it centers around a video game company executive who gets attacked in her own home. She devotes her energies into finding her assailant and what results is much like an unpredictable video game.
Canada is well-represented by festival darling Xavier Dolan‘s latest, It’s Only the End of the World. It centers on a man who returns home to tell his family he’s dying. It stars Vincent Cassel, Marion Cotillard and Léa Seydoux.
Visionary Pedro Almodóvar returns to the festival circuit with his latest Julieta, which follows the life of a woman on the verge of madness and her life 30 years prior when things were grand.
Loving from Jeff Nichols follows an interracial couple who go to prison for being in love in 1958. Ruth Negga and Joel Edgerton star.
Jim Jarsmusch returns with his latest, Paterson, about a bus driver who dabbles in poetry. Star Wars: The Force Awakens’ Adam Driver stars.
Sean Penn directs The Last Face, starring Charlize Theron and Javier Bardem, both aid workers who fall in love in a war-torn Liberia.
Park Chan-wook (Oldboy) returns with The Handmaiden, about an heiress who falls for a thief.
Nicolas Winding Refn is developing a reputation for stylish, unconventional and polarizing Films and he returns with The Neon Demon, starring Elle Fanning as a supermodel whom is preyed upon by her rivals.
Personal Shopper stars Kristen Stewart as a young woman working as a shopper for a celebrity. Olivier Assayas directs.
Screening out of competition, meaning they are not competing for the Palme d’Or, are Jodie Foster‘s New York-filmed Money Monster starring Julia Roberts, George Clooney and Jack O’Connell. Steven Spielberg‘s eagerly-awaited Roald Dahl adaptation, The BFG also premieres. The Nice Guys by Shane Black, stars Ryan Gosling and Russell Crowe – a pair of almost-cops who bend the rules surrounding a missing girl’s investigation.
(Photo credit: Warner Bros.)