The 2022 Cannes Film Festival, now in its 75th edition, has officially begun and we’re so thrilled to be a part of the festivities this year! Our Amanda Gilmore is on-foot out on the French Riviera as the Festival runs today through May 28, 2022.
Canada certainly is making its presence felt and even has its own Festival Village! Canada Tent set-up, the Pavillion having been absent for two years. Our Country is represented by CRIMES OF THE FUTURE (David Cronenberg) – which also will be getting a Canadian Premiere in June at TIFF BELL LIGHTBOX – and FALCON LAKE (Charlotte Le Bon).
Academy Award winner Forrest Whitaker in addition to producing Documentary For the Sake of Peace, is receiving an honourary Palme d’Or as well. He says this is the first time he has ever felt internationally-recognized as an Artist!
The Festival’s Jury Conference featured some deep talent with names like Deepika Padukone, Rebecca Hall, Noomi Rapace, Jasmine Trinca, Asghar Farhadi, Ladj Ly, Jeff Nichols and Joachim Trier.
Some key quotes from the Panel conducted in both French and English. A recurring theme with the Jury is their humility and love of Cinema, helping spotlight talent versus “judging” and “critiquing”, which is refreshing.
Noomi Rapace: “It’s a dream come true. Thank you. Thank you for having me.”.
Rebecca Hall: “Not here was no hesitation it was obviously a tremendous honour.”. On bring a Juror, the Actress/Director says, “I don’t like the word judge…There is a huge responsibility, but also a creative responsibility.”.
Deepika Padukone: “We made a promise to each other that we won’t burden ourselves with the responsibility.”. The Bollywood icon tells the room, “Cinema is such a powerful tool and medium it has the ability to impact people’s lives.”.
Joachim Trier: “Together we will have some really interesting and difficult conversations.”. The Director of acclaimed THE WORST PERSON IN THE WORLD also reveals, “I’m looking forward to watching 21 movies.”.
Jeff Nichols: “I once waited tables at the American Pavilion and someone tipped me a ticket and I was blown-away by how beautifully this Festival honours Filmmakers.”. Nichols, excited like Trier about seeing some movies says, “I guarantee you I will watch every single one of these films with the same energy and awe as when I was 21. “.
A view of the Grand Auditorium Louis Lumière Red Carpet:
The famed Theatre Debussy Red Carpet:
TOP GUN: MAVERICK also will get is eagerly-awaited Premiere tomorrow night. See this amazing installation set-up to celebration the Blockbuster!
Bookmark this link and check daily as we will be bringing you your latest Reviews from Cannes!
So excited to deliver you our coverage on the world stage!
(Photo credit: Amanda GIlmore for Mr. Will Wong)
By Mr. Will Wong
While it already has made waves at Cannes and TIFF, Norwegian Writer/Director Joachim Trier brings the brilliant finale to his acclaimed “Oslo Trilogy” to Sundance. The Romantic Dramedy is shortlisted to represent Norway at the upcoming Academy Awards for Best International Feature Film.
Trier continues to explore life today in this Norwegian capitol and at the center of the story is Julie (Renate Reinsve in her award-winning performance), an almost-thirty woman still figuring it out. We meet her as a medical student, who then decides she wants to study Psychology. She wants to be a Photographer. And then a Writer. She meets Aksel (Anders Danielsen Lie) known for his politically-incorrect comic books, and while he is some 15 years older than she, they strike a deep connection and fall in love. As their relationship progresses, there are some points of contention. Aksel has figured out who he is, though Julie really hasn’t. He wants children, though she isn’t quite there yet. And more so, Aksel has a perspective that has come with age that makes Julie feel diminished. Julie meets Elvind (Herbert Nordrum) and they fall in love, filling voids in their own current respective relationships. But as Aksel‘s world begins to unfold, Julie still finds him on her mind and she must confront herself as her life reaches a crossroad.
The performances from our two leads feel so remarkably effortless. We feel we are getting all of Julie in Reinsve‘s thoughtful work, matched by Lie who takes Aksel through a range of emotions and questions. I already can envision adaptations of the Film in other languages with Actors chomping at the bit to take on these rich, complex roles.
THE WORST PERSON IN THE WORLD is gorgeous, subtle and thought-provoking storytelling that equally captures the lightness and humour of falling in love. At once, it dives deep into the pain of soul searching and falling out of love as well, while considering life since #MeToo and into the pandemic. Trier has gifted us with something that is both now and timeless.
THE WORST PERSON IN THE WORLD screens at Sundance:
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