When Canadians consider weight loss protocols, the conversation typically revolves around caloric restriction, cardiovascular exercise, and metabolic rate. However, there is a hidden danger in every fat loss journey that rarely gets discussed: sarcopenia—the loss of muscle mass.

For researchers exploring RAD-140 (Testolone) in 2026, understanding the complex relationship between this potent compound, muscle preservation, and metabolism is critical. This article examines RAD-140 through a unique lens: not merely as an anabolic compound, but as a potential metabolic tool with significant implications for body composition research.

Understanding Sarcopenia: The Hidden Cost of Weight Loss

Sarcopenia, derived from Greek meaning “poverty of flesh,” refers to the progressive loss of skeletal muscle mass and strength. While commonly associated with aging, sarcopenia is also an unintended consequence of aggressive caloric restriction.

When the body enters a sustained caloric deficit, it does not discriminate between fat and muscle for energy. Research indicates that up to 25% of weight lost through dieting alone can come from lean muscle tissue. This metabolic reality creates a paradox: the very act of trying to improve body composition can actually compromise the metabolic machinery needed to maintain that improvement.

Muscle tissue is metabolically active. Each pound of muscle burns approximately 6-7 calories per day at rest. When muscle mass decreases, resting metabolic rate follows suit. This is the classic “weight loss plateau” phenomenon—the body becomes more efficient at surviving on fewer calories, making further fat loss progressively difficult.

For researchers studying body recomposition, the ideal scenario is clear: maximize fat loss while preserving—or even building—lean muscle tissue. This is precisely where RAD-140 enters the conversation.

RAD-140 and Muscle Preservation: The Mechanistic Connection

RAD-140 (Testolone) was originally developed by Radius Health, Inc. for therapeutic applications including muscle wasting disorders and breast cancer. Its mechanism of action involves selective binding to androgen receptors in skeletal muscle and bone tissue, stimulating anabolic gene transcription that enhances protein synthesis and nitrogen retention.

What makes RAD-140 particularly relevant to the sarcopenia discussion is its demonstrated ability to preserve lean mass even in catabolic states. A 2025 study published in ScienceDirect examining RAD-140’s impact on frailty in aging mice found that RAD-140 treated male mice showed significantly preserved lean mass compared to controls. The study also noted lower serum interleukin-6 (IL-6) levels in treated males, suggesting an anti-inflammatory effect that may further protect muscle tissue during metabolic stress.

This preservation effect has direct implications for weight loss research. When the body is in a caloric deficit, it exists in a catabolic state—breaking down tissue for energy. RAD-140’s anabolic signaling may help counterbalance this catabolic pressure, allowing for fat mobilization while skeletal muscle remains protected.

Differential Muscle Response: Not All Fibers Are Equal

Fascinatingly, RAD-140 does not affect all muscles equally. A 2024 study presented at the American College of Sports Medicine annual meeting investigated RAD-140’s effects on different muscle groups in rats. Researchers found that RAD-140 treatment significantly increased cross-sectional area in the plantaris muscle—a muscle involved in standing and locomotion—while the tibialis anterior remained unchanged.

This differential response suggests that muscle recruitment patterns, fiber type composition, and functional load may influence how RAD-140 affects specific muscle groups. For researchers designing weight loss protocols, this raises important questions: Which muscles are most critical to preserve during fat loss? Should preservation strategies target specific muscle groups?

The plantaris contains a higher proportion of fast-twitch (Type II) fibers, which are typically more responsive to anabolic stimuli but also more susceptible to atrophy during caloric restriction. RAD-140’s apparent affinity for these fibers may make it particularly valuable for preserving explosive strength and metabolic capacity during cutting phases.

The Metabolic Ripple Effect: Beyond Simple Thermodynamics

The relationship between muscle preservation and metabolism extends far beyond the basic calories-burned-per-pound calculation. Skeletal muscle serves as the body’s primary glucose disposal site. When muscle mass decreases, insulin sensitivity often follows suit.

This creates another metabolic paradox: rapid weight loss through extreme dieting can actually impair the body’s ability to handle carbohydrates efficiently, potentially setting the stage for future fat regain. By preserving muscle tissue during caloric restriction, RAD-140 may help maintain—or even improve—insulin sensitivity throughout the weight loss process.

Furthermore, muscle tissue acts as an endocrine organ, secreting myokines that influence systemic metabolism. Interleukin-6, the same inflammatory marker reduced in RAD-140 treated mice, plays complex roles in metabolism. While chronically elevated IL-6 is associated with insulin resistance and inflammation, acute IL-6 release from contracting muscle actually promotes fat oxidation. RAD-140’s modulation of inflammatory markers may thus have nuanced effects on metabolic health during weight loss.

The Fat Loss Evidence: What Research Actually Shows

It is important to distinguish between direct and indirect fat loss effects when evaluating RAD-140. Unlike Cardarine (GW-501516), which directly activates PPARδ pathways involved in fat metabolism, RAD-140 does not appear to possess direct lipolytic properties. Instead, its fat loss effects are primarily indirect, mediated through:

1. Preserved metabolic rate via muscle retention
2. Increased energy expenditure during physical activity due to improved strength and endurance
3. Improved nutrient partitioning favoring muscle over fat storage

Clinical data from human trials, while limited, supports modest body composition improvements. In breast cancer trials, RAD-140 demonstrated an acceptable safety profile at various doses, with some patients experiencing decreased appetite and weight—though these were classified as adverse events in the therapeutic context.

Anecdotal reports from researchers suggest that RAD-140 cycles typically produce “dry” gains characterized by increased vascularity and muscle hardness without significant water retention. This visual leanness may create the perception of fat loss even when scale weight remains stable.

Sex-Specific Considerations: A Critical Variable

One of the most important findings from recent research concerns RAD-140’s sex-specific effects. The 2025 mouse study revealed that while male mice experienced significant benefits in lean mass preservation, bone mineral density, and inflammatory markers, female mice showed no such improvements. In fact, other research has suggested that RAD-140 may negatively impact skeletal muscle adaptation and frailty status in female mice.

This sexual dimorphism has profound implications for research protocols. Female researchers exploring RAD-140 for weight loss purposes may not experience the same muscle-preserving benefits as males, potentially altering the risk-benefit calculation. The mechanism likely relates to baseline androgen levels and androgen receptor distribution, which differ significantly between sexes.

For female researchers, alternative compounds such as low-dose Ostarine (MK-2866) or ACP-105 may offer more predictable muscle-preserving effects during caloric restriction. Ostarine, in particular, has extensive clinical validation for muscle preservation in wasting conditions and demonstrates a more favorable tolerability profile.

The Suppression Dilemma: Trading Muscle for Hormones

No discussion of RAD-140 and metabolism would be complete without addressing the elephant in the room: testosterone suppression. RAD-140’s potent anabolic effects come at a cost—significant downregulation of the hypothalamic-pituitary-gonadal (HPG) axis.

For male researchers, this means that while RAD-140 may preserve muscle during a cut, it simultaneously suppresses natural testosterone production. Low testosterone during a caloric deficit can exacerbate lethargy, reduce libido, and impair recovery—all factors that may undermine the weight loss effort.

This suppression creates a strategic dilemma. The muscle-preserving benefits of RAD-140 must be weighed against the metabolic consequences of temporarily impaired hormonal status. This is why responsible research protocols include:

• Comprehensive pre and post bloodworkto establish baseline hormone levels and track changes
• Structured post-cycle therapy (PCT)to restore natural production
• Cycle lengths limited to 6-8 weeks to minimize prolonged suppression
• Liver support compounds such as TUDCA or NAC, as RAD-140 has been associated with liver enzyme elevations in clinical trials 

Practical Implications for Canadian Researchers

For those planning to buy RAD-140 in Canada for weight loss research, several practical considerations emerge from the current evidence:

Timing Matters

The differential muscle response noted in research suggests that RAD-140 may be most effective when combined with targeted training. Since the plantaris muscle responded while the tibialis anterior did not, researchers should consider emphasizing exercises that recruit muscles with favorable fiber type compositions.

Caloric Deficit Design

Extreme caloric restriction may overwhelm RAD-140’s muscle-sparing effects. Moderate deficits (300-500 calories below maintenance) likely allow RAD-140 to exert its anabolic effects more effectively than crash dieting approaches.

Stack Considerations

Some researchers combine RAD-140 with Cardarine (GW-501516) for cutting cycles, leveraging RAD-140’s muscle preservation with Cardarine’s direct fat metabolism effects. Others incorporate MK-677 for its growth hormone secretagogue effects, though this requires caution due to potential insulin resistance and visceral fat accumulation.

Source Quality

The metabolic precision required for effective weight loss research demands compounds of known purity and consistent dosing. This is why domestic sourcing through vendors like NEOSARMs—with their 99% purity guarantee and tablet formulations—removes variables that could compromise research validity.

Conclusion: A Nuanced Tool for Complex Research

RAD-140’s role in weight loss research is neither simple nor direct. It does not burn fat through magical mechanisms. Instead, it offers something arguably more valuable: the potential to preserve the metabolically active tissue that makes sustainable fat loss possible.

By protecting skeletal muscle during caloric restriction, RAD-140 may help researchers avoid the sarcopenia trap that sabotages so many weight loss efforts. The preserved muscle mass maintains metabolic rate, supports insulin sensitivity, and provides the physical capacity for continued training throughout the cutting phase.

However, these potential benefits come with significant responsibilities. Hormonal suppression, liver stress, and sex-specific response patterns must all be factored into research protocols. The compound demands respect, preparation, and a comprehensive approach that includes bloodwork, support supplements, and proper PCT.

For Canadian researchers willing to approach RAD-140 with the seriousness it deserves, it remains one of the most fascinating tools available for studying the complex relationship between muscle mass, metabolism, and body composition.

Sources

(2025). “RAD-140 vs Ostarine (MK-2866): Best SARM for Beginners?” https://swolverine.com/en-au/blogs/blog/rad-140-vs-ostarine-mk-2866-best-sarm-for-beginners

Heinze-Milne, S., et al. (2025). “The impact of a selective androgen receptor modulator (RAD140) on frailty and underlying mechanisms in older male and female C57Bl/6 mice.” ScienceDirect. https://www.sciencedirect.com/science/article/pii/S0047637425000302

Middleton, R.C., Puskas, J., Lees, S.J., Otis, J.S. (2024). “Differential Effects Of RAD140 Treatment On Rat Tibialis Anterior And Plantaris Muscle Cross-Sectional Areas.” Medicine & Science in Sports & Exercise, 56(10S): 422. https://journals.lww.com/acsm-msse/fulltext/2024/10001/differential_effects_of_rad140_treatment_on_rat.962.aspx

LoRusso, P., et al. (2022). “A First-in-Human Phase 1 Study of a Novel Selective Androgen Receptor Modulator (SARM), RAD140, in ER+/HER2- Metastatic Breast Cancer.” Clinical Breast Cancer, 22(1): 67-77. https://www.clinicalbreastcancer.com/article/S1526-8209(21)00207-8/fulltext

Greenfield, B. (2017). “A New & Potent SARMs Stack For Muscle-Building, Fat-Loss & Anti-Aging: How To Use MK-677 and RAD-140.” com. https://bengreenfieldlife.com/article/biohacking-articles/how-to-use-mk-677-and-rad-140/

Brown, A.M., Ganjayi, M.S., Baumann, C.W. (2023). “RAD140 (Testolone) negatively impacts skeletal muscle adaptation, frailty status and mortality risk in female mice.” Clinical and Experimental Pharmacology and Physiology, 50(12): 973-983. https://pubmed.ncbi.nlm.nih.gov/37758180/

Ladna, M., et al. (2023). “Idiosyncratic drug-induced liver injury related to use of novel selective androgen receptor modulator RAD140 (Testalone): a case report.” Journal of Medical Case Reports, 17(1): 134. https://pubmed.ncbi.nlm.nih.gov/36978171/

Nebula Genomics. (2021). “RAD 140 review – A lab drug may one day build muscle?” https://nebula.org/blog/rad-140-review/

National Institutes of Health. (2025). “Search Results: RAD140.” PubMed. https://pubmed.ncbi.nlm.nih.gov/?term=rad140

Sonwu Biotech. (2025). “SARMs: Real Uses Of RAD-140.” https://www.sonwuapi.com/news/sarms-real-uses-of-rad-84382122.html

Awards Season has concluded and ONE BATTLE AFTER ANOTHER reigned supreme being named Best Picture at this year’s 98th Academy Awards. In addition to Best Picture, the Film also saw Writer/Director Paul Thomas Anderson take Director and Adapted Screenplay, along with Sean Penn taking Supporting Actor, Andy Jurgensen winning for Editing, and Cassandra Kulukundis winning the inaugural Oscar for Casting.

SINNERS also was a big part of the conversation tonight, winning four Oscars including Michael B. Jordan for Best Actor in a contentious battle with Timothée Chalamet (Marty Supreme), Writer/Director Ryan Coogler winning for Original Screenplay, Ludwig Goransson winning for Original Score, and Autumn Durald Arkapaw making history as the first female Director of Photography to win for Cinematography.

Canada would have a strong showing, with Toronto Filmmaker Maggie Kang’s KPOP DEMON HUNTERS winning Best Animated Feature and Original Song. Guillermo del Toro‘s FRANKENSTEIN, shot in Toronto, would see Tamara Deverell and Shane Vieau winning for Production Design, while Jordan Samuel and Cliona Furey won for Make-Up and Hair. THE GIRL WHO CRIED PEARLS won Animated Short for Montreal duo Chris Lavis and Maciek Szczerbowski.

The event was hosted by Conan O’Brien in his debut at the prestigious night, winning the audience with his quick wit and occasional veering to political commentary.

Here are the winners below:

Best picture

WINNER: One Battle After Another
Bugonia
Frankenstein
F1
Hamnet
Marty Supreme
The Secret Agent
Sentimental Value
Sinners
Train Dreams

Best actress

WINNER: Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Kate Hudson – Song Sung Blue
Renate Reinsve – Sentimental Value
Emma Stone – Bugonia

Best actor

WINNER: Michael B Jordan – Sinners
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Wagner Moura – The Secret Agent

Best supporting actress

WINNER: Amy Madigan – Weapons
Elle Fanning – Sentimental Value
Inga Ibsdotter Lilleaas – Sentimental Value
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

Best supporting actor

WINNER: Sean Penn – One Battle After Another
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Delroy Lindo – Sinners
Stellan Skarsgård – Sentimental Value

Best director

WINNER: Paul Thomas Anderson – One Battle After Another
Ryan Coogler – Sinners
Josh Safdie – Marty Supreme
Joachim Trier – Sentimental Value
Chloé Zhao – Hamnet

Best animated feature

WINNER: KPop Demon Hunters
Arco
Elio
Little Amélie or the Character of Rain
Zootopia 2

Best international feature

WINNER: Sentimental Value
It Was Just an Accident
Sirât
The Secret Agent
The Voice of Hind Rajab

Best documentary feature

WINNER: Mr Nobody Against Putin
Come See Me in the Good Light
Cutting Through the Rocks
The Alabama Solution
The Perfect Neighbor

Best original screenplay

WINNER: Sinners – Ryan Coogler
Blue Moon – Robert Kaplow
It Was Just an Accident – Jafar Panahi
Marty Supreme – Ronald Bronstein and Josh Safdie
Sentimental Value – Eskil Vogt and Joachim Trier

Best adapted screenplay

WINNER: One Battle After Another – Paul Thomas Anderson
Bugonia – Will Tracy
Frankenstein – Guillermo del Toro
Hamnet – Chloé Zhao and Maggie O’Farrell
Train Dreams – Clint Bentley and Greg Kwedar

Best original song

WINNER: Golden – KPop Demon Hunters (by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park)
Dear Me – Diane Warren: Relentless (by Diane Warren)
I Lied to You – Sinners (by by Raphael Saadiq and Ludwig Goransson)
Sweet Dreams of Joy – Viva Verdi! (by Nicholas Pike)
Train Dreams – Train Dreams (by Nick Cave and Bryce Dessner)

Best original score

WINNER: Sinners – Ludwig Goransson
Bugonia – Jerskin Fendrix
Frankenstein – Alexandre Desplat
Hamnet – Max Richter
One Battle After Another – Jonny Greenwood

Best cinematography

WINNER: Sinners – Autumn Durald Arkapaw
Frankenstein – Dan Laustsen
Marty Supreme – Darius Khondji
One Battle After Another – Michael Bauman
Train Dreams – Adolpho Veloso

Best film editing

WINNER: One Battle After Another – Andy Jurgensen
F1 – Stephen Mirrione
Marty Supreme – Ronald Bronstein and Josh Safdie
Sentimental Value – Olivier Bugge Coutté
Sinners – Michael P Shawver

Best sound

WINNER: F1 – Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A Rizzo and Juan Peralta
Frankenstein – Greg Chapman, Nathan Robitaille, Nelson Ferreira, Christian Cooke and Brad Zoern
One Battle After Another – José Antonio García, Christopher Scarabosio and Tony Villaflor
Sinners – Chris Welcker, Benjamin A Burtt, Felipe Pacheco, Brandon Proctor and Steve Boeddeker
Sirât – Amanda Villavieja, Laia Casanovas and Yasmina Praderas

Best visual effects

WINNER: Avatar: Fire and Ash – Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett
F1 – Ryan Tudhope, Nicolas Chevallier, Robert Harrington and Keith Dawson
Jurassic World Rebirth – David Vickery, Stephen Aplin, Charmaine Chan and Neil Corbould
Sinners – Michael Ralla, Espen Nordahl, Guido Wolter and Donnie Dean
The Lost Bus – Charlie Noble, David Zaretti, Russell Bowen and Brandon K McLaughlin

Best production design

WINNER: Frankenstein – Tamara Deverell and Shane Vieau
Hamnet – Fiona Crombie and Alice Felton
Marty Supreme – Jack Fisk and Adam Willis
One Battle After Another – Florencia Martin and Anthony Carlino
Sinners – Hannah Beachler and Monique Champagne

Best casting

WINNER: One Battle After Another – Cassandra Kulukundis
Hamnet – Nina Gold
Marty Supreme – Jennifer Venditti
Sinners – Francine Maisler
The Secret Agent – Gabriel Domingues

Best make-up and hairstyling

WINNER: Frankenstein – Mike Hill, Jordan Samuel and Cliona Furey
Kokuho – Kyoko Toyokawa, Naomi Hibino and Tadashi Nishimatsu
Sinners – Ken Diaz, Mike Fontaine and Shunika Terry
The Smashing Machine – Kazu Hiro, Glen Griffin and Bjoern Rehbein
The Ugly Stepsister – Thomas Foldberg and Anne Cathrine Sauerberg

Best costume design

WINNER: Frankenstein – Kate Hawley
Avatar: Fire and Ash – Deborah L Scott
Hamnet – Malgosia Turzanska
Marty Supreme – Miyako Bellizz
Sinners – Ruth E Carter

Best animated short

WINNER: The Girl Who Cried Pearls
Butterfly
Forevergreen
Retirement Plan
The Three Sisters

Best live action short

WINNER (TIED): The Singers
WINNER (TIED): Two People Exchanging Saliva
A Friend of Dorothy
Butcher’s Stain
Jane Austen’s Period Drama

Best documentary short

WINNER: All the Empty Rooms
Armed Only with a Camera: The Life and Death of Brent Renaud
Children No More: Were and Are Gone
The Devil Is Busy
Perfectly a Strangeness

Some of the evening’s top fashion, including Demi Moore, Teyana Taylor, Hudson Williams, Renate Reinsve, and Elle Fanning.

(Photo credit: Getty Images)

16-year-old Nashville Singer/Songwriter Maddox Batson sold-out his Danforth Music Hall show as part of his LIVE WORLDWIDE TOUR, and we got to attend an intimate acoustic performance and Q&A with the charismatic young star at Warner Music Canada‘s Headquarters!

Some highlights:

Batson has stamped himself a name to look-out for in Country with 105M U.S. on-demand streams, 444M YouTube views and a combined social media following of 5.6M to date!

Check out his tracks “Girl in the Green” and his latest single “Any Other Night”:

[(Photo/video credit: Warner Music/Mr. Will Wong)

It’s HOPPERS on-top again a second week at the Box Office, taking $30 million, bringing the Disney and Pixar release to $88.3 million over two weekends.

REMINDERS OF HIM debuts in second with $18 million from 3,402 theatres for Universal Pictures, getting a 58% on the Tomatometer.

Third is undertone with $8.5 million from 2,570 theatres across North America for VVS Films/A24. It gets 76% on the Tomatometer.

Fourth goes to SCREAM 7 with $7.5 million from 3,243 theatres. This takes it to $105.6 million for Paramount Pictures.

Rounding the Top Five is GOAT with $5 million, taking it to $90.8 million for Sony Pictures.

Paramount+ today announced that production has commenced in Pittsburgh, PA, on the fifth and final season of the hit drama series MAYOR OF KINGSTOWN, starring Oscar nominee Jeremy Renner and Emmy and Golden Globe winner Edie Falco.

David Morse (We Were Liars) will join season five as a series regular playing Russell Hardy, a seasoned FBI agent sent to Kingstown.

This season, in the wake of Tracy’s murder and the vengeance visited upon Callahan by Mike (Renner) and Kyle (Taylor Handley), FBI agent Russell Hardy (Morse) arrives in Kingstown searching for the “fugitive” Callahan. A true lawman, Agent Hardy threatens to unearth all of Mike’s sins and secrets, and disrupt Kingstown’s tenuous balance of power.

In addition to Renner, Falco and Morse, the eight-episode final season stars Tony® Award® winner Laura Benanti, Canadian Hugh Dillon, Taylor Handley, Tobi Bamtefa, and Derek Webster. Necar Zadegan, Nichole Galicia, and Lennie James will also return.

Co-created by Oscar nominee Taylor Sheridan and Hugh Dillon, MAYOR OF KINGSTOWN is executive produced by Sheridan, Canadian Hugh Dillon, Renner, Antoine Fuqua, David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Michael Friedman, Dave Erickson, Wendy Riss, Evan Perazzo, Michael Slovis, Regina Corrado, and Keith Cox. Erickson also serves as showrunner for the series.

The drama series is produced by Paramount Television Studios, 101 Studios and Bosque Ranch Productions. Seasons 1-4 of MAYOR OF KINGSTOWN are available to binge on Paramount+.

Morse can currently be seen in We Were Liars, both seasons of The Last Thing He Told Me, as well as the feature film Looking Through Water. He can next be seen in the feature films Mayday and Saturn Return. Morse has also received Emmy® nominations for his roles on House and John Adams, as well as Tony Award nominations for his second run of the Award-Winning play How I Learned To Drive on Broadway and the 2018 revival of The Iceman Cometh. His additional credits include The Chair, The Good Lord Bird, The Morning Show, The Deuce, Cabrini, La Gloria, Escape At Dannemora, Hack, Treme, True Detective, Outsiders, St. Elsewhere, The Green Mile, 16 Blocks, The Hurt Locker, World War Z, and Concussion. (Headshot Photo Credit: Eliza Morse)

SNAKE, premiering at SXSW. Image c/o Club Red Productions.

March 12, 2026 (Toronto, ON) – Canadian distributor Game Theory Films has picked up Canadian rights to Jenna MacMillan’s directorial debut, THE SNAKE ahead of its World Premiere at SXSW in March 2026. THE SNAKE is part of the Narrative Feature Program where it is eligible for the Narrative Feature Competition, and also marks the first-ever Prince Edward Island-made film to premiere at SXSW.

Written by and starring Susan Kent, and directed by award-winning producer Jenna MacMillan, the film unites the duo from Who’sYer Father? which set box office records in the Maritimes.

THE SNAKE is an off-beat dark-comedy that follows an ungovernable 40 year-old woman Jamie (Kent) and her descent as her life blows up around her. The film carves out space for rarely-seen women who, despite all odds, can’t get their shit together. THE SNAKE is about Jamie, a 40-something wild child who collides with her venomous mother Anne (Robin Duke). Following an eviction and newly single, Jamie’s life blows up spectacularly.

“I’m thrilled to partner with Game Theory Films to bring THE SNAKE to Canadian audiences,” says MacMillan of her directorial debut. “Hilary and her team have an incredible track record of championing bold, character-driven stories, and their genuine enthusiasm for this film means everything to us. As PEI’s first feature to premiere at SXSW, THE SNAKE represents not just a personal milestone, but proof that compelling, authentic storytelling can come from anywhere. I can’t wait for Canadian audiences to meet Jamie and her roller coaster ride of a life.

Hilary Hart of Game Theory Films says, “Susan Kent has created an unforgettable, unapologetic and deeply loveable character in Jamie, brought to life with humour and empathy under Jenna MacMillian’s assured direction. We are thrilled to join the team and can’t wait for Canadian audiences to fall in love with THE SNAKE.”

THE SNAKE boasts an ensemble cast including Robin Duke, Jonathan Torrens, Emma Hunter, Daniel Petronijevic, Jimbo and more.

THE SNAKE is written by Susan Kent, directed by Jenna MacMillan and produced by Bill Lundy, Melani Wood, and Sharlene Kelly for Club Red Productions.

Support for THE SNAKE provided by Telefilm Canada and the Prince Edward Island Film Fund.

GAME THEORY FILMS
Game Theory Films is a boutique feature film distribution company based in Toronto, Ontario, established in 2018. Game Theory is committed to the strategic release of narrative and documentary theatrical feature films within the Canadian marketplace. Our catalogue includes award winning titles like Riceboy Sleeps, In Flames and Humanist Vampire Seeking Consenting Suicidal Person. With a small passionate staff, we offer a personal touch, and are available to our partners throughout the life of their films from development through release. Upcoming releases include Sundance Grand Jury Prize winner Atropia and Hamlet starring Riz Ahmed.

About Club Red Productions
Club Red Productions is Prince Edward Island’s flagship film and television company. Founded by award-winning producer/director Jenna MacMillan, Club Red is committed to bold, creator-driven storytelling with a distinctly East Coast edge. With a growing slate of premium features and series, the company is helping put PEI on the map as the next must-watch hub for Canadian production.

Tony®, EMMY®, and five-time GRAMMY® Award-nominated singer, songwriter, actor, and philanthropist Josh Groban has announced his new album, CINEMATIC, arriving May 8th via Reprise Records. A tribute to the grand and gorgeous world of the silver screen, the 10-track album was produced by Greg Wells (Wicked, The Greatest Showman, Dua Lipa, Adele, Taylor Swift), recorded in both Los Angeles and London, and includes globally revered songs from such movie classics as The Godfather, Casablanca, The Lion King, Stand By Me, Breakfast at Tiffany’s, and many more. See a full tracklisting included below. The album is available to pre-save/pre-order HERE. Watch the official trailer HERE.

To herald the announcement, Josh has shared his soaring new rendition of “Can You Feel the Love Tonight” from the beloved film The Lion King, offering a first glimpse into the grandeur and emotional depth of the upcoming project, also featuring the Gay Men’s Chorus of Los Angeles. Stream/Download HERE.

“There’s something incredibly powerful about the way a song or score can elevate a story and stay with you long after the credits roll,” Groban explains. “With CINEMATIC, I wanted to honor that feeling — the nostalgia, the drama, the romance — while bringing my own voice and perspective to these timeless songs. Recording this album felt like stepping into some of the most iconic moments in film history, and I hope listeners are transported the same way I have always been when the lights go down and the music begins.”

CINEMATIC promises to be both nostalgic and newly inspired – a transportive listening experience that honors the scores and songs that defined generations, while reminding us why we fell in love with them in the first place. Standout moments on CINEMATIC include a sweeping, Sicilian-language rendition of “Brucia La Terra” from The Godfather, a sweeping orchestral version of “As Time Goes By” from Casablanca a stirring duet of “Unchained Melody” with friend and touring mate Jennifer Hudson, and a heart warming rendition of “Moon River” with his dad, Jack Groban, playing the trumpet solo. Also featured is an emotionally charged performance of “Skyfall,” showcasing Groban’s dynamic vocal prowess at its most cinematic.

Just last month, Groban kicked off his GEMS World Tour with a sold-out performance in Honolulu, HI at the Neal S. Blaisdell Center Arena, before bringing the tour across Asia and Oceania with stops in Taipei, Singapore, Jakarta, Manila, Japan, New Zealand, and Australia. With momentum building worldwide, Groban is set to continue the tour later this month with performances in Dublin, London, Paris, Berlin, Frankfurt, Düsseldorf, and Amsterdam. In June, the tour continues through North America with special guest Jennifer Hudson, including stops at TD Garden in Boston on June 6, Madison Square Garden in New York City on June 12, and Bridgestone Arena in Nashville on June 16. Additionally, Groban will return to The Colosseum at Caesars Palace this fall for GEMS The Las Vegas Residency. See a full tour routing included below. For tickets and more information, visit joshgroban.com.

GRAMMY® Award-nominated, diamond-selling superstar Jack Harlow debuts his highly anticipated fourth studio album, Monica, available everywhere now via Atlantic Records. Listen HERE.

Monica is decidedly a “New York Experience” for Jack. Residing in the city for the last couple of years, he recorded the album at Electric Lady Studios, breathing in the energy and history of the building and exhaling a reinvigorated and recharged vision of his signature sound. The project features some notable producers such as Aksel Arvid (PinkPantheress’s Fancy That), Jermaine Paul (Brandy, Alicia Keys), Clay Harlow, Angel “BabeTruth” Lopez (Mariah Carey, Coldplay, Dua Lipa, Justin Bieber) and Hollywood Cole (Lil Wayne, Drake, 21 Savage) to name a few. The album also features contributions from the talented Robert Glasper, Ravyn Lenae, Omar Apollo and a song from rising Louisville based R&B artist James Savage.

The project arrives after his previous album Jackman., which debuted at No. 1 on Billboard’s Top Rap Albums chart. Fans can pre-order the official Monica vinyl HERE.

MONICA TRACKLIST:

Trade Places

Lonesome

Prague

My Winter

Move Along

All Of My Friends

Living Alone

Against The Grain

Say Hello

ABOUT JACK HARLOW:

From his early recordings, Jack Harlow was recognized as leading the way for a new generation in music, with his mixtapes, albums, and live shows earning critical acclaim, amassing over 32.4 Billion Global Streams, and garnering multiple GRAMMY Nominations and #1 singles. Last month, “Lovin On Me” joined Spotify’s Billions Club, marking Jack Harlow’s first solo song to reach the milestone. This joins his previous billion-stream collaborations, “Industry Baby” and “3D.” Regarded as one of the most compelling musical artists of our time, Jack is also the founder of the annual Gazebo Festival, which takes place in his hometown of Louisville, Kentucky. He established The Jack Harlow Foundation in 2023 to reinvest, uplift, and support Kentucky organizations – the foundation has distributed substantial funds and product donations across the state. 2024 saw him collaborate with luminaries in fashion, working with brands like Jil Sander and Marni, and continue his journey into film, where he has acted alongside Matt Damon and Casey Affleck.

If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people.

We are coming close to … Disclosure Day.

Universal Pictures is proud to release a new original event film created and directed by Steven Spielberg. The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for this 2025’s Jurassic World Rebirth.

Disclosure Day is produced by five-time Academy Award® nominee Kristie Macosko Krieger (The Fabelmans, West Side Story) and by Spielberg for Amblin Entertainment. The executive producers are Adam Somner and Chris Brigham.

Steven Spielberg is one of the industry’s most successful and influential filmmakers. The top-grossing director of all time, Spielberg has helmed such blockbusters as Jaws, E.T. The Extra-Terrestrial, the Indiana Jones franchise and Jurassic Park.

Among his myriad honors, he is a three-time Academy Award® winner, including Oscars® for Best Director and Best Picture for Schindler’s List, which received a total of seven Oscars®, and for Best Director for Saving Private Ryan. His most recent film, The Fabelmans, was released by Universal in 2022 and received seven Academy Award® nominations, including for Directing, Best Original Screenplay, Best Actress and Best Picture.

Genre: Thriller

Cast: Emily Blunt, Josh O’Connor, Colin Firth, Eve Hewson and Colman Domingo

Directed by: Steven Spielberg

Screenplay by: David Koepp

Story by: Steven Spielberg

Producers: Kristie Macosko Krieger and Steven Spielberg

Executive Producers: Adam Somner and Chris Brigham

Pull yourself together: advance tickets for 20th Century Studios’ “The Devil Wears Prada 2” are now on sale wherever tickets are sold.

Twenty years after making their iconic turns as Miranda, Andy, Emily and Nigel—Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci return to the fashionable streets of New York City and the sleek offices of Runway Magazine in the eagerly awaited sequel to the 2006 phenomenon that defined a generation.

The film reunites the original main cast with director David Frankel and writer Aline Brosh McKenna, and introduces an all-new runway of characters including Kenneth Branagh, Simone Ashley, Justin Theroux, Lucy Liu, Patrick Brammall, Caleb Hearon, Helen J. Shen, Pauline Chalamet, B.J. Novak and Conrad Ricamora. Tracie Thoms and Tibor Feldman also reprise their roles as “Lily” and “Irv” from the first film.

“The Devil Wears Prada 2” is produced by Wendy Finerman, and executive produced by Michael Bederman, Karen Rosenfelt and Aline Brosh McKenna. The film debuts exclusively in theatres May 1, 2026.

Buy tickets here.