MUBI, the global distributor, streaming service and production company, has released the trailer and artwork for Magnus von Horn’s (The Here After, Sweat) The Girl with the Needle, in cinemas in Canada on December 6, 2024.

The Girl with the Needle, directed by Magnus von Horn and co-written by Line Langebek Knudsen, received its World Premiere in Competition at this year’s Cannes Film Festival, and stars Vic Carmen Sonne (Neon Heart, Godland), Trine Dyrholm (The Commune, Queen of Hearts, Mary and George), Besir Zeciri (Wildland), and Joachim Fjelstrup (Itsi Bitsi).

The Girl with the Needle is Denmark’s Official Selection for Best International Feature for the 97th Academy Awards® and has recently received three nominations for the 37th European Film Awards including: European Actress for Vic Carmen Sonne & Tryne Dyrholm and European Screenwriter for Magnus von Horn & Line Langebek.

Young factory worker Karoline (Vic Carmen Sonne) is struggling to survive in post-WWI Copenhagen. When she ends up unemployed, abandoned and pregnant, the charismatic Dagmar (Trine Dyrholm) takes her in as a wet-nurse at an underground adoption agency which finds foster homes for unwanted children. A deep connection forms between them, until a shocking discovery suddenly shatters Karoline’s world.

Inspired by a true story and directed by Magnus von Horn (Sweat), The Girl With The Needle is a haunting and profound look at one woman’s search for love and morality.

Magnus von Horn is a graduate of the Polish National Film School in Lodz where he is currently also a teacher. Already with his short films, he established himself internationally as a promising director presenting films at festivals such as Sundance and Locarno. Finding it inspiring to work in different languages, his feature film debut, The Here After, was in Swedish and premiered at Director’s Fortnight in Cannes 2015; it also earned him the Swedish Guldbaggen award for best director and best film. His second feature film, Sweat, was in Polish and part of the Cannes official selection in 2020.

The Girl with the Needle is produced by Nordisk Film Creative Alliance in co-production with Lava Films and Nordisk Film Production Sverige. It’s co-produced with Film i Väst, EC1 Łódź Film Fund and the Lower Silesia Film Center and co-financed by the Danish Film Institute, the Polish Film Institute, the Swedish Film Institute, DR, SVT, Nordisk Film & TV Fond and Eurimages and Creative Europe Media. The producers are Malene Blenkov and Mariusz Włodarski.

THE GIRL WITH THE NEEDLE WILL BE IN CINEMAS IN CANADA ON DECEMBER 6, 2024

The Toronto Reel Asian International Film Festival (Reel Asian), Canada’s premier pan-Asian arts showcase, is pleased to announce that The Mother and the Bear directed by Johnny Ma won the RBC Best Canadian Film Award at the 2024 Festival. Also, WAShhh directed by Mickey Lai was awarded the Wattpad WEBTOON Studios Best Short Film Award. The Reel Asian Awards will be celebrated with an Awards brunch on Saturday, November 16, bringing together filmmakers, jury, and industry partners in attendance. The Toronto Reel Asian International Film Festival runs until November 24, 2024. To find more details, visit reelasian.com.

“It’s always been a great honour to share these captivating stories with Canadian audiences, and this year is no exception,” said Deanna Wong, Executive Director, Reel Asian. “Reel Asian gives us a platform to celebrate and highlight the rich perspectives of the Asian diaspora here and globally. Congratulations to all the filmmakers and creators involved with Reel Asian this year.”

The 2024 Features Jury includes filmmaker, film programmer and college professor Aisha Jamal, award-winning, multi-disciplinary performing artist, independent producer, and arts leader Alan Wong and documentary filmmaker and impact producer Chrisann Hessing. The 2024 Shorts Jury includes writer, director, and media educator Vince Ha, festival programmer and arts administrator, Lu Linares and vice-president of content at SAMANSA, Yunah Chung.

Reel Asian continues its commitment to supporting diverse voices with the annual Fire Horse Award, recognising an Asian Canadian in the media arts or screen-based industries who have dedicated their energy and talents to breaking down barriers, uplifting Asian Canadian communities, and sparking cultural change. Acclaimed actor and Fire Horse Award contributor Sandra Oh comments on the award’s importance, “This is part of our responsibility, which is to help pave the way and support our artists from the past and our artists into the future. Reel Asian is the place to do it”.

Reel Asian is currently accepting nominations for next year’s Fire Horse Award recipient. More details can be found here.

This year’s festival will conclude with the annual So You Think You Can Pitch? Live Finale on Saturday, November 23, hosted by award-winning actor, host and comedian Andrew Phung (Kim’s Convenience, Run the Burbs, Lucky Star). This lively event features five teams pitching their projects to a distinguished panel of jurors and a live audience, for a chance to win cash and industry prizes to support their film projects.

FULL LIST OF REEL ASIAN AWARD WINNERS FOR THE 28TH EDITION:

RBC Best Canadian Feature Film Award
The Mother and the Bear by Johnny Ma

Johnny Ma’s The Mother and the Bear is this year’s jury selection for the RBC Best Canadian Feature Film Award. A whimsical story of a Korean mother’s moments of revelation as she cares for her comatose daughter Sumi amidst the harsh beauty of a Winnipeg winter, this film was as entertaining to the jury as it was beautiful to look at. The jury was deeply moved by the film’s nuanced exploration of Sumi’s secret and veteran actor Kim Ho-Jung’s compelling portrayal of her mother.

Dipchand LLP Best Feature Film Award
Pierce by Nelicia Low

The jury is proud to recognise Pierce by Nelicia Low, for the Dipchand LLP Best Feature Award for 2024. A first feature by the Singaporean filmmaker, it seamlessly blends technical prowess with a great concept and story, with outstanding nuanced performances by the leads. This tense psychological drama keeps you guessing until the very end, taking the audience on a thrilling ride. The director’s deep knowledge of fencing was evident and she was able to make it very accessible and authentic. Overall, a highly enjoyable movie that is very deserving of this award.

The jury would like to give an Honourable Mention to Layla by Amrou Al-Kadhi. This courageous and bold film about queer identity and belonging showcases strong writing and overall filmmaking. Despite tackling a difficult topic, Layla does so with grace and beauty.

Directors Guild of Canada Best Direction in a Feature Film
His Father’s Son by Meelad Moaphi

The jury is proud to recognize Meelad Moaphi with the DGC’s Best Canadian Director Award for his first feature film, His Father’s Son. A lovely and delicate story about a guarded family secret that comes to light, the film’s sharp writing, consistent pacing, strong editing and great music, made His Father’s Son feel polished and elevated. Strong performances by the cast helped to effectively express this film’s touching message.

The jury also gives an Honourable Mention to Can I Get a Witness? by Ann Marie Fleming for a unique and poignant rumination on life, death and sustainability.

Osler Best First Feature Award
The Glassworker by Usman Riaz

The jury awards the Osler Best First Feature Award to The Glassworker, an ambitious, hand-drawn animated feature that follows Ali, who dreams of becoming a master glassblower in a war-torn land. With its themes of young love, war and following your passions amidst conflict, Ali’s story stayed with the jury long after the film ended. An impressive accomplishment that distinguishes itself within the body of work from a country not typically renowned for its animation.

The jury would also like to recognize Nikah with an Honourable Mention for its poignant and urgent story of Dilber, a young Uyghur woman who feels the pressure to find a husband for a safer future.

Reel Asian Best Documentary Award
ASHIMA by Kenji Tsukamoto

ASHIMA is an intimate family portrait that warmed our hearts. The complex dynamic between Ashima and her father is explored with gentle observation, and their tenacious dedication to achieving greatness is displayed with a powerful tenderness. For its compelling storytelling and reflection on family and fortitude, we are pleased to award the film with the Reel Asian Best Documentary Award.

Air Canada Short Film or Video Award
Me and My Teeth (dir. Anna Quon)
Monsoon Blue (dir. Jay Hiukit Wong and Ellis Kayin Chan)
Lola (dir. Grace Hanna)
Detours Ahead (dir. Esther Cheung)
The Popstar Water Deer and I (dir. Sasha Lee)

The five films honoured with this year’s Air Canada Short Film Award showcase the immense talent emerging in Canadian and global Asian cinema. This selection takes us on a journey through self-discovery, grief, love, and reclamation. From an intimate exploration of reclaiming control over one’s mind and body, a girl’s love for her grandmother defying reality, a self-conscious monsoon ready to let loose, a road trip marked by moments of beauty and pain, to a lonely soul seeking connection through their love for a popstar—these films capture the human experience and the complexities of simply being.

Wattpad WEBTOON Studios Best Short Film Award
WAShhh by Mickey Lai

The jury recognises WAShhh by Mickey Lai as the winner of the Wattpad WEBTOON Studios Best Short Film Award for its unflinching exploration of a little-known practice, highlighting prevailing taboos around womanhood that stand in stark contrast to a so-called ‘modern-day’ society.

Michael Fukushima AnimAsian Award (Supported by Sheridan College)
My Wonderful Life by Calleen Koh

For the Michael Fukushima AnimAsian Award, we selected My Wonderful Life by Calleen Koh for its bold defiance of expectations, using dark, at times, absurdist humour to unearth the pressures of motherhood. Through a textured and deeply personal exploration, the director offers a playful yet relatable narrative that poignantly reminds us to show kindness to our mothers.

We would also like to give an honourable mention to The Popstar Water Deer and I by Sasha Lee for its surreal and vivid visuals that capture a poignant sense of loneliness in a world that offers only fleeting glimpses of happiness. Through a caring and intimate lens, the film explores our own mortality while reminding us to chase what brings us joy. Lee’s work exemplifies the magic of animation as a storytelling medium where rules and limits are meant to be broken.

Directors Guild of Canada and WIFT+ Toronto Film Award
A Fermenting Woman by Priscilla Galvez

Priscilla Galvez’s directorial debut is a testament to the power of risk-taking and a commitment to bold narratives that invite audiences to embrace discomfort. Known for her work as a producer, Galvez delivers a captivating story and proves herself to be a natural-born director. The jury is thrilled to award the DGC Ontario and WIFT+ Toronto Award to A Fermenting Woman and looks forward to seeing more of Galvez’s work in the future.

Directors Guild of Canada Best Direction in a Short Film
Unblending by Michelle Ku

The jury recognizes Michelle Ku as the winner of the Directors Guild of Canada Best Direction in a Short Film award for Unblending and its delightful hand-painted animation that succinctly captures the myriad thoughts and colourful feelings that keep us awake at night, eventually lulling us to sleep as we come to embrace these sensations as our own.

Canadian Society of Cinematographers Best Cinematography Award
Reunion, Director of Photography Andrew Lee

The jury would like to present Andrew Lee of Reunion with the Best Canadian Cinematography Award. Told with outstanding discipline and visual acuity, this difficult subject matter was lensed with originality and craftsmanship. Its engaging framing injects a sense of unease and strangeness, supporting this powerful and original film.

We’d like to thank the filmmakers, cinematographers and crew who worked to make all these films a reality. In the end it was a tough decision, as there were many strong entries and beautiful works. We wish all the entrants luck and success in their future endeavours.

Honourable Mention: Benjamin Wong of Rosa’s Flowers The jury extends an honourable mention to Rosa’s Flowers for its daring, creative execution, filled with various looks, lensing and lighting design, deserving recognition and applause.

Armstrong Acting Studios Outstanding Performer in a Canadian Short Film
Yên Sen in Lovin’ Her

For the Armstrong Acting Studios Outstanding Performer in a Canadian Short Film Award, we selected Yên Sen of Lovin’ Her for their delicately interwoven portrayal of the main character, Ann Lai. Yên’s performance, infused with profound depth and compassion, evokes the possibilities and pluralities inherent in a single life. We would also like to extend an honourable mention to JueMeili Olaes and Micah Chu for their generous, collective presentation of a character, a person, who lingers in our minds long after the film concludes.

So You Think You Can Pitch? Awards:

The 2024 Pitch Jury will announce the winner of the Silver Prize Award and Gold Prize Award during the live event on November 23 from 5:00 pm. The Pitch Jury includes director/producer Amanda De Souza, filmmaker Meelad Moaphi and filmmaker Sami Khan.

Audience Choice Film Awards

The winners of the Blue Ant Media Audience Choice Feature Award and the BFL CANADA Audience Choice Short Film Award will be announced on Saturday November 23.

Click here for a list of 2024 Reel Asian Award Winners and for more information on the Festival, visit reelasian.com.

The Toronto Reel Asian International Film Festival gratefully acknowledges the support of government partners Telefilm Canada, Canada Council for the Arts, Toronto Arts Council, Ontario Arts Council, Canadian Heritage, Ontario Trillium Foundation, Ontario Creates, and the City of Toronto; and the support of Premier Partners Crave and Warner Bros. Discovery Access Canada.

So thrilled to attend opening night festivities. Some highlights here, including Opening Night Gala, CAN I GET A WITNESS?

AFter its TIFF ’24 Premiere, Robbie Williams Biopic-Musical BETTER MAN arrives in select theatres DECEMBER 25, 2024 and NATIONWIDE ON JANUARY 10, 2025.

OFFICIAL SYNOPSIS

Better Man is based on the true story of the meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams, one of the greatest entertainers of all time. Under the visionary direction of Michael Gracey (The Greatest Showman), the film is uniquely told from Williams’ perspective, capturing his signature wit and indomitable spirit. It follows Robbie’s journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist – all the while confronting the challenges that stratospheric fame and success can bring.

Paramount Pictures and Sina Studios and Facing East Entertainment Present

A Lost Bandits / Footloose Production

In Association with Azure Centrum / Partizan Films / Rocket Science / RPW Productions / VicScreen

A Michael Gracey Film

EXECUTIVE PRODUCERS

Zhe Chen, Robbie Williams, Markus Barmettler, Philip Lee, Li-Wei Chu, Michael Loney, Thorsten Schumacher, Lars Sylvest, Mark Williams, Gregory Jankilevitsch, Klaudia Smieja, David Ravel, Domenic Benvenuto, Gianni Benvenuto, Zoran Stojkovic, Dean Hood, David Conley, Daniel Fluri, Adrian Grabe, Andres Kernen, Slava Vladimirov, Jared Underwood, Andrew Robinson

PRODUCED BY

Paul Currie, p.g.a., Michael Gracey, p.g.a., Coco Xiaolu Ma, Jules Daly, Craig McMahon

WRITTEN BY

Simon Gleeson, Oliver Cole, Michael Gracey

DIRECTED BY

Michael Gracey

STARRING

Robbie Williams, Jonno Davies, Steve Pemberton, Damon Herriman, Raechelle Banno, Alison Steadman, Kate Mulvany, Frazer Hadfield, Tom Budge, Anthony Hayes

The trailer and key art for Beatles ’64, an all-new documentary from producer Martin Scorsese and director David Tedeschi, is available now. Beatles ’64 will stream exclusively on Disney+ beginning November 29, 2024. The film captures the electrifying moment of The Beatles’ first visit to America. Featuring never-before-seen footage, the film gives a rare glimpse into when The Beatles became the most influential and beloved band of all time.

On February 7, 1964, The Beatles arrived in New York City to unprecedented excitement and hysteria. From the instant they landed at Kennedy Airport, met by thousands of fans, Beatlemania swept New York and the entire country. Their thrilling debut performance on The Ed Sullivan Show captivated more than 73 million viewers, the most watched television event of its time. Beatles ’64 presents the spectacle, but also tells a more intimate behind the scenes story, capturing the camaraderie of John, Paul, George, and Ringo as they experienced unimaginable fame.

The film includes rare footage filmed by pioneering documentarians Albert and David Maysles, beautifully restored in 4K by Park Road Post in New Zealand. The live performances from The Beatles’ first American concert at the Washington, DC Coliseum and their Ed Sullivan appearances were demixed by WingNut Films and remixed by Giles Martin. Spotlighting this singular cultural moment and its continued resonance today, the music and footage are augmented by newly filmed interviews with Paul and Ringo, as well as fans whose lives were transformed by The Beatles.

Beatles ’64 is directed by David Tedeschi and produced by Martin Scorsese, Margaret Bodde, Paul McCartney, Ringo Starr, Olivia Harrison, Sean Ono Lennon, Jonathan Clyde, and Mikaela Beardsley, with Jeff Jones and Rick Yorn serving as executive producers.

Coinciding with the film’s Disney+ release, seven American Beatles albums have been analog cut for 180-gram audiophile vinyl from their original mono master tapes for global release on November 22 by Apple Corps Ltd./Capitol/UMe. Originally compiled for U.S. release between January 1964 and March 1965 by Capitol Records and United Artists, these mono albums have been out of print on vinyl since 1995. Meet The Beatles!; The Beatles’ Second Album; A Hard Day’s Night (Original Motion Picture Sound Track); Something New; The Beatles’ Story (2LP); Beatles ’65; and The Early Beatles are available now for preorder in a new vinyl box set titled The Beatles: 1964 U.S. Albums In Mono, with six of the titles also available individually.

The ‘Light the World Giving Machine’ is back. If you were around at Fairview Mall in North York last year, you might recall seeing these.

Giving Machines are a unique vending machine where instead of buying chips or pop, you can purchase items from local and national charities. 100% of all proceeds go directly to the charities and this year they’ll be in over 100 cities around the world. Charities are joining forces, side by side giving people tge choice to choose the items they want to donate, making donating to charity a little more personalized but also convenient as we shop for the holidays this season.

There will be a total three machines at the Toronto Eaton Centre from Nov 19th – Dec 8th, 2024 and this year you’ll be able to buy items like ‘Food for a Day,’ ‘Personal Care Items,’ ‘Warm Winter Gear,’ ‘Water Purification Tablets,’ and even ‘Two Baby Chicks.’

The charities involved are Covenant House Toronto, Daily Bread Food Bank, Jays Care Foundation, Ronald McDonald House Charities Toronto, CARE Canada, Right To Play and UNICEF Canada.

They’re located just outside of the Apple Store on Level 2.

THE NIGHT AGENT Season 2 arrives January 23, 2025 on Netflix. Today we get a new Teaser from the 7th most popular Netflix series of all time!

THE NIGHT AGENT S2

The Night Agent Season 2, produced by Sony Pictures Television, will return to Netflix in Winter 2025.
The Night Agent Season 1 was the most watched series in 2023 (by views) and currently ranks as the 7th Most Popular English series on Netflix of all time, with a staggering 98.2M views in its first 91 days. In its first month, it was #1 in the Global Top 10 for four consecutive weeks and reached the #1 spot in the Top 10 for 87 countries.

Season 3 has been greenlit for 10 episodes and will begin a production unit in Istanbul at the end of 2024 before returning to film in New York in 2025.

About the Night Agent S2:

Based on the novel by Matthew Quirk, The Night Agent is a sophisticated, character-based, action-thriller centering on a low level FBI Agent , Peter Sutherland, whose efforts to save The President in Season 1 earn him an opportunity to become a Night Agent in Season 2. But working in the secretive organization of Night Action will propel Peter into a world where danger is everywhere and trust is in short supply.
Creator / Showrunner / Executive Producer: Shawn Ryan (The Shield, S.W.A.T.) with MiddKid Productions.
Season 2 Executive Producers: Marney Hochman, Paul Bernard, Munis Rashid, Guy Ferland, Exhibit A Films: Seth Gordon, Julia Gunn, Project X Entertainment: David Beaubaire, Paul Neinstein, William Sherak, Nicole Tossou, James Vanderbilt.

The first trailer and poster for “The Amateur” from 20th Century Studios starring Oscar® winner Rami Malek (“Bohemian Rhapsody”) and Academy Award® nominee Laurence Fishburne (“What’s Love Got to Do with It”) are now available. The all-new espionage thriller opens in theatres on April 11, 2025.

Charlie Heller (Malek) is a brilliant, but deeply introverted decoder for the CIA working out of a basement office at headquarters in Langley whose life is turned upside down when his wife is killed in a London terrorist attack. When his supervisors refuse to take action, he takes matters into his own hands, embarking on a dangerous trek across the globe to track down those responsible, his intelligence serving as the ultimate weapon for eluding his pursuers and achieving his revenge. The film also stars Rachel Brosnahan, Caitríona Balfe, Jon Bernthal, Michael Stuhlbarg, Holt McCallany, Julianne Nicholson, Adrian Martinez, Danny Sapani, and Laurence Fishburne. “The Amateur” is directed by James Hawes. The screenplay is by Ken Nolan and Gary Spinelli based on the novel by Robert Littell. The film is produced by Hutch Parker, p.g.a., Dan Wilson, p.g.a., Rami Malek, Joel B. Michaels, with JJ Hook serving as executive producer.

“The Amateur” will be released in theatres on April 11, 2025.

Loft Entertainment and Oak View Group (OVG) today unveiled Departure Festival + Conference – a reimagined and expanded vision of Canadian Music Week (CMW). Rooted in its rich music history, Departure marks a fresh era for the beloved festival with new innovative programming streams that include music, art, comedy, and technology. Since its inception in 1982, Canadian Music Week has been a leading music festival and conference in North America and Departure builds on this legacy as it steps into a new era.

At an industry and media launch event in Toronto, Randy Lennox, co-founder and CEO of Loft Entertainment; Tom Pistore President of OVG Canada; Kevin Barton, Executive Producer, Loft Entertainment; and Jackie Dean, Chief Operating Officer of Loft Entertainment, outlined the new vision for the festival. The launch event also welcomed Comedian Russell Peters as a special guest.

“Departure honours where we’ve come from and celebrates where we are going,” said Kevin Barton, Executive Producer at Loft Entertainment. “We’re creating a launchpad that opens doors to deeper, more inclusive conversations and showcases the richness of Toronto’s cultural scene, celebrates Canadian creatives, and welcomes global artists. We invite industry professionals, music and arts lovers and festival-goers to experience the event in a whole new way.”

Hotel X will host the Departure Festival + Conference from May 6-11, 2025. The festival will offer a robust lineup of events that reflect Toronto and Canada’s position as a cultural hub. From electrifying performances to thought-provoking panels, Departure will deepen community connections, invite audiences to explore the city’s diverse creative landscape and solidify its presence as a must-attend event for creatives from around the world. Radiodays North America Conference will return as part of Departure, bringing industries back together to learn and inspire those working in audio entertainment.

The reimagined CMW expands its footprint in the arts and culture, embracing a broader spectrum of artistic expressions, from technology to comedy in its inaugural year, and expanding into film and fashion in the near future. The festival will debut an enriched program including a songwriter showcase, comedy performances, and an enhanced culinary experience with boutique food trucks and outdoor activations. Additionally, a new festival app and digital infrastructure will improve the delegate experience with app-based meeting requests to facilitate meaningful connections between industry professionals, and extend access to a wider, more inclusive community with live streamed and on-demand content. The festival will reach new heights supported by Oak View Group’s partnership resources in sales and sponsorships, and a refocused marketing and social media strategy.

Artist applications open on November 22, with waived application fees and paid honorariums for showcase performers, a testament to Departure’s commitment to supporting and celebrating artists. Priority (VIP) and Conference Passes will go on early bird sale on departureto.com starting November 22, 2024 until January 24, 2025. Additional pass levels and ticketing information will be announced in the coming months.

(Photo credit: George Pimentel)

Netflix announced that Chin Han, Hoa Xuande, Justin Chien, Amanda Zhou, Crystal Yu, Kelemete Misipeka, Lourdes Faberes and Rekha Sharma have joined the cast of the upcoming second season of Avatar: The Last Airbender, which is currently in production in partnership with Nickelodeon. New cast members include:

Chin Han (Mortal Kombat, Skyscraper) plays “Long Feng”

Hoa Xuande (The Sympathizer, Top of the Lake: China Girl) as “Professor Zei”

Justin Chien (The Brothers Sun, The Great Leap) as “King Kuei”

Amanda Zhou (Spinning Out, The Handmaid’s Tale) plays “Joo Dee”

Crystal Yu (Doctor Who, Good Omens) plays “Lady Beifong”

Kelemete Misipeka (Sons of Thunder, ) plays “The Boulder”

Lourdes Faberes (The Sandman, Operation Fortune: Ruse de Guerre) as “General Sung”

Rekha Sharma (Yellowjackets, Battlestar Galactica) as “Amita”

They join previously announced Miya Cech as “Toph” alongside returning cast Gordan Cormier as “Aang,” Kiawentiio as “Katara,” Ian Ousley as “Sokka,” Dallas Liu as “Zuko,” Elizabeth Yu as “Azula,” Paul Sun-Hyung Lee as “Iroh,” Daniel Dae Kim as “Fire Lord Ozai,” Momona Tamada as “Ty Lee,” and Thalia Tran as “Mai”

Logline: A live-action reimagining of the beloved Nickelodeon animated series following Aang, the young Avatar, as he learns to master the four elements (Water, Earth, Fire and Air) to restore balance to a world threatened by the terrifying Fire Nation.

Executive Producers: Christine Boylan, Jabbar Raisani, Dan Lin, Ryan Halprin, Brendan Ferguson, Albert Kim

Tomorrow is Starbucks Reusable Red Cup Day, November 14, 2024! And we’ve got some details.

– On Thursday, November 14, customers who order any size handcrafted holiday beverage will receive a free limited-edition, grande (16-ounce) reusable red holiday cup at participating stores across Canada, while supplies last.

Qualifying beverages:

• Apple Crisp Oat Macchiato 
• Caramel Brûlé Latte 
• Chestnut Praline Latte 
• Cran-Merry Orange Refresher 
• Cran-Merry Lemonade Refresher 
• Cran-Merry Drink 
• Gingerbread Latte 
• Gingerbread Oat Chai 
• Hot Chocolate 
• Iced Apple Crisp Oat Shaken Espresso 
• Pecan Crunch Oat Latte 
• Peppermint Hot Chocolate 
• Peppermint Mocha 
• Peppermint White Hot Chocolate 
• Pumpkin Cream Chai Tea Latte 
• Pumpkin Cream Cold Brew 
• Pumpkin Spice Latte 
• Sugar Cookie Oat Latte  
• White Hot Chocolate 

-Back for its seventh year, this year’s reusable red holiday cup features a jolly bauble design inspired by perfectly ripe coffee cherries and is made with 95% recycled content. Just like any reusable cup, customers can bring it back on their next visit to Starbucks for a $0.10 discount on their order.

-The free reusable red cup will be included for orders placed in store, at the drive-thru, on the Starbucks app and Starbucks delivery on DoorDash, Uber Eats or Skip, while supplies last.

-Just in time for Red Cup Day, Starbucks customers in Canada, excluding Quebec, can also now use the Starbucks app to order delivery, powered by DoorDash.