Today we get new character posters for Luca Guadagnino‘s AFTER THE HUNT.
In Theatres in New York and LA October 10, 2025
Expanding October 17, 2025
From visionary filmmaker Luca Guadagnino, AFTER THE HUNT is a gripping psychological drama about a college professor (Julia Roberts) who finds herself at a personal and professional crossroads when a star student (Ayo Edebiri) levels an accusation against one of her colleagues (Andrew Garfield), and a dark secret from her own past threatens to come into the light. AFTER THE HUNT is written by Nora Garrett.
Directed by: Luca Guadagnino
Written by: Nora Garrett
Produced by: Brian Grazer, p.g.a., Luca Guadagnino, Jeb Brody, p.g.a., Allan Mandelbaum, p.g.a.
Executive Producers: Karen Lunder, Justin Wilkes, Alice Dawson, Nora Garrett
Cast: Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stulbarg, Chloë Sevigny
Genre: Psychological Thriller
Rating: R for language and some sexual content
“TRON: Ares” director Joachim Rønning and cast members Jared Leto (also served as producer), Greta Lee, Evan Peters and Gillian Anderson reunited at The Edge in New York yesterday evening to kickstart the global press tour for the highly anticipated next chapter of Disney’s seminal “TRON” franchise.
Additionally, the following global publicity tour locations were announced today as part of TRON Day, an annual celebration observed by “TRON” fans every September 22. Greta Lee previously completed press appearances in Seoul, South Korea on September 15 and 16.
“TRON: ARES” GLOBAL PUBLICITY TOUR LOCATIONS:
New York
France
Spain
Italy
Germany
UK
“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings. The feature film is directed by Joachim Rønning and stars Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro and Cameron Monaghan, with Gillian Anderson and Jeff Bridges.
Sean Bailey, Jared Leto, p.g.a., Emma Ludbrook, p.g.a., Jeffrey Silver, Justin Springer, p.g.a., and Steven Lisberger are the producers, with Trent Reznor & Atticus Ross, Russell Allen, and Joseph Kosinski serving as executive producers. The screenplay is by Jesse Wigutow, with story by David DiGilio and Wigutow, based on characters created by Steven Lisberger and Bonnie MacBird.
Disney’s “TRON: Ares” releases in theatres on October 10, 2025.
Pluto TV, the leading free streaming
television service, today announced the launch of its “House of Horror” campaign, a multi-market initiative celebrating the horror genre with a massive expansion of content and channels.
International markets (including Austria, Brazil, Canada, France, Germany, Italy, Mexico, Nordics, Spain, Switzerland and the UK), are collectively adding more than
100 horror-themed channels and 1200+ hours of fresh content through October,
making Pluto TV the #1 FAST destination for the horror genre*.
The “House of Horror” campaign introduces a rich line-up of new and returning horror content available in multiple markets, including:
•New channels
dedicated to iconic horror sagas and sought-after subgenres such as zombies,
creature features, haunted houses, and classic decades horror
•A new content deal with
Lionsgate, bringing iconic horror franchises such as SAW, and The Grudge, along with cult classics like American Psycho to Pluto TV audiences in many international markets.
•Viewers in Canada will have the opportunity to enjoy the Wes Craven ‘slasher’ films Scream (I – IV) on the MovieSphere channel by Lionsgate.
•Single-series channels
featuring fan-favourite franchises including Scare Tactics, Ghost Hunters, Z Nation and (coming soon) The Outer Limits.
These additions further solidify Pluto TV’s position as the go-to destination for horror fans worldwide.
“Horror has always had a passionate fanbase, but what we’re seeing now is a global surge in demand that spans generations, formats, and cultures,” said Katrina Kowalski, Senior Vice President, International Content Strategy & Acquisitions at Pluto TV. “With
House of Horror, we’re not just responding to that trend, we are part of it, curating the largest and most diverse horror offering in FAST space -all while staying true to Pluto TV’s promise: free, easy, and endlessly entertaining.”
PLUTO TV HOUSE OF HORROR (Canada)
Pluto TV’s seasonal House of Horror category is now streaming in Canada through November 3, 2025, bringing fans 24/7 horror series, channels and movie takeovers, and a stacked VOD collection.
Channels (Canada):
Available now through November 3, 2025:
Scare Tactics (single series channel) – The hidden camera cult hit that drops unsuspecting people into terrifying setups, hosted across seasons by Shannen Doherty, and Tracy Morgan
Z Nation (single series channel) – Post-apocalyptic thrills following survivors in a zombie overrun world
Pluto TV Paranormal – Spooky non-scripted series, including Paranormal State, The Haunting Of…, and Celebrity Ghost Stories
Ghost Hunters (single series channel) – TAPS investigates haunted locations across the U.S
HauntTV – Hundreds of hours of ghostly series like My Worst Nightmare, Paranormal 911,
and more
MTV Halloween – Dance along to the ultimate playlist for the spooky season! The biggest artists
and creepiest videos, to keep the frights going all day long
Pluto TV Horror (Movies) – Modern horror hits and cult favorites, including The Grudge (2004), Cabin Fever (2002), Midsommar (2019), Jeepers Creepers: Reborn (2022), Mandy (2018) and Saw 1–6, Saw 3D, and Jigsaw (2004 – 2017)
Pluto TV Psycho (Movies) – Slasher & psychological thrillers featuring Friday the 13th Parts 1–8 (1980-1989), Texas Chainsaw (2013), The Raven (2012), It Follows (2014), The Strangers: Prey at Night (2018) and American Psycho
(2000)
Pluto TV Classic Terror (Movies) – Pre-2000 icons such as An American Werewolf in London (1981), Night of the Living Dead (1968), The Exorcist III (1990), King Kong (1933), The Body Snatcher (1945).
KIDS HALLOWEEN:
Pluto TV Kids Halloween – Watch friendly frights all day long throughout the spooky season!
Featuring kids favourites like The Hilarious House of Frightenstein, Archie’s Weird Mysteries, Sabrina: The Animated Series, and Sabrina’s Secret Life
Launching soon:
SAW Channel (Movies; launching Oct 1) – Can’t get enough Jigsaw? A channel dedicated to the SAW franchise, featuring Saw 1–6, Saw 3D, and Jigsaw
The Outer Limits (channel; launching soon) – In the tradition of the classic series, experience the awe and mystery of
The Outer Limits (1995 version) with stars like Mark Hamill, Brent Spiner, and Amanda Plummer in tales of the fantastical, the macabre, and the unexpected.
VOD (Canada) – PLUTO TV HOUSE OF HORROR
Enjoy a spooky library of sinister hits including the titles mentioned above and more, available on demand.
SAW – VOD access to Saw 3, 5, 6, Saw 3D, Jigsaw
Zombies – Little Monsters (2019), Maggie (2015), Abraham Lincoln vs. Zombies (2012), and more
Supernatural – TV favorites including Ghost Hunters, The Haunting Of…, UFO Hunters
Horror / Classic Terror – A wide selection from the movie channels above
South Park: Halloween Collection – Spooky specials from the long running hit series.
HORROR’S GLOBAL RISE
The horror genre is experiencing a global rise, particularly among younger audiences, but its appeal remains cross-generational. Moreover, from streaming and cinema to books
and podcasts, horror is thriving across every format.
Pluto TV’s study** reveals:
·
Around one-third of consumers in
most surveyed markets* identify as horror fans
·
Mexico leads with 54% of respondents
claiming affinity for the genre, followed by Sweden (37%) and Brazil (34%)
·
Gender distribution is balanced, with a slight male skew—except in
Sweden and Norway, where female fans are the majority (51%)
·
Horror fans skew
younger, primarily aged 25–44, though in Italy and Spain, the largest group is
45–54 (24%)
About Pluto TV
Pluto TV is a global leader in free streaming television and part of the Direct-to-Consumer division at Paramount, a Skydance Corporation (Nasdaq: PSKY), a leading,
next‑generation global media and
entertainment company. The Company’s portfolio unites legendary brands, including Paramount Pictures, Paramount Television, CBS – America’s most‑watched
broadcast network, CBS News, CBS Sports, Nickelodeon, MTV, BET, Comedy Central, Showtime, Paramount+, Pluto TV, and Skydance’s Animation, Film, Television, Interactive/Games, and Sports divisions. For more information, please visit
www.paramount.com.
LURKER – streaming on MUBI – OCTOBER 10, 2025.
Synopsis:
When a twenty-something retail clerk encounters a rising pop star, he takes the opportunity to edge his way into the in-crowd. But as the line between friend and fan blurs beyond recognition, access and proximity become a matter of life and death. LURKER stars Canadian actor Théodore Pellerin (Becoming Karl Lagerfeld, Franklin, Beau is Afraid), Archie Madekwe (Saltburn, Midsommar), and is the directorial debut from The Bear and Beef writer-producer Alex Russell. The film had its Canadian premiere at the Fantasia International Film Festival in 2025.
Writer & Director: Alex Russell
Producers: Alex Orlovsky, Duncan Montomery, Galen Core, Marc Marrie, Charlie McDowell, Archie Madekwe, Francesco Melzi D’Eril, Olmo Schnabel, Jack Selby
Executive Producers: Mal Ward, Matt Aselton, Alfonso Angoitia Legorreta, Gabriele Moratti, Lily Collins, Nicholas Wirth, Nicol Pone, Ben Shafer
Principal Cast: Théodore Pellerin, Archie Madekwe, Zack Fox, Havana Rose Liu, Wale Onayemi, Daniel Zolghadri, and Sunny Suljic
Score By: Kenny Beats, Dijon, Rex Orange County;
Performed by Archie Madekwe
2025 / United States / 100 minutes
ABOUT WRITER/ DIRECTOR ALEX RUSSELL
Alex Russell is the writer & director behind LURKER, which premiered at the 2025 Sundance Film Festival. He most recently served as a Co-Executive Producer on Netflix/A24’s BEEF, for which he won an Emmy award for Outstanding Limited or Anthology Series. And he was recently a Supervising Producer on FX’s THE BEAR. His episode – ep 207 – titled “Forks,” was one of the best reviewed episodes of television last year and nominated for a WGA award. He got his start as a staff writer on the first two seasons of DAVE – and was also recently a Producer on Hulu’s series INTERIOR CHINATOWN.
About MUBI
MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI creates, curates, acquires and champions visionary films, bringing them to audiences all over the world.MUBI is a place to discover ambitious films, from both iconic directors and emerging auteurs. All carefully chosen by MUBI’s curators. With MUBI GO, members in select countries can get a free ticket every week to see the best new films in cinemas. And Notebook explores all sides of cinema culture — both in print and online.Some previous and upcoming MUBI Releases include: Coralie Fargeat’s The Substance, Luca Guadagnino’s Queer, Joshua Oppenheimer’s The End, Magnus von Horn’s The Girl with the Needle, Pinny Grylls & Sam Crane’s Grand Theft Hamlet, Sofia Coppola’s Priscilla, Ira Sachs’ Passages, Pedro
Your first look at “Star Wars: The Mandalorian and Grogu” is here! The teaser trailer is now available. The Mandalorian and Grogu embark on their most thrilling mission yet in Lucasfilm’s “Star Wars: The Mandalorian and Grogu,” an all-new Star Wars adventure opening exclusively in theatres May 22, 2026.
The evil Empire has fallen, and Imperial warlords remain scattered throughout the galaxy. As the fledgling New Republic works to protect everything the Rebellion fought for, they have enlisted the help of legendary Mandalorian bounty hunter Din Djarin (Pedro Pascal) and his young apprentice Grogu. Directed by Jon Favreau, “Star Wars: The Mandalorian and Grogu” also stars Sigourney Weaver and is produced by Jon Favreau, Kathleen Kennedy, Dave Filoni, and Ian Bryce, with music composed by Ludwig Göransson.
THE RUNNING MAN IS IN THEATRES, 4DX, PREMIUM LARGE FORMAT AND IMAX ON NOVEMBER 14, 2025! Today we get a new behind-the-scenes Featurette about the physical training.
SYNOPSIS
In a near-future society, The Running Man is the top-rated show on television—a deadly competition where contestants, known as Runners, must survive 30 days while being hunted by professional assassins, with every move broadcast to a bloodthirsty public and each day bringing a greater cash reward. Desperate to save his sick daughter, working-class Ben Richards (Glen Powell) is convinced by the show’s charming but ruthless producer, Dan Killian (Josh Brolin), to enter the game as a last resort. But Ben’s defiance, instincts, and grit turn him into an unexpected fan favorite—and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.
EXECUTIVE PRODUCED BY
George Linder, James Biddle, Rachael Prior, Audrey Chon, Pete Chiappetta, Anthony Tittanegro, Andrew Lary
PRODUCED BY
Simon Kinberg, p.g.a. Nira Park, p.g.a. Edgar Wright, p.g.a.
BASED ON THE NOVEL BY
Stephen King
SCREENPLAY BY
Michael Bacall & Edgar Wright
DIRECTED BY
Edgar Wright
STARRING
Glen Powell, William H. Macy, Lee Pace, Michael Cera, Emilia Jones, Daniel Ezra, Jayme Lawson, Sean Hayes, Katy O’Brian with Colman Domingo and Josh Brolin
DEMON SLAYER: INIFINITY CASTLE dominates a second straight week with $16.3 million from 3,342 theatres for Sony Pictures. Domestically it has grossed $103.7 million over two weeks already!
HIM debuts with $15 million from 3,168 theatres for Universal Pictures. Sadly, Critics didn’t love this Jordan Peele production, with 29% on the Tomatometer.
THE CONJURING: LAST RITES is in third with $11.9 million for Warner Bros, a total $150 million over three weeks grossed.
THE LONG WALK lands in fourth with $6.3 million from 2,845 theatres, $22.7 million total over two weeks for Sony Pictures.
DOWNTON ABBEY: THE GRAND FINALE rounds things out with $6.1 million, a total $31.4 million grossed over two weeks for Focus Features/Universal Pictures.
Fête Chinoise proudly announces the expansion of its 5th annual ‘Love at Mid-Autumn’ campaign, introducing new programming designed to engage Canadians from all backgrounds in celebrating the beauty and cultural heritage of the Mid-Autumn Festival.
The campaign also features a Community Celebration, A Mid-Autumn Night’s Dream, taking place at the Pride of Canada Carousel in Downtown Markham on September 27, 2025. Tickets are now available at www.fetechinoise.ca. Children aged 12 and under receive free General Admission and must be accompanied by a parent or guardian.
Event Details:
Event Time: 4:30 p.m. – 10:30 p.m.
Performances begin: 6:30 p.m.
Cheque Presentation moment: 7:00 p.m.
Marketplace Lineup:
– Vitasoy
– Good Catch Bar and Café
– Holy Duck Chili
– Golden Bubbles
– Book Treasures
– Dim Sum King
and more
Official Bubble Tea Partner:
– Chatime
Performers lineup:
– Toronto Symphony Youth Orchestra
– Laurence Liang
– Leona Lai
– Calvin Lai
– S2N
Family-friendly activities:
– Lantern riddles
– Colouring and Craft stations
– Make your own beaded bracelets
– Cupcake decoration workshop (5 p.m.)
– Kids’ activity area
Interactive corners:
– Scotia Wealth Management
– Popcorn station by The Remington Group
– Toronto Symphony Orchestra
– T&T Supermarket
– Calligraphy challenge by Ferris Wheel Press
– Markham Stouffville Hospital Foundation
– Panda Mandarin
Official Event Webpage here.
An Open Letter from Sylvain Parent-Bédard
President and CEO of Juste pour rire / Just For Laughs
Comedy and freedom of expression
When a comedian is silenced, it’s far more than a voice being muffled. It’s a fundamental right under threat. It’s freedom being gagged. It’s democracy being weakened.
I am Sylvain Parent-Bédard, President and CEO of Juste pour rire / Just For Laughs, a major cultural institution in Québec and Canada, and one of the largest comedy institutions in the world.
I have always stood for a value that is dear to me: freedom of expression. A precious freedom, sometimes unsettling, but absolutely essential. It is the cornerstone of every democratic society. Without it, dialogue fades, thought becomes uniform, and fear takes hold.
What is currently happening in the United States, with the suspension of Jimmy Kimmel Live! following overt political pressure, is deeply troubling. It sets a dangerous precedent. An alarm that echoes far beyond American borders.
State censorship, under the direct influence of a political figure, is a disturbing drift. It chills anyone who still believes in democracy. This is no longer about the exchange of ideas. It is ideological repression. And when that repression targets humor, it strikes at one of the last bastions of raw freedom and unfiltered truth.
In response, we are seeing courageous voices rise from the cultural and artistic community; organizations like the Writers Guild of America, the Directors Guild of America, and many artists, including Jimmy Fallon; standing up to denounce the unacceptable and support Jimmy Kimmel.
And they are right.
This is not a simple dispute between a comedian and those in power. It is a global wake-up call. A warning to all free societies.
In countries where humor is no longer welcome, dictatorships often take root. Laughter is a counter-power. It asks questions. It disturbs. It exposes absurdities, abuses, and flaws. And that is precisely why it is essential. Humor is a high form of freedom. It is the mirror of our societies; sometimes distorted, but always revealing.
Let me say it loud and clear: At Just For Laughs, we will always defend the right to make people laugh. To provoke. To reflect. To shock, at times. To create. To speak the unspeakable. To give voice to what some would rather silence.
I salute Jimmy Kimmel’s courage, and I call on the entire comedy industry, around the world, to stand tall. Now more than ever. Comedians, writers, producers, agents, managers, broadcasters, unions, festivals: let us unite, because humor and laughter often have the power to change the world.
And to all the comedians I have the privilege of working with, admiring, and defending; you carry an immense responsibility, but also an incomparable strength. Keep speaking out. Keep making us laugh. Keep making us think. We stand with you. In solidarity. With resolve. Unshakably.
Moreover, I cannot help but think of comedian Mike Ward, right here in Canada. He fought for nearly a decade; all the way to the Supreme Court of Canada; to defend his right to humor, to provocation, to irreverence. Whether one agrees with the content of his jokes or not is beside the point. What he defended was the fundamental principle that humor must not be censored out of fear of offending or shocking. His victory was not personal; it was a victory for all artists, all creators, and all societies that value their freedom. It drew a clear line: humor is not a crime. It is a necessity.
When laughter is silenced, the light goes out. And a society that loses its humor loses its ability to speak the truth. It loses its humanity.
Freedom of expression is not a luxury. It is not a privilege reserved for those who think like us. It is a universal right. And that right is not up for debate. It must be protected. Proclaimed. Defended. Together. Now.
(Photo credit: Arachpictures)
New Mountain Films is proud to host an exclusive preview of NAWI: DEAR FUTURE ME on the sidelines of the 80th United Nations General Assembly (UNGA80). The event will take place September 24, 2025, at AMC Theatres Kips Bay in Manhattan, just steps from UN Headquarters.
The afternoon program will spotlight the power of storytelling as a tool for human rights, global solidarity, and the advancement of gender equity. With a strong focus on ending child marriage, NAWI has become a catalyst for global change.
Following the screening, a distinguished panel will explore the intersection of cinema, advocacy, and real-world change:
Princess Mabel van Oranje, Founder and Global Champion, Girls Not Brides
Faustina Fynn-Nyame, Executive Director Africa, Children’s Investment Fund Foundation
Milcah Cherotich, Writer, NAWI: DEAR FUTURE ME
Amrita Paul, Director, Education and Ending Violence, Global Affairs Canada
Moderated by former UN diplomat, Princess Sophie-Alexandra of Bavaria
The event welcomes global leaders, storytellers, and changemakers to convene around a central theme: how stories can move the needle on issues like gender equality, education, and human rights.
Since its celebrated festival debut, NAWI—Kenya’s official submission for the 2025 Best International Feature has not only earned 15 international awards but also inspired the raising of hundreds of thousands of dollars for girls’ education. Its reach extends far beyond cinema, helping to build schools, provide scholarships, and launch a mobile desert cinema that delivers the magic of film to remote Kenyan communities.
This exclusive New York gathering provides a first look at NAWI in North America, ahead of its March 6, 2026, theatrical release, coinciding with International Women’s Day, taking place Sunday, March 8, to amplify its message of empowerment and global solidarity.
About New Mountain Films
New Mountain Films is a Toronto-based independent film distributor committed to sharing bold, socially resonant stories with audiences across North America. Founded in 2024 by industry executive Khaled Sabbour, the company is dedicated to championing underrepresented voices, fostering creative collaboration, and building meaningful connections between filmmakers and communities. Recent and upcoming titles include The Courageous, Freedom Way, Roads of Fire, and Democracy Under Siege. With a focus on cultural impact and artistic integrity, New Mountain Films partners with storytellers to bring forward films that inspire dialogue, empathy, and change.
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