Netflix today announced Daisy Jelley (Poser, How to Have Sex, Geek Girl) and Connor Simos (Subversion) as Anastasia “Stassie” Allen and Nate Hawkins, respectively.
The new college romance drama series, Icebreaker, is based on the #1 New York Times best-selling novel by Hannah Grace.
Showrunner/Writer/Executive Producer: Amanda Lasher (Gossip Girl, The Bold Type, Togetherness)
Creator/Executive Producer: Jade Halley Bartlett (Road House, Doctor Strange in the Multiverse of Madness, Miller’s Girl)
Author/Executive Producer: Hannah Grace
Executive Producer: Unwell Productions – Alex Cooper, Matt Kaplan, and Mina Lefevre
Logline: She’s the transfer gunning for Olympic gold. He’s the campus star chasing the NHL. But when an accident forces their teams to share one rink, Anastasia Allen and Nate Hawkins collide—and discipline gives way to obsession, because the only thing more dangerous than wanting to win is wanting each other.
Building on the massive momentum of the Maple Hills series, Hannah Grace’s Icebreaker continues to reach historic milestones, having spent 70 consecutive weeks on the New York Times bestseller list. Originally published in November 2022 with a wide release in 2023, the blockbuster novel has captivated a massive global audience, surpassing nearly 5 million copies sold worldwide. Translated into 24 languages and distributed across 34 territories, Icebreaker has cemented its status as an international phenomenon, driving total sales for the three-book Maple Hills series past 7.5 million copies globally and becoming a viral sensation.
Icebreaker joins a lineup of successful Netflix adaptations, including I Will Find You (currently our 5th most popular English series), recent hits like Little House on the Prairie, and the breakout series His & Hers (which earned 98.2M views in its first 91 days). Other fan favorites include Bridgerton, The Queen’s Gambit, Remarkably Bright Creatures, People We Meet on Vacation, and To All the Boys I’ve Loved Before. Upcoming adaptations include East of Eden, Pride and Prejudice, The Corrections, and Lonesome Dove.
The first women’s game to be featured on CBC’s Hockey Night in Canada, the longest-running sports program in the world returning for its 90th season this fall, will be the PWHL’s Canadian primetime season opener in Montreal vs. Hamilton on Saturday, December 5, 2026.
Radio-Canada has acquired exclusive radio broadcast rights for all Montréal Victoire games in Canada during the 2026-27 season.
New weekly Saturday show CBC Sports Primetime hosted by Andi Petrillo premieres October 3 and Radio-Canada’s new weekly Sunday show Rendez-vous Podium hosted by Jacinthe Taillon debuts October 18.
Canada’s national public broadcaster today announced exclusive new sports coverage including the return of CBC’s Hockey Night in Canada for its 90th consecutive season and Radio-Canada’s radio broadcast of all Montréal Victoire games across Canada, in partnership with the Professional Women’s Hockey League (PWHL). The first women’s hockey game to be featured on the iconic Saturday night broadcast will be the PWHL’s 2026-27 Canadian primetime season opener on Saturday, December 5, when the reigning Walter Cup champion Montréal Victoire face off against expansion team PWHL Hamilton. This announcement is part of CBC/Radio-Canada’s expanded commitment to Canadian sports coverage detailed in June 2026.
“Our partnership with the PWHL opens a new chapter in sports history. We are proud to announce the return of the iconic Hockey Night in Canada brand, building on this beloved Canadian tradition with the PWHL’s growing fanbase and providing audiences across the country with free access to world-class hockey,” said Chris Wilson, Executive Director, Sports and Olympics, CBC. “We’re delivering on our commitment to equal coverage of women’s sports across our platforms and look forward to elevating the athletes and stories at the heart of the game.”
“Hockey Night in Canada is a fixture in Canadian sports culture, and its Saturday night schedule has ritually captivated hockey fans for nearly a century,” said Amy Scheer, PWHL Executive Vice President of Business Operations. “Our partnership with CBC has been instrumental in the accessibility and growth of the league, and the opportunity to be part of this iconic brand represents another groundbreaking step for the PWHL to connect with our fans and forge new traditions together.”
”Women’s hockey captivates fans across the country as we saw the incredible excitement following the Montréal Victoire’s Walter Cup win last May. Radio-Canada is proud to make the PWHL even more accessible by adding radio coverage of all of the Victoire’s games in Canada to our TV coverage and bring together fans of our national sport,” said Sophie Morasse, Executive Director of Entertainment, Sports, and TOU.TV.
CBC’s Hockey Night in Canada will return as part of CBC Sports Primetime, CBC’s new weekly Saturday night sports show hosted by veteran broadcaster Andi Petrillo. Launching Saturday, October 3 on CBC TV and CBC Gem with the Canada Super60 Cricket League, the weekend show will feature major sporting events, professional women’s sports and unmatched coverage of Canada’s high performance athletes as they compete at home and around the world, in Olympic and Paralympic sport. Featured events in October include the Grand Slam of Curling and ISU Figure Skating Grand Prix.
CBC’s Hockey Night in Canada will provide comprehensive coverage for eight primetime PWHL games starting on December 5, including pre- and post-game panel analysis and accompanying digital content on cbcsports.ca and social media. Staying true to tradition, each Hockey Night in Canada game will feature a Canadian-based team. The full PWHL schedule including all CBC and Radio-Canada games will be announced on Friday, October 2.
Adding to PWHL TV coverage and a selection of Montréal Victoire games and PWHL All-Star on ICI TÉLÉ and ICI TOU.TV, Radio-Canada has acquired exclusive audio broadcast rights for all Montréal Victoire games in Canada during the 2026-27 season and will release more details regarding the broadcast on ICI PREMIÈRE and Radio-Canada Ohdio later this fall.
Radio-Canada’s Rendez-vous Podium, a brand-new weekly show combining athletic performances with human stories, premieres Sunday, October 18. Hosted by Jacinthe Taillon, the series will be available on ICI TÉLÉ and ICI TOU.TV Sunday afternoons, bringing live events and stories about the people making a difference on the elite and amateur levels. Both CBC Sports Primetime and Rendez-vous Podium will provide opportunities to catch up with athletes on their journeys toward LA 2028.
Since 2019, CBC/Radio-Canada has been a world leader with a commitment to equal coverage of women’s and men’s sports across all platforms. As rights holders of the PWHL, NSL and hundreds of hours of women’s sport content, this commitment continues to grow as part of the expanded coverage of Canada’s athletes and high-performance sport. The return of Hockey Night in Canada with the PWHL is a reflection of this commitment.
About CBC’s Hockey Night in Canada
The world’s longest-running sports program, CBC’s Hockey Night in Canada has broadcast play-by-play coverage of professional ice hockey on radio and television for 90 consecutive seasons. Canada’s first national hockey radio broadcast launched in 1931 as the General Motors Hockey Broadcast. The broadcast was given the iconic Hockey Night in Canada name as one of the founding programs of the Canadian Broadcasting Corporation when the national public broadcaster was formed in 1936. When CBC Television was launched in 1952, the program became a Saturday night viewing tradition for hockey lovers across Canada. Hockey Night in Canada was simulcast on CBC Radio until 1965.
About CBC/Radio-Canada
CBC/Radio-Canada is Canada’s national public broadcaster. Through our mandate to inform, enlighten and entertain, we play a central role in strengthening Canadian culture. As Canada’s trusted news source, we offer a uniquely Canadian perspective on news, current affairs and world affairs. Our distinctively homegrown entertainment and sports programming draws audiences from across the country. Deeply rooted in communities, CBC/Radio-Canada offers diverse content in English, French and eight Indigenous languages: Dëne Sųłıné, Dene Kǝdǝ́, Dene Zhatıé, Eastern Cree, Dinjii Zhuʼ Ginjik, Inuktitut, Inuvialuktun and Tłı̨chǫ. We also deliver content in Spanish, Arabic, Chinese, Punjabi and Tagalog, as well as both official languages, through Radio Canada International (RCI). We are leading the transformation to meet the needs of Canadians in a digital world.
On September 30, 2026 Hollywood Suite will present a special day of programming commemorating the National Day for Truth and Reconciliation and celebrating the work of Indigenous filmmakers, performers, creatives, and artists from across the nation. The all-day programming begins at 6 a.m. ET with Beans (2020) and concludes with Rhymes for Young Ghouls (2013) at 3:30 a.m. ET the following morning.
This year’s lineup brings together films representing a range of Indigenous cultures and communities, including Cree-Métis, Métis, Mi’kmaq, Mohawk, and Secwépemc perspectives. From science fiction and action thrillers to coming-of-age dramas, documentaries and comedies, the programming showcases the breadth of Indigenous storytelling.
Among the highlights of the day is the broadcast premiere of Danis Goulet’s Night Raiders (2021). Starring Elle-Máijá Tailfeathers, Brooklyn Letexier-Hart, and Alex Tarrant, the film is set in a dystopian future where a military government separates children from their parents and places them in schools. Tailfeathers plays Niska, a Cree woman who joins an underground resistance movement to rescue her daughter.
Also featured are several films produced with support from Hollywood Suite, including Liz Marshall’s documentary s-yewyaw: Awaken (2023); Darrell Dennis’ comedy The Great Salish Heist (2024); and the science-fiction films The First Encounter (2021), directed by Benjamin Ross Hayden, and Alexander Lasheras’ The Beehive (2023).
The centrepiece of the day will air at 7:20 p.m. ET with Remembering the Children: National Day for Truth and Reconciliation 2026, a powerful 90-minute multilingual commemorative event from Parliament Hill in Ottawa. Through heartfelt reflections, moving performances, and stories of strength and survival, the gathering honours Survivors and pays tribute to the children who never made it home. The special is produced in partnership with the National Centre for Truth and Reconciliation (NCTR), APTN, and CBC/Radio-Canada.
In addition to Hollywood Suite’s full day of programming, other Anthem Sports & Entertainment channels GameTV, Fight Network, and Game+ will broadcast Remembering the Children: National Day for Truth and Reconciliation 2026 live at noon ET.
Find the full list of Hollywood Suite programming for National Day for Truth and Reconciliation below:
Rhymes for Young Ghouls (2013)
North Mountain (2015)
Kuessipan (2019)
Beans (2020)
Wildhood (2021)
The First Encounter (2021)
Night Raiders (2021)
s-yewyaw: Awaken (2023)
The Beehive (2023)
The Great Salish Heist (2024)
Remembering The Children: National Day for Truth and Reconciliation 2026 (2026)
All films are also available On Demand.
ABOUT HOLLYWOOD SUITE
Curated by real movie lovers, Hollywood Suite operates four exclusive HD channels that showcase must-see movies from the Golden Age to today, plus exclusive new series from around the world, always uncut and commercial-free. With hundreds of movies every month on four HD channels and Hollywood Suite On Demand, Hollywood Suite provides unparalleled value to subscribers.
Hollywood Suite is available to over 10 million households across Canada, exclusively through Canadian television service providers and Amazon Prime Video Channels. Visit hollywoodsuite.ca for more information.
Hollywood Suite is an Anthem Sports & Entertainment company.
Thirty-six years after Goodfellas changed cinema forever, Windsor International Film Festival (WIFF) is thrilled to bring the Canadian Premiere of AS FAR BACK AS I CAN REMEMBER … THE STORY OF GOODFELLAS, the first feature documentary dedicated to Martin Scorsese’s landmark masterpiece, to this year’s festival. This special screening event will take place Monday, November 2, 2026.
Directed and produced by Lisa Downs and Ashley Pugh, the documentary takes audiences behind the scenes of one of the most influential films ever made, exploring the extraordinary true story that inspired it and the people who brought it to life, including never before seen behind-the-scenes video and photo archive featuring Martin Scorsese, Robert De Niro, Ray Liotta, and Joe Pesci.
WIFF is also honoured to welcome acclaimed actor Lorraine Bracco, whose unforgettable portrayal as Karen in Goodfellas remains one of the most iconic performances on screen. Bracco will join Downs and Pugh at the festival and be celebrated with a Spotlight Award, in recognition of her remarkable career and enduring contributions to cinema. As part of their festival appearance, Bracco, Downs and Pugh will also take part in a special Q&A following the screening.
“Goodfellas didn’t just become a classic, it changed the way so many of us see character and storytelling. Its impact continues to resonate with audiences across generations, who return to the film again and again and discover something new each time,” said Vincent Georgie, Executive Director and Chief Programmer, WIFF. “Having this documentary at our festival is a dream come true for me as a lifelong lover of cinema. And to have the incomparable Lorraine Bracco with us makes it even more special.”
“Our six year journey on this film has been a complete labour of love. Really getting to know the people behind Goodfellas and hearing their – often untold – stories has been such an incredible privilege. We cannot wait to bring our film to Windsor International Film Festival for our Canadian Premiere, and having Lorraine there with us as we celebrate her remarkable body of work, is such an honour. We look forward to a truly special evening,” said Lisa Downs and Ashley Pugh, co-directors of AS FAR BACK AS I CAN REMEMBER … THE STORY OF GOODFELLAS.
Featuring exclusive behind-the-scenes material, new interviews with the people who made the film, lived its story and continue to carry its legacy, AS FAR BACK AS I CAN REMEMBER … THE STORY OF GOODFELLAS offers an unprecedented look at the making and enduring legacy of Goodfellas. The documentary reveals how Henry Hill’s extraordinary true story became the foundation for one of the greatest films ever made and why its influence continues to resonate, inspire and shape popular culture.
Going beyond nostalgia, the documentary celebrates the craft, characters and culture behind one of the most influential films in cinema history and explores the real world that shaped the classic, offering an authoritative portrait of a film that continues to captivate audiences and influence filmmakers around the world.
Interviewees that appear in the documentary (in alphabetical order):
Lorraine Bracco: “Karen Hill”, Goodfellas
Lisa Caserta: Friend of Henry Hill
Kevin Corrigan: “Michael Hill”, Goodfellas
Dan Conte III: Owner, Goodfellas Restaurant
Tony Darrow: “Sonny Bunz”, Goodfellas
Barbara De Fina: Executive Producer, Goodfellas
Bo Dietl: “Arresting Narc”, Goodfellas
Joseph D’Onofrio: “Young Tommy”, Goodfellas
Illeana Douglas: “Rosie”, Goodfellas
Julie Garfield: “Mickey Conway”, Goodfellas
Robert Griffon Jr: Property Master, Goodfellas
Joe Hill: Brother of Henry Hill
Samuel L. Jackson: “Stacks Edwards”, Goodfellas
Glenn Kenny: Author: “Made Men: The Story of Goodfellas”
Ellen Lewis: Casting Director, Goodfellas
Debi Mazar: “Sandy”, Goodfellas
Larry McConkey: Steadicam Operator, Goodfellas
Edward McDonald: “Himself”, & Former FBI Prosecutor
Dennis O’Leary: Former NYPD Officer & NYC Tour Guide
Mathew Perrone: TV & Movie Props Collector
Nicky Petito: Founder, Paisan Con
Nicholas Pileggi: Screenwriter & Author: Goodfellas & “Wiseguy”
Melissa Prophet: “Angie”, Goodfellas
Joseph Reidy: First Assistant Director, Goodfellas
Christopher Serrone: “Young Henry”, Goodfellas
George Sikat III: Queens Location Owner
Mike Starr: “Frenchy”, Goodfellas
Nicholas M. Todaro: Mobin Times & Movie Prop Collector
Elizabeth Weitzman: Author & Film Critic
Barry Wetcher: Still Photographer, Goodfellas
Welker White: “Lois Byrd”, Goodfellas
Johnny “Roastbeef” Williams: ”Johnny Roastbeef”, Goodfellas
Irwin Winkler: Producer, Goodfellas
Kristi Zea: Production Designer, Goodfellas
WIFF is a cultural, charitable organization that celebrates the art of cinema by showcasing Canadian and international film and filmmakers. Delivering exceptional experiences through film, WIFF strengthens and enriches the community while promoting the creative economy. WIFF2026.com.
The 2026 festival is proudly presented by the Toldo Foundation.
Connect with WIFF:
Instagram – @WindsorFilmFest
X – @WindsorFilmFest
Facebook – @WindsorInternationalFilmFestival
Letterboxd – WIFF
AVENGERS: ENDGAME ENCORE takes top spot this weekend at the Box Office in a reissue, taking $23 million from 3,060 theatres for Disney. This brings its lifetime total domestically to $884 million.
Second is RESIDENT EVIL with $22 million from 3,684 theatres for Sony Pictures. This brings its run to $102.1 million.
Debuting in third spot is Brad Pitt-led HEART OF THE BEAST with $20.5 million from 3,435 theatres for Paramount Pictures, putting it right ahead of PRIMETIME starring Robert Pattinson, with $19 million from A24/Elevation Pictures. Both films sit at 87% on the Tomatometer right now.
FORGOTTEN ISLAND rounds things out with $10.1 million for Universal Pictures, getting 94% on the Tomatometer.
Mott 32 has been named the No. 1 Chinese restaurant in Canada at the 17th annual Chinese Restaurant Awards, held on September 23 at the Fairmont Pacific Rim in Vancouver. Recognized for its Toronto and Vancouver locations, Mott 32 took the top spot on the awards’ Elite 30 Canada list, which celebrates the country’s most outstanding Chinese restaurants.
Founded in 2008, the Chinese Restaurant Awards have grown from a local guide into a national snapshot of Chinese cuisine. Topping this year’s list places Mott 32 at the forefront of Chinese fine dining in Canada. Located in the Shangri-La Hotel at 190 University Avenue in Toronto, the restaurant is known for its signature 42-day apple wood roasted Peking duck and apple wood smoked Pluma Ibérico pork.
Reservations here.
This fall, award-winning television writer, showrunner and producer Jeff Biederman presents Inside the Writers’ Room: an intimate, nine-week, in-person experience for comedy writers looking to develop and strengthen an original series.
With more than 250 produced episodes across his career, including the iconic Canadian series Life with Derek, Jeff is bringing the professional writers’ room experience to a small group of just eight writers.
Participants will pitch ideas, break stories, develop characters, work through creative challenges and give and receive notes, all while actively developing their own original comedy series.
LIMITED TIME ONLY
INSIDE THE WRITERS’ ROOM
October 7–December 2, 2026
Wednesdays | 9:30–11:30 a.m.
Toronto Public Library – Locke Branch
3083 Yonge Street, Toronto
Limited to 8 writers | $895 CAD
To reserve your place, contact Jeff Biederman at jbiederman@gmail.com.
The Toronto After Dark Film Festival (TADFF) has officially unveiled its lineup for its 19th edition of exciting new horror, sci-fi and action films, which will screen from October 14 – 18, 2026 at the Cineplex Scotiabank Theatre (259 Richmond St W) and CineCycle (129 Spadina Ave). Across these five thrilling nights, Toronto audiences will enjoy a fantastic showcase of 14 feature premieres, as well as 33 brilliant genre short films from Canada and around the world.
Single tickets go on sale on September 29, but festival passholders (both Cine-Maniac and All-Nighter tiers) can already begin reserving tickets during an exclusive window from September 25 to September 28.
The festival kicks off with the Canadian Premiere of Brian Duffield’s WHALEFALL. A tense and emotionally-charged survival thriller starring Austin Abrams (RESIDENT EVIL) and Josh Brolin (WEAPONS), the film depicts the harrowing story of a scuba-diver (Abrams) who finds himself swallowed whole by a sperm whale and trapped inside the animal’s stomach. With a dwindling supply of oxygen left in his tank, the young man turns to the nautical and life lessons his father passed on to him in a desperate bid to survive.
Two takes on the intersection of capitalism and body horror highlight the festival’s slate of International Programming: SPECIES (d. Marion Le Corroller, whose 2025 short MELTED DOLL screened at last year’s edition) is an energetic, blood-soaked parable set within the life-or-death world of modern medicine. Edwin’s SLEEP NO MORE follows two siblings travelling to Jakarta to investigate the grisly death of their mother while she was working at an old wig factory – only to discover that her “accident” was not an isolated incident.
Toronto After Dark’s Friday Vampire Night pairs the previously announced I LOVE PARIS with the Canadian Premiere of RED SNOW: Ilja Rautsi’s holiday ho-ho-horror about an angsty teen whose vampire fantasies are fractured when a horrifically violent undead creature dressed as Jolly Old St. Nick shows up at her family’s doorstep.
Two films that are punk in both form and ethos, MATAPANKI (d. Diego “Mapache” Fuentes) follows a ground-level superhero whose powers are activated by alcohol; while HALLOWARRIOR finds young Pumpkin (Milly Shapiro from HEREDITARY) on a post-apocalyptic Halloween defending her home from cannibalistic intruders.
Representing the festival’s Canadian Programming, Sam Scott’s TURN IT UP! offers the story of a struggling indie band turning to a cursed melody for fame, unaware that the melody opens up a dangerous portal between dimensions; and NO LONGER HUMANS (directed by Toronto filmmaker Luca D’Andrea) is a queer coming-of-age love story about a world in which death no longer exists. Shot on 16mm film, D’Andrea’s daring debut feature will be making its North American Premiere in the festival’s Late Night Programme.
Canadian Filmmaking will be further represented across Toronto After Dark’s popular short film slate, which pairs a Canadian short with all feature films across the festival and includes dedicated sidebars for both Canadian and International selections. This year’s festival features 33 short films, including the buzzy MAN EATING PUSSY: an Audience Award Winner at Fantasia, directed by Emily Lawson and starring Grace Glowicki.
The lineup also features the Ontario Premieres of THE FOX (d. Dario Russo) and DRAG (d. Raviv Ullman and Greg Yagolnitzer). In THE FOX, a cunning fox (voiced by Olivia Colman) convinces an impressionable foxhunter (Jai Courtney) to turn his wife (Emily Browning) into the foxhunter’s idea of the perfect woman: a dark folktale built around the age old adage “be careful what you wish for”.
And in DRAG, two sisters (Lizzy Caplan and Lucy DeVito) break into the secluded home of a wealthy artist (John Stamos) for a simple little robbery. When one of the sisters quickly throws out her back, escape becomes an immovable obstacle for the feuding duo – made worse when the artist comes home early!
Previously announced films include: 5 MORE MINUTES, FROGMAN RETURNS, I LOVE PARIS and MY LOVE FOR YOU IS DEEP, BUT THE DEVIL LOVES ME DEEPER.
The 19th edition also marks an inaugural partnership between the festival and its new lead sponsor ScareScore. ScareScore is building the world’s first biometric reaction platform for entertainment. Connecting to the smartwatch audiences already wear, ScareScore measures physical reactions as they happen and transforms them into a personal score across movies, streaming, attractions, and adrenaline experiences that they can share, compare, and compete against friends with! Select Toronto After Dark films will be ScareScore enabled.
This year’s festival will also see the return of its official OPENING NIGHT PARTY, which will be held at the festival’s preferred bar Escape Manor (383 King St. W: just a few blocks away from the festival screening venues). Entry will be FREE for Toronto After Dark passholders.
And the festival’s late-night CineCycle Programming has been made possible this year thanks to the support of Branded to Film (B2F), Kingston’s hyperlocal studio for high-concept genre filmmaking, which provides resources, crew and producer support for independent filmmakers shooting in the region.
2026 Toronto After Dark Lineup:
Feature Films
5 MORE MINUTES (5 MINUTOS MÁS) | Javier Ruiz Caldera | Spain
Canadian Premiere
DRAG | Raviv Ullman, Greg Yagolnitzer | USA
Ontario Premiere
THE FOX | Dario Russo | Australia
Ontario Premiere
FROGMAN RETURNS | Anthony Cousins | USA
Ontario Premiere
HALLOWARRIOR | Ben Sottak | USA
Canadian Premiere
I LOVE PARIS | Nicky Murphy | Australia, France
Toronto Premiere
RED SNOW (PUNAISTA LUNTA) | Ilja Rautsi | Finland
Canadian Premiere
SLEEP NO MORE (MONSTER PABRIK RAMBUT) | Edwin | Indonesia, Singapore, Japan, Germany, France
Ontario Premiere
SPECIES (SANGUINE) | Marion Le Corroller | France
Ontario Premiere
WHALEFALL | Brian Duffield | USA
Canadian Premiere
Feature Films – Late Night Programme
MATAPANKI | Diego “Mapache” Fuentes | Chile
Toronto Premiere
MY LOVE FOR YOU IS DEEP BUT THE DEVIL LOVES ME DEEPER | Casey Donahue | USA
World Premiere
NO LONGER HUMANS | Luca D’Andrea | Canada
North American Premiere
Short Films
1-800-TIME-TRAVEL | Michael Nusair | Canada
A MIGHTY POISON | Kyle Marchen | Canada
ACCISMUS | Brandy Marien | Canada
BAD TOOTH | M. Dara Alavi | Canada
BLOOD SWEAT & TEARS | Spencer Glassman | Canada
THE CURSE OF DANNY RIZZO | Ievy Stamatov | Canada
THE DESCENDANT | Ashley Welling | USA
THE DOGLEG (WIRAŹ) | Piotr Szubra | Poland
THE DOUBLE | Aljosha Klimov, Misha Sprits, Mitya Kokorin | Germany, Canada
FESTER | Max Parr | Canada
FREQUENCY | Lauren Andrews | Canada
GRIM VS GREYS | Austin Birtch | Canada
HABITUATION | Oskar Johansson | Sweden
ICE COLD BEER | Devon Mussett, Joey Lopez | Canada
IT HELPS | J. Zachary Thurman | USA
LOOP (最後一單) | Chuan Lin | Taiwan
MAN EATING PUSSY | Emily Lawson | Canada, USA
MEATMYLK | Lucy Luscombe | United Kingdom
MELT MUSIC | Evan Rivard | Canada
MOIRA | Anastasia Mischenko | France
MY DINNER WITH VICTOR | Andrew Chiu | Hong Kong, Canada
THE OLD GODS | Noah Van Buhren | Canada
PAPER CUTS | Ross Ozarka, Alice Gatland | New Zealand
PERENNIAL | Eric Kingsbury | Canada
PICK IT TILL IT BLEEDS | Christina Dovolis, Tavis Putnam | Canada
THE PORTRAIT | Julia Hogg | Canada
PURGE | Andrew Hamilton | Canada
RUN FROM IT | Kory Kongsommart, Jun Jeung | Canada
SHITTING A PENIS | Sam Morgan | Canada
SLEEP THROUGH SUMMER | Erin Mick | Canada
SOMETHING BORROWED | Findlay Ironside | Canada
STUCK (VAST) | Jan van Gorkum | Netherlands
THE THING INSIDE HER | Jacki Gunn and Della Haddock | Canada
To purchase passes or for additional festival information, please visit www.torontoafterdark.com.
ABOUT TORONTO AFTER DARK FILM FESTIVAL
Founded in 2006 by the late Adam Lopez, Toronto After Dark Film Festival is one of the world’s leading showcases of new horror, thriller, sci-fi, action and cult cinema. Built from Lopez’s lifelong love of genre film and the passionate community he cultivated, the festival has become a beloved annual destination for film fans, filmmakers, press and industry, presenting new features and shorts from Canada and around the world. Toronto After Dark’s 19th edition takes place October 14–18, 2026 at Scotiabank Theatre in downtown Toronto.
You Can See Everything, a documentary by Nathan Fielder and Lance Oppenheim, featuring Elizabeth Holmes. See for yourself only in theatres October 16, 2026.
Thirty-four days before she’s sent to prison, notorious Silicon Valley founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait of an enigmatic felon becomes a mind-bending three-year journey into the abyss. From boundary-pushing directors Nathan Fielder and Lance Oppenheim comes YOU CAN SEE EVERYTHING.
Based semi-autobiographically on the life of Alicia Keys, two-time TONY-winning Musical HELL’S KITCHEN is now playing in Toronto, thanks to Mirvish Productions, at CAA Ed Mirvish Theatre.
The story centers around 17-year-old Ali (Maya Drake), who is navigating being a teen, boys, her controlling mom Jersey (Kennedy Caughell), and finding herself. And it is only by chance that she stumbles upon learning piano with the help of a mentor in Miss Liza Jane (Roz White), which would lead her down the eventual path she would take to Grammy-winning greatness.
At the heart of the story here is the love between mother and daughter, and while it is put through great tests, it proves unbreakable and that is affecting and uplifting. Caughell is a master of her craft and mindblowingly good – what a vocal powerhouse!
HELL’S KITCHEN plays now till October 25, 2026. Tickets at mirvish.com.
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