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Violet

#TIFF21: DAY TWO SIGHTINGS – JUSTINE BATEMAN, BEN PLATT, AMANDLA STENBERG, DANNY PINO, COLTON RYAN + MORE

TIFF ’21 is officially in full swing and while things are a little less hectic this year, we’re still keeping fully busy, Team Mr. Will catching as many Films as we can and fitting in as many sightings as we can!

We are thrilled to have gotten to see this year’s Opening Night Gala, the uplifting and heartfelt DEAR EVAN HANSEN. We absolutely loved it, and while we’ve never seen the original Musical it was based on, the Film by Stephen Chbosky stands on its own strongly. Floored by star Ben Platt‘s work in this and the Music by Benj Pasek and Justin Paul is incredible.

See our thoughts below and Capsule Review here.


We were also lucky enough to find the After Party for the Film, which took place at hotspot Sofia in Yorkville, where we by chance saw Platt leaving, as well as Co-Stars Amandla Stenberg, Danny Pino and Colton Ryan. I cannot wait for you to discover this Film. Bawled my eyes out!


A huge “thank you” also to official TIFF ’21 sponsor RBC for gifting us with tickets which we gave to one lucky Reader to see DEAR EVAN HANSEN at the RBC Lakeside Drive In! Mark Greeno was so lucky to get to see Ben Platt and Amandla Stenberg also in-person as they introduced the Film!


It was quiet for most of the day, but so thrilled we saw Justin Bateman here to present her directorial Feature debut, VIOLET, which continues to get warm reception on the Festival circuit. We saw the Film at SXSW and were overjoyed to see THE MALLORY KEATON of Family Ties, here in-person. She was so sweet and even handed me some swag, official VIOLET pens to keep.



It will be another hectic couple days cramming-in as much as we can and we’re so excited to see SPENCER tomorrow morning – this is the Princess Diana film starring Kristen Stewart which has put her in the early lead for the Best Actress race.

Stay tuned for more. Continue bookmarking and checking this rolling link as we post our updates through out the day!

Our next scheduled CP24 appearance will be Saturday morning. Don’t forget to check it out!

(Photo/video credit: Mr. Will Wong)

#TIFF21: “VIOLET” REVIEW

Review by Amanda Gilmore

When Violet (Olivia Munn) was a child, she was free and happy. As she grew up, a negative “guiding voice” (Justin Theroux) began changing the way she lived. She now works at a film production company where she deals with a sexist, undermining boss. And spends her days biting her tongue trying to please others, even when that means causing herself pain. But things begin to change when Violet decides to do the opposite of what her “guiding voice” says.

Violet’s negative voice feels like it’s the manifestation of overpowering depression and crippling anxiety. It diminishes her self-esteem so that she becomes a doormat for others, changing to be what they want. And it tells her to submit, convincing her that’s the only way to get through life. Theroux provides powerful voiceover work that creates a convincing guiding voice.

Actress-Writer-Director Justine Bateman – yes, the same one from Family Ties – further visualizes Violet’s inner turmoil through transitions. Fade-outs are traditionally used by fading to black. However, Bateman fades to red. These fades happen when Violet finds herself overwhelmed by the negative voice and those around her. The immense pressure builds and transitions into anger that she buries within her, which is symbolized through the red. 

Although we are hearing the negative voice, we rarely hear Violet’s thoughts. Bateman incorporates Violet’s thoughts through quotes across the frame. Majority of the time these writings aide in exposing things we wouldn’t otherwise know. However, there are moments when these writings feel overused.

This is primarily caused because of Munn’s strong performance. Her talent in this role makes the added visual quotes seem redundant. We don’t need to read what is happening behind Violet’s eyes, because Munn shows us. She shines brightest in one particular scene when Violet confronts her sexist boss.

VIOLET screens at TIFF ’21:

Thu, Sep 09 TIFF Bell Lightbox 2:00 PM

Thu, Sep 09 Visa Skyline Drive-In at Ontario Place 8:30 PM

Fri, Sep 10IN-PERSONOntario Place West Island Open Air Cinema 9:00 PM

Tue, Sep 14 digital TIFF Bell Lightbox 9:00 PM

#SXSW: “VIOLET”

Review by Amanda Gilmore

When Violet (Olivia Munn) was a child, she was free and happy. As she grew up, a negative “guiding voice” (Justin Theroux) began changing the way she lived. She now works at a film production company where she deals with a sexist, undermining boss. And spends her days biting her tongue trying to please others, even when that means causing herself pain. But things begin to change when Violet decides to do the opposite of what her “guiding voice” says.

Violet’s negative voice feels like it’s the manifestation of overpowering depression and crippling anxiety. It diminishes her self-esteem so that she becomes a doormat for others, changing to be what they want. And it tells her to submit, convincing her that’s the only way to get through life. Theroux provides powerful voiceover work that creates a convincing guiding voice.

Actress-Writer-Director Justine Bateman – yes, the same one from Family Ties – further visualizes Violet’s inner turmoil through transitions. Fade-outs are traditionally used by fading to black. However, Bateman fades to red. These fades happen when Violet finds herself overwhelmed by the negative voice and those around her. The immense pressure builds and transitions into anger that she buries within her, which is symbolized through the red. 

Although we are hearing the negative voice, we rarely hear Violet’s thoughts. Bateman incorporates Violet’s thoughts through quotes across the frame. Majority of the time these writings aide in exposing things we wouldn’t otherwise know. However, there are moments when these writings feel overused.

This is primarily caused because of Munn’s strong performance. Her talent in this role makes the added visual quotes seem redundant. We don’t need to read what is happening behind Violet’s eyes, because Munn shows us. She shines brightest in one particular scene when Violet confronts her sexist boss.

Violet screens at SXSW Thursday, March 18, 2021 at 5 PM ET.

#SXSW: SXSW 2021 FILM FESTIVAL PREVIEW

SXSW 2021 kicks-off March 16 and runs through March 20, 2021 this year. Team Mr. Will is thrilled to bring you coverage virtually this year, giving you the scoop on some of the hottest titles to premiere at the Festival. The Film Festival component of SXSW includes digital Premieres, Screenings, and Q&As, a total 75 films, 84 short films, 30 special events, 5 episode premieres, 6 episodic pilots and more.

Here are some of Team’s most anticipated titles of SXSW 2021 which should be on your radar:



MR. WILL (Twitter: @mrwillw)

POTATO DREAMS OF AMERICA

Wes Hurley writes and directs this quirky autobiographical Dark Comedy details his journey from a child fleeing the USSR with his mail order bride mother, to the United States in search of a better life. In-competition as part of the Narrative Features program, the Film examines the pressures of a young man to conceal his sexuality and what it means for him and his mother to continue hiding it. Above this, the coming-of-age story navigates the new immigrant experience as a high schooler and what it’s like, adding a bit of inclusion and diversity to the programming slate at SXSW. It screens 11:00 AM on Tuesday, March 16, 2021.

WOMEN IS LOSERS

Lissette Feliciano directs and writes this Feature starring Lorenza Izzo (Once Upon a Time…. in Hollywood). The Dramedy centers on a young woman named Celina‘s (Izzo) world is turned upside down when she gets pregnant and the cycle of poverty that occurs when her family aren’t supportive and it is up to her to rewrite her destiny with an empowering message. And Canada’s Simu Liu (Kim’s Convenience) also stars! WOMEN IS LOSERS is in-competition in the Narrative Features program and streams Tuesday, March 16, 2021 10:55 AM.

DEMI LOVATO: DANCING WITH THE DEVIL

Global Superstar Demi Lovato made headlines after being rushed to the hospital following an opioid overdose. This Documentary goes deep as she speaks candidly about her ordeal and demons over the past decade, opening SXSW 2021. The four-part DocuSeries directed by Michael D. Ratner, arrives on YouTube Originals March 23, 2021, but we will have a chance to see it first at the Festival, followed by a Q&A. So stoked to hear about the star’s re-claiming back of her own life and lessons learned. The Film screens Tuesday, March 16, 2021 7:00 PM with Q&A to follow at Tuesday, March 16, 2021 9:00 PM.

INTRODUCING SELMA BLAIR

Selma Blair is the first star I ever took a Selfie with and I’ll never forget that moment and how kind she was to me! Blair has been very open about her battle with Multiple Sclerosis and this Documentary directed by Rachel Fleit, bravely recounts her journey dealing with mortality and self-acceptance. This is about empowering and inspiring in the face of crippling disability and we can’t wait to be uplifted and hear Blair speak openly. This Film just got picked-up by Discovery+ so there will by a chance for all to see soon. This screens Tuesday, March 16, 2021 beginning 3:00 PM.

THE LOST SONS

This Documentary from Ursula Macfarlane is a story so unbelievable you have to see it to believe. The story centers on a man named Paul Fronczak who was kidnapped at a young age only to be reunited with his parents by the FBI. Case closed. But then growing-up he always felt there was something different about him from his family and when he decides to delve deeper, a whole world unbeknownst to him is unravelled. We see at what cost truth comes at. Riveting storytelling which will rivet you. THE LOST SONS screens beginning Tuesday, March 16, 2021 5:00 PM.





AMANDA GILMORE (Twitter: @GilmoreAmanda)

VIOLET

This was my most anticipated of SXSW 2020 and thankfully they’ve included it in this year’s lineup. It follows a film development executive whose “guiding voice” has been lying to her about everything. It stars Olivia Munn, Luke Bracey, Justin Theroux, and more.  This screens Thursday, March 18, 2021 5:00 PM.

HERE BEFORE

Writer-Director Stacey Gregg is making her feature-directorial debut with Here Before. It’s a psychological thriller, starring the ever-talented Andrea Riseborough, and follows a bereaved mother who begins to questions her reality. This screens Wednesday, March 17, 2021 1:00 PM.

LANGUAGE LESSONS

Natalie Morales is making her feature-directorial debut and starring in this drama about a Spanish teacher (Morales) and her student (Mark Duplass), who develop an unexpected friendship. Critics are already praising for its exploration of platonic love. This screens Wednesday, March 17, 2021 3:00 PM.

THE FALLOUT

Canadian actress and filmmaker Megan Park is making her feature-directorial debut at the fest. It follows student Vada as she navigates the emotional impacts of a school tragedy. It’s got a powerful cast consisting of Shailene Woodley, Jenna Ortega, John Ortiz, Julie Bowen, and more. This screens Wednesday, March 17, 2021 5:00 PM.

THE SPINE OF THE NIGHT

This Midnighter animated film has a killer Cast consisting of Richard E. Grant, Lucy Lawless, Patton Oswalt, Betty Gabriel, Joe Manganiello, and more. It’s being described as an ultra-violent, fantasy epic about dark magic falling into sinister hands. This screens Thursday, March 18, 2021 9:00 PM.



DAVE BALDWIN (Twitter: @davemabaldwin)

BROADCAST SIGNAL INTRUSION

Harry Shum Jr. (who you will remember from Crazy Rich Asians, the Shadowhunters TV series and last fall’s romantic drama All My Life) leads this Midnighter as a ’90s Video Archivist who gets involved a conspiracy around pirated broadcasts. Sight unseen, that sounds like a film that plays in the same sandbox as David Cronenberg’s legendary horror film Videodrome. I am not expecting a film that is nearly as grotesquely gnarly as that, but I cannot help but be intrigued by whatever Director Jacob Gentry has cooked-up here. Since it is screening on Day 1 of the Film Festival, I will not have to wait long to find out. Premieres Tuesday, March 16, 2021, 9:00 PM.

CLERK

When I was in High School, I worshipped at the altar of Kevin Smith. The man had a gift for writing hilariously-profane dialogue and had the means of injecting the kind of quiet poignancy you would never expect from stoner comedies. Clerks remains one of the biggest influences on my writing career, so having the opportunity to be among the first to see a Documentary on the life and times of Smith has me breathlessly anticipating Director Malcolm Ingram’s film. This was one of the films that was supposed to be at last year’s Festival, so here is hoping there is a great reason why they waited for this year’s Festival to premiere. Premieres Wednesday March 17, 2021, 1:00 PM.

LANGUAGE LESSONS

I am weary of getting excited about films that receive praise and buzz after premiering in Berlin, but I am willing to make an exception for Mark Duplass. The multi-hyphenated Actor and Filmmaker stars here with Natalie Morales as a student who develops a friendship with his Spanish teacher over Zoom classes. Duplass’ independent work tends to stumble into the personal and the natural, and I expect Language Lessons to fall along the same lines. There is an inventiveness that comes with telling a story over Zoom (just ask last summer’s super effective Horror chiller Host), so I may be setting my expectations a bit too high – but I have faith that I will really enjoy this one. Premieres Wednesday, March 17, 2021, 3:00 PM.

THE FEAST

I am a fan of Midnight movies, can you tell? This one concerns a wealthy family, their guests, a fancy dinner and the mysterious server tending to their every need. It certainly sounds like something creepy is amiss just from the logline, and the mysterious still accompanying it of a woman staring at a broken shard of glass has my curiosity piqued. And did I mention it is spoken entirely in Welsh? Sounds like the only thing missing is the screaming crowd I won’t possibly be able to replicate around me. Premieres Wednesday, March 17, 2021, 9:00 PM.

HOW IT ENDS

I was not able to watch HOW IT ENDS at Sundance in January, so I was very excited to see it pop up in the “Festival Favourites” section on the SXSW schedule. The story revolves around the personal journey Liza (Zoe Lister-Jones, who Co-Wrote/Co-Produced/Co-Directed with her husband Daryl Wein) takes on her way to an end of the world party and everyone she runs into along the way. I have been a longtime fan of Lister-Jones’ work in Film and Television (her character Fawn Moscato on New Girl still cracks me up), so I am intrigued to see how funny a film about an asteroid hurtling towards Earth can be. With a Supporting Cast featuring Nick Kroll, Lamorne Morris, Charlie Day, Whitney Cummings and Olivia Wilde, this one feels bound to be something special. Premieres Thursday, March 18, 2021 3:00 PM.

More on the Festival here.

Bookmark this link and visit daily during the Festival for our most updated Reviews!

(Photo/video credit: SXSW)

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