Justine Bateman
#TIFF21: DAY TWO SIGHTINGS – JUSTINE BATEMAN, BEN PLATT, AMANDLA STENBERG, DANNY PINO, COLTON RYAN + MORE
TIFF ’21 is officially in full swing and while things are a little less hectic this year, we’re still keeping fully busy, Team Mr. Will catching as many Films as we can and fitting in as many sightings as we can!
We are thrilled to have gotten to see this year’s Opening Night Gala, the uplifting and heartfelt DEAR EVAN HANSEN. We absolutely loved it, and while we’ve never seen the original Musical it was based on, the Film by Stephen Chbosky stands on its own strongly. Floored by star Ben Platt‘s work in this and the Music by Benj Pasek and Justin Paul is incredible.
See our thoughts below and Capsule Review here.
We were also lucky enough to find the After Party for the Film, which took place at hotspot Sofia in Yorkville, where we by chance saw Platt leaving, as well as Co-Stars Amandla Stenberg, Danny Pino and Colton Ryan. I cannot wait for you to discover this Film. Bawled my eyes out!
A huge “thank you” also to official TIFF ’21 sponsor RBC for gifting us with tickets which we gave to one lucky Reader to see DEAR EVAN HANSEN at the RBC Lakeside Drive In! Mark Greeno was so lucky to get to see Ben Platt and Amandla Stenberg also in-person as they introduced the Film!
Many thanks to @RBC, official sponsor of #TIFF21! Thanks to them we were able to send @leos_lover_2000 to the RBC Lakeside Drive-In to see #DearEvanHansen! Hope you had fun, Mark! pic.twitter.com/VkGFA2ka5G
— MR. WILL WONG 📸 (@mrwillw) September 10, 2021
It was quiet for most of the day, but so thrilled we saw Justin Bateman here to present her directorial Feature debut, VIOLET, which continues to get warm reception on the Festival circuit. We saw the Film at SXSW and were overjoyed to see THE MALLORY KEATON of Family Ties, here in-person. She was so sweet and even handed me some swag, official VIOLET pens to keep.
It will be another hectic couple days cramming-in as much as we can and we’re so excited to see SPENCER tomorrow morning – this is the Princess Diana film starring Kristen Stewart which has put her in the early lead for the Best Actress race.
Stay tuned for more. Continue bookmarking and checking this rolling link as we post our updates through out the day!
Our next scheduled CP24 appearance will be Saturday morning. Don’t forget to check it out!
(Photo/video credit: Mr. Will Wong)
#TIFF21: “VIOLET” REVIEW
Review by Amanda Gilmore
When Violet (Olivia Munn) was a child, she was free and happy. As she grew up, a negative “guiding voice” (Justin Theroux) began changing the way she lived. She now works at a film production company where she deals with a sexist, undermining boss. And spends her days biting her tongue trying to please others, even when that means causing herself pain. But things begin to change when Violet decides to do the opposite of what her “guiding voice” says.
Violet’s negative voice feels like it’s the manifestation of overpowering depression and crippling anxiety. It diminishes her self-esteem so that she becomes a doormat for others, changing to be what they want. And it tells her to submit, convincing her that’s the only way to get through life. Theroux provides powerful voiceover work that creates a convincing guiding voice.
Actress-Writer-Director Justine Bateman – yes, the same one from Family Ties – further visualizes Violet’s inner turmoil through transitions. Fade-outs are traditionally used by fading to black. However, Bateman fades to red. These fades happen when Violet finds herself overwhelmed by the negative voice and those around her. The immense pressure builds and transitions into anger that she buries within her, which is symbolized through the red.
Although we are hearing the negative voice, we rarely hear Violet’s thoughts. Bateman incorporates Violet’s thoughts through quotes across the frame. Majority of the time these writings aide in exposing things we wouldn’t otherwise know. However, there are moments when these writings feel overused.
This is primarily caused because of Munn’s strong performance. Her talent in this role makes the added visual quotes seem redundant. We don’t need to read what is happening behind Violet’s eyes, because Munn shows us. She shines brightest in one particular scene when Violet confronts her sexist boss.
VIOLET screens at TIFF ’21:
Thu, Sep 09 TIFF Bell Lightbox 2:00 PM
Thu, Sep 09 Visa Skyline Drive-In at Ontario Place 8:30 PM
Fri, Sep 10IN-PERSONOntario Place West Island Open Air Cinema 9:00 PM
Tue, Sep 14 digital TIFF Bell Lightbox 9:00 PM
#TIFF21: DAY ONE ARRIVALS – JOSHUA JACKSON, JOSH O’CONNOR, JUSTINE BATEMAN, BEN PLATT
We don’t believe #TIFF21 finally is here! While things are indeed a bit different this year, any bit of in-person events is dearly welcomed! While TIFF ’21 starts today, we did spot a few arrivals already gearing-up for their big premieres on TIFF Day One.
So thrilled to chat with The Toronto Sun‘s Jane Stevenson about starspotting etiquette this TIFF with our current climate. Click here more the article.
Also in case you missed our appearance on CP24 previewing what the Festival might look like for stargazers, watch here.
We can confirm Ben Platt, star of Opening Night Gala, DEAR EVAN HANSEN already is in the City, set to walk alongside Director Stephen Chbosky on the Red Carpet at Roy Thomson Hall tomorrow.
It is however, Josh O’Connor whom we are most excited about at the Festival and how amazing is it he was our first star sighting? The British star of Netflix’s THE CROWN and acclaimed Drama GOD’S OWN COUNTRY recently moved to New York and is a star on the rise, just having won a Golden Globe Award this past Awards Season for his work as Prince Charles in The Crown. Donning a pizza shirt, he was amazingly-kind to stop for autographs and selfies with fans, despite a bit of a hold-up after landing due to updated COVID-19 protocols. He premieres WWI Romance MOTHERING SUNDAY at Princess of Wales Theatre tonight. The Film also stars Odessa Young and an Oscar-winning duo in Olivia Colman and Colin Firth.
We got the scoop that Vancouver’s own Joshua Jackson is back at TIFF once again, but he’s here to promote his new Series DR. DEATH, premiering on Showcase in Canada on September 12, 2021. Based on the true story of Dr. Christopher Duntsch‘s who left several patients maimed or dead. Jackson positively is sinister in the titular role and we really want to see how the rest of the Series delves into Duntsch‘s psyche to why he destroyed so many lives. Jackson arrived low-key and was so kind to stop for a Snap. He should be here through next week celebrating the new Series.
It was super-cool seeing Justine Bateman, who we idolized on Family Ties as Mallory Keaton. She makes her Feature directorial debut in VIOLET, starring Olivia Munn (who just announced she’s pregnant with Funnyman John Mulaney), premiering at TIFF Bell Lightbox this afternoon. She seemed preoccupied and wanted privacy, but we’ll be at the Premiere and hope to get a snap there!
This is only the beginning, but unlike other years, we are expecting a busy few days ahead, with the star sightings to tail off likely around Monday with fewer talent making their way to the City this TIFF.
More to come! Check back daily! Bookmark this link for updates as we bring you star sightings and the Reviews from the hottest Films to come out of the Festival!
(Photo credit: Mr. Will Wong)
#SXSW: “VIOLET”
Review by Amanda Gilmore
When Violet (Olivia Munn) was a child, she was free and happy. As she grew up, a negative “guiding voice” (Justin Theroux) began changing the way she lived. She now works at a film production company where she deals with a sexist, undermining boss. And spends her days biting her tongue trying to please others, even when that means causing herself pain. But things begin to change when Violet decides to do the opposite of what her “guiding voice” says.
Violet’s negative voice feels like it’s the manifestation of overpowering depression and crippling anxiety. It diminishes her self-esteem so that she becomes a doormat for others, changing to be what they want. And it tells her to submit, convincing her that’s the only way to get through life. Theroux provides powerful voiceover work that creates a convincing guiding voice.
Actress-Writer-Director Justine Bateman – yes, the same one from Family Ties – further visualizes Violet’s inner turmoil through transitions. Fade-outs are traditionally used by fading to black. However, Bateman fades to red. These fades happen when Violet finds herself overwhelmed by the negative voice and those around her. The immense pressure builds and transitions into anger that she buries within her, which is symbolized through the red.
Although we are hearing the negative voice, we rarely hear Violet’s thoughts. Bateman incorporates Violet’s thoughts through quotes across the frame. Majority of the time these writings aide in exposing things we wouldn’t otherwise know. However, there are moments when these writings feel overused.
This is primarily caused because of Munn’s strong performance. Her talent in this role makes the added visual quotes seem redundant. We don’t need to read what is happening behind Violet’s eyes, because Munn shows us. She shines brightest in one particular scene when Violet confronts her sexist boss.
Violet screens at SXSW Thursday, March 18, 2021 at 5 PM ET.
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