It’s only Day One but feels like Day 30? Overall, a very productive day today, covering a lot of ground and lot of stars. Some of the names we spotted:
•Ben foster at TIFF for Motor City.
•Jeffrey Latimer, Olivia Chow and Cameron Bailey unveil TIFF’s Canada Walk of Fame star
•Jeremy O. Harris, Charli XCX, Lena Góra at TIFF for Erupcja
•Ryan Reynolds, Colin Hanks, Chris Candy at TIFF for John Candy: I LIKE ME
•Barbie Ferreira, Devon Bostick, Chandler Levack, Robert Naylor, Juliette Gariépy, Stanley Simons,
Isaiah Lehtinen, at TIFF for Mile End Kicks
•Stellan Skarsgård, Renate Reinsve, Joachim Trier, Elle Fanning, and Inga Ibsdotter Lilleaas at TIFF for Sentimental Value
•Rei Ami and Audrey Nuna at TIFF for KPop Demon Hunters critics event
We were up and at it early appearing on CP24 Breakfast! Our appearance, and also TIFF’s Canada’s Walk of Fame induction star unveiling highlights!
(Photo/video credit: Mr. Will Wong)
By Nicholas Porteous
Joachim Trier‘s follow-up to his modern classic The Worst Person in the World reunites him with Renate Reinsve, this time playing Actress Nora Borg, who struggles to communicate with her Filmmaker father, Gustav (Stellan SkarsgĂĄrd). He’s written a part for her in his long-awaited next film that has the potential to confront their shared, familial trauma. The only problem–Reinsve refuses to work with him, so Hollywood Actor Rachel Kemp (Elle Fanning) takes on the role in her place.
The world of Sentimental Value–full of imagined movies, stage productions, festivals, social media accounts–is gorgeously-rendered, and feels like a living, breathing place. Trier does a great job blurring the line between reality and in-world fiction with some notable fakeouts I wouldn’t dare spoil.
There’s been talk of Oscar nominations for SkarsgĂĄrd and Reinsve. Both performances are engrossing, complex and deeply felt. It’s a solid bet they could rise to such acclaim. The real star of Sentimental Value, however, is its paradoxical exploration of art and artists—How Theatre and Film can create a safe environment for profound and needed personal expression, and simultaneously serve as a toxic barrier, preventing that same expression outside the confines of imagined circumstances. If Art represents the only available platform for tackling spiritual baggage, does that also make it a cage?
Some of the dialogue can feel like a placeholder–particularly in regards to the Elle Fanning thread, and the relationship between Reinsve and a stage manager. The Movie can also be guilty of playing into the Tortured Artist trope—lightly implying that real-life agony makes for better Art. Ultimately, Sentimental Value digs deeper than that, and I’ll be pondering many of its beautiful ambiguities long after TIFF is over.
Sentimental Value screens at TIFF ’25:
Thurs. Sept 4 at 9:30 PM at VISA Screening Room at the Princess of Wales Theatre
Fri. Sept 5 at 6:00 PM at Scotiabank Theatre Toronto
Today we get a new Trailer for SENTIMENTAL VALUE, from Joachim Trier! Elevation Pictures release, coming soon!
Directed by: Joachim Trier
Starring: Renate Reinsve, Stellan SkarsgĂĄrd, Inga Ibsdotter Lilleaas, Elle Fanning
Synopsis:
Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics.
The 2022 Cannes Film Festival, now in its 75th edition, has officially begun and we’re so thrilled to be a part of the festivities this year! Our Amanda Gilmore is on-foot out on the French Riviera as the Festival runs today through May 28, 2022.
Canada certainly is making its presence felt and even has its own Festival Village! Canada Tent set-up, the Pavillion having been absent for two years. Our Country is represented by CRIMES OF THE FUTURE (David Cronenberg) – which also will be getting a Canadian Premiere in June at TIFF BELL LIGHTBOX – and FALCON LAKE (Charlotte Le Bon).
Academy Award winner Forrest Whitaker in addition to producing Documentary For the Sake of Peace, is receiving an honourary Palme d’Or as well. He says this is the first time he has ever felt internationally-recognized as an Artist!
The Festival’s Jury Conference featured some deep talent with names like Deepika Padukone, Rebecca Hall, Noomi Rapace, Jasmine Trinca, Asghar Farhadi, Ladj Ly, Jeff Nichols and Joachim Trier.
Some key quotes from the Panel conducted in both French and English. A recurring theme with the Jury is their humility and love of Cinema, helping spotlight talent versus “judging” and “critiquing”, which is refreshing.
Noomi Rapace: “It’s a dream come true. Thank you. Thank you for having me.”.
Rebecca Hall: “Not here was no hesitation it was obviously a tremendous honour.”. On bring a Juror, the Actress/Director says, “I don’t like the word judge…There is a huge responsibility, but also a creative responsibility.”.
Deepika Padukone: “We made a promise to each other that we won’t burden ourselves with the responsibility.”. The Bollywood icon tells the room, “Cinema is such a powerful tool and medium it has the ability to impact people’s lives.”.
Joachim Trier: “Together we will have some really interesting and difficult conversations.”. The Director of acclaimed THE WORST PERSON IN THE WORLD also reveals, “I’m looking forward to watching 21 movies.”.
Jeff Nichols: “I once waited tables at the American Pavilion and someone tipped me a ticket and I was blown-away by how beautifully this Festival honours Filmmakers.”. Nichols, excited like Trier about seeing some movies says, “I guarantee you I will watch every single one of these films with the same energy and awe as when I was 21. “.
A view of the Grand Auditorium Louis Lumière Red Carpet:
The famed Theatre Debussy Red Carpet:
TOP GUN: MAVERICK also will get is eagerly-awaited Premiere tomorrow night. See this amazing installation set-up to celebration the Blockbuster!
Bookmark this link and check daily as we will be bringing you your latest Reviews from Cannes!
So excited to deliver you our coverage on the world stage!
(Photo credit: Amanda GIlmore for Mr. Will Wong)
By Mr. Will Wong
While it already has made waves at Cannes and TIFF, Norwegian Writer/Director Joachim Trier brings the brilliant finale to his acclaimed “Oslo Trilogy” to Sundance. The Romantic Dramedy is shortlisted to represent Norway at the upcoming Academy Awards for Best International Feature Film.
Trier continues to explore life today in this Norwegian capitol and at the center of the story is Julie (Renate Reinsve in her award-winning performance), an almost-thirty woman still figuring it out. We meet her as a medical student, who then decides she wants to study Psychology. She wants to be a Photographer. And then a Writer. She meets Aksel (Anders Danielsen Lie) known for his politically-incorrect comic books, and while he is some 15 years older than she, they strike a deep connection and fall in love. As their relationship progresses, there are some points of contention. Aksel has figured out who he is, though Julie really hasn’t. He wants children, though she isn’t quite there yet. And more so, Aksel has a perspective that has come with age that makes Julie feel diminished. Julie meets Elvind (Herbert Nordrum) and they fall in love, filling voids in their own current respective relationships. But as Aksel‘s world begins to unfold, Julie still finds him on her mind and she must confront herself as her life reaches a crossroad.
The performances from our two leads feel so remarkably effortless. We feel we are getting all of Julie in Reinsve‘s thoughtful work, matched by Lie who takes Aksel through a range of emotions and questions. I already can envision adaptations of the Film in other languages with Actors chomping at the bit to take on these rich, complex roles.
THE WORST PERSON IN THE WORLD is gorgeous, subtle and thought-provoking storytelling that equally captures the lightness and humour of falling in love. At once, it dives deep into the pain of soul searching and falling out of love as well, while considering life since #MeToo and into the pandemic. Trier has gifted us with something that is both now and timeless.
THE WORST PERSON IN THE WORLD screens at Sundance:
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