Lightning strikes twice for THUNDERBOLTS*, with an excellent $35 million from 4,330 theatres in its second weekend out for Disney/Marvel. This is a tally of $130.3 million domestically.

SINNERS still is going strong in second with $20 million from 3,502 theaters for Warner Bros., a total $213.3 million.

A MINECRAFT MOVIE is in third with $7 million from 3,468 theaters, bringing it to $408 million in its sixth weekend for Warner Bros.

THE ACCOUNTANT 2 gets fourth with $5.8 million from 3,402 theaters, bringing it to $50.6 million week three, also for Warner Bros./Amazon MGM Studios.

CLOWN IN A CORNFIELD debuts in fifth with $3 million from 2,277 theaters for Elevation Pictures/IFC Films.

It’s another Warner Bros. domination at the Box Office this weekend as SINNERS repeats its glory again, taking top spot with $30 million from 3,347 theates. This takes it to $107 million domestically.

Debuting in second spot is THE ACCOUNTANT 2 with $23 million from 3,610 theatres for Warner Bros. It gets a stellar 77% on the Tomatometer, far besting its predecessor which had a 53% score. That Film debuted with $24.7 million, and performs very close to that again.

STAR WARS: REVENGE OF THE SITH gets a re–release in time for its 20th anniversary, taking $20 million from 2,775 theatres for Disney. Prior, the Film grossed $380 million domestically upon its 2005 release.

In fourth is A MINECRAFT MOVIE with $18 million from 3,841 theatres for Warner Bros., a domestic total of $375 million.

UNTIL DAWN rounds this Top Five with $7 million from 3.055 theatres in its opening for Sony Pictures. The Horror gets 51% on the Tomatometer.

Watch the new trailer for The Accountant 2 and book your tickets now – see the movie exclusively in theatres April 25, 2025 via Warner Bros. Pictures Canada.

Directed by: Gavin O’Connor
Written by: Bill Dubuque

Produced by: Ben Affleck, Lynette Howell Taylor p.g.a., Mark Williams

Executive Produced by: Gavin O’Connor, Scott Lastaiti, Jamie Patricof, Matt Damon, Michael Joe, Kevin Halloran, Dani Bernfeld, Alison Winter

Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, Allison Robertson and J.K. Simmons

Synopsis:

Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an old acquaintance is murdered, leaving behind a cryptic message to “find the accountant,” Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother, Brax (Jon Bernthal), to help. In partnership with U.S. Treasury Deputy Director Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried.

Ben Affleck stars in and produces THE ACCOUNTANT coming to theatres April 25, 2025 via Warner Bros. Pictures Canada. Today we get a new Trailer!

Details:

Directed by: Gavin O’Connor
Written by: Bill Dubuque

Produced by: Ben Affleck, Lynette Howell Taylor p.g.a., Mark Williams

Executive Produced by: Gavin O’Connor, Scott Lastaiti, Jamie Patricof, Matt Damon, Michael Joe, Kevin Halloran, Dani Bernfeld, Alison Winter

Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, Allison Robertson and J.K. Simmons

Christian Wolff (Ben Affleck) has a talent for solving complex problems. When an old acquaintance is murdered, leaving behind a cryptic message to “find the accountant,” Wolff is compelled to solve the case. Realizing more extreme measures are necessary, Wolff recruits his estranged and highly lethal brother, Brax (Jon Bernthal), to help. In partnership with U.S. Treasury Deputy Director Marybeth Medina (Cynthia Addai-Robinson), they uncover a deadly conspiracy, becoming targets of a ruthless network of killers who will stop at nothing to keep their secrets buried.

On a tepid weekend at the Movies, INFERNO delivers a moderate flame in its debut for Sony Pictures. This third installment in the Dan Brown Novel Adaptation Series opens with $15.5 million from 3,576 theatres. By contrast, the first installment, THE DA VINCI CODE opened in 2006 with $77 million. Audiences gave it a solid B+ CinemaScore, although Critics were harsh with a 20% on the Tomatometer.

After a number one debut last weekend, TYLER PERRY’S BOO! A MADEA HALLOWEEN slips to second with $15 million for eOne Films/Lionsgate Films. Over two weeks it has made $50.2 million.

JACK REACHER: NEVER GO BACK is in third this weekend with $9.4 million. over two weeks, it has grossed $39.5 million for Paramount Pictures.

THE ACCOUNTANT continues to be bankable for Warner Bros., in fourth now in its third week out with $8.3 million. In total it has grossed $61 million domestically.

STORKS finds itself in ninth for Warner Bros. with $2.6 million, earning $68 million over six weeks.

Rounding out the Top Ten is Bollywood title AI DIL HAI MUSHKIL with $2.4 million from 302 theatres.

Bubbling under is A24/Elevation Pictures‘ MOONLIGHT which has garnered universal acclaim on the Festival circuit. It earns $886k from 36 theatres across North America, a very healthy average of $24.6k per theatre.

In an unexpected turn of events, TYLER PERRY’S BOO! A MADEA HALLOWEEN debuts atop the Box Office for Lionsgate Films/eOne Films with $24.5 million from 2,260 theatres across North America. Despite a 31% rating on the Rotten Tomatoes Tomatometer, Audiences gave it a resilient A CinemaScore explaining why it is audiences keep coming back for more and more Madea!

JACK REACHER: NEVER GO BACK debuts in second spot for Paramount Pictures with $22 million from 3,780 theatres. It gets a 39% on the Tomatometer and a B+ CinemaScore from Audiences.

In third is THE ACCOUNTANT with $15 million for Warner Bros., totaling $47 million over two weeks.

OUIJA: ORIGIN OF EVIL debuts in fourth spot for Universal Pictures with $13 million from 3,167 theatres. It gets a C CinemaScore from Audiences, but a fantastic 81% on the Tomatometer from Critics.  Its 2014 Predecessor opened with $19.8 million.

THE GIRL ON THE TRAIN is in fifth this weekend with $$7.4 million for Universal Pictures. Over three weeks it has made $59 million domestically.

KEEPING UP WITH THE JONESES opens in seventh for 20th Century Fox with $5.4 million from 3,022 theatres. The Action-Comedy despite a stacked cast including Jon Hamm, Gal Gadot and Zach Galifianakis, manages only an 18% on the Tomatometer and a B- CinemaScore.

KEVIN HART: WHAT NOW? in its second week rounds-out the Top Ten with $3.9 million for Universal Pictures. It has made $18.8 million total thus far.

THE ACCOUNTANT opens at the top of the Box Office this weekend with $25 million from 3,332 theatres for Warner Bros. While the Film starring bankable Ben Affleck gets only 51% on the Tomatometer, it gets a solid A CinemaScore from Audiences.

Slipping to second this weekend is THE GIRL ON THE TRAIN with $12.7 million for Universal Pictures. Over two weeks, the Thriller has made $47.3 million domestically.

In third is KEVIN HART: WHAT NOW? with $12.3 million for Universal Pictures. The Comedy Special/Documentary plays in 2,568 theatres.

MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN lands in fourth with $8.6 million for 20th Century Fox, totalling $65 million in its third week.

DEEPWATER HORIZON is in fifth this weekend with $6.3 million, with a total $49.3 million in its third week for Lionsgate Films/Elevation Pictures.

Rounding out the Top Ten is Fox Searchlight‘s THE BIRTH OF A NATION with $2.2 milllion, a total of $12.1 million over two weeks.