Today, the teaser trailer and poster for the upcoming feature film, “Thunderbolts” debuted. Marvel Studios and a crew of indie veterans who sold out present “Thunderbolts,”an irreverent team-up featuring depressed assassin Yelena Belova (Florence Pugh) alongside the MCU’s least anticipated band of misfits.

The film also returns to the screen Marvel Cinematic Universe characters Bucky Barnes (Sebastian Stan), Red Guardian (David Harbour), John Walker (Wyatt Russell), Taskmaster (Olga Kurylenko), Ghost (Hannah John-Kamen) and Valentina Allegra de Fontaine (Julia Louis-Dreyfus), in addition to some exciting new faces.

Jake Schreier directs “Thunderbolts*”with Kevin Feige producing. Louis D’Esposito, Brian Chapek, Jason Tamez and Scarlett Johansson serve as executive producers.

Marvel Studios’ “Thunderbolts*” opens in theatres on May 2, 2025.

Today we get a new Trailer for A DIFFERENT MAN, starring Sebastian Stan. The film will open in theatres this Fall. The Film premiered earlier this year at SXSW ’24.

Written and Directed By: Aaron Schimberg

Cast: Sebastian Stan, Renate Reinsve, Adam Pearson

Synopsis:

Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.

(Photo/video credit: VVS Films)

By Amanda Gilmore

Aspiring Actor Edward (Sebastian Stan) undergoes a radical facial reconstructive medical procedure to drastically transform his appearance. However, his new face quickly turns into a nightmare, as he loses out on the role he was born to play. A play based on himself — pre-surgery. Instead, theatre Director and Playwright Ingrid (Renate Reinsve) chooses Oswald (Adam Pearson) who meets the representation of the role. But Edward becomes fixated on the role and reclaiming what was lost.

A Different Man is a pitch-black comedic Psychological Thriller that confronts the themes of identity and representation in the arts. Writer-Director Aaron Schimberg isn’t afraid to tackle social issues in his films. Representation in Cinema has been a hot topic in recent years. But none have tackled this subject through the art form the debate surrounds like Schimberg.

To include both sides of the debate, Schimberg intelligently casts Stan (a truly stunning performance that only gets more enticing with each scene), who’s in full prosthetics and makeup for the surgery, as the facially disfigured Edward. Then he casts Pearson (who plays Oswald with charm and kinetic energy), an Actor who has facial disfigurement, as Oswald. This social commentary will work for some and not others. But at the very least it’s a film that has the power to get people talking and even change minds for the better.

Aside from the social commentary, A Different Man is shot beautifully on Kodak film and has a haunting score that unsettles the more Edward fixates on losing the role.

A24 has distribution of A Different Man but the film currently doesn’t have a release date.

A Different Man screens at Sundance ‘24:

Jan 21 at 8:00 PM at Eccles Theatre

Jan 22 at 9:00 AM at Eccles Theatre

Jan 25 at 9:15 PM at Rose Wagner Theatre

Jan 26 at 5:00 PM at Redstone Cinemas – 1

Jan 28 at 4:30 PM at Holiday Village Cinemas – 2

THE APPRENTICE. No, not the Reality Series. Ali Abbasi (Shelley, Holy Spider) is back in Toronto, this time around writing and directing THE APPRENTICE, which centers around former President Donald Trump and his rise from a fledgling real estate mogul throughout the ’70s and ’80s, exploring themes of power and corruption.

Sebastian Stan (Pam & Tommy, I, Tonya) stars as Trump, while Jeremy Strong (Succession) stars as Roy Cohn, who was Trump‘s attorney and mentor. Academy Award-nominee Maria Bakalova (Borat Subsequent Moviefilm), who will be in Canada much of the year filming on multiple projects, stars is Ivana Trump.

The Drama begin filming in the City back in November, before proceeding again in the new year after a brief hiatus during the Holidays. Filming has taken place over weekends around the City to navigate the regular downtown bustle during weekdays. They even were at the Richmond Hill David Dunlap Observatory for a stretch!

We quickly caught a glimpse of Stan and Strong filming a scene, exiting a Stretch Limo, convicingly capturing the essence of the ’70s. And we are hearing both Actors have gotten very deep into their characters, keeping a very low profile off-set.

We are hearing from insiders that the Film is being eyed for the Film Festival circuit. Do not be surprised if we see it at TIFF! Cannot wait to see this and we’re sure this one will be much-talked-about! Mongrel Media will be releasing this one in Canada.

(Photo/video: Mr. Will Wong)

A new official Trailer has surfaced for A24 and Apple TV+‘s SHARPER starring Sebastian Stan and Julianne Moore.

Synopsis:

Starring Julianne Moore, “Sharper” unfolds within the secrets of New York City, from the penthouses of Fifth Avenue to the shadowy corners of Queens. Motivations are suspect and expectations are turned upside down when nothing is as it seems.

“Sharper” is directed by Benjamin Caron and features a star-studded ensemble cast led by Moore, Sebastian Stan, Justice Smith, newcomer Briana Middleton and John Lithgow. The film is produced by Jessica Switch and Erik Feig of Picturestart along with Julianne Moore, Bart Freundlich, Brian Gatewood and Alessandro Tanaka, and written by Gatewood and Tanaka. Julia Hammer and Amy Herman serve as executive producers.

Director: Benjamin Caron
Cast: Julianne Moore, Sebastian Stan, Justice Smith, Brianna Middleton, Darren Goldstein and John Lithgow
Writer: Brian Gatewood, Alessandro Tanaka
Producers: Erik Feig, Jessica Switch, Julianne Moore, Bart Freundlich, Brian Gatewood, Alessandro Tanaka
Exec. Producers: Julia Hammer, Amy Herman

“Sharper” will premiere globally on Apple TV+ on February 17, 2023.

(Photo/video credit: Apple TV+)

Fresh, pardon the pun, off its Sundance Premiere comes the Horror FRESH starring Daisy Edgar-Jones and Sebastian Stan. Here’s a look at its new Trailer.

Synopsis:

“FRESH” follows Noa (Daisy Edgar-Jones), who meets the alluring Steve (Sebastian Stan) at a grocery store and – given her frustration with dating apps – takes a chance and gives him her number. After their first date, Noa is smitten and accepts Steve’s invitation to a romantic weekend getaway. Only to find that her new paramour has been hiding some unusual appetites.

Jojo T. Gibbs (“Twenties”), Charlotte Le Bon (“Anthropoid”, “The Hundred-Foot Journey”), Andrea Bang (“Luce”), and Dayo Okeniyi (“Runner Runner”, “The Spectacular Now”) round out the cast. The expert crafts team includes cinematographer Pawel Pogorzelski (“Hereditary”, “Midsommar”), editor Martin Pensa (“Wild”, “Dallas Buyers Club”), production designer Jennifer Morden (“Riot Girls”), and composer Alex Somers (“Honey Boy”, “Captain Fantastic”).

STAR arrives on Disney+ via its Star banner March 4, 2022.

(Photo/video credit: Disney)

Eight-episode Series PAM & TOMMY thrust its way onto our radar the moment we saw that first look photo of Lily James transforming amazingly into a dead-ringer for Pamela Anderson. Craig Gillespie (I, Tonya, Disney’s Cruella) once again brings us a fascinating glimpse into the world of a misunderstood heroine and we’re here for it.

The ’90s-set Series is very intentional in its nostalgic references, whether it be in its Soundtrack, or keen attention to details in set decor and costumes. Just as many of us were getting our first dial-up modem and signing-up for our first e-mail addresses in the mid-90s, it was impossible to avoid the controversy of Mötley Crüe Drummer Tommy Lee (Sebastian Stan) and Pamela Anderson‘s Sex Tape Scandal. The VHS tape, recorded during the former couple’s honeymoon, was stolen by Rand Gauthier (Seth Rogen), a spiteful electrician owed money by Lee, who had been hired to do some renovation work in their home. Gauthier then began reproducing copies of the tape for sale, before things got out of hand, the tape continued to get pirated and surfaced online before Lee and Anderson even knew how to long onto the internet.

James is just superb as Anderson, really embodying her as a woman in love who wants nothing more than to be a mom, an Actress determined to advance her career, and when probed indignantly about her sexual past. All this, while being the blonde bombshell in a bikini whom America loved. Whether she is tilting her head up defensively or cautiously looking backwards at fans crowding around her, we believe every second that she is Anderson. Stan while given less to work with as the clueless Lee, gives it his all still and is in on the joke and all of Lee‘s absurdities. Similar can be said about Rogen, who is cast well as our eyes and ears into Pam & Tommy‘s world, but also acting often before thinking.

One thing we were fearful of with PAM & TOMMY was that it was taking the couple’s misfortune for the sake of entertainment. After all, wasn’t it enough that they had to go through it all once? Much of the earlier part of the Series has us being annoyed at the hormone-charged escapades between the couple, them oblivious to much else other than themselves. We also get to know Gauthier and establishing the motives for doing what he did. To be frank, these parts could have been condensed into an episode or two.

Where PAM & TOMMY truly takes flight is where we see Gauthier begin to face the consequences of his actions, not exactly getting rewarded for his “big business venture”. Writer Robert D. Siegel explores the impacts of this tape on the couple’s marriage and more so on Anderson‘s career. She seemed to be on the brink of something huge. No disrespect to her legacy. The Series examines gender double standards and how Anderson bears the weight of scrutiny and judgment as a woman, and also the question of consent which still bears just as much today in 2022 as it did when this controversy surfaced. In looking back at it all through fresh lens, we hope viewers not only see the Series as entertaining and often comical, but that what had taken place was a crime with lasting impacts.

PAM & TOMMY streams on Star, via Disney+ February 2, 2022.

By Amanda Gilmore

FRESH is a delicious Horror film that’s perfectly twisted, fun and well — fresh.

Noa (Daisy Edgar-Jones) is sick of online dating. It’s only led to bland, often repulsive dates. So when she runs into the seemingly enchanting Steve (Sebastian Stan) she takes a chance and gives him her number. What she soon finds out is that behind Steve’s charming grin lays a surprising appetite.

Screenwriter Lauryn Kahn has written a knockout Horror about the risks women face in today’s dating world. Imagine the worst thing that could happen…Kahn takes it to the next level. In doing so, she’s also created a film about the commodification of women’s bodies. The entire concept is dark, however, she brilliantly infuses witty Comedy through dialogue and situations. Thus, allowing the audience moments of levity while swallowing down its feminist message.

Director Mimi Cave builds on this Dark Comedy by adding textual layers and killer retro hits. Cave and Cinematographer Pawel Pogorzelski work together to bring close-up shots that thrust the audience into Noa’s claustrophobia. Further, when it gets to the intoxicating late-second and Third Act the Cinematography dazzles to its zealous finish.

At the forefront is the magnetic, wicked performances from Edgar-Jones and Stan. They share a strong rapport and are radiant together. Edgar-Jones is a force having to balance between desire, terror and survival. Later in the second half, Noa begins putting on a performance of her own. Therefore, causing the talented Edgar-Jones to play a double act, which she excels at. And Stan uses his natural charisma to create a terrifying psychopath hidden within a charming exterior. He is truly great at playing bad.

FRESH screens virtually at Sundance:

Premiere: Jan. 21 at 1:55AM EST
Second Screening: Jan. 23 at 10AM EST (available for 24hrs)

We are way excited for this! Love seeing Sebastian Stan and Lily James transform completely as Pamela Anderson and Tommy Lee in one of the biggest scandals of the late ’90s! See the new Teaser for PAM & TOMMY!

Synopsis:

Set in the Wild West early days of the Internet, “Pam & Tommy” is based on the incredible true story of the Pamela Anderson (Lily James, “Yesterday”) and Tommy Lee (Sebastian Stan, “The Falcon & the Winter Soldier”) sex tape. Stolen from the couple’s home by a disgruntled contractor (Seth Rogen, “Long Shot”), the video went from underground bootleg-VHS curiosity to full-blown global sensation when it hit the Web in 1997. A love story, crime caper and cautionary tale rolled into one, the eight-part original limited series explores the intersection of privacy, technology and celebrity, tracing the origins of our current Reality TV Era to a stolen tape seen by millions but meant to have an audience of just two.

“Pam & Tommy” is executive produced by Seth Rogen, Evan Goldberg, James Weaver and Alex McAtee at Point Grey, and Megan Ellison, Sue Naegle and Ali Krug at Annapurna. The series is written by executive producers Rob Siegel and DV DeVincentis, and directed by executive producer Craig Gillespie. Dylan Sellers, Dave Franco, Chip Vucelich and Sarah Gubbins also serve as executive producers.

The drama series premieres with three episodes on February 2, 2022 on Disney+ under the Star banner. New episodes stream weekly.

(Photo/video credit: Disney)

By Mr. Will Wong

Taking place after the events of AVENGERS: ENDGAME, THE FALCON AND THE WINTER SOLDIER reunites Sam Wilson (Anthony Mackie) and Bucky Barnes (Sebastian Stan) over six episodes as the duo take on a ruthless anti-patriotism group, the Flag-Smashers. The new Series continues Marvel‘s foray into Television, hot off the success of WandaVision. These two Series are just the first of least ten in development right now for the Marvel Cinematic Universe, the MCU.

The Series in the vein of Buddy Cop Comedies like Rush Hour/Lethal Weapon and 48 Hours, pairs Sam and Bucky together as they cope with PTSD, exploring its emotional repercussion on these characters.

We were fortunate to join the Global Press Conference for THE FALCON AND THE WINTER SOLDIER today. Speaking today were:

Anthony Mackie – Sam Wilson
Sebastian Stan – Bucky Barnes
Kevin Feige – Producer
Malcolm Spellman – Writer/Producer
Kari Skogland – Director

Interesting Canadian connections, the Series stars Canada’s Emily VanCamp, reprising her role as Sharon Carter, and Director Skogland hails from Ottawa and has been behind the lens on acclaimed Series like The Handmaid’s Tale and The Loudest Voice.

Mackie and Stan are asked about getting an opportunity and more room to explore new sides to their characters on THE FALCON AND THE WINTER SOLDIER.

Mackie: “It’s always a surprise when the minds get together and the information trickles down to you. When I first read the Script, I was really happy and acknowledged the fact that Sam was from Louisiana, the best state in the union and New Orleans is the best city in the world. I had one request that if he was from Louisiana that he got to eat crawfish on camera. I don’t know who said ‘no’, but somebody said ‘no’. I don’t know if it was because they were out of season, but it was too much to eat crawfish.”.

“The idea of Sam Wilson, he’s always evolved in the world of Marvel Comic Books and now he’s evolved in the Marvel Cinematic Universe. Because if you remember when Sam Wilson first started out, he was a hustler from Harlem and as African-American culture evolved, Stan Lee evolved him in the Comic Book to different incarnations of himself. I’m excited for everyone to see the new and improved Sam Wilson.”.

Stan: “I always learn something about myself from this character. But ten years with this character, it’s impossible not to. You grow and you evolve with the character and I was pretty freaked out. Again, I felt like we had established the character a certain way and there were certain things I knew about him that I was comfortable with tonally in the movies and we had the contrast of going into this now and asking ‘What is he like now?’.”.

“Part of this was us really honing-in on his sense of humour so to speak, into the tone of the Series, particularly with is dynamic with Sam Wilson along with my own dynamic with Anthony – kinda just marrying the two. I think that was scary and exciting and Malcolm (Head Writer/Producer) really honed-in on that. I think we’re really finally zooming-in on his quest for identity in terms of really accepting his past and re-educating himself. The world that he’s in currently, the ideas and principles he might’ve lived by and been driven by at one point, no longer serve him the same way. He’s really an interesting trajectory when we start-out the Show and that’s always exciting for an Actor.”.

Mackie and Stan talk about their working dynamic together.

Mackie: “What I enjoy so much is that you can’t find two people further opposite from each other than Sebastian and I. But there’s a mutual respect, appreciation and understanding. We listen, learn and we teach each other. We’re friends and that’s a term I don’t think either of us would use lightly. I think because of that as Mr. T would say, ‘There’s no jibber-jabber‘. We allow ourselves to be our best selves and correct ourselves when we’re not our best selves. So you always look for that other person, that second hand. And I think that’s kind of our relationship. We allow ourselves to be ourselves.”.

Stan: “I think he said it best. I always believed you were always better because of the people you surround yourself with and I feel particularly in acting, the scenes and material, it’s always about the people that bring out things in you actually. I think in this particular situation it was important because I think about the tone and it was a fine line between making sure these characters were grounded real and deal with very serious issues. There’s sorta another piece to this about having fun, connecting and I always turn to Anthony for guidance in that and it works out.”.

The Series really focuses in on its characters in the aftermath of PTSD. Its stars elaborate on this.

Mackie: “To be able to go back and dive into his back story, his family and his surroundings only betters the character for the audience. We’re in a place now where we want the audience to know and learn these new characters especially since Kevin Feige killed Iron Man! (jokingly) We have to introduce these new characters to the audience and give them that relationship, that history that they’ve built over ten years. We have six episodes to play catch-up, post-Blip. It’s always great to learn more and give more from your character and have it not feel like heavy exposition and just like a good cinematic experience.”.

Stan: “The whole subject of PTSD and the experience they both share as soldiers and men who have served is one of the things that brings them together. There’s a bit of an honour code between and even though they come from different ideas and opinions of things, there’s a mutual respect. As everybody knows, PTSD isn’t something you’re just done with, it’s something that one has to continue to grow with to become better at dealing with. It’s a major part of our Show and grounds both of these characters in very realistic ways.”.

Producer Feige comments on the possibility of additional seasons to come.

Feige: “It’s one we get asked a lot more in Television because people expect it to be like things they’ve known before. We really did approach it like the Movies in that we better make this great or we won’t be able to make another one! If we were able to make another one, we’ve definitely got ideas. The slight difference is like in Wandavision, they will go back and forth between the Disney+ Series and Marvel Studios movies, so where characters show up and whether it be in Season Two or a Feature, we’re just not going to say who does what right this second.”.

At the end of Avengers: Endgame, we see Steve Rogers (Chris Evans) pass-on his shield to Falcon (Sam Wilson). Mackie is asked why it is so tough for his character to accept the shield.

Mackie: “Sam Wilson went on this Avengers journey over six movies with Steve Rogers (Captain America) because of his respect and admiration for Steve. He says in Captain America: The Winter Soldier, ‘When Captain America shows up at your door, you answer.'”.

“There’s still people out there who appreciate camaraderie and friendship. Sam is one of those people. He enjoys his friend. Just like everyone else, you don’t want to see Steve Rogers go away. Because just like Captain America was your captain, he was Sam Wilson‘s captain. That’s why at the end of Avengers: Endgame, he’s holding Steve‘s shield and says, ‘It feels like someone else’s, it feels like it’s yours’, because he was a fan just like everyone else.”.

“Sam Wilson is just a regular guy who won the lottery just because Black Widow knocked on his door and needed a place to hide. And he fell in love and was hoping to have a spinoff with Black Widow.“. (he jokes again)

The stars are asked about the difference between Stunt Work for TV and Film.

Stan: “It was pretty on-par with the films and actually even more evolved and intense. Definitely for Falcon it feels like the action really intensified, even for Bucky as well. We’re always finding new ways to have them evolve with their action sequences, but it’s totally the same as the movies.”.

Mackie: “The great thing about what we were able to do with this is that nothing was watered-down. The same stunt guys we work with on the films are the same guys who choreographed and did all of our stunts on the Show. Because of that, the stunts are really amazing. Kari (Director) had a great idea of taking weaponry away, so there’s a lot more hand-to-hand combat, it’s more assertive and more utilizing our strengths instead of something else. Because of that, the stunt guys had a field day. Some of the stuff you see is us, but we had amazing Stuntmen go in to kick ass for us.”.

THE FALCON AND THE WINTER SOLDIER is just one of many productions that was impacted by the Pandemic. Director Skogland explains how it worked out for the better even.

Skogland: “The story didn’t really change, though yes, we had to pivot reacting to everything that was happening in the world. What really was exciting was that once we were shut-down through COVID, we just didn’t skip a beat and went right into Post-Production. We were able to continue editing and sharpening the pencil. While the world was changing, we were really able to sharpen our focus. When we went back, we really knew what we were going for and shooting to finalize the Series.”.

This Series will contain many surprises and new characters. Mackie and Stan are asked which characters they are most excited for. Note, Stan fumbles a bit recalling the name of his favourite, which Mackie teases him about, only for Stan to snap-back and reveal that Mackie seen from waist-up only, isn’t even wearing pants.

Stan: “One character I think that sounds really, really cool is Oscar Isaac‘s Moon Knight. I heard that story and thought ‘That’s going to be amazing!’. That’s got my vote.”.

Mackie: “Okay, so you had to bring-up that I wasn’t wearing pants! I would have to say that She-Hulk is an interesting character. Kevin, I’d really like to spend some time in Blade world. I remember they were shooting Spider-Man 2 in Harlem on 25th Street and there was this restaurant where I was sitting outside having lunch with a friend, who was the manager of the restaurant. I was a huge Tobey Maguire fan and I saw Joy Bryant and she had one line and said “It’s Spider-Man!“. And I called my Agent and said, “Damn! I better have one line in one of these movies!”. So Kevin, I want to be the Joy Bryant of She-Hulk or Blade!”.

Head Writer and Producer Spellman is asked about the bigger message to take away from this Series.

Spellman: “I think what worked out really nicely was that where Endgame leaves-off, Thanos has really created a situation where the entire world is dealing with one single issue, which is very familiar to what’s going on today. Everything is born from that. The villains in the Series are responding to that. In fact, every villain in the Series would tell you he/she is a hero. The hero is always responding to that in their personal lives and a story plot is born from one single organic thing in this continuum from what happens after Endgame. That sorta galvanizes and affects everyone on the planet at the same time and creates a nice cohesion and direct lineage to the MCU.”.

THE FALCON AND THE WINTER SOLDIER arrives on Disney+ Friday, March 19, 2021.

(Photo/video credit: Marvel Entertainment)