#TIFF24: “RELAY” REVIEW

By David Baldwin

Ash (Oscar-winner Riz Ahmed) works as a mysterious middleman who brokers deals between would-be whistleblowers and their former companies. He uses new and dated technology – and makes extensive use of the telephone relay system – to keep his clients safe and out of harm’s way. His newest client, Sarah Grant (Lily James), is being harassed by thugs hired by her former company to intimidate her. Ash is hesitant to help but relents when he realizes the henchmen are not letting up.

RELAY has an interesting hook, and feels very much indebted to the paranoid thrillers of the 1970’s and even the work of Alfred Hitchcock. Some of the Film’s twists feel a little forced and bizarre, yet Director David Mackenzie (whose previous credits include Hell or High Water and TIFF ’18 Opening Nighter Outlaw King) has a knack for keeping you on the edge of your seat throughout anyway. He makes great use of the foreground and background, dropping in small details that even the most obsessive viewer may not catch.

James does well as the damsel in distress, but this show belongs to Ahmed. He spends much of the Film silent and determined, always staying (or at least trying to stay) ahead of the thugs. While some of the exposition unlocking his character’s past could have been a little cleaner, the sheer rizz Ahmed exudes keeps the Film from totally grinding to a screeching halt and makes some of the ludicrous swings more digestible. His chemistry with James is wonderful but his chemistry with a computer screen is simply divine.

RELAY screens at TIFF ’24:

Sunday, September 8 at 3:00PM at VISA Screening Room at the Princess of Wales Theatre

Monday, September 9 at 3:00PM at Scotiabank Theatre Toronto