TOHO and GKIDS, the Academy Award®-winning curator, producer, and distributor that was acquired by TOHO in 2024, alongside Canadian distributor Cineplex Pictures, today released a new teaser and poster visual for GODZILLA MINUS ZERO. The new teaser offers a glimpse of familiar faces while debuting an all-new character, and the poster visual offers a fresh look at the King of the Monsters. In theatres November 6, 2026.

GODZILLA MINUS ZERO picks up in 1949, two years after the tumultuous events of Godzilla Minus One, and continues the story of the Shikishima family as they face an all-new calamity. As previously announced, Ryunosuke Kamiki returns as Koichi Shikishima, the hero who stood against Godzilla’s terror in Godzilla Minus One, and is joined by Minami Hamabe as Noriko Shikishima, who miraculously survived Godzilla’s first attack on Tokyo.

Revealed to be joining the film cast is legendary actor Min Tanaka, celebrated for his unforgettable performance in the 2025 blockbuster Japanese film Kokuho. In GODZILLA MINUS ZERO, Tanaka will take on the pivotal role of Kanji Murakami, a biologist carrying deep psychological scars from the war.

In addition, the full listing of the returning cast from Godzilla Minus One has been unveiled. Hidetaka Yoshioka reprises his role as Kenji Noda, who fought alongside protagonist Koichi Shikishima in Godzilla Minus One and now battles the new threat as the director of the Disaster Response Bureau. Yuki Yamada returns as Shiro Mizushima, the young crew member of the Shinseimaru who fought on the front lines, alongside Kuranosuke Sasaki as Seiji Akitsu, the captain of the same vessel. Furthermore, Sakura Ando reprises her role as Sumiko Ota, Shikishima’s neighbour who now runs a local orphanage, and Mio Tanaka returns as Tatsuo Hotta, the former captain of the destroyer Yukikaze.

Having survived the previous deadly struggle alongside Shikishima, these beloved characters stand ready to face Godzilla once again.

GODZILLA MINUS ZERO is the highly anticipated new film from Director Takashi Yamazaki, following his critically-acclaimed Godzilla Minus One. That landmark film is the highest recorded grossing Japan-produced Godzilla film, earning more than $116 million worldwide and winning

Best Visual Effects at the 96th Academy AwardsⓇ, becoming the first Asian film to take home the award. TOHO will release GODZILLA MINUS ZERO theatrically in Japan on Tuesday, November 3, with GKIDS set to launch a wide theatrical release across North America beginning Friday, November 6, 2026, and as previously announced, Cineplex Pictures will support GKIDS with the Canadian rollout. TOHO also announced today that GODZILLA MINUS ZERO will launch internationally that same week across Latin America, Europe, Asia, Middle East, Australia, and New Zealand. Exact release dates for individual territories will be announced separately.

The Japanese release date of November 3 holds a special significance in Godzilla’s storied legacy, marking the date of the original theatrical release of Godzilla in 1954. Now, 72 years after the birth of the iconic creature, and three years after the global success of Godzilla Minus One (released in Japan November 3, 2023), GODZILLA MINUS ZERO is set to continue the monster’s undeniable legacy, making its debut on Japan’s Godzilla Day 2026.

Shot entirely in Japan as the first-ever Japanese production to be Filmed For IMAX, GODZILLA MINUS ZERO was shot with high-definition digital cameras certified by IMAX, and optimized in sound and imagery unique to IMAX screens. The globally beloved monster returns to movie theatre screens reaching greater and more terrifying heights, making GODZILLA MINUS ZERO a true cinematic event not to be missed.

GODZILLA MINUS ZERO marks GKIDS’ second stewardship of a Godzilla franchise film from TOHO for North American release, following TOHO’s acquisition of GKIDS in 2024. Last year, GKIDS spearheaded a new 4K remaster and theatrical re-release of TOHO’s globally acclaimed Shin Godzilla, directed by Hideaki Anno and co-directed by Shinji Higuchi–creators of the cult-classic anime Neon Genesis Evangelion–introducing the landmark 2016 film to a new generation of audiences outside of Japan. Notably, Shin Godzilla held the record as the highest-grossing Japan-produced entry in the franchise for seven years, earning $78 million worldwide until it was surpassed by Godzilla Minus One in 2023.

GODZILLA MINUS ZERO SYNOPSIS:

War reduced Japan to zero, and Godzilla plunged it into minus. Two years have passed since then, and the country has faced agonizing struggles to achieve recovery and finally reclaim its daily life.

Just as humanity managed to cling to a hard-won peace, a new threat strikes, crushing hope in an instant.

There is no third time. Everything ends here.

GODZILLA MINUS ZERO sees Oscar-winning filmmaker Takashi Yamazaki return as Director, Screenwriter and VFX lead. The film is produced by Toho Studios and ROBOT, with VFX from SHIROGUMI Inc., the film is currently in production.

About GKIDS
GKIDS is the Academy Award®-winning curator, producer, and distributor of artist-driven, globally inspired cinema dedicated to connecting North American audiences with distinctive stories from around the world. Widely celebrated for its leadership in the “animation is film” movement, the studio has played a pivotal role in shaping the landscape for feature animation in the U.S. and internationally for nearly two decades. GKIDS represents the work of many of the world’s most acclaimed animation filmmakers, including Makoto Shinkai (Your Name., Weathering With You), Satoshi Kon (Perfect Blue, Millennium Actress), Tomm Moore (Song of the Sea, Wolfwalkers), Mamoru Hosoda (Mirai, Wolf Children), and serves as the North American home of Japan’s legendary Studio Ghibli.

Upcoming theatrical releases include the highly anticipated Godzilla Minus Zero, the follow up to director Takashi Yamazaki’s Academy Award®-winning Godzilla Minus One; and Shaun the Sheep: The Beast of Mossy Bottom, the latest Aardman feature in the beloved Oscar®-nominated film series. In addition to the Oscar®-nominated films Kokuho and Little Amélie and the Character of Rain, recent theatrical releases are the box office hit Jujutsu Kaisen: Execution, Mamoru Oshii’s cult classic Angel’s Egg, and the critically acclaimed All You Need Is Kill, alongside groundbreaking television series such as Dan Da Dan, Neon Genesis Evangelion, and Arcane: League of Legends. @GKIDSFilms

About TOHO Co., Ltd.
TOHO Co., Ltd. is a leading Japanese entertainment company founded in 1932. Its four main business pillars are the cinema business, which includes production, distribution and exhibition; the theatrical business, which includes production and exhibition; the anime business, which has been expanding globally in recent years; and the real estate business, which focuses on development in urban areas.

TOHO’s acclaimed works include theatrical films such as the “Godzilla” series and “Seven Samurai” directed by Akira Kurosawa, and TV anime series such as “My Hero Academia” and “Jujutsu Kaisen”. These anime series are produced and distributed through the TOHO animation label, and are delivered to a wide range of audiences around the world.

About Cineplex Pictures
Cineplex Pictures, a division of Cineplex, is a Canadian film distributor specializing in theatrical releases across various genres. Past releases include Michael, The Housemaid, Now You See Me: Now You Don’t, The Hunger Games: The Ballad of Songbirds & Snakes, The Queen of My Dreams, John Wick: Chapter 4, and The Boy and the Heron, with upcoming titles such as, Godzilla Minus Zero and The Hunger Games: Sunrise on the Reaping among others.

It’s grand slam for CHALLENGERS! Luca Guadagnino‘s latest starring Josh O’Connor, Mike Faist and Zendaya debuts in the top spot with $15 million from 3,477 theatres for Amazon Studios/Warner Bros. The Tennis Drama-Thriller-Romance gets 88% on the Tomatometer.

Second goes to UNSUNG HERO with $8 million for Lionsgate/Kingdom Story from 2,832 theatres. It gets 56% on the Tomatometer.

GODZILLA X KONG is third with $7 million from 3,312 theatres also for Warner Bros., a five week tally of $181.5 million.

Fourth is CIVIL WAR with $6.2 million from 3,518 theatres, bringing its run to $55.3 million in weekend three for A24/Elevation Pictures.

Rounding things off is ABIGAIL with $4.5 million for Universal Pictures, a total $18 million in its second weekend.

Warner Bros. Pictures Canada x Mr. Will are thrilled to give Readers a chance to win passes to an Advance Screening of  GODZILLA X KONG: THE NEW EMPIRE on Wednesday, March 27, 2024 in Toronto, Montreal and Vancouver!

SYNOPSIS:

The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of “Godzilla vs. Kong” with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence—and our own. “Godzilla x Kong: The New Empire” delves further into the histories of these Titans and their origins, as well as the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.

Once again at the helm is director Adam Wingard. The film stars Rebecca Hall (“Godzilla vs. Kong,” The Night House”), Brian Tyree Henry (“Godzilla vs. Kong,” “Bullet Train”), Dan Stevens (“Gaslit,” “Legion,” “Beauty and the Beast”), Kaylee Hottle (“Godzilla vs. Kong”), Alex Ferns (“The Batman,” “Wrath of Man,” “Chernobyl”) and Fala Chen (“Irma Vep,” “Shang Chi and the Legend of the Ten Rings”).

The screenplay is by Terry Rossio (“Godzilla vs. Kong” the “Pirates of the Caribbean” series) and Simon Barrett (“You’re Next”) and Jeremy Slater (“Moon Knight”), from a story by Rossio & Wingard & Barrett, based on the character “Godzilla” owned and created by TOHO Co., Ltd.. The film is produced by Mary Parent, Alex Garcia, Eric Mcleod, Thomas Tull, Jon Jashni and Brian Rogers. The executive producers are Wingard, Jen Conroy, Jay Ashenfelter, Yoshimitsu Banno, Kenji Okuhira.

Once again, Wingard is collaborating with director of photography Ben Seresin (“Godzilla vs. Kong,” “World War Z”), production designer Tom Hammock (“Godzilla vs. Kong,” “X,” “The Guest”), editor Josh Schaeffer (“Godzilla vs. Kong,” “Molly’s Game”), costume designer Emily Seresin (“The Invisible Man,” “Top of the Lake”). The composers are Tom Holkenborg (“Godzilla vs. Kong,” “Mad Max: Fury Road”) and Antonio Di Iorio (additional music on “Godzilla vs. Kong,” the “Sonic the Hedgehog” films).

Warner Bros. Pictures and Legendary Pictures Present a Legendary Pictures Production, A Film By Adam Wingard, “Godzilla x Kong: The New Empire.” It is slated for release nationwide only in theatres and IMAX on March 29, 2024, distributed by Warner Bros. Pictures except in Japan, where the film will be distributed by Toho Co., Ltd and in mainland China, where it will be distributed by Legendary East.

To enter for a chance to win, click “like” on this Post at MR. WILL ON FACEBOOK and indicate in the comments there your City please! You can share this post from our “X” account for an extra chance or post on IG stories tagging @mrwillwong as well!

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(Photo/video credit: Warner Bros. Pictures Canada)

It’s all WONKA, driving Moviegoers to the Box Office this weekend with $35 million from 4,203 theatres. This latest take on the famtastical Chocolatier with star Timothée Chalamet doing promoting around the world including a stop in Toronto this week, gets 85% on the Tomatometer.

THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES is a distant second with $6 million from 3,291 theatres for Lionsgate/Cineplex Pictures taking it to $145 million domestically.

THE BOY AND THE HERON is third with $4.5 million, taking it to $22.3 million in its second weekend for GKIDS and Cineplex Pictures.

Fourth goes to GODZILLA MINUS ONE with $4.4 million from 2,622 theatres for Toho, a total $33.7 million grossed in North America. This is a huge feat for Japanese Cinema, boasting two films in the Top Five this weekend.

TROLLS BAND TOGETHER rounds the Top Five out with $4 million, taking it to $88 million for Universal Pictures.

TIFF ’23 opening night selection THE BOY AND THE HERON leads a slow weekend at the Box Office with $10.7 million from 2,100 theatres for GKIDS and Cineplex Pictures. The latest from Anime legend Hayao Miyazaki gets 95% on the Tomatometer.

Second is THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES is second with $8.7 million, a total $134.9 million for Lionsgate and Cineplex Pictures.

Landing in third is GODZILLA MINUS ONE with $6.4 million, a total of $23.4 million over two weekends for Toho International.

TROLLS BAND TOGETHER takes fourth with $6 million, a total $82 million for Universal Pictures domestically.

Rounding it all out is RENAISSANCE: A FILM BY BEYONCÉ, last week’s champ, coming in with $5.2 million for AMC/Cineplex Pictures.

The Beyhive rule the Box Office this weekend with RENAISSANCE: A FILM BY BEYONCÉ taking top spot in its debut for AMC/Cineplex Pictures with $25 million from 2,539 theatres. The Concert Film gets 100% on the Tomatometer.

In second is THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES with $14.8 million for Lionsgate/Cineplex Pictures, a total gross of $121.5 million in its third weekend.

Japanese Action-Adventure GODZILLA MINUS ONE debuts in third with $10 million for Toho International from 2,308 theatres, garnering an impressive 97% on the Tomatometer.

Fourth goes to Disney‘s WISH with $7.6 million from 3,900 theatres, a two week total of $42.1 million.

Rounding things out is NAPOLEON with $7.4 million for Apple Original Films/Sony Pictures, a total $46 million.

THE SECRET LIFE OF PETS 2 prevails at the Box Office, opening on-top with $46.2 million from 4,561 theatres for Universal Pictures. It gets 54% on the Tomatometer and an A- CinemaScore. While impressive, this feat still is unable to top its 2016 Predecessor’s $104 million bow.

In second is DARK PHOENIX with $33.9 million from 3,721 theatres in in its debut for 20th Century Fox. It gets 22% on the Tomatometer and B- CinemaScore. The Film has the lowest grossing opening to date for the X-Men Franchise.

ALADDIN still is going strong in third this weekend with $24.6 million, a three week tally of $210 million in North America.

GODZILLA: KING OF THE MONSTERS slips to fourth this weekend with $14.4 million, a total $77.4 million over two weeks domestically for Warner Bros.

BOOKSMART rounds-out the Top Ten with $1.6 million from 1,134 theatres for eOne Films/United Artists Releasing. It has made $17.8 million over three weeks.

GODZILLA: KING OF THE MONSTERS destroys the competition in a big opening this weekend. The Warner Bros. release debuts at top spot with $51 million from 4,303 theatres. While getting 40% on the Tomatometer only, audiences gave it a B+ CinemaScore. Franchise best still belongs to 2014’s GODZILLA with $93 million.

ALADDIN slips to second spot this weekend with $43.6 million, which would be good enough to be #1 again most other weekends. It’s two week gross for Disney is $186.3 million domestically.

ROCKETMAN bows in third with $23.8 million for Paramount Pictures from 3,610 theatres across North America. Reviews are outstanding with a 90% on the Tomatometer and a strong A- CinemaScore.

MA lands in fourth in its debut for Universal Pictures, earning $18 million from 2,808 theatres. Reviews aren’t too bad, garnering 60% on the Tomatometer and a B- CinemaScore.

BOOKSMART is in eighth in week two of release, with $3.7 million and a $14.7 million total for United Artists Releasing/eOne Films.

THE HUSTLE rounds-out the Top Ten with $1.3 million, a three week tally of $33.1 million for Universal Pictures.

GODZILLA fans, check this out!

From May 31 – June 2, 2019, you’ll have a chance to check out a world exclusive, a 3D art installation by Kurt Wenner, giving the public a chance to interact with a 3D painting, enabling them to be a part of an intense moment with Godzilla! Insta-ready! The painting is 15 x 15 and incredibly eye-popping we hear. Best of all, it’s free!

Details:

WHEN: Friday May 31st – Sunday June 2nd

WHERE: Toronto Eaton Centre — Level 2 (centre of the mall)
220 Yonge Street, Toronto, ON, M5B 2H1

TIMES:
Public is welcome Friday, May 31, 2019 from 10:30AM – 9:30PM;
Saturday, June 1 from 9:30AM – 9:30PM; and
Sunday, June 2, from 10:00AM – 7:00PM

See the Trailer!

Don’t forget to check it out. GODZILLA: KING OF THE MONSTERS is in theatres this weekend!

(Photo/video credit: Warner Bros. Canada)

The Fault in our Stars certainly is to blamed for Moviegoers going teary-eyed this weekend. The Adaptation of the popular Novel by John Green opens to astoundingly positive response, earning a whopping $48.2 million from 3,171 theatres in its debut for 20th Century Fox.  This shows that Audiences don’t necessarily need huge Blockbusters to go to the Movies in the Summer – just strong stories. Just two weeks back the Studio performed phenomenally with X-Men: Days of Future Past.  Starring Box Office Princess Shailene Woodley and Newcomer Ansel Elgort, the Film earned an A CinemaScore and an on-par 82% from Critics on the Tomatometer.

Disney‘s Maleficent in its second week out performs strongly with $33.5 million from 3,948 theatres. It already is nearing the $130 mark domestically.

Edge of Tomorrow opens solid in third with a respectable $30 million from 3,490 theatres for Warner Bros. The Action-Fantasy starring Tom Cruise saw the Megastar travel multiple continents on a whirlwind Press tour in support of the Film which has received strong reviews from Critics (89% on the Tomatometer) and Audiences (B+ CinemaScore).

X-Men: Days of Future Past slips to fourth spot with $14.7 million in its third week out, edging closer to the $200 million mark in North America.

Godzilla finds itself in sixth spot in its fourth week out for Warner Bros., earning $5.9 million this weekend. It has grossed $185 million in its run.

Chef expands to 1,298 theatres for VVS Films/Open Road Films, just getting a Canadian release this weekend. It made $2.5 million this weekend, surpassing $31 million in North America.

Million Dollar Arm rounds-out the Top Ten with $1.5 million for Disney in its fifth week out.