It’s a new July opening record for Disney’s The Lion King, which opens on a high note to the tune of $185 million from 4,725 theatres across North America. The previous record was held by 2011’s Harry Potter and the Deathly Hallows Part 2 with $169.1 million. This incarnation of The Lion King fares well with Audiences, getting an A CinemaScore, but less well with Critics with 55% on the Tomatometer.
SPIDER-MAN: FAR FROM HOME has no choice but to acquiesce in second with $22 million this weekend for Sony Pictures, in its third week. It has grossed $320.5 million thus far in these parts.
Former champ TOY STORY 4 lands in third with $$12.6 million for Disney in its fifth week, totaling $375 million in North America.
CRAWL is in fourth with $6.4 million from 3,170 theatres for Paramount Pictures, week two, a total $23.5 million
MIDSOMMAR is in ninth week three with $1.9 million for A24/Elevation Pictures, a three-week tally of $22.4 million.
THE SECRET LIFE OF PETS rounds-out the Top Ten with $1.6 million for Universal Pictures, a domestic total of $151.4 million over seven weeks.
SPIDER-MAN: FAR FROM HOME takes the top of the Box Office a second straight week with $44.5 million from 4,634 theatres across North America. This takes its tally to $273.7 million for Sony Pictures.
TOY STORY 4 takes the second spot with $20.6 million in its third week out for Disney. Over four weeks it has grossed $346.3 million domestically.
CRAWL is in third with $10.6 million for Paramount Pictures in its debut at 3,170 theatres. It gets 88% on the Tomatometer despite not being previewed for Canadian media and Audiences gave it a B CinemaScore.
STUBER opens in fourth with $8 million from 3,050 theatres for 20th Century Fox. The Comedy starring David Bautista and Kumail Nanjiani, gets 47% on the Tomatometer and a B CinemaScore.
MIDSOMMAR lands in eighth spot with $3.5 million for A24/Elevation Pictures, a two week total of $18.4 million.
MEN IN BLACK: INTERNATIONAL rounds-out the Top Ten with $2 million for Sony Pictures, a five-week total of $76.3 million.
It’s a huge opening for SPIDER-MAN: FAR FROM HOME, taking-in $87 million for Sony Pictures from 4,634 theatres in North America. The Film gets 92% on the Tomatometer, tallying $178 million since its Tuesday 4th of July Holiday opening. Best opening for the Franchise in this era starring Tom Holland, still goes to 2017’s SPIDER-MAN HOMECOMING with $117 million.
TOY STORY 4 is going strong still in second with $33 million this weekend from 4,540 theatres for Disney, a total $305 million grossed over two weeks.
Third spot goes to YESTERDAY with $10.1 million for Universal Pictures.The Beatles-themed Musical has grossed $36.2 million over two weeks.
ALADDIN lands in fifth with $8.2 million, a total $321 million for Disney in seven weeks domestically.
MIDSOMMAR is in sixth with $6.2 million for A24 Pictures/Elevation Pictures, a total $10.4 million since its Wednesday opening. It gets 82% on the Tomatometer and C+ CinemaScore.
ROCKETMAN rounds things out in tenth with $2.2 million for Paramount Pictures.
Nominations for the 91st annual Academy Awards were announced this morning and the race still very much is wide-open without a clean-cut choice for Best Picture… and no host set for ceremony itself.
Tying at ten nods apiece are Alfonso Cuarón‘s ROMA and Yorgos Lanthimos’ THE FAVOURITE. Best Picture nominees include:
Best Picture Black Panther BlacKkKlansman Bohemian Rhapsody The Favourite Green Book Roma A Star Is Born Vice
Continuing on its Golden Globes success, we see Bohemian Rhapsody continue to be a major force into the Oscars with Rami Malek up for the highly-competitive Best Actor alongside Bradley Cooper, Viggo Mortensen, Willem Dafoe and Christian Bale.
The Best Actress category also is hotly-contested with screen veteran Glenn Close up against Lady Gaga, Melissa McCarthy, Olivia Colman and aboriginal Mexican Actress Yalitza Aparicio, who stars in ROMA.
Marina de Tavira who also stars in ROMA, pops-up as a bit of a surprise candidate for Best Supporting Actress. The category also includes favourite Regina King, Amy Adams, plus The Favourite Co-Stars and previous Oscar winners, Emma Stone and Rachel Weisz.
Best Supporting Actor sees Mahershala Ali in contention with Adam Driver, Richard E. Grant, Sam Rockwell after a snub at the Golden Globes,Sam Elliott for A STAR IS BORN.
Many are shocked that after a presence in the Directing category most of Awards Season, that Bradley Cooper was omitted in the Oscars race for his directorial debut in A STAR IS BORN. Up for Best Directing are Spike Lee, Adam McKay, Pawel Pawlikowski, Yorgos Lanthimos and favourite Alfonso Cuarón.
Another noticeable omission is Morgan Neville’s Mr. Rogers Documentary WON’T YOU BE MY NEIGHBOR? which has been present through much of the season. Nominated for Best Documentary are Free Solo, Hale County, This Morning, This Evening, Minding the Gap, Of Fathers and Sons and RBG.
The Animated Feature category sees Spider-Man: Into the Spider-Verse pitted against Incredibles 2, Isle of Dogs, Mirai and Ralph Breaks the Internet.
Toronto’s Domee Shi is up for Animated Short with Disney•Pixar’s BAO.
It’s hard to believe another year’s passed by! 2018 certainly was a stand-out year for Cinema and Team Mr. Will true to tradition, share with you their best of 2018. If you haven’t seen some of these, it’s time to start adding to your Must-See Lists this winter!
AMANDA GILMORE (@gilmoreamanda)
It was such a great year for Film that it’s near impossible for me to choose the Top Ten. I could have easily made a Top 30 list (if it was allowed). However, I managed to squeeze in ten films, which are in alphabetical order rather than being ranked. I’ve included films from a range of genres and narratives that I’ve thought about since my first viewing.
A Star Is Born
A Quiet Place
Can You Ever Forgive Me?
Mission Impossible: Fallout
Spider-Man: Into The Spider-verse
Ready Player One
Fantastic Beasts: The Crimes of Grindelwald
A Quiet Place
Solo: A Star Wars Story
Spider-Man: Into the Spider-Verse
Legend of the Demon Cat
Mary Poppins Returns
As usual, my list consists of movies I saw on the Silver Screen within the calendar year. They’re organized according to release date, and are thus relieved of any hierarchy. Annihilation is the dark Sci-Fi wizardry I live for; Ready Player One is my kind of Spielberg cinema; and A Quiet Place is my top scare of 2018. Solo gave me more Star Wars; Demon Cat made this year’s TIFF magical; and First Man is the brand of brooding Drama I adore. Fantastic Beasts 2 is dope AF; Green Book is a beautiful performance piece; and Spider-Man is the Comic Movie I’ve been waiting forever for. To wrap it all up… Mary Poppins Returns! She has, and it warms my heart.
DAVID BALDWIN (@DaveMABaldwin)
2018 was an incredible year for Cinema. Full stop. If anyone tells you otherwise, they did not see enough movies. Every genre fired on all cylinders, and the mid-budget and independent scenes were filled with positively exquisite Filmmaking that will go down as some of the best of the decade. And even better than that, 2018 proved the power and importance of diversity and gender in Cinema. The number of movies I genuinely liked and loved that missed my Top Ten can attest to how outstanding a year this was. But I can say with confidence that the list of films below shook me right through to my bones whether through fear, laughter, wonder, charm, thrills, or genuine emotion. And yes, I know I cheated with including a tie — but it would be a disservice to not include all of these titles on my list.
Won’t You Be My Neighbor?
Mission: Impossible – Fallout
The Hate U Give
[tie] Can You Ever Forgive Me? / Spider-Man: Into the Spider-Verse
GEORGE KOZERA (@PartyG)
I saw 164 movies this year. It took a long time to whittle the list down to 26 movies that I considered to be the best of 2018. This was a year that brought fantastic highs that had me gasping with wonder and admiration or so bad that they had me rolling my eyes in disbelief! Whether it was one of the most original Horror movies in a long time (A Quiet Place) or a Superhero, Comic Book movie so innovative and supremely well-acted that it validated a genre many were hoping would just go away (Black Panther). It was a banner year for documentary features, musicals and an LGBTQ movie was released for the first time ever by a major Hollywood studio (Love, Simon). Dramas were rampant with stories that touched one’s soul, though there was a lack of Comedies that were consistently funny throughout (with the exception of “Game Night”). All that said, I submit my pick for the best film of the year and the next nine movies (in alphabetical order) that moved, enthralled and will stay with me for years to come.
If Beale Street Could Talk
Lean on Pete
Leave No Trace
Mary Poppins Returns
Three Identical Strangers
JUSTIN WALDMAN (@DubsReviews)
It is time for the annual Top Ten movies I saw that I absolutely adored and loved this year. Some are best of the year, while others are the movies I had the most fun watching this year. There have been some truly incredible movies this year, and dare I say the ‘blockbusters’ for the most part have been fine, nothing really spectacular outside of a few gems. If you haven’t seen something on this list, go out and see it. Most of these movies will appeal to the masses, enjoy yourselves. Here’s to a 2019 with some hot titles coming out over the next few weeks, Glass anyone, and next few months, US am I right? 2019 is sure to be a stellar year
Anna and the Apocalypse
A Quiet Place
Sorry to Bother You
Spider-Man: Into the Spider-verse
AQUAMAN continues to splash a second week at the Box Office, taking $52.1 million for Warner Bros. from 4,125 theatres. Over two weeks it has made $189.3 million domestically.
In second is MARY POPPINS RETURNS with $32 million from 4,090 theatres for Disney, a two-week tally of $102.9 million gross in North America.
BUMBLEBEE lands in third with $20.6 million for Paramount Pictures from 3,550 theatres, a two-week total of $66.9 million in these parts.
SPIDER-MAN: INTO THE SPIDER-VERSE (which like Bumblebee stars Hailee Steinfeld also), is in fourth with $19.3 million from 3,813 theatres for Sony Pictures. $104.6 million is its total in its second week of release.
VICE is in sixth with $8.2 million from 2,442 theatres for Annapurna Pictures/eOne Films. Since its Christmas Day release, it has made $18.1 million. It gets 64% on the Tomatometer and a C+ CinemaScore.
HOLMES & WATSON opens in seventh with $7.6 million from 2,776 theatres for Sony Pictures. It gets 9% on the Tomatometer and a D+ CinemaScore.
THE GRINCH rounds things out in the Top Ten with $4.9 million for Universal Pictures, a healthy total $266.2 million over eight weeks.
AQUAMAN makes a huge splash this pre-Christmas weekend at the Box Office. It opens with $70 million from 4,125 theatres for Warner Bros. It passes with a 63% on the Tomatometer and gets also an A- CinemaScore which should give it some fins to swim with through the Holiday Season.
BUMBLEBEE, the latest in the Transformers Franchise debuts in second spot with stellar reviews at $22.7 million from 3,550 theatres for Paramount Pictures. It gets 94% on the Tomatometer – shocking – and an A- CinemaScore from Audiences.
In third is MARY POPPINS RETURNS with $21.7 million from 4,090 theatres for Disney. The Sequel, some 50+ years in-the-making, gets 77% on the Tomatometer and an A- CinemaScore.
SPIDER-MAN: INTO THE SPIDER-VERSE gets $18 million in its second week out for Sony Pictures, a tally of $66.1 million domestically. This lands it in fourth spot.
SECOND ACT starring Jennifer Lopez, debuts in seventh with $7.1 million for STXEntertainment/Elevation Pictures. It gets 42% on the Tomatometer and a B+ CinemaScore.
WELCOME TO MARWEN opens in ninth with $2.6 million for Universal Pictures. It gets 25% on the Tomatometer and a B- CinemaScore.
Rounding things out is MARY, QUEEN OF SCOTS with $2.5 million for Universal Pictures/Focus Features with $2.5 million, a total $3.8 million in three weeks of limited release. It gets 61% on the Tomatometer.
SPIDERMAN: INTO THE SPIDER-VERSE has has Moviegoers ‘into’ it at the pre-Holiday Office this weekend with $36 million from 3,813 theatres for Sony Pictures. The Animated Feature including the voices of Chris Pine, Jake Johnson and Hailee Steinfeld, comes with great acclaim, earning 97% on the Tomatometer and a rare A+ CinemaScore. Nothing still beats the Franchise’s best opening in 2007 with Spider-Man 3.
Clint Eastwood‘s latest, THE MULE, opens in second spot with $17.8 million from 2,588 theatres for Warner Bros. The Drama passes with 64% on the Tomatometer and an A- CinemaScore.
In third is THE GRINCH with $12.5 million for Universal Pictures. Its six-week total takes it to $240 million domestically.
MORTAL ENGINES, brought to us by the same people behind Lord of the Rings, opens in fifth for Universal Pictures with $7.5 million from 3,103 theatres. It gets 26% on the Tomatometer and a B- CinemaScore.
ONCE UPON A DEADPOOL, a PG-13 Re-Cut of DEADPOOL 2 with new Holiday-themed scenes, rounds-out the Top Ten with $2.6 million from 1,566 theatres for 20th Century Fox. It gets 52% on the Tomatometer.