#TIFF: 2026 DISCOVERY PROGRAMME

TIFF announced today the 2026 Discovery programme presented by Air France, showcasing a selection of emerging global filmmakers. Offering audiences a front-row seat to the future of cinema, this year’s lineup highlights films that pair bold creative risks with fresh perspectives. Continuing the tradition of opening the programme with an audacious genre-bender, following the breakout success of John Early’s TIFF ’25 comedy Maddie’s Secret, is the World Premiere of Stuffed. Directed and co-written by the UK’s Theo Rhys (and expanded from his 2021 short of the same name), this gloriously twisted musical stars Jodie Comer and Harry Melling in the year’s most original, hilarious, and unexpectedly heartfelt romance, where love, death, and taxidermy collide.

Additional highlights from the 2026 Discovery Official Selections are the World Premieres of David Turpin’s Ancestors, a dreamlike 1980s London-set seance exploring the legacy of the AIDS crisis; Drifter, an underdog story marking the directorial debut of Fast & Furious star Sung Kang; Ghasideh Golmakani’s Head to Head, an absurd Iranian satire on state control; Krux, writer-director Ulrike Tony Vahl’s feature length debut, a powerful and stark portrait of moral collapse, societal panic, and the consequences of being on the wrong side of history; Alexandra Pechman’s Magazine, where a young intern gets thrown into the intoxicating power dynamics of a prestigious literary magazine in New York 2011; and Tom Nicoll’s Salvation, a razor-sharp commentary on the seductive promise of online self-improvement culture. Plus, the International Premiere of Voices, a striking Motown-infused 1960s period musical from first-time filmmaker and former NFL player Deantè Gray.

Recognized for identifying the early works of generation-defining visionaries, Discovery has showcased foundational titles including Ildikó Enyedi’s My 20th Century (TIFF ’89), Alfonso Cuarón’s Love in the Time of Hysteria (TIFF ’91), Christopher Nolan’s Following (TIFF ’98), and Lav Diaz’s The Criminal of Barrio Concepcion (TIFF ’98). Recent editions have continued to champion next-gen voices, hosting the World Premieres of Dea Kulumbegashvili’s Beginning (TIFF ’20), Elegance Bratton’s The Inspection (TIFF ’22), and Durga Chew-Bose’s Bonjour Tristesse (TIFF ’24).

The 2026 Discovery Official Selection has been programmed by Jason Anderson, Kelly Boutsalis, Diana Cadavid, Robyn Citizen, Claire Diao, Giovanna Fulvi, June Kim, Peter Kuplowsky, Dorota Lech, and Jason Ryle.

2026 Discovery programme (in alphabetical order)

A Common Story | Anna Foglietta | Italy

International Premiere

Ancestors | David Turpin | Ireland, United Kingdom

World Premiere

Arne Goes to Space | Lars Vega | Sweden

World Premiere

Bedford Park | Stephanie Ahn | USA

International Premiere

Drifter | Sung Kang | USA

World Premiere

Head to Head | Ghasideh Golmakani | Iran, Germany

World Premiere

I Am Mario | Sharon Kleinberg | Mexico

International Premiere

In Waves | Phuong Mai Nguyen | France, Belgium

International Premiere

Krux | Tony Vahl | Germany, Poland

World Premiere

Magazine | Alexandra Pechman | USA

World Premiere

Memories of a Forest | Katharina Rabl | Germany, Austria

International Premiere

Nosotros | Joaquín Ruano | Guatemala, Mexico

World Premiere

Purgatory | Lindsay Lanzillotta | Canada, USA

World Premiere

Salvation | Tom Nicoll | United Kingdom

World Premiere

Seventeen | Justin Ducharme | Canada

World Premiere

Sisters | Ione Hernández | Spain

World Premiere

Strong Son | Ian Bawa | Canada

World Premiere

Stuffed | Theo Rhys | United Kingdom

World Premiere

Discovery opening film

The Daughters of Abraham | Hanaël El Yousfi | France

International Premiere

The Fortunate Isles | Helena Girón, Samuel Delgado | Spain, Greece

World Premiere

Voices | Deantè Gray | USA

International Premiere

We Are Born Good | Leung Chuen Yeung | Hong Kong

World Premiere

What Lies Between Us | Amalie Næsby Fick | Denmark

World Premiere

Zjili: A Story of Sisterhood and The Burdens of Excess | Christine Boateng, Hajara Musah Chambas | Ghana

World Premiere

The 51st edition of the Toronto International Film Festival, presented by Rogers, runs September 10–20, 2026.

#FIRSTLOOK: NEW TRAILER FOR “THE DEATH OF ROBIN HOOD”

Elevation Pictures release THE DEATH OF ROBIN HOOD starring Hugh Jackman, Jodie Comer, and Bill Skarsgård,. Coming soon. Today we get a new Trailer!

Grappling with his past after a life of crime and murder, Robin Hood finds himself gravely injured after a battle he thought would be his last. In the hands of a mysterious woman, he is offered a chance at salvation.

Directed by: Michael Sarnoski
Starring: Hugh Jackman, Jodie Comer, Bill Skarsgård,
Murray Bartlett, Noah Jupe

#FIRSTLOOK: NEW POSTER FOR “THE BIKERIDERS”

Focus Features and Universal Pictures Canada will release THE BIKERIDERS nationwide on Friday, June 21, 2024. Today we get a new Poster for this latest from Jeff Nichols.

Writer/Director: Jeff Nichols
Executive Producers: Yariv Milchan, Michael Schaefer, Sam Hanson, David Kern, Fred Berger
Producers: Sarah Green, p.g.a., Brian Kavanaugh-Jones, p.g.a, Arnon Milchan
Cast: Jodie Comer, Austin Butler and Tom Hardy, Michael Shannon, Mike Faist with Norman Reedus
Story: THE BIKERIDERS follows the rise of a midwestern motorcycle club, the Vandals. Seen through the lives of its members, the club evolves over the course of a decade from a gathering place for local outsiders into a more sinister gang, threatening the original group’s unique way of life.

(Photo credit: Focus Features)

#TIFF23: “THE END WE START FROM” REVIEW

By Amanda Gilmore

Director Mahalia Belo makes an assured debut feature with this adaptation of Megan Hunter’s prophetic Novel of the same name.

Climate change has caused cataclysmic flooding in London causing residents to become houseless. This sends a new mother (Jodie Comer), her partner (Joel Fry), and their days-old newborn to flee to the English countryside to stay with his family. But when his parents die and the couple reaches the end of their food supply, the family must make the choice to separate. Sending the mother and infant into a shelter and the father to find his own way of survival.

The End We Start From is an Apocalyptic Drama that leaves room for hope. It’s a rounded examination of the effect an environmental disaster would have on humanity…possibly leading it to social collapse. Belo and Screenwriter Alice Birch (who also penned previous TIFF selections Lady Macbeth, Mothering Sunday and The Wonder) keep the climate disaster and cruelty off-screen. Allowing their Actors to show the anxiety, tension and trauma they’re experiencing.

We encounter the formidable ensemble through the new mother’s journey. Each stop she makes feels episodic as we’re introduced to different characters. These characters, for the most part, remain nameless just as our core family does. They include a moving performance from Katherine Waterston who befriends our mother in the shelter and the two travel together for a new home with their infants. And Benedict Cumberbatch (who also produced the Film) makes a brief appearance as a man mourning the loss of his entire family in the disaster.

This ensemble is led by Comer, who continues to prove herself to be one of the greatest Actresses of her generation. It’s a deeply affecting performance of a woman learning to be a mother during the impossible. She must provide for her child while there is no food, water or shelter and where the threat of attack lurks everywhere. Within the environment and humanity.

The End We Start From screens at TIFF ’23:

Sunday, September 10 at 1:30 PM at Roy Thompson Hall

Monday, September 11 at 7:30 PM at Scotiabank Theatre Toronto

Saturday, September 16 at 3:45 PM Scotiabank Theatre Toronto

Sunday, September 17 at 6:05 PM at Scotiabank Theatre Toronto

#INTERVIEW: “FREE GUY”

By Mr. Will Wong

At long last, FREE GUY is set to arrive in theatres after multiple delays, but if you’ve heard the chatter, you’ll soon understand why this epic Comedy has been saved for our return to the theatres! Full of heart and surprises, the Film from Director Shawn Levy centers on a Bank Teller named Guy (Ryan Reynolds) who discovers he is actually a background player in an open-world video game, ultimately becoming the hero of his own story…out to save the world! 

We had the joy of sitting-in on the global Press Junket for this hilarious Blockbuster and in-attendance were a star-studded group:

Shawn Levy – Director
Ryan Reynolds – Guy
Jodie Comer – Millie/Molotov Girl
Joe Keery – Keys
Lil Rel Howery – Buddy
Taika Waititi – Antoine
Utkarsh Ambudkar – Mouser

Shawn Levy talks about the excitement of the world finally getting to see FREE GUY.

Levy: Well, it has been a ride and a longer wait than we expected but this Movie was such a delight to make. The making of it was pretty joyous and fun, we’re just really excited to get to share a movie that has that same fun and delight and warmth that was on-set. Hopefully it translated to the screen. In some of these early reactions it’s been really affirming and all coming through to audiences the way we hoped.

Ryan Reynolds talks about stepping into the world of a wholesome hero.

Reynolds: My default is just pure trash on the inside so this is slightly new for me. There’s a movie I like called ‘Being There‘ starring Peter Sellers and it was like the first foothold I hand into this world. There’s something really wonderful about playing a character who’s kinda naive and innocent. In a sense, he’s like a four-year-old adult. So there’s something kinda fun about exploring everything with new eyes, which is what this character gets to do, and filtering that through the prism of Comedy. I love playing a character who’s stepping out of the background and into this new person.

Jodie Comer does double duty as Molotov Girl and Millie and tells us about balancing this.

Comer: One thing which draw me to the role was the Team – working with the Creators of the Film and also the sheer imagination the Script has. I remember reading it and thinking ‘Omigosh, how is this gonna translate onto the screen?’. You have the real world mixed-in with the Video Game and I think it was just the scope of it and how much heart it had. You see that it’s written about as an Action-Comedy, but you see there’s so much more to that. It provokes so much emotion in you. I think it was the imagination the Script had for me.

Mariah Carey’s ‘Fantasy‘ plays a pivotal role in Free Guy and the question is asked about why this song in particular.

Levy: Ryan is a maestro of the odd, random but inspired song idea. He was obsessive about it early on as we were working on the Script. He said, ‘You know what I think should be the entire anthem of the Movie and marketing campaign?’. He suggested this song by Mariah and we know that by the Third Act of the Movie we have a cover of that song by our very own Jodie Comer!

Reynolds: In the earliest drafts we’d written The Outfield‘s ‘Your Love‘ and it ended-up not fitting right. It’s a great song but Mariah Carey‘s ‘Fantasy‘ just came in like a lightening bolt. It was like an engine through so much of the Movie. It’s really fantastic!

Reynolds and Howery talk about the central theme of friendship in the Film.

Howery: I like when I get to the end of it and that’s where the audience sees the last speech Buddy gives before this big thing happens. It is always weird when you do big speeches like this, you get emotionally tied to it. I remember shooting with Shawn and I had to go take a walk. I wasn’t gonna tear-up in front of him. Buddy has a couple of those moments which is what I love about the character, it’s that his innocence that came with how comfortable he was with his friendship. It is something really beautiful that happens towards the end that Buddy discovers with his best friend. It’s another conversation in the beginning Guy trying to convince him what the sunglasses was showing him. Buddy just stuck to his ways and we just saw the heart of him open and open which is why I live this character so much. People are really surprised how much heart it has. Yeah, you’re gonna tear-up!

Taika Waititi steals the show as villainous Antoine and talks about his character.

Waititi: I didn’t really know what to expect or what I was doing. We had one phone call (with Shawn) and I hadn’t really met you. Shawn described the character and that appealed to me. I just play visions of my mom in all my characters and so this was my little vision of my mom. I’ve actually met a lot of people like this in America and it’s what I think of Americans… at CAA parties.

Utkarsh Ambudkar and Joe Keery tell us about their characters’ catch phrases.

Keery: I think the best catch phrase is ‘catch-phrase’. I think that’s genius. I don’t feel my character really has a catch phrase.

Ambudkar: I don’t remember. Was it ‘Go Time? Yeah it’s Go Time, baby!’. That’s all me. I desperately tried getting Taika’s character on-board in this mentor/mentee-type relationship. Antoine is not having it at all. I think it makes for a funny chemistry between us. All of us got really lucky this whole Cast works really well together. Everyone makes each other look good. It’s rare you get this many people who get this energy going with each other so that’s awesome.

The Gaming industry is not unlike the Film industry in that they are male-dominated. Jodie Comer comments on the parallels in her character(s) and real life.

Comer: It was incredible and a huge part of what attracted me to the piece, especially having this girl Millie and Molotov being a creation of her. It was so important that it was always an essence of Millie but that Molotov was also very different so I really focused on the physicality. There is a lot of nuance within her world and even looking into how male-dominated that industry is, which is kinda similar to my own and those kind of fights we’re definitely up against, and the resilience in which that created in her. There was so much for me to play with. That was always really present and thought about from the moment I got the Script, the first draft to the moments we were on-set playing around, changing things. It was such a great experience bringing my own ideas to play.

Ryan Reynolds and Lil Rel Howery talk about the friendship they formed on and off-screen in FREE GUY.

Reynolds: Rel’s character and I live on this intersection a little bit on the page, a little bit on the moment. But I feel that’s the case of every single person on this webinar. Everybody here’s very good at creating and building and three-dimensionalizing their work. Rel and I immediately clicked. I was a huge fan of his. And we can all say he was a huge fan of Taika. It’s great to get out there, mess around and play and form that bond, and put it up on the big screen.

Howery: I mean for me it’s weird because Ryan Reynolds has been my friend in my head for a really long time. And to this day I don’t think he believes that I’m a legit fan. When he was winning everything with Deadpool I was calling people “I toldja! I toldja Ryan was a superstar!’. I don’t get nervous about meeting anyone but I was really nervous that first day. One of the fun things about this business is you get to work with people you really look up to, not just as an Actor but as a fan. I don’t know he’s gonna be my friend after this movie but we’re gonna enjoy the moment.

Levy and Reynolds tease the possibility of a Franchise for FREE GUY.

Reynolds: I hope we get to this again whether it’s in the form of a Sequel or something else. We’re lucky a couple people in here I’ve gotten to work with multiple times. If it’s not another FREE GUY movie or another movie in another form.

Levy: The short answer is ‘yes’. But I’ve made things that launched franchises and have made enough things to realize you just

I don’t know the outcome. We have flirted with some ideas but my favourite thing in Free Guy is that Taika‘s character in an original movie mocking the idea of releasing something new. It’s so rare a studio lets you make a big budget new movie. So to have Antoine played by Taika talking about sequels and having this cynical attitude towards them. I will say for anyone who’s seen the movie, if we do make Free Guy 2 it will be titled ‘Albuquerque, Boiled Turkey’! If you’ve seen the Movie you’ll get that joke! Based on one of 700 million improvised lines by Taika Waititi!

Free Guy Jodie Comer Joe Kerry Lil Rel Howery ryan reynolds shawn levy Taika Waititi Utkarsh Ambudkar