The Canadian Film Centre (CFC) announced the appointment of new Board Chair Neishaw Ali, President of SPIN VFX who replaces longtime Chair, Christina Jennings, President and Chairman of Shaftesbury. Joining the CFC’s Board of Directors is Academy Award®-winning director Guillermo del Toro who will be officially appointed in October at the annual AGM. Jennings has served the CFC for over 17 years, ten of which she held the role of Chair. She will remain on the Board until October 2024.
These appointments come as the CFC prepares for its annual fundraising Gala that welcomes emerging and established creators, current and past alumni of the CFC, funders and supporters, and will celebrate founder Norman Jewison’s immense contribution to the Canadian and international film community. The CFC continues to fulfill Norman Jewison’s founding intent: to train Canadian talent with the skills necessary to showcase their stories on the world stage.
“Many decades ago, the brilliant Norman Jewison sparked a movement in our industry by creating the CFC, and I am incredibly privileged and humbled to take on this new role as Chair. I am so grateful to Christina for creating such a solid foundation for the CFC. Her passion and commitment to the institution she attended in 1990 is something to applaud, and I am honoured to take on the baton.” said Neishaw Ali. “I feel incredibly fortunate to start my tenure as Chair by announcing the appointment of our industry’s beloved Guillermo del Toro whose vision and mastery had impacted the screen industry in such a remarkable way. Guillermo’s voice is essential and so many of our CFC’s cohorts will benefit from having his input at the Board level.”
“As a filmmaker, I have been deeply moved by the work of Norman Jewison, someone who I had the privilege to know. A big part of his immense legacy is the Canadian Film Centre, the manifestation of his never-ending commitment to helping new filmmakers find their voice,” said Guillermo del Toro. “I am incredibly happy to be joining the Board of Directors and I look forward to working alongside the other members and the CFC staff to help support the next generation of storytellers.”
“Embracing a new chapter of leadership, we are proud to have Neishaw Ali as our esteemed Board Chair. With her visionary expertise and dedication, Neishaw will help steer us towards innovative heights in the ever-evolving landscape of Canadian film. As we bid farewell to the remarkable tenure of Christina Jennings, whose invaluable contributions have shaped the CFC’s journey over the past decade, we express heartfelt gratitude for her unwavering commitment. We are grateful to our new and continuing Board members for their hard work and commitment to the organization,” said maxine bailey, Executive Director, Canadian Film Centre.
“When the Diversity & Governance Committee set about looking for a new Board Chair, Neishaw was the perfect fit,” said Christina Jennings. “She’s the embodiment of creative innovation and excellence. It has been an honour to carry out Norman Jewison’s vision to nurture Canadian talent and I’m proud of what the CFC has accomplished and will continue to be involved for many years to come.”
Having also recently joined the board are writer, producer, entrepreneur and investor Mark Sakamoto, EVP for Think Research, and financial services leader Duane Green, former President and CEO of Franklin Templeton Canada. The CFC gratefully thanks other members of the board whose terms have ended: Eric Belcher, Don Carmody, Suzette Couture, David Cronenberg, Blake Goldring, Eugene Levy, George Lewis, Bob Munroe, Gary Slaight, Ron Suter, and Barbara Williams.
Current Board of Directors are:
Neishaw Ali (Chair), Cheryl Hudson (Co-Vice Chair), Steven DeNure (Co-Vice Chair), David Middleton (Treasurer), David Zitzerman (Secretary), Councillor Shelley Carroll (Ex Officio), Kate Alexander Daniels, Paul Bronfman, Tassie Cameron, Stéphane Cardin, Shirley Cheechoo C.M., Duane Green, Harold Gronenthal, Christina Jennings, Raja Khanna, Anne Loi, John Morayniss, Mark Sakamoto, Hilary Smith, and Clement Virgo.
Hot off the announcement that Andrew Garfield has dropped-out of Guillermo del Toro‘s FRANKENSTEIN due to delays as a result of the SAG-AFTRA strike, we get the exciting news that red-hot Jacob Elordi will be taking over the coveted role of Frankestein‘s Monster. The upcoming Netflix film, a take on Mary Shelley‘s timeless story, is set to begin production shortly in del Toro‘s favourite city of choice.
Others starring in the Film include Oscar Isaac as Victor Frankenstein, Mia Goth, Felix Kammerer, Lars Mikkelsen, David Bradley, Christian Convery and two-time Oscar winner Christoph Waltz.
Elordi is riding a high off the massive popularity of HBO‘s Euphoria, the acclaimed Sofia Coppola film PRISCILLA (also filmed here in Toronto) and also the viral buzz of Emerald Fennell‘s SALTBURN. He is set to host SNL with Musical Guest Renée Rapp this weekend, January 20, 2024. Does it get any bigger?
Jacob Elordi hosts the first show of the year with musical guest @reneerapp! THIS SATURDAY pic.twitter.com/9n08sMwxMz
— Saturday Night Live – SNL (@nbcsnl) January 16, 2024
This is our second time meeting the charming and kind Elordi, who was gracious with fans, with his dog Layla who has Service Dog certification, in tow even. We were so fortunate to get him to sign our PRISCILLA shirt from A24/Elevation Pictures, and even got a selfie together with beanie!
del Toro does no wrong. We are so excited to see his spin on FRANKENSTEIN!
(Photo credit: Mr. Will Wong)
By Justin Waldman
Yesterday afternoon, I had the distinct pleasure of attending a conversation with Guillermo del Toro and Mark Gustafson, moderated by Vincenzo Natali in a post-screening Q&A about PINOCCHIO, now streaming on Netflix. If you’ve ever had the distinct pleasure of listening to del Toro speak, you will know the man doesn’t mince his words, loves to tell stories, and isn’t afraid of shying away from speaking from the heart. His conversations regarding his own works are usually phenomenal and this special event was no different as he went and talked with Gustafson and Natali for a near hour! We had the privilege of sitting-in on the entire and below are some of the highlights of the magical talk, be warned though there is certainly some choice language.
Natali: “Why did you choose to explore what Pinocchio was?”.
del Toro: “Why don’t we make a movie about a father being a real father, instead of a movie about a boy being a real boy which is absolute bullshit.”.
Gustafson: “In the film, Pinocchio comes in the world kind of the way we all do, which is naked, and he goes through the whole story like that and everyone he gets in contact with by the end is changed for it.”.
Natali: “Why the small grim eyes for Pinocchio?”.
del Toro: “I found the art in 2002/2003 of Gris [Grimly] and I just knew this was my Pinocchio….it can be a little bit creepy. At the beginning we decided we didn’t want to make him cuddly.”.
Gustafson: “And he was carved when Geppetto was blind drunk!”.
There was a question posed by Natali about how he pitched the story of this darker re-telling of Pinocchio, to which del Toro originally told a story about how Sony Animation originally greenlit his Pinocchio pitch unheard, but he decided he wanted to pitch it and then Sony decided maybe it wasn’t the project for them because he wanted to tell Pinocchio with Mussolini and the backdrop of World War II. He followed it up by saying, “When someone doesn’t want to do your movie, it’s the second-best news. I learned it in Mimic and the Weinsteins tortured me because they wanted to do Alien 3.5 and I wanted to make mimic. I seek unemployment for the truth.”.
Some other fascinating tidbits of information were when Gustafson mentioned they had 32 puppets of Pinocchio, to which del Toro replied, “It’s like playing with your toys in the most expensive place”.
When probed about why they decided to make their Pinocchio such a dark version, Gustafson indicated, “We decided to never talk down to children, we knew they could handle it”. del Toro decided also to weigh-in with the following “I don’t think Animation is a fucking genre for kids. It’s a medium that can explore sadness and tragedy, and we keep it in that medium [for children] because of economic decisions.”.
This is a sentiment that has been said by many Directors in the past about how Animation should not be seen as a lesser medium, and isn’t always for children.
In a year filled with many fresh takes on Cinema, del Toro left the audience with this quote, “We are only as good as our last shot”. And it suffice it to say this was a pretty superb last shot.
Guillermo del Toro’s Pinocchio is now streaming on Netlfix.
(Photo credit: Genevieve Walker)
A first look at the official Trailer for Guillermo del Toro‘s PINOCCHIO, has arrived. Opening in select theatres this Friday, this fantastical re-imagining of this beloved tale arrives on Netflix in time for the Holidays!
Synopsis:
Academy Award®-winning filmmaker Guillermo del Toro reinvents Carlo Collodi’s classic tale of the wooden marionette who is magically brought to life in order to mend the heart of a grieving woodcarver named Geppetto. This whimsical, stop-motion film directed by Guillermo del Toro and Mark Gustafson follows the mischievous and disobedient adventures of Pinocchio in his pursuit of a place in the world.
Directed by Guillermo del Toro and Mark Gustafson, the film features an all-star voice cast with Ewan McGregor as Cricket, David Bradley as Geppetto, and introducing Gregory Mann as Pinocchio. Other cast includes Finn Wolfhard, Academy Award® winner Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman, with Academy Award® winner Christoph Waltz and Academy Award® winner Tilda Swinton.
Cast: Gregory Mann, Ewan McGregor, David Bradley, Tilda Swinton, Christoph Waltz, Finn Wolfhard, Cate Blanchett, John Turturro, Ron Perlman, Tim Blake Nelson, Burn Gorman
Guillermo del Toro‘s PINOCCHIO arrives December 9, 2022 on Netflix. It plays at TIFF Bell Lightbox Friday, November 11, 2022.
(Photo/video credit: Netflix)
In CABINET OF CURIOSITIES, acclaimed Academy Award-winning filmmaker and creator, executive producer and co-showrunner Guillermo del Toro has curated a collection of unprecedented and genre-defining stories meant to challenge our traditional notions of horror. From macabre to magical, gothic to grotesque or classically creepy, these eight equally sophisticated and sinister tales (including two original stories by del Toro) are brought to life by a team of writers and directors personally chosen by del Toro.
GUILLERMO DEL TORO’s CABINET OF CURIOSITIES will debut Tuesday, October 25, 2022 launching a special four day, double episode Netflix & Chills Halloween event. Two all-new CABINET OF CURIOSITIES tales will debut daily through Friday, October 28, when the entire collection of eight stories will be available to Netflix members around the world.
The anthology series is created and executive produced by Guillermo del Toro; executive produced by Academy Award winner J. Miles Dale (The Shape of Water; Sex/Life), who also serves as co-showrunner; and executive produced by Gary Ungar. Regina Corrado serves as co-executive producer. Del Toro also serves as host.
Story information in Alpha Order/Story Debut Order Has Not Been Announced:
THE AUTOPSY
Academy Award winner F. Murray Abraham (Mythic Quest; Homeland; Amadeus)
Glynn Turman (Ma Rainey’s Black Bottom; Fargo; The Wire)
Luke Roberts (Ransom; Black Sails)
episode written by David S. Goyer (The Sandman; Dark City; The Dark Knight; Batman Begins) (based on a short story by Michael Shea)
directed by David Prior (The Empty Man; AM1200)
DREAMS IN THE WITCH HOUSE
Rupert Grint (Servant)
Ismael Cruz Cordova (Lord of the Rings: The Rings of Power, The Undoing, Miss Bala)
DJ Qualls (Turning Point, Supernatural)
Nia Vardalos (Love, Victor, Station 19, My Big Fat Greek Wedding)
Tenika Davis (Jupiter’s Legacy, Titans)
episode written by Mika Watkins (Origin; Black Mirror; Troy: Fall of a City) (based on a short story by H.P. Lovecraft)
directed by Catherine Hardwicke (Thirteen; Lords of Dogtown; Twilight)
GRAVEYARD RATS
David Hewlett (SEE, The Shape of Water; Stargate: Atlantis) stars in an episode written (based on a short story by Henry Kuttner) and directed by Vincenzo Natali (In The Tall Grass; Splice; Cube; Hannibal)
LOT 36
Tim Blake Nelson (Watchmen; The Ballad of Buster Scruggs)
Elpidia Carrillo (Predator; Bread & Roses; Euphoria)
Demetrius Grosse (Fear The Walking Dead; Boon; Lovecraft Country)
Sebastian Roché (The Man in the High Castle; The Young Pope)
written by Regina Corrado (Deadwood; The Strain) (based on an original story by Guillermo del Toro)
directed by Guillermo Navarro (Godfather of Harlem; Narcos)
THE MURMURING
Essie Davis (The Babadook)
Andrew Lincoln (The Walking Dead; Penguin Bloom)
Hannah Galway (Sex/Life)
episode written (based on an original story by Guillermo del Toro)
directed by Jennifer Kent (The Babadook; The Nightingale)
THE OUTSIDE
Kate Micucci (The Little Hours; Mom)
Martin Starr (Silicon Valley; Party Down)
episode written by Haley Z. Boston (Brand New Cherry Flavor) (based on a short story by comic book author Emily Carroll)
directed by Ana Lily Amirpour (A Girl Walks Home Alone at Night; Mona Lisa and the Blood Moon; The Bad Batch)
PICKMAN’S MODEL
Ben Barnes (Shadow and Bone; Westworld; The Punisher)
Crispin Glover (Rivers Edge; Tim Burton’s Alice In Wonderland; American Gods; Back To The Future; Willard; Charlie’s Angels)
Oriana Leman (The Whale; The Detectives)
episode written by Lee Patterson (Curve; The Colony) (based on a short story by H.P. Lovecraft)
directed by Keith Thomas (Firestarter; The Vigil)
THE VIEWING
Peter Weller (upcoming The Colosseum; Naked Lunch; Star Trek Into Darkness; Robocop)
Eric André (The Eric Andre Show; The Righteous Gemstones)
Sofia Boutella (Kingsman: The Secret Service; upcoming Rebel Moon)
Charlyne Yi (Always Be My Maybe; Good Girls)
Steve Agee (Peacemaker; The Suicide Squad)
Michael Therrialt (Locke and Key; Cult of Chucky)
Saad Siddiqui (From Scratch; DC’s Legends of Tomorrow)
episode directed by Panos Cosmatos (Mandy), who also writes, along with Aaron Stewart-Ahn
Guillermo del Toro’s Cabinet of Curiosities begins October 25, 2022 on Netflix.
(Photo/video credit: Netflix)
Filmed right here in Toronto and even Markham (!), we cannot wait for NIGHTMARE ALLEY! Here is your first glance at the Teaser!
Synopsis:
In NIGHTMARE ALLEY, an ambitious carny (Bradley Cooper) with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist (Cate Blanchett) who is even more dangerous than he is.
Check-out these brand new Character Posters from the Film!
Searchlight Pictures release NIGHTMARE ALLEY December 17, 2021.
(Photo/video credit: Searchlight Pictures)
TIFF announce their upcoming programming slate, and trust me, there is some really good stuff including TIFF ’21 favourites SPENCER (we’re definitely seeing this again!) and THE POWER OF THE DOG, plus some cool retrospectives!
TIFF CINEMATHEQUE SERIES
Céline Sciamma: Portraits of Desire – November 11 to 21, 2021
Since the success of the widely acclaimed Portrait of a Lady on Fire — which won both the Queer Palm and the Award for Best Screenplay at Cannes 2019 — French filmmaker Céline Sciamma made both a departure from her three previous films and a masterful culmination of an oeuvre that sensitively and intelligently deals with such urgent themes as gender identity, female bonds, and the blurred boundaries between friendship and love. This programme was created to celebrate her work upon the release of her fourth feature, and now, two years later, it’s even more urgent and resonant as audiences await the theatrical release of the director’s latest film, Petite Maman (2021), which had its Canadian premiere at the Festival. Included in this retrospective are Portrait of a Lady on Fire, Girlhood, Tomboy, and her debut, Water Lilies, as well as the animated film My Life as a Courgette (which Sciamma co-scripted).
Paul Thomas Anderson: Evolution of a Master – November 25 to 28, 2021
Size matters in the films of Paul Thomas Anderson, and the increasing visual and thematic scope of his work is illustrated by these 70mm presentations tracing his evolution from big, unwieldy indie-cinema talent to a refined, mature American master. From the pyrotechnical brilliance of his sophomore breakthrough, Boogie Nights, to the elliptical psychic case study of The Master, to the wry fairy-tale riffage of Phantom Thread, Anderson has always crafted images strong and detailed enough to match his ideas. With introductions by critic Adam Nayman, author of the acclaimed 2020 book Paul Thomas Anderson: Masterworks, and a screening of David Lean’s 1949 romance The Passionate Friends, a major influence on Phantom Thread, this series seeks to honour these movies’ monumental accomplishments.
Musicals! The Movies that Moved Us – December 2, 2021 to January 6, 2022
Whether you know all the words to each song or you’re discovering these classics for the first time, there’s no denying the show-stopping pleasure of the form. The best musicals are grounded in sophisticated narratives, remarkable visual invention, and towering achievements in technical craft. Watch how Stanley Donen, Vincente Minnelli, Farah Khan, Jacques Demy, Ken Russell, Mani Ratnam, and more turn the delights of movie musicals to their own particular passions. Comprising 25 films, the programme will delight any fun-loving musical fan with movies like Singin’ in the Rain (1952), West Side Story (1961), Moulin Rouge! (2001), Mughal-E-Azam (1960), All That Jazz (1979), Kandukondain Kandukondain (2000), Grease (1978), and Purple Rain (1984).
Guillermo del Toro Presents: Film Noirs from 20th Century Fox – December 3 to 19, 2021
In anticipation of Guillermo del Toro’s upcoming release Nightmare Alley, TIFF Cinematheque presents a curated selection of film noirs from 20th Century Fox, hand-picked by del Toro himself. Inspired by the runs of similar genre-making studio films such as the highly-stylized gangster pictures championed by Warner Bros. in the 1930s (which cemented the anti-hero archetype in the face of the Hays Code’s guidelines) and the legendary monster movies helmed by Universal Studios between the ’30s and ’50s (whose creatures became the visual and emotional reference points for all subsequent horror-movie monsters), del Toro sees the brilliant stream of film noirs made under the 20th Century Fox banner as equally deserving of canonization. Before taking a turn down Nightmare Alley, audiences will have a chance to explore the director’s top five influential film noirs from the studio’s golden age of hard-boiled cinema, all on archival 35mm prints or in restored presentations.
SUBSCRIPTION SERIES
Subscriptions are on sale to Members now and to the public on October 27.
Reel Talk: Contemporary World Cinema – November 7, 2021 to March 20, 2022
Offering a global snapshot of the best cinema from around the world, Reel Talk: Contemporary World Cinema provides a focus on non-English-language, art-house films that may not see wide release.
Secret Movie Club – November 14, 2021 to January 23, 2022
Back again in its old clubhouse, TIFF Bell Lightbox, this series offers some of the best new indie cinema before it hits Toronto theatres. Last season’s lineup included Minari, The Mauritanian, and Together Together.
SPECIAL EVENTS
Viola Desmond Day: Jennifer Holness on Subjects of Desire – November 8, 2021 at 7pm
TIFF is commemorating the 75th anniversary of Viola Desmond’s historic stand against racial segregation and her barrier-breaking work as founder of the Desmond School of Beauty Culture with a special advance screening of the award-winning documentary Subjects of Desire, followed by a conversation with director Jennifer Holness. This provocative and culturally significant film is told from the perspective of women who aren’t afraid to challenge conventional beauty standards, and is partially set around the 50th anniversary of the Miss Black America Pageant, which was created as a political protest against dominant standards upheld by the beauty pageant industry.
Note: A TIFF digital event commemorating Viola Desmond Day is taking place on Monday, November 8 at 12 pm ET with scholar Cheryl Thompson and Cameron Bailey, TIFF Artistic Director and Head, for a special talk about Black representation in 1940s cinema. They will discuss what the film experience was like for Black spectators at the time, and how systemic anti-Black racism continues to persist in the film industry to this day. Watch this conversation on TIFF’s Twitter, Facebook, and YouTube channels.
TIFF Next Wave 48-Hour Challenge Screening – November 28, 2021, 2:30pm to 4pm
The highly anticipated return of the TIFF Next Wave 48-Hour Film Challenge welcomes teams of young creators to produce a short film in only 48 hours. TIFF will showcase all of the films shot during the challenge and celebrate the next wave of emerging filmmakers. Following the screening, one team will be awarded the grand prize for best film by a jury of film industry professionals.
NEW RELEASES
Opens October 27
Passing
Rebecca Hall | UK, USA | 2021 | 98 mins.
Tessa Thompson and Ruth Negga star as two Black women contending with the notion of “passing” for white, in this 1920s-set psychological thriller. Shot in a 4:3 aspect ratio in beautiful black and white, this film was made for the big screen. Nominated for five Gotham Awards, including Best Feature, Best Screenplay, and Outstanding Lead Performance (Tessa Thompson).
Opens November 4
Spencer
Pablo Larraín | Germany, UK | 2021 | 111 mins.
Official Selection, 2021 Toronto International Film Festival
Kristen Stewart stars in Pablo Larraín’s haunting chamber drama that imagines a tumultuous Christmas in the life of Diana, Princess of Wales.
Opens November 12
tick, tick… BOOM!
Lin-Manuel Miranda | USA | 2021 | 112 mins.
On the cusp of his 30th birthday, a promising young theatre composer navigates love, friendship, and the pressures of life as an artist in New York City.
Opens November 17
The Power of the Dog
Jane Campion | Australia, New Zealand | 2021 | 127 mins.
Official Selection, 2021 Toronto International Film Festival
TIFF Tribute Actor Award honouree Benedict Cumberbatch and Kirsten Dunst lead Jane Campion’s drama about two brothers whose lives change when a widow and her son arrive at their ranch.
(Photo credit: Elevation Pictures)
Ben Barnes has built a steady, but quality body of work over the years. Whether you know him from The Chronicles of Narnia, his more recent work in Netflix’s Shadow and Bone, or HBO‘s Westworld, it is easy to see why his career has shown longevity.
Barnes is in Toronto filming upcoming Guillermo del Toro Anthology Series CABINET OF CURIOSITIES. Barnes‘ episode also stars Crispin Glover, written by Lee Patterson and directed by Keith Thomas.
The Series stars several talented Actors including the likes of F. Murray Abraham, Tim Blake Nelson, Peter Weller and more, filming through February 2022.
We spotted Barnes in rehearsals a couple weeks back, prior to his episode filming around Baldwin Street. He was amazingly nice to make time to stop for a Snap before heading off to work!
He also is prepping the release of his EP SONGS FOR YOU. Check-out a quick Preview here for his Track 11:11:
(Photo/video credit: Mr. Will Wong/Ben Barnes)
Guillermo del Toro quietly has been filming around Toronto for the past bit and at last we get confirmation exactly what and who!
Official titles and Cast for the upcoming Anthology Series are below:
The Series is coming soon to Netflix!
(Photo credit: Netflix)
eOne Films x Mr. Will want to give Readers a chance to win Advance Passes to see SCARY STORIES TO TELL IN THE DARK! Screenings are as follows:
SCARY STORIES TO TELL IN THE DARK TORONTO WEDNESDAY AUGUST 7TH SCOTIABANK THEATRE
SCARY STORIES TO TELL IN THE DARK VANCOUVER WEDNESDAY AUGUST 7TH SCOTIABANK VANCOUVER
SCARY STORIES TO TELL IN THE DARK CALGARY WEDNESDAY AUGUST 7TH SCOTIABANK CHINOOK
SCARY STORIES TO TELL IN THE DARK WINNIPEG WEDNESDAY AUGUST 7TH SCOTIBANK WINNIPEG
SCARY STORIES TO TELL IN THE DARK HALIFAX WEDNESDAY AUGUST 7TH PARK LANE
Synopsis:
From the dark imaginations of Academy Award®-winner Guillermo del Toro and acclaimed director André Øvredal, based on the iconic book series, comes Scary Stories to Tell in the Dark — in theaters this summer.
It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying home.
See the Trailer:
Artwork:
To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK and indicate your City! Re-Tweet this Tweet from @mrwillw for an extra chance.
eOne Films release SCARY STORIES TO TELL IN THE DARK Friday, August 9, 2019.
(Photo/video credit: eOne Films)
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