The 91st annual Academy Awards took place tonight at Dolby Theatre in Los Angeles. Taking top honours was GREEN BOOK winning Best Picture, a total three Oscars. The TIFF ’18 People’s Choice Award winnerdirected by Peter Farrelly, also received Best Original Screenplay.
Bohemian Rhapsody took home the most Oscars this evening,victorious in Sound Mixing, Sound Editing and Film Editing. Rami Malek won Best Actor for his portrayal of Freddie Mercury in Bohemian Rhapsody bringing the Biopic’s win tally to four. Olivia Colman took home Best Actress for her work in The Favourite, springing a mild upset. Supporting Actor went to Mahershala Ali who nabbed his second award in the category for Green Book. Regina King won Supporting Actress for If Beale Street Could Talk. Directing went to ROMA Helmer Alfonso Cuarón, whose lifetime total at the Awards now is at ten.
Lady Gaga and Bradley Cooper stole the show with a touching performance of Shallow from A Star is Born before the audience. The song later went on to win Original Song, accepted by Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt.
Despite being host-less this year, the show got an introduction from a trio of funnywomen in Tina Fey, Amy Poehler and Maya Rudolph, preceded by a medley of hits from Queen, fronted by Adam Lambert.
Toronto’s Domee Shi won Animated Short for Pixar‘s BAO which played before INCREDIBLES 2 in its theatrical run.
Some winning looks a this evening included: Gemma Chan in Valentino Lady Gaga in Alexander McQueen Michelle Yeoh in Elie Saab Regina King in Oscar de la Renta Bradley Cooper in Tom Ford Glenn Close in Carolina Herrera Melissa McCarthy in Brandon Maxwell
It’s hard to believe another year’s passed by! 2018 certainly was a stand-out year for Cinema and Team Mr. Will true to tradition, share with you their best of 2018. If you haven’t seen some of these, it’s time to start adding to your Must-See Lists this winter!
AMANDA GILMORE (@gilmoreamanda)
It was such a great year for Film that it’s near impossible for me to choose the Top Ten. I could have easily made a Top 30 list (if it was allowed). However, I managed to squeeze in ten films, which are in alphabetical order rather than being ranked. I’ve included films from a range of genres and narratives that I’ve thought about since my first viewing.
A Star Is Born
A Quiet Place
Can You Ever Forgive Me?
Mission Impossible: Fallout
Spider-Man: Into The Spider-verse
Ready Player One
Fantastic Beasts: The Crimes of Grindelwald
A Quiet Place
Solo: A Star Wars Story
Spider-Man: Into the Spider-Verse
Legend of the Demon Cat
Mary Poppins Returns
As usual, my list consists of movies I saw on the Silver Screen within the calendar year. They’re organized according to release date, and are thus relieved of any hierarchy. Annihilation is the dark Sci-Fi wizardry I live for; Ready Player One is my kind of Spielberg cinema; and A Quiet Place is my top scare of 2018. Solo gave me more Star Wars; Demon Cat made this year’s TIFF magical; and First Man is the brand of brooding Drama I adore. Fantastic Beasts 2 is dope AF; Green Book is a beautiful performance piece; and Spider-Man is the Comic Movie I’ve been waiting forever for. To wrap it all up… Mary Poppins Returns! She has, and it warms my heart.
DAVID BALDWIN (@DaveMABaldwin)
2018 was an incredible year for Cinema. Full stop. If anyone tells you otherwise, they did not see enough movies. Every genre fired on all cylinders, and the mid-budget and independent scenes were filled with positively exquisite Filmmaking that will go down as some of the best of the decade. And even better than that, 2018 proved the power and importance of diversity and gender in Cinema. The number of movies I genuinely liked and loved that missed my Top Ten can attest to how outstanding a year this was. But I can say with confidence that the list of films below shook me right through to my bones whether through fear, laughter, wonder, charm, thrills, or genuine emotion. And yes, I know I cheated with including a tie — but it would be a disservice to not include all of these titles on my list.
Won’t You Be My Neighbor?
Mission: Impossible – Fallout
The Hate U Give
[tie] Can You Ever Forgive Me? / Spider-Man: Into the Spider-Verse
GEORGE KOZERA (@PartyG)
I saw 164 movies this year. It took a long time to whittle the list down to 26 movies that I considered to be the best of 2018. This was a year that brought fantastic highs that had me gasping with wonder and admiration or so bad that they had me rolling my eyes in disbelief! Whether it was one of the most original Horror movies in a long time (A Quiet Place) or a Superhero, Comic Book movie so innovative and supremely well-acted that it validated a genre many were hoping would just go away (Black Panther). It was a banner year for documentary features, musicals and an LGBTQ movie was released for the first time ever by a major Hollywood studio (Love, Simon). Dramas were rampant with stories that touched one’s soul, though there was a lack of Comedies that were consistently funny throughout (with the exception of “Game Night”). All that said, I submit my pick for the best film of the year and the next nine movies (in alphabetical order) that moved, enthralled and will stay with me for years to come.
If Beale Street Could Talk
Lean on Pete
Leave No Trace
Mary Poppins Returns
Three Identical Strangers
JUSTIN WALDMAN (@DubsReviews)
It is time for the annual Top Ten movies I saw that I absolutely adored and loved this year. Some are best of the year, while others are the movies I had the most fun watching this year. There have been some truly incredible movies this year, and dare I say the ‘blockbusters’ for the most part have been fine, nothing really spectacular outside of a few gems. If you haven’t seen something on this list, go out and see it. Most of these movies will appeal to the masses, enjoy yourselves. Here’s to a 2019 with some hot titles coming out over the next few weeks, Glass anyone, and next few months, US am I right? 2019 is sure to be a stellar year
Anna and the Apocalypse
A Quiet Place
Sorry to Bother You
Spider-Man: Into the Spider-verse
Never underestimate the power of word-of-mouth. A QUIET PLACE, directed by and starring John Krasinski (and also partner Emily Blunt!) quietly has been building buzz and raves were loud after its SXSW Premiere recently in Austin. It debuts atop the Box Office with a smashing $50 million for Paramount Pictures from 3,508 theatres. It gets a 97% on the Tomatometer and a B+ CinemaScore.
In second is last week’s champ READY PLAYER ONE with $24 million from 4,234 theatres, a total $94 million over two weeks for Warner Bros.
Third is new entrant BLOCKERS with $20 million from 3,379 theatres for Universal Pictures. The Comedy was made for $19 million and gets 83% on the Tomatometer and a B CinemaScore for first-time Feature Director Kay Cannon.
BLACK PANTHER is far from done, in fourth this weekend with $8.2 million in its eighth week out for Marvel/Disney. It has made $665 million to-date in North America.
Tyler Perry’s ACRIMONY debuts in fifth with $7.3 million from 2,006 theates for Lionsgate Films/eOne Films. The Director’s highest opening still goes to 2009’s Tyler Perry’s Madea Goes to Jail with $41 million.
CHAPPAQUIDDICK debuts in seventh with $5.7 million from 1,560 theatres for Entertainment Studios/D Films. The TIFF ’17 selection starring Jason Clarke gets an impressive 79% on the Tomatometer and a B CinemaScore.
THE MIRACLE SEASON rounds-out the Top Ten in its opening with $3.8 million from 1,707 theatres for LDEntertainment/Elevation Pictures. It gets 36% on the Tomatometer and an A CinemaScore from Audiences.
READY PLAYER ONE isn’t playin’ at all this Easter Weekend! The latest Steven Spielberg Film debuts atop the Box Office with a strong $52 million from 4,234 theatres for Warner Bros. It gets 76% on the Tomatometer and an A- CinemaScore from Audiences.
Debuting a second this weekend is Tyler Perry‘s ACRIMONY with $16.9 million from 2,006 theatres for Lionsgate Films/eOne Films. It gets 30% on the Tomatometer and an A- CinemaScore.
In third is BLACK PANTHER with $11.5 million in its seventh week out. Its gross in North America comes to $650 million.
Faith-based Drama I CAN ONLY IMAGINE is in fourth this weekend with $10.4 million for Roadside Attractions. It has made $55 million over three weeks.
PACIFIC RIM UPRISING lands in fifth spot with $9.5 million in its second week out, a two-week total of $46 million domestically.
Rounding-out the Top Ten is ISLE OF DOGS with $2.8 million, a total $5.9 million over two weeks.
We don’t believe our eyes! BLACK PANTHER after a five-week reigns is toppled by PACIFIC RIM UPRISING in its debut this weekend with $26.2 million from 2,850 theatres for Universal Pictures. The Film gets a 47% on the Tomatometer and a B CinemaScore. Its 2013 Predecessor opened with $37 million.
BLACK PANTHER settles for second with $16.6 million from 3,708 theatres for Disney/Marvel. In its six-weeks it has made $631 million domestically in an outstanding run.
Faith Drama I CAN ONLY IMAGINE is in third spot with $13.7 million for Roadside Attractions, expanding to 2,553 theatres in North America this weekend. It already has grossed $38 million in two weeks.
TOMB RAIDER settles in fourth with $10 million for Warner Bros., a two-week total of $41.3 million in North America.
Opening in fifth is SHERLOCK GNOMES with $9.7 million for Paramount Pictures from 3,662 theatres. By contrast, its Predecessor, 2011’s GNOMEO & JULIET opened with $25 million. It gets 19% on the Tomatometer and a B+ CinemaScore
PAUL, APOSTLE OF CHRIST gets a timely pre-Easter release, opening with $4.9 million from 1,473 theatres for Sony Pictures, good enough for eighth spot.
MIDNIGHT SUN starring Bella Thorne and Patrick Schwarzenegger, places ninth and opens in 2,173 theatres with $4 million for eOne Films/Open Road Films. It gets 21% on the Tomatometer and an A- CinemaScore.
Rounding-out the Top Ten is UNSANE with $3.8 million from 2,023 theatres for 20th Century Fox Canada/Bleecker Street Films. The Steven Soderbergh Film gets 79% on the Tomatometer and a B- CinemaScore.
BLACK PANTHER is triumphant a fifth straight week at the Box Office, taking-in $28.5 million from 3,834 theatres for Marvel/Disney. In its domestic run, the Blockbuster has made an outstanding $606 million over five weeks.
TOMB RAIDER makes a courageous challenge but only can muster $23.5 million from 3,854 theatres for Warner Bros., good enough for a close second and on any other weekend perhaps good enough for top spot. It gets a 50% on the Tomatometer and a B CinemaScore.
A WRINKLE IN TIME places third with $17 million in its second week out, a total $60.5 million for Disney thus far in North America.
In fourth with $15.1 million its debut from 1,629 theatres for Lionsgate Films, is Christian Rock Movie I CAN ONLY IMAGINE, starring Dennis Quaid. It gets 60% on the Tomatometer and an A+ CinemaScore.
LOVE, SIMON debuts in fifth spot with $11.7 million for 20th Century Fox from 2,402 theatres. The Greg Berlanti Teen Comedy starring Nick Robinson, gets a 91% on the Tomatometer and an A+ CinemaScore from Audiences.
DEATH WISH rounds-out the Top Ten with $3.4 million. It has made $30 million over three weeks for eOne Films/MGM.
No real surprises here, it’s a Disney-double at the Box Office this weekend, taking the top two spots. BLACK PANTHER takes top spot with $41 million in its third week out from 3,942 theatres. To date it has made $561 million in North America.
Debuting at number two is Disney’s A WRINKLE IN TIME with $32.7 million from 3,980 theatres. The Film by AvaDuVernay and starring Oprah Winfrey, Mindy Kaling, Reese Witherspoon and newcomer Storm Reid, gets a 42% on the Tomatometer and B CinemaScore.
Opening in third is the Horror, THE STRANGERS: PREY AT NIGHT with $10.2 million from 2,141 theatres for Aviron Pictures/Elevation Pictures. It gets 35% on the Tomatometer and a C CinemaScore.
RED SPARROW is in fourth with $7.9 million for 20th Century Fox in its second week out, a two-week tally of $30 million.
GRINGO rounds-out the Top Ten with $3 million from 2,404 theatres for STX Entertainment/VVS Films. It gets 38% on the Tomatometer and a C+ CinemaScore.
BLACK PANTHER reigns a third straight week at the Box Office with $62 million from 4,084 theatres for Marvel/Disney. It is just shy of the $500-million-mark in its third week out in North America.
RED SPARROW flies in its debut with $17.4 million from 3,056 theatres for 20th Century Fox. The Spy-Action-Thriller starring Jennifer Lawrence, gets 51% on the Tomatometer from Critics and a B CinemaScore.
DEATH WISH lands in third with $12 million from 3,847 theatres for eOne Films/MGM. It gets a 14% on the Tomatometer and a B+ CinemaScore.
GAME NIGHT is in fourth with $10.2 million for Warner Bros., a total $33 million earned over two weeks.
PETER RABBIT continues to perform solidly in fifth with $9.1 million from 3,607 theatres for Sony Pictures. It has made $82 million over four weeks domestically.
ANNIHILATION is in sixth with $5.4 million, a total $20.4 million for Paramount Pictures over two weeks.
EVERY DAY rounds-out the Top Ten with $1.5 million from 1,669 theatres for Open Road Films/Elevation Pictures, a two week tally of $5.2 million.
It should come as no surprise that BLACK PANTHER takes the top of the Box Office again this weekend with a stellar $104.1 million from 4,020 theatres across North America for Disney/Marvel. Over two weeks it is just shy of the $400 million-mark. INCREDIBLE.
GAME NIGHT debuts a solid second with $15.1 million from 3,488 theatres for Warner Bros. The Comedy starring Jason Bateman and Rachel McAdams, gets an 81% on the Tomatometer and a B+ CinemaScore.
Down to third is PETER RABBIT with $13.1 million for Sony Pictures, a total $70.8 million over three weeks domestically.
ANNIHILATION debuts in fourth with $10.7 million for Paramount Pictures from 2,012 theatres. The Film starring Natalie Portman, gets a stellar 87% on the Tomatometer but inversely a C CinemaScore only from Audiences.
FIFTY SHADES FREED is in fifth with $6.9 million for Universal Pictures, a three-week total of $89.5 million.
EVERY DAY opens in ninth with $3 million from 1,667 theatres for Open Road Films/Elevation Pictures. It gets a 51% on the Tomatometer and a B+ CinemaScore.
EARLY MAN rounds-out the Top Ten with $1.4 million for Lionsgate Films/eOne Films.