No surprises here – KONG: SKULL ISLAND was expected to take the top of the Box Office and does just that this weekend with a $54 million debut from 3,846 theatres for Warner Bros. Made for $185 million, the Blockbuster, it gets a 78% on the Tomatometer from Critics and an B+ CinemaScore from Audiences.
LOGAN settles for second after a strong debut last weekend, with $36 million for 20th Century Fox. In two weeks, it has made a stellar $150 million domestically.
GET OUT places third with $21.3 million in its third week out for Universal Pictures. It has made $111.3 million already and believe it or not was made for only $4.5 million.
THE SHACK continues to exceed expectations, placing fourth for eOne Films/Lionsgate Films with $9.6 million in its second week out.
BEFORE I FALL lands in sixth for Open Road Films/Elevation Films in its second week out with $3 million. It has made $9 million thus far.
FIFTY SHADES DARKER rounds-out the Top Ten with $1.6 million for Universal Pictures. This installment in the Franchise has grossed $111 million over five weeks.
LOGAN shreds its competition to take the top of the Box Office with a monstrous $81 million opening for 20th Century Fox. Playing it 4,071 theatres across North America, the final Wolverine Film starring Hugh Jackman receives an outstanding 93% on the Tomatometer and Audiences gave it an A- CinemaScore. Despite an outstanding performance in its debut, it still is behind 2009’s X-MEN ORIGINS: WOLVERINE, which opened with $85 million, although it should be noted that was a PG-13 release and this latest installment is R-rated, setting a record for highest-ever opening for a Film of that rating in March, a record held previously by 300.
In second this weekend is GET OUT from Universal Pictures, which last weekend debuted on-top. It earns a stellar $26.5 million in its second week out, a two-week tally of $76.3 million.
Faith-based Film THE SHACK opens in third with $15.3 million from 2,888 theatres for Lionsgate Films/eOne Films. It gets 16% on the Tomatometer and an A CinemaScore.
THE LEGO BATMAN MOVIE is in fourth with $11.1 million for Warner Bros. Over four weeks it has made $148 million domestically.
BEFORE I FALL debuts in sixth for Open Road Films/Elevation Pictures with $4.6 million from 2,346 theatres. The Sundance selection gets a respectable 68% on the Tomatometer and a B CinemaScore.
LA LA LAND rounds-out the Top Ten with $3.1 million after last weekend’s Oscars mis-announcement debacle where it was named Best Picture, only or it to be clarified the award actually went to MOONLIGHT. LA LA LAND over 13 weeks has earned $145 million for Lionsgate Films/eOne Films. MOONLIGHT also gets a boost from last weekend’s Oscars exposure placing eleventh, expanding back to 1,564 theatres and earning $2.2 million. It has grossed $25 million over 20 weeks of release for A24 Films/Elevation Pictures.
A little bit like Mean Girls, a little bit like Groundhog Day, BEFORE I FALL, based on the Novel by Lauren Oliver, takes us inside teenager Samantha‘s(Zoey Deutch) world after a tragic car accident on Cupid Day has her re-living that same day over and over until she fully understands how it is her actions impact her own destiny. In town to promote the Film which closed-out the TIFF Next Wave Film Festival, were its Director Ry Russo-Young and star Zoey Deutch and we had the pleasure of chatting with them.
When did you first get involved with the source-material and what was one of the biggest challenges bringing it to the screen? Ry: I read the script about three years ago and what I was so attracted to was that is surprised me. I sort of thought that it was a superficial Teen Movie in the first 20 pages and wasn’t sure if I was on board with who these characters were and all that. Then I found Sam’s journey to be unexpectedly emotional and moving and profound. So thats what attracted me to the Movie.
Zoey: What attracted me initially was that I felt like…its so rare that I read a script that feels like it has the opportunity to be both extremely thought-provoking and moving, while also being entertaining. And not that I had any idea or expectation it would make it to Sundance or TIFF Next Wave or be a wide release. But I felt that it was so thought-provoking and so entertaining and so wonderful to watch a young girl go through so many different variations of her own self to explore all the contradictions and complications and intricacies of being a young woman. I really thought that that was important and inspiring and a really wonderful opportunity too.
Ry: It’s also a story we don’t get to see so often its a classic heroes journey with a female protagonist that is really at its heart. It’s the kind of Movie that I wish I had when I was a teenager, so its kinda like be the change that you want to see.
The chemistry between the group of friends is very organic. Did this chemistry need work or did it come naturally?
Ry: I think it was a little bit of both to be honest. A lot of the girls, Zoey’s job, she was in every scene it was so demanding a lot of the girls hung-out. We rehearsed a bit with all four of them. They hung-out independently as well a lot they went out to dinner.
Zoey: That also fed into the social cues of that group. Because I really did want Sam to feel like more of a follower than any other members of the group. Yes, she was probably like second in command to Lindsay but it was almost like a positive that I didn’t get to hang out them as much as they got to hang out with each other because they had developed this thing and I still felt a little but left out because I wasn’t there, I wasn’t experiencing those things. They were posting things on Instagram, I wasn’t there, and I would feel left-out. And it helped me. It really helped me feel lonely and left-out. It was actually kind of useful. But the girls…when I did get to hang-out with them they are the coolest, funniest, sweetest most wonderful women and and so supportive. And I am really truly friends with all of them. And I wish they were here now. We were texting them, chatting them, texting them all pictures of us.
Ry: It’s a little but of both in terms of we did some work and then they were also so natural with each other and everyone was down and had great energy.
These so called ‘mean girls’ all have their own back stories. Why was that important? To make sure that that backstory was shown?
Zoey: So vital. And I feel like, I don’t know what your experiences in middle school or high school were like, but for me people weren’t one thing. They were like Sam, she’s a bully and she’s bullied. Like Lindsay, she’s mean but for a reason. It comes from a place of real vulnerability and a fear for vulnerability. And I thought that was so beautiful that there really wasn’t a clear distinct hero or villain in the Movie. That you see so many facets of female experience.
Ry: Diversity is really key. To me that is the hope for a Movie like this…is that there are other Films. That this sort of leads the way for more Films by and about women. And one of the things in terms of…it was everything to me. Because otherwise we would just have stereotypes right? We would have these archetypes and stereotypes that we have seen a thousand times. And part of whats interesting about the Movie is that you do realize that everyone has their own humanity and is their own kind of complicated person battling their own inner demons. I always try to think about…to think about every character as if it was their own Movie about that character.
More on Ry Russo-Young and Zoey Deutch‘s visit to Toronto here.
Elevation Pictures release BEFORE I FALLFriday, March 3, 2017.
Right in time for Family Day weekend, Director Ry Russo-Young and actress Zoey Deutch arrived in Toronto for the TIFF Next Wave Film Festival. The weekend-long event features youth-centric programming and had the distinction of screening for us the Sundance selection, based on the Novel by Lauren Oliver.
The Teen Drama shot over 26 days in British Columbia with a half-Canadian crew, centers on a girl named Samantha (Deutch) who on her school’s annual Cupid Day is set to take her relationship to the next level with her boyfriend Rob (Kian Lawley). Joining her for a party that night are best friends Lindsay (Halston Sage), Elody (Medalion Rahimi) and Allison (Cynthy Wu).
Let’s face it – the girls aren’t the nicest but there are reasons behind that. A victim of their bullying is the fragile Juliet (Elena Kampouris). After a tragic car crash, Samantha awakens to find herself reliving Cupid Day allover again, each time learning something new, yet somehow still unable to avoid tragic circumstances. Despite its non-linear storytelling which at once advances the plot while repeatedly going back in time to the same starting point, we see Samantha‘s character grow despite her revisiting different ways she could have lived that day until ultimately we see she was actually in control of her own destiny all along.
Make no mistake, despite it feeling and looking on paper much like mainstream Young Adult fare, its marketing and distribution is more geared to the Indie-loving Festival-Goer. Before I Fall goes to much darker places than your typical YA fare, asking more uncomfortable questions than others and for that we applaud it. We love Deutch‘s heartfelt performance, us falling more in love with her Samantha the more the story progresses. Several performances here are a real revelation including Queen Bee Halston Sage and also Australian Liv Hewson (seen recently in Netflix‘s Santa Clarita Diet) who while only in a couple scenes, really leaves an impression as lesbian classmate Anna Cartullo. Before I Fall gives us light in a dark time and it is impossible not to leave feeling enlightened through it all.
See some footage of Russo-Young and Deutch who took the time to greet and chat with Fans following the Film:
We’ve got an exciting opportunity for those of you in Toronto! Premiering at the TIFF Next Wave Film Festival this weekend, BEFORE I FALL already has made a splash at Sundance! In town for the occasion is its star Zoey Deutch and Director Ry Russo-Young! Elevation Pictures x Mr. Will want to take you and a friend to the Premiere!
A high school girl is stuck reliving the day of her death for a week and must untangle the mystery to discover everything she’s in danger of losing, in indie darling Ry Russo-Young‘s (Orphans, Nobody Walks) adaption of the wildly popular novel Before I Fall.
To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK. Then post on your Instagram account your Selfie using the Valentine’s Day-only BEFORE I FALL Snapchat Filter (not to be confused with their face-changing lenses). The photo must include the hashtag #BAEMINEBEFOREIFALL.
Let us know your Instagram handle in the comments section on Facebook so we can verify! We’ll be checking!
The BEFORE I FALLSnapchat Filter looks like this…
Don’t have Snapchat? Get it! Data usage applies according to your mobile provider rates and plans.
Elevation Pictures release BEFORE I FALLFriday, March 3, 2017 in select cities.
Elevation Pictures x Mr. Will want to give Readers a chance to see first BEFORE I FALL. Screenings take place Wednesday, March 1, 2017 in Toronto, Halifax, Vancouver, Ottawa, Winnipeg, Calgary and Edmonton.
Synopsis: Sam seemed to have everything a teenage girl could want: popularity, a hot boyfriend, cool status, fun friends, loving family and seeming happiness. But beyond the superficial, Sam’s life wasn’t so charmed. She was one of a clique of high school mean girls who made life hellish for those different from them. When she’s killed in a car accident, Sam is forced to relive her last day on Earth seven times in order to get things right. She attempts to make sense of what befell her and gain a better understanding of herself and others. In the process Sam evolves, learns to be a good person and comes to accept her fate. As narrated by Sam (Zoey Deutsch), this touching story, based on the 2010 young adult novel by Lauren Oliver, has a Groundhog Day structure, with a dramatic arc.
See the Trailer:
To enter to win, click “like” on this Post at MR. WILL ON FACEBOOK and indicate your City on the comments there.