Cameron Diaz’s Roasted Corn Salad + Fried Chicken Thighs. Who knew Cameron Diaz was such an amazing cook? I fell into a black hole of cooking videos over the weekend and was rather impressed with Diaz‘s play-by-play of her Salad recipe. She’d explain the process of roasting and caramelizing corn, the impact of salt and the types of salt being important, plus also, her chopping skills were mesmerizing. I did worry about the raw Sugar Snap Peas being too tough and fibrous, but sliced thinly and mixed with the corn, there were no issues. She suggests serving this Salad with Chicken Thighs, which I do in my Air Fryer. I made a couple modifications because most of us don’t have her fancy vinegars and salts, and threw-in some Edamame for added protein. Simple, clean and flavourful eating meant for Summer. I make enough here for six people. Perfect with a glass of Chardonnay. Enjoy!
Ingredients:
8 Chicken ThighsInstructions:
1. Season Chicken Thighs in Pink Himalayan Sea Salt and pepper. Refrigerate and bring out about 45 minutes before cooking.
2. Heat 1 tbsp olive oil in iron skillet on medium-high heat.
3. Roast corn kernels, uncovered, stirring occasionally. Add sprinkling of sea salt. Cook till brown and caramelized (about 10 minutes).
4. Prepare dressing in small bowl with vinegar, juice, garlic, 4 tbsps olive oil and season with salt and pepper. Set aside.
5. Pre-heat Air Fryer five minutes at 375°F.
6. Drizzle 1 tbsp olive oil and 1 tbsp truffle oil onto Chicken Thighs. Cook in two batches in Air Fryer, about 15 minutes each batch, turning once half-way through.
7. In large salad bowl, toss corn kernels, Edamame and thinly-sliced Sugar Snap Peas in dressing.
8. Plate Chicken Thighs with rice (if you like), and a few scoops of the Salad. Garnish with chopped Cilantro if you like. I like to sprinkle Furikake on rice for flavour. Cameron sprinkles Feta on her Salad, so there’s an option!
Gallery:
(Photo credit: Mr. Will Wong)
LOKI fans will be thrilled at this! It was just announced today that Owen Wilson joins the MCU Universe, starring in Marvel’s LOKI. The new Series premieres this Wednesday on Disney+.
See this new Featurette:
LOKI premieres on Disney+ June 9, 2021.
(Photo/video credit: Disney)
Disney+ has confirmed today that some exciting new Series are coming to STAR (on Disney+) including ONLY MURDERS IN THE BUILDING and PAM & TOMMY! More details below:
Dopesick
From Executive Producer Danny Strong and starring and executive produced by Michael Keaton, “Dopesick” examines how one company triggered the worst drug epidemic in American history. The series takes viewers to the epicenter of America’s struggle with opioid addiction, from the boardrooms of Purdue Pharma, to a distressed Virginia mining community, to the hallways of the DEA. The unsparing yet deeply human portraits of the various families affected by Oxycontin addiction and their intersecting stories hold up a mirror to this American tragedy, while shining a hopeful light on the heroes battling the craven corporate forces behind this national crisis. The limited series is inspired by the New York Times bestselling book by Beth Macy.
“Dopesick” is written by Emmy winner Danny Strong and directed by Oscar winner Barry Levinson. Executive producers include Danny Strong, John Goldwyn, Barry Levinson, Warren Littlefield, Beth Macy and Karen Rosenfelt. The limited series is based on the New York Times bestselling book of the same name by Beth Macy, coming to Hulu from 20th Television and The Littlefield Company. The series stars Michael Keaton, Peter Sarsgaard, Will Poulter, John Hoogenakker with Kaitlyn Dever and Rosario Dawson.
Immigrant (2022)
“Immigrant” is the true story of Somen “Steve” Banerjee (played by Nanjiani), the Indian-American entrepreneur who started Chippendales. The series will detail the insane, darkly comedic, crime-ridden story behind the unique male revue that became a cultural phenomenon.
Only Murders in The Building (August 31, 2021)
From the minds of Steve Martin, Dan Fogelman and John Hoffman comes a comedic murder-mystery series for the ages. “Only Murders in the Building” follows three strangers (Steve Martin, Martin Short and Selena Gomez) who share an obsession with true crime and suddenly find themselves wrapped up in one. When a grisly death occurs inside their exclusive Upper West Side apartment building, the trio suspects murder and employs their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years. Perhaps even more explosive are the lies they tell one another. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it’s too late.
Pam & Tommy (2022)
“Pam & Tommy” is a limited series based on the true story behind the release of the first ever viral video in history — the sex tape of Pamela Anderson and Tommy Lee. The series brings a new perspective to the scandal that changed the course of celebrity culture.
(Photo credit: Disney+)
Paramount Home Entertainment x Mr. Will are thrilled to give Readers to bring a bit of history home with this amazing INDIANA JONES: 4-MOVIE COLLECTION on 4K ULTRA HD! Now deemed a classic, Raiders of the Lost Ark—celebrates its 40th anniversary this year!
Films in the Collection include:
INDIANA JONES AND THE RAIDERS OF THE LOST ARK
INDIANA JONES AND THE TEMPLE OF DOOM
INDIANA JONES AND THE LAST CRUSADE
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL
The Set includes special features:
On Set with Raiders of the Lost Ark
Making the Films
Behind the Scenes
Check-out this Featurette with Raiders of the Lost Ark‘s Sound Designers:
To enter to win the Collection, click “like” on this Post at MR. WILL ON FACBEOOK and Re-Tweet this Contest Tweet below for an extra chance.
Rules and regulations here.
The INDIANA JONES: 4-MOVIE COLLECTION arrives June 15, 2021.
(Photo/video credit: Paramount Home Entertainment)
It was only a matter of time before this became a single. LOVE AGAIN is one of the strongest tracks on Dua Lipa‘s Grammy-winning FUTURE NOSTALGIA Album and it is her latest release. She is channeling a little Joker and Madonna “Don’t Tell Me” era breaking-out the mechanical bull and line dancing!
FUTURE NOSTALGIA (Moonlight Edition) is in stores now.
(Photo/video credit: Warner Music)
Music icon Mary J. Blige is the subject of upcoming Amazon Prime Video Documentary MARY J BLIGE’S MY LIFE. Check-out this new Trailer!
Synopsis:
Mary J. Blige set the music world on fire with her trailblazing 1994 LP “My Life,”. In Vanessa Roth’s Documentary Mary J. Blige’s My Life, the singer, producer and actress reveals the demons and blessings that inspired the record and propelled her to international stardom. She celebrates the 25th anniversary of her most influential work by performing the album live for the first time.
MARY J. BLIGE’S MY LIFE arrives on Amazon Prime Video June 25, 2021.
(Photo/video credit: Amazon Prime Video)
Right in-time for July 4th comes AMERICA: THE MOTION PICTURE which tells American history like you’ve never seen before! Definitely NSFW.
| Synopsis: In this wildly tongue-in-cheek animated revisionist history, a chainsaw-wielding George Washington assembles a team of rabble rousers — including beer-loving bro Sam Adams, famed scientist Thomas Edison, acclaimed horseman Paul Revere, and a very pissed off Geronimo — to defeat Benedict Arnold and King James in the American Revolution. Who will win? No one knows, but you can be sure of one thing: these are not your father’s Founding… uh, Fathers. Voice Cast: Channing Tatum “George Washington” Jason Mantzoukas “Samuel Adams” Olivia Munn “Thomas Edison” Bobby Moynihan “Paul Revere” Judy Greer “Martha Washington” Will Forte “Abraham Lincoln” Raoul Max Trujillo “Geronimo” Killer Mike “Blacksmith” Simon Pegg “King James” Andy Samberg “Benedict Arnold” |
AMERICA: THE MOTION PICTURE arrives on Netflix June 30, 2021.
(Photo/video credit: Netflix)
We present the brand-new Trailer for Anthony Bourdain Documentary, ROADRUNNER!
Story:
It’s not where you go. It’s what you leave behind . . . Chef, writer, adventurer, provocateur: Anthony Bourdain lived his life unabashedly. Roadrunner: A Film About Anthony Bourdain is an intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. From Academy Award®-winning filmmaker Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?), this unflinching look at Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.
Focus Features release ROADRUNNER: A FILM ABOUT ANTHONY BOURDAIN is in theatres July 16, 2021.
(Photo/video credit: Focus Features)
Taking place June 3-13, 2021, the Toronto Jewish Film Festival is back again this year virtually with lots of great selection including Centerpiece Film LUNE, as well as Opening Film SHELTER and Closing Film THE SPECIALS.
Our George Kozera (Twitter: @PartyG) had the joy of previewing some selections from this year’s Festival and shares his thoughts with us on them.
Based on writer/director Leo Khasin’s life growing up Jewish in Berlin, THE UN-WORD explores, brilliantly at that, the sensitive subjects of racism and multiculturalism. What starts off sounding like a set-up of a bad joke – an Iranian, a Palestinian and a Jewish student get into a fight – segues into a movie overflowing with insight, sensitivity and comedy with a balance as profound as the metaphorical scales of justice. When the parents of Max, the Jewish student who bit the ear off the Palestinian who constantly bullied him in and outside of class, attend a hastily scheduled meeting at the school with his teacher, the principal and the superintendent, we can’t help but notice the subtle context of comments made by the adults that could be deemed racist. As THE UN-WORD unfolds and many backstories are revealed, it remains difficult to not be affected by the racial discrimination occurring and misinformation taken for truth. But, in strokes of cinematic genius, Khasin infuses the Movie with comedy so funny, I was consistently laughing out loud which, like Garbo, I rarely do!
In addition to the letter-perfect performances from everyone in the Cast, this movie addresses every elephant in the room with intelligence and perspective. Whereas it is never easy to hear someone say that “The Diary of Anne Frank” is a fictional hoax, it is also infuriating to hear an elderly German person spew “the Arabs are today’s Jews”. It all culminates with a seething dialogue from an adult Iranian woman of all the injustices she experiences daily.
THE UN-WORD will dazzle you. It’s a must-see.
Before World War II, the thriving Warsaw district of Muranow housed over 200,000 Jewish residents and when Germany occupied Poland during the war, it became the Warsaw Ghetto with many of the inhabitants sent to the Treblinka death camp. The Nazis completely destroyed the area with the exception of one building used by the SS and a church where they stored all the treasures they had stolen. After WWII, it was technically impossible to rebuild the neighbourhood without removing three stories of debris, so they built over it, using bricks made of the rubble and human bones. In essence, Muranow exists atop a cemetery.
The Documentary MURANOW is an endlessly fascinating account of the city, its history and, especially, life there now. Many current residents unabashedly believe ghosts still live in the new buildings; one apartment dweller even named his ghostly roommate Rachel. Whereas personally I am highly skeptical of these metaphorical beings, events that occur defy logical explanations. However, this is more than just a Documentary focused on the undead. Many interviews are conducted with a diverse group of people: Scholars, Historians, Artists, Writers, Residents andBusiness Owners are but a few who talk about living in an area with such a tragic history.
MURANOW had me transfixed throughout its concise 70-minute screening time. Though saddened to see and hear that much of modern-day Poland is still rife with antisemitism and demonstrations that aren’t vastly different from the Trump rallies in recent history, the movie uplifts more than it criticizes. And even though I don’t believe in ghosts and zombies, if I ever meet Rachel, I’ll be on the next Uber to the airport.
TIGER WITHIN comes with an impressive pedigree. Montreal-born Director Rafal Zielinski’s résumé includes “Fun”, which made a huge impact at Sundance and is one of the best movies you’ve never heard of and Anne Hathaway’s big break occurred when she starred in Screenwriter Gina Wendkos’s “The Princess Diaries”. Add 20-time nominated and winner of 7 Emmy Awards, Ed Asner to the mix and you have a potential “can’t miss” movie.
Wearing her uniform consisting of ripped jeans, excessive black eyeliner, nose rings and a leather jacket with a painted swastika on the back, Casey (Margot Josefsohn) just doesn’t fit in with anyone at school. Life at home with her clueless mother and the violence-prone live-in boyfriend is no better, so all decide she should leave Ohio and live with her estranged father in Los Angeles. Upon arrival, Casey secretly overhears disparaging comments made about her by her new family unit and decides to go it alone in a new city, where she is quickly robbed of everything she owns. When she is found sleeping at a Jewish cemetery by 87 year-old Holocaust survivor Samuel (Asner), he treats her to a meal and a place to stay. TIGER WITHIN is all about the special bond these two lonely characters share.
There is much to admire as TIGER WITHIN unfolds with its tale of friendship between these unlikely people. Whereas the character of Casey can at times be abrasive, Josefsohn is up to task and gives an impressive performance. Asner rarely falters in any role and here, with his decades of acting experience, he beautifully fleshes out Samuel with gentle humour and insight. The strong message of healing, faith and forgiveness is executed flawlessly, but at times TIGER WITHIN feels a tad overwrought and heavy-handed. Minor quibbles aside, this movie shines and will tug at your heart. It is a wonderful escape, and that is why we see movies.
This year’s TJFF Opening Film is the world premiere of director Ron Chapman’s documentary SHELTER. It opens with a number of WW2 survivors talking about the religious persecution and atrocities they experienced in Europe, revealing scars that never fully healed, and with expert use of archival footage, I defy anyone watching not to be emotionally shattered. Once they emigrated to Toronto, it became apparent to many that it was a multicultural city where the newcomers focused on two things: employment and a home. Unable to find work due to the city’s then rampant antisemitism, many Jewish families tapped into their entrepreneurial spirits by first buying then renovating and flipping houses, then by starting construction companies and building high rise apartments, dwellings rarely seen outside of Toronto.
Alongside interviews and archival footage, Chapman also employs recreations of events using actors to further the story. I personally have never been a fan of documentary recreations as I feel they detract and I start to focus on ridiculous details like the haircuts on the men the actors are portraying are more modern-day Ryan Gosling than they are Montgomery Clift. However, the achieve the effect and enhance SHELTER admirably.
I found it fascinating that many of these real estate moguls felt that going into business and potentially into bankruptcy was nothing when compared to what they went through during wartime Europe. Through determination and self-education, in addition to luck and chutzpah, 75% of all rental units in Toronto were conceived and built by Jewish entrepreneurs. What an amazing accomplishment that SHELTER features splendidly
Aviva Armour-Ostroff is an established, award-winning Actress and highly respected in the Toronto theatrical community. Not only is she the star of LUNE, she co-directed, co- produced and co-wrote it. She plays Miriam, a single mother to her teenage daughter Eliza (Chloe Van Landschoot). Set in Toronto in 1994, Eliza is preparing her audition to be accepted to a prestigious dance school in Montreal. Miriam, a South African-born Jew, is determined to return to her homeland to partake and vote in the election of the just-freed Nelson Mandela. Miriam is also Bipolar and when she’s on her meds, she is high-functioning, articulate, charming and fascinating to such a degree that Eliza’s boyfriend Mike (Vlad Alexis) is mesmerized by her completely. It is when Miriam is off her medications, as she is throughout most of this Movie’s length, LUNE spirals downwards.
Stage Acting is vastly different from Screen Acting. In theatre, one must effectively project their movements and voice to reach the last row and this describes Armour-Ostroff’s performance. It’s bombastic. It’s over-the-top. It’s twitchy body parts flailing akimbo and a borderline Carol Burnett parody of Norma Desmond, made even more jarring by the subtle naturalistic and genuinely-endearing performances from Van Landschoot and Alexis.
I am utterly convinced that deep in the heart and soul of LUNE, there is a great movie. I only wish it were as brilliantly-executed and emotive as Eliza’s dance composition that interpreted the world of those suffering from Bipolar Disorder with dignity and without melodrama.
In the pantheon of memorable movies that feature mother/daughter relationships in the forefront (Terms of Endearment, Postcards from the Edge, Lady Bird and even Freaky Friday), one must add ASIA, the feature debut from Writer/Director Ruthy Pribar, and a winner of three awards at last year’s Tribeca Film Festival, to the list.
Asia (Alena Yiv) recently moved to Jerusalem from Russia where she works as a nurse. In her mid-30s, she has a teenaged daughter Vika (Shira Haas) who, at first glance can be perceived to be rebellious with a contentious relationship with her mother. We quickly learn that Vika has a degenerative motor skills disease that accounts for her sullen nature and tries to undermine the constant overprotection from Asia. Whereas Vika enjoys hanging out with a skateboarding crowd and swig from Vodka bottles with her bestie, what she really wants is a boyfriend before her physical condition worsens. Asia is more gregarious, flirting with bartenders after work and happy in her “Friends with Benefits” relationship with a doctor. As Vika weakens and requires more fulltime attention, Asia asks the handsome, young hospital intern Gabi (Tamir Mula) if he was available to help out.
ASIA excels on multiple levels. The script is concise, intimate and grounded in reality. The performances from Alena Yiv and Shira Haas (who recently won the Film Independent Spirit Award for Best Actress in “Unorthodox”) exceed expectations. Together they achieve greatness with delicacy and strength. Moreover, these exceptional actresses stand back and let the supporting cast shine during their moments. Lastly, to be forewarned is to be forearmed. I strongly suggest you have tissues readily available because ASIA will put you through the wringer. It is an outstanding cinematic achievement.
Inspired by true events, this year’s Closing Film THE SPECIALS (HORS NORMES en français) is a powerful and evocative movie made by two Filmmakers at the top of their game. Bruno (Vincent Cassel) is a Jewish man who runs a government unlicensed shelter that houses and cares for teenaged and young adults diagnosed with autism spectrum disorder that have been, sadly, turned away from other institution. Malik (Reda Kateb) is Muslim and his company trains young adults from deprived areas to become caregivers. Though both men have different “management styles – Bruno is always hopefully optimistic whereas Malik can be brutal with group of students – they are equally dedicated and indefatigable. In the skilled hands of the Writers/Directors Eric Toledano and Olivier Nakache, a difficult subject matter is presented with grace and humour. Idyllic scenes of the caretakers and their cares at an ice-skating rink or at a horse farm are as potent as ones featuring runaway patients.
The ordinarily intense Vincent Cassel not only shows a softer side in his acting repertoire (who knew he could smile?), it is his best role in years. As much as Bruno excels with those in his care, he is awkward around women and his success rate with “chiddoukh” (blind dates) is pathetically dismal. Reda Kateb (“A Prophet”) radiates power and compassion. As Dylan, the newest recruit to become a caregiver, Bryan Mialourdama impresses. Whereas THE SPECIALS never sugarcoats the obstacles those with autism experience and there are moments that are emotionally strong, it is also uplifting and hopeful.
Much like Toledano and Nakache’s “The Intouchables”, it is impossible not to become affected by what THE SPECIALS so astonishingly presents.
Guy Amir and Hanan Savyon are a popular Israeli Comedy duo and in their second feature film together, FORGIVENESS, (as Writers, Directors and Leads) they explore the Buddy/Caper Action genre. After serving three years in jail for getting caught in a bungled bank heist, Shaul returns home, on the Jewish side of the Gaza Strip, to try refresh his relationship with his wife and teenaged daughter. Met in front of the prison by his criminal conspirator, Nissan, who managed to escape with the money stolen but not get apprehended by the police. Now a Hassidic Jew, Nissan seeks forgiveness from Shaul for the time he spent in jail while they both try to recover the money buried somewhere along the border.
FORGIVENESS is pure, unadulterated 100% Sitcom in set-ups and execution. From gangsters that feel they morally can’t murder anyone during Yom Kippur, to horses having a bowel movement in safe rooms during red alerts, breaking into a vault while stoned on hashish and explosions galore, this Movie tells its story in breakneck speed. The chemistry between Shaul and Nissan is strong and there’s enough relationship drama to not make FORGIVENESS strictly slapstick. Whether the gags land successfully is all up to the viewer.
More on the Festival and how to get tickets here.
(Photo/video credit: TJFF)
In celebration of Pride month, Netflix presents season two of acclaimed Series FEEL GOOD, starring Toronto’s own Mae Martin.
Synopsis:
The first season of FEEL GOOD premiered in March 2020 to widespread praise and a perfect 100% “Certified Fresh” rating on Rotten Tomatoes. Despite the dark and uncertain times at the beginning of the pandemic, FEEL GOOD was able to bring joy to viewers for its cinematic look and the earnest, sincere depiction of a queer love story. The first season also won the C21 Drama Award for “Comedy Drama Series,” the MIPCOM Diversity TV Excellence Award for “Representation of LGBTQ+ Scripted,” and the Edinburgh TV Award for “Best Comedy Series” with an additional nomination for Mae for “Breakthrough Talent.” With this being the final season, Mae brings all the stories, themes, and milestone moments full circle to properly end a pivotal chapter of Mae’s creative journey.
See the Trailer:
S2 of FEEL GOOD arrives on Netflix Friday, June 4, 2021.
In case you’re looking for programming with LGBTQ2+ storylines, here’s a list of Series and Films available now on Netflix for you to celebrate your Pride!
| Missing Link |
| Happy Death Day 2U |
| Hunter X Hunter |
| Every Day |
| Pitch Perfect |
| Pitch Perfect 2 |
| Being John Malkovich |
| Schitt’s Creek |
| La La Land |
| Best Wishes, Warmest Regards: A Schitt’s Creek Farewell |
| RocknRolla |
| How to Train Your Dragon: The Hidden World |
| Amend: The Fight for America |
| The Mortal Instruments: City of Bones |
| Eat Pray Love |
| Bachelorette |
| Daughter From Another Mother |
| Superstore |
| Burlesque |
| Alaska Is a Drag |
| Gameboys Level-Up Edition |
| Your Name Engraved Herein |
| Ma Rainey’s Black Bottom |
| Bwakaw |
| Tiny Pretty Things |
| The Prom |
| Kalel, 15 |
| Ava |
| 2012 |
| Godzilla |
| The Matrix Revolutions |
| The Matrix Reloaded |
| A Queen Is Born |
| Unbroken |
| The Matrix |
| Clueless |
| Someone Has to Die |
| Grand Army |
| The Haunting of Bly Manor |
| Billy Elliot |
| Saturday Church |
| The Silence of the Lambs |
| The Wizard of Oz |
| V for Vendetta |
| White House Down |
| Mamma Mia! Here We Go Again |
| Ratched |
| Ferris Bueller’s Day Off |
| The Blue Lagoon |
| Easy A |
| Hairspray |
| Mansfield Park |
| Edge of Seventeen |
| Bridget Jones’s Diary |
| Teenage Bounty Hunters |
| Star Trek Beyond |
| Kissing Game |
| Dating Around: Brazil |
| Legally Blonde |
| Mean Girls |
| Beastly |
| Say I Do |
| Eurovision Song Contest: The Story of Fire Saga |
| Disclosure |
| Alexandria: Again and Forever |
| ONE PIECE |
| Hannibal |
| Breakfast at Tiffany’s |
| Funny Girl |
| Big Daddy |
| Good Will Hunting |
| Psycho |
| The Women |
| Modern Family |
| I Am Divine |
| Dope |
| The Half Of It |
| Hollywood |
| İstanbul Kırmızısı |
| Never Have I Ever |
| Bleach |
| Regression |
| Dirty Dancing |
| The Patriot |
| The Wedding Planner |
| Sex and the City: The Movie |
| How to Train Your Dragon |
| The Twilight Saga: Breaking Dawn: Part 1 |
| The Ugly Truth |
| The Twilight Saga: Breaking Dawn: Part 2 |
| Grease |
| Trixie Mattel: Moving Parts |
| Tiger King: Murder, Mayhem and Madness |
| Feel Good |
| RuPaul’s Drag Race: Untucked! |
| JoJo’s Bizarre Adventure |
| The Last Thing He Wanted |
| The Queen |
| Professor Marston and the Wonder Women |
| AJ and the Queen |
| The Imitation Game |
| Loev |
| Merlin |
| RuPaul’s Drag Race: All Stars |
| The Sky Is Pink |
| RuPaul’s Drag Race Holi-Slay Spectacular |
| Zona Rosa |
| No Time for Shame |
| Earthquake Bird |
| Let It Snow |
| Haikyu!! |
| Queer Eye: We’re in Japan! |
| The House of Flowers Presents: The Funeral |
| Chip and Potato |
| What Men Want |
| The Politician |
| Styling Hollywood |
| The Girl Allergic to Wi-Fi |
| The Red Sea Diving Resort |
| Pretty Little Liars |
| The Emoji Movie |
| Eastsiders |
| Glee |
| Tales of the City |
| Neon Genesis Evangelion |
| Kill la Kill |
| Charité at War |
| Trinkets |
| Elisa & Marcela |
| Tales of the City |
| When They See Us |
| WHAT / IF |
| BONDING |
| No Good Nick |
| Special |
| Girl |
| I Am |
| The Umbrella Academy |
| Dating Around |
| Unauthorized Living |
| Sex Education |
| Ellen DeGeneres: Relatable |
| Black Butler |
| Sotus The Series |
| Bangkok Love Stories: Innocence |
| She-Ra and the Princesses of Power |
| Super Drags |
| The Judgement |
| The Untold Tales of Armistead Maupin |
| Elite |
| RuPaul’s Drag Race |
| The Good Place |
| Kuchh Bheege Alfaaz |
| Insatiable |
| The House of Flowers |
| Ghostbusters |
| Alex Strangelove |
| Outside In |
| Saint Seiya: The Lost Canvas |
| End Game |
| 6 Balloons |
| Queer Eye |
| Black Lightning |
| Devilman Crybaby |
| Fullmetal Alchemist |
| Anne with an E |
| Godless |
| Mudbound |
| Dynasty |
| The Death and Life of Marsha P. Johnson |
| Big Mouth |
| Gaga: Five Foot Two |
| Strong Island |
| First They Killed My Father |
| Handsome Devil |
| Uncertain Glory |
| Little Witch Academia |
| Cable Girls |
| Dear White People |
| Ingobernable |
| Scream Queens |
| Deidra & Laney Rob a Train |
| Shameless |
| Hap and Leonard |
| One Day at a Time |
| Star |
| Call My Agent! |
| The OA |
| Other People |
| Please Like Me |
| Supergirl |
| Easy |
| Holding the Man |
| Star Trek: Deep Space Nine |
| Star Trek: Voyager |
| Black Mirror |
| Degrassi: Next Class |
| Chelsea |
| How to Get Away With Murder |
| Chelsea Does |
| Brooklyn Nine-Nine |
| Shadowhunters: The Mortal Instruments |
| Making a Murderer |
| Master of None |
| Sense8 |
| Tig |
| The Fosters |
| Grace and Frankie |
| Unbreakable Kimmy Schmidt |
| Grey’s Anatomy |
| The 100 |
| Orange Is the New Black |
| A Secret Love |
| Alice Junior |
| Ana & Vitoria |
| And Then Came Lola |
| Boy Erased |
| Circus of Books |
| El baile de los 41 |
| Dancing Queen |
| Dating Amber |
| Feminists: What Were They Thinking? |
| Hating Peter Tatchell |
| I Am Happiness on Earth |
| I Am Michael |
| John Was Trying to Contact Aliens |
| Vis a vis |
| Michael Lost and Found |
| Mucho Mucho Amor: The Legend of Walter Mercado |
| Paraíso Perdido |
| REA(L)OVE |
| Simplemente Manu NNa |
| Salir del ropero |
| Straight Up |
| Super Deluxe |
| El árbol de la sangre |
| To Each, Her Own |
| Dance of the Forty One |
| Who Killed Sara?: Season 2 |
| Halston |
(Photo/video credit: Netflix)
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