By David Baldwin
A number of A-list talent, including burnout movie star Mike Tyler (Chris Evans), are attending an environmental benefit in a gorgeous mine in Greece hosted by big tech billionaire Braken (Vincent Cassel). Things take a turn when a group of doomsday cult eco-terrorists led by Joan (Anya Taylor-Joy) take the crowd hostage and demand three people be sacrificed to a nearby volcano in order to save the world.
That description certainly makes SACRIFICE sound like a feel-good picture (sarcasm intended), but what follows in this mad satire that takes more than just a sprinkling of inspiration from the works of Ruben Östlund, Yorgos Lanthimos and to a certain degree, Wes Anderson, is an eco-thriller with a lot of set-up and not much pay off. The first half of the film is entertaining, even as it makes jokes at the expense of the lowest hanging fruit (Braken’s recording artist wife, played by Salma Hayek Pinault, is said to have made a charity album to benefit the ocean…from the ocean’s point of view). Once the second half kicks in though, SACRIFICE loses its footing and does not really recover. There are just too many characters and situations happening at the same time, and no real sense of control. This chaos might be intentional given Co-Writer/Director Romain Gavras’ influences, but everything on display here lacks depth.
The only thing that does not lack depth is Evans, who delivers another rock solid performance to add to his stellar supporting turns in Materialists and Honey Don’t from earlier this year. He is playing a variation of himself yes, but he digs down deep in an introspective way that makes you instantly remember what an incredibly talented performer he can be when he is not playing Captain America. Taylor-Joy is pretty stellar as Joan as well, easily overshadowing anyone that comes into contact with her.
SACRIFICE screens at TIFF ‘25:
Sat. Sept 6 at 9:30 PM at VISA Screening Room at the Princess of Wales Theatre
Sun. Sept 7 at 6:45 PM at Scotiabank Theatre Toronto
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