PROCTOR STREET garners her first graded stakes win in the Grade II Canadian for @brenpwalsh and Owner/Breeder Patricia Moseley, with Pietro Moran up for the win. He took four wins on the card.
2GAS ME UP doubles-up in the Grade II King Edward for Exline-Border Racing, Jawl, Kennedy and Zwiesler. This is an exciting photo finish, but @FraserAebly's determined ride would be deciding factor here. FIVE wins on the card for Team Kevin Attard!
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I present to you KING'S PLATE 2026. The thread.
LUSTER became the 40th filly to win North America's most historic horse race, winning under @ljlmvel in a brisk 2:02.1 by seven lengths. This is @jcarrollracing's third Plate and Co-Owners @Gainesway and Andrew Rosen's first! #KP26
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By Amanda Gilmore
Writer-Director Chandler Levack’s hotly-anticipated second feature takes place in 2011 and follows young female music critic Grace (Barbie Ferreira), who moves to Montreal to figure out life and love.
After leaving her job at a magazine in Toronto, Grace moves into a shared apartment in Montreal that she found on Craigslist. It’s there that she should devote herself to finishing the next great book in the 33 1/3 album exploration series that she’s already been paid an advance on. Hers will be on the iconic Alanis Morissette opus Jagged Little Pill. However, like many in their early 20s…life gets in the way.
Just like with Lawrence in I Like Movies, Grace makes a lot of bad choices. Levack has a knack for writing endearing leads that make audiences cringe at their poor decisions or indecisions. Here, Grace is a young woman whose focus is on everything and everyone but herself. This leads to Grace blowing her own life up.
This focus on others rather than herself comes from society, but also the career Grace has. There aren’t many films that depict a female critic. Here, Levack shows just how isolating it can be for a young woman. Grace is always on the outside of a circle of men. When she arrives in Montreal, she quickly becomes friends with the band Bone Patrol. Again, she’s the only woman around this band of boys. Ferreira encapsulates the indecision and enclosed rage within a young woman who is simultaneously trying to break the ceiling but at times allowing it to suffocate her.
Even with all of this heavy material, Mile End Kicks is a hilarious romantic-comedy. The semi-love triangle that happens brings nostalgia for the rom-coms we love. Devon Bostick and Stanley Simons are a joy and fully commit to their characters. Bostick as the stoner, sweet guitarist, and Simons as the sleezy, ‘artsy’ lead singer.
At its centre, Mile End Kicks is a story about a young woman learning to respect herself. All of Grace’s poor decisions lead her to respect herself and demand it from others.
Mile End Kicks screens at TIFF:
Thurs. Sept 4 at 8:30 PM at Royal Alexandra Theatre
Tues. Sept 9 at 11:55 AM at Scotiabank Theatre Toronto
Sat. Sept 13 at 9:00 AM at Scotiabank Theatre Toronto
#TIFF: “NEIL PEART: NO ONE’S DISCIPLE” TO PREMERE AT TIFF
#TIFF: FULL SCHEDULE ANNOUNCED FOR 2026 TORONTO INTERNATIONAL FILM FESTIVAL
#TIFF: IN CONVERSATION WITH… SERIES AT 2026 TORONTO INTERNATIONAL FILM FESTIVAL
#TIFF: MIDNIGHT MADNESS PROGRAMME ANNOUNCED FOR 2026 TORONTO INTERNATIONAL FILM FESTIVAL
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