#TIFF25: DAY SEVEN HIGHLIGHTS – HAN SO-HEE, FALA CHEN, SHU QI, PARK CHAN-WOOK AND MORE

tiff50 day seven for us was a real showcase of asian cinema, with some of asia’s biggest stars doing the rounds!

some highlights include:

•han so-hee and jun jong-seo at tiff for project y
•lee byung-hun and park chan-wook at an in-conversation
•shu qi at tiff for girl
•fala chen and edward berger at tiff for ballad of a small player

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#TIFF25: “NO OTHER CHOICE” REVIEW

By Nicholas Porteous

Park Chan-wook returns to TIFF (after his singularly dazzling Decision to Leave) with No Other Choice. It’s a very different kind of war movie about a factory worker (Lee Byung-hun) and the battle to feed his family when he’s unceremoniously let go. How far will he go to recapture the old life that seems to be slipping through his fingers? Take your wildest guess–then go another few steps further.

No Other Choice is a classic Chan-wook vibe, full of unexpectedly hilarious moments that serve to counteract the unrelenting bleakness of the bigger picture. Chan-wook is a daring tightrope walker of tone, and his vision is so precise it’s hard to imagine any other filmmaker who could pull off this hyper-specific potpourri of comedy and tragedy. This is by no means a feel-good story, but the jokes are undeniable.

Chan-wook also continues to move his camera with nearly unmatched gusto. Tablet screens and video calls have never been more cinematic. Out of context, his frames might seem gimmicky, but his focus is always bringing you closer to these characters and their little worlds. Despite our lead’s indefensible actions, I never lost sight of his humanity, or the real villain: a world without mercy that pits us against each other, and rewards the vicious with jobs that may as well be performed by robots.

No Other Choice is labyrinthine, and certainly feels its length–a hefty 139 minutes. It’s easy to get a bit lost in all the details, and every little thing is there for a reason. By the same token, it’s a rewarding watch, even though the whole package may leave you queasy. Its conclusion feels abrupt, and necessarily harsh. Particularly if you’ve enjoyed Chan-wook’s other, oftentimes brutal works, this will not disappoint.

No Other Choice screens at TIFF ’25:

Mon. Sept 8 at 9:30 PM at Roy Thompson Hall

Tues. Sept 9 at 8:45 PM at Scotiabank Theatre Toronto

Thurs. Sept 11 at 11:30 AM at TIFF Bell Lightbox

#TIFF25: TIFF ANNOUNCE IN-CONVERSATIONS AT 2025 TORONTO INTERNATIONAL FILM FESTIVAL

With just three weeks until the Festival, TIFF is proud to share a preview of this year’s programming and events that go beyond the big screen, offering a broader lens on the global entertainment industry’s influence. TIFF’s iconic In Conversation With… (ICW) series is set to welcome international superstars Park Chan-wook, Dwayne Johnson, Ryan Reynolds, and Tessa Thompson alongside Nia DaCosta, five bold, original voices who will engage audiences through candid, in-depth conversations about their careers, craft, and creative journeys. The 50th Toronto International Film Festival, presented by Rogers, runs September 4–14, 2025.

TIFF Next Wave presents an inaugural TIFF: Close-Up conversation with Project Y co-stars Han So-hee and Jun Jong-seo. Programmed specifically for TIFF’s Under-25 audience, this is an opportunity to hear from two of the most exciting global rising stars at this year’s Festival.

“As we mark TIFF’s 50th edition, our programming continues to reflect our belief that film and creative expression can spark dialogue, challenge perspectives, and build connection,” said Anita Lee, Chief Programming Officer, TIFF. “From intimate ICWs and a Close-Up event with today’s biggest stars, to events designed to elevate and celebrate creative communities, we’re proud to offer Festival goers opportunities to further engage.”

Now in its third year, TIFF’s invite-only Black Excellence Brunch presented by RBC, hosted at RBC House (Petros82), and supported by the Jamaica Tourist Board, is a vibrant celebration of the Black creative community. The event fosters connection, shared experience, and collective growth by bringing together both local and international voices. This year’s brunch will also shine a spotlight on the 30th anniversary and enduring legacy of Planet Africa, the groundbreaking Festival programme founded by Cameron Bailey in 1995.

Announced last week, the Criterion Mobile Closet is making its sixth stop and its Canadian debut as part of TIFF’s Festival Street, Sept 4–7. Open to the public, visitors are invited to explore its extensive collection of 1700 films and to make your very own Closet video. And if you miss your chance to visit, part of the collection and Criterion merchandise will be available in the TIFF Shop. More news about other Festival Street activations will be shared closer to the Festival.

More info on: In Conversation With…

In Conversation With… Park Chan-wook, presented by The Korean Film Council

Director Park Chan-wook’s blend of striking visuals and masterful tension has cemented his status as one of contemporary cinema’s most influential auteurs. His elegant, genre-defying storytelling has consistently challenged cinematic conventions while exploring themes of obsession, morality, and the human psyche. Join us for a rare opportunity to hear Park Chan-wook, in conversation with Don McKellar, about the evolution of his craft, his impactful career, and the making of No Other Choice — a film co-written with McKellar, and an essential new addition to one of the most celebrated filmographies of the 21st century.

In Conversation With… Dwayne Johnson

Dwayne “The Rock” Johnson is truly one of a kind: the professional wrestler turned movie superstar has a powerful connection with his global fan base, which includes diehard adult wrestling fans, young Maui devotees, and everyone in between. Johnson joins TIFF for an exclusive conversation about his journey from the ring to Hollywood, his work as a producer and co-owner of Seven Bucks Productions, and his creative collaboration with A24, Benny Safdie, and long-time friend and co-star Emily Blunt to bring the true story of MMA legend Mark Kerr to the big screen in The Smashing Machine.

In Conversation With… Ryan Reynolds, presented by Prime Video

Creator, producer, writer, actor, entrepreneur, and co-owner of one of the oldest football clubs in the world, Ryan Reynolds is a creative force in Hollywood and beyond. Recently named an Officer of the Order of Canada, Vancouver-born Reynolds is proudly Canadian with a healthy dash of global ambition. As TIFF opens the Festival with John Candy: I Like Me, Reynolds will discuss his work as a producer on the film, the influence of John Candy on his own career, and his work in front of and behind the camera at his company Maximum Effort.

In Conversation With… Tessa Thompson and Nia DaCosta

Actor-producer Tessa Thompson and director-screenwriter Nia DaCosta discuss their bold new collaboration Hedda, a striking reimagining of Henrik Ibsen’s classic play Hedda Gabler. This intimate conversation will take audiences behind the scenes of one of the year’s greatly anticipated films, while delving into Thompson and DaCosta’s creative partnership and their respective careers. Join us for a revealing conversation about artistry, risk, and the power of creative collaboration.

More information on Close Up:

Close-Up (클로즈업): Han So-hee and Jun Jong-seo

The World Premiere of Lee Hwan’s highly anticipated Project Y is part of #TIFF50, and TIFF Next Wave is presenting a special Close-Up (in Korean: 클로즈업) event with film co-stars Han So-hee and Jun Jong-seo. So-hee and Jong-seo will speak about their friendship, creative collaboration on Project Y, and their respective journeys in the entertainment world, with special focus on their starring roles in such K-Pop music videos as Seven by Jung Kook and Derre by Bibi.

The 50th edition of the Toronto International Film Festival, presented by Rogers, runs September 4–14, 2025.

(Photo credit: Mr. Will Wong)

#TIFF22: “DECISION TO LEAVE”

By Amanda Gilmore

Visionary South Korean Director Park Chan-Wook is back with this visually stunning romantic Thriller Noir.

After a man falls to his death from a mountain, Detective Hae-joon (Park Hae-il) meets his widow Seo-rae (Chinese Actress Tang Wei). She seems to be unaffected by the death of her husband. This causes suspicion amongst the detectives in the precinct. All signs point to her as suspect number one. But Hae-joon doesn’t believe that this mysterious woman could do such a thing. After stakeouts and an interrogation, Hae-joon becomes smitten with the mysterious Seo-rae. Now he must decide if his feelings get in the way of the investigation.

Decision to Leave starts out as a Detective Thriller and turns into something more heartfelt. In brilliant Chan-Wook style the edits and transitions are a visual feast for the eyes. Chan-Wook makes these transitions feel like they are one continuous take. They transport our detective into another scene that is playing out inside his mind. It’s a mesmerizing camera technique that is a delight to witness. There are shots that will dazzle and make any cinephile gasp.

The first half plays out like a gritty Detective Thriller Noir. Hae-joon is on a mission to find who threw this man off of the mountain. It seems like he found his prime suspect but her demeanour throws Hae-joon off. He finds this woman mesmerizing. The effect she has on him is paramount and the audience understands the emotion, thanks to the strong performance from Hae-il. He looks at her like she has all the answers in the world.

That’s when this noir turns into something more romantic. A blossoming relationship flourishes between the two. In lesser hands, this wouldn’t work. However, Chan-Wook excels in this storytelling. Seo-rae has clearly lived a difficult life. She’s been abused by her deceased husband. She carries this weight with her and it’s part of the reason Hae-joon falls for her. The audience is swept-away in this romance because of the chemistry between the two leads.

It’s in the second half when Seo-rae comes back into Hae-joon’s life that Chan-Wook’s intention comes through. This is a story about two people who fall in love in the oddest of circumstances. It’s about how far someone will go to protect the one they love. Wei’s performance is one of the best of the entire decade. It’s a special one that needs to be seen to be believed. She masters the art of mystery within her character. Although some would play Seo-rae as a psychopath, Wei grounds her. She’s a person who has never received real love and care until she met Hae-joon. Due to this, she will stop at nothing to feel it again. 

Overall, Decision to Leave despite being a Thriller, also is tender and romantic. It has an insurmountable performance from Wei that will not be forgotten. Additionally, it reminds us that love is unexpected, needed and selfless.

Decision to Leave screens at TIFF ’22 as follows:

Mon, Sep 12 IN-PERSON Visa Screening Room at the Princess of Wales Theatre 9:45pm

Thu, Sep 15 IN-PERSON Scotiabank Theatre Toronto 7:30pm

#CANNES22: “DECISION TO LEAVE” REVIEW

By Amanda Gilmore

Visionary South Korean Director Park Chan-Wook is back with this visually stunning romantic Thriller Noir.

After a man falls to his death from a mountain, Detective Hae-joon (Park Hae-il) meets his widow Seo-rae (Chinese Actress Tang Wei). She seems to be unaffected by the death of her husband. This causes suspicion amongst the detectives in the precinct. All signs point to her as suspect number one. But Hae-joon doesn’t believe that this mysterious woman could do such a thing. After stakeouts and an interrogation, Hae-joon becomes smitten with the mysterious Seo-rae. Now he must decide if his feelings get in the way of the investigation.

Decision to Leave starts out as a Detective Thriller and turns into something more heartfelt. In brilliant Chan-Wook style the edits and transitions are a visual feast for the eyes. Chan-Wook makes these transitions feel like they are one continuous take. They transport our detective into another scene that is playing out inside his mind. It’s a mesmerizing camera technique that is a delight to witness. There are shots that will dazzle and make any cinephile gasp.

The first half plays out like a gritty Detective Thriller Noir. Hae-joon is on a mission to find who threw this man off of the mountain. It seems like he found his prime suspect but her demeanour throws Hae-joon off. He finds this woman mesmerizing. The effect she has on him is paramount and the audience understands the emotion, thanks to the strong performance from Hae-il. He looks at her like she has all the answers in the world.

That’s when this noir turns into something more romantic. A blossoming relationship flourishes between the two. In lesser hands, this wouldn’t work. However, Chan-Wook excels in this storytelling. Seo-rae has clearly lived a difficult life. She’s been abused by her deceased husband. She carries this weight with her and it’s part of the reason Hae-joon falls for her. The audience is swept-away in this romance because of the chemistry between the two leads.

It’s in the second half when Seo-rae comes back into Hae-joon’s life that Chan-Wook’s intention comes through. This is a story about two people who fall in love in the oddest of circumstances. It’s about how far someone will go to protect the one they love. Wei’s performance is one of the best of the entire decade. It’s a special one that needs to be seen to be believed. She masters the art of mystery within her character. Although some would play Seo-rae as a psychopath, Wei grounds her. She’s a person who has never received real love and care until she met Hae-joon. Due to this, she will stop at nothing to feel it again. 

Overall, Decision to Leave despite being a Thriller, also is tender and romantic. It has an insurmountable performance from Wei that will not be forgotten. Additionally, it reminds us that love is unexpected, needed and selfless.

Decision to Leave screens at Cannes ’22:

Mon, May 23 at 6:00 PM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 8:30 AM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 7:30 PM at SALLE AGNÈS VARDA

Tue, May 24 at 9:30 PM at LICORNE

Wed, May 25 at 9:30 AM at CINEUM IMAX

Thu, May 26 at 12:00 PM at CINEUM AURORE