#FIRSTLOOK: UPCOMING FEBRUARY 2023 MUBI RELEASES

Some upcoming releases to put on your radar from distributor Mubi Canada.

LINGUI: THE SACRED BONDS
dir. Mahamat-Saleh Haroun, 2021

On the outskirts of the capital of Chad, determined single mother Amina works tirelessly to provide for herself and her 15-year old daughter Maria. When Amina discovers Maria is pregnant and does not want a child, the two women begin to seek out an abortion, condemned by both religion and law.

Playing at the Revue Cinema (Toronto):

February 18th – 6:45pm ET
February 20th – 6:30pm ET
February 21st – 9:30pm ET
See ticket information at revuecinema.ca.

ALCARRÀS
dir. Carla Simón, 2022

In a small Catalonian village, the peach farmers of the Solé family spend every summer together picking fruit from their orchard. But when plans arise to install solar panels and cut down trees, the members of this tight-knit group suddenly face eviction — and the loss of far more than their home.

Playing at Cinema Du Park (Montréal):

February 24 – timing TBA
See ticket information at cinemaduparc.com.

(Available to stream in Canada on mubi.com as of February 24.)

FOR VIOLA in Partnership with MUBI
Free special screening at Hot Docs

February 25 – 9pm ET – Join Dear Jackie director Henri Pardo (via Zoom), Tallawah Abroad director Sharine Taylor and moderator Angelyn Francis for a post-screening Q&A at Hot Docs (Toronto).

DEAR JACKIE
dir. Henri Pardo, 2021

In 1946, Jackie Robinson did the impossible and broke the colour barrier in Major League Baseball. But did Montréalers use this historic moment to perpetuate a myth of a post-racial society?

TALLAWAH ABROAD
dir. Sharine Taylor, 2019

Little Jamaica, a neighbourhood in Toronto’s west end, was a once thriving hub for Black and Caribbean business owners until the ills of gentrification reared its ugly head.

More details can be found at hotdocs.ca.

THE KINGDOM EXODUS
A limited event series from Lars Von Trier

Sleepwalker Karen is summoned to the Kingdom by a mysterious voice appearing to her in a nightmare, pleading for help. At the hospital, she comes across old friends of the Kingdom as well as new members of staff. To exorcize the evil spirits once and for all, Karen joins forces with the hospital porter Balder, and the heart surgeon Judith – but satanic forces fight back.

Playing at the Revue Cinema (Toronto):

February 25 – 3:45pm ET
February 25 – 12:45pm ET
See ticket information at revuecinema.ca.

DECISION TO LEAVE
dir. Park Chan-wook, 2022

From a mountain peak in South Korea, a man plummets to his death. Did he jump, or was he pushed? When detective Hae-joon arrives on the scene, he begins to suspect the dead man’s wife Seo-rae. But as he digs deeper into the investigation, he finds himself trapped in a web of deception and desire.

Playing at the following locations:

Capitol Kelly Theatre (Windsor) – February 10
Ciné-Centre (Baie-Comeau) – February 10
Ciné-Campus (Montréal) – February 14 & 15
Ciné-Cinéma (Huntingdon) – February 17
Cinefest Picton (Picton) – February 20
North of Superior Film (Thunder Bay) – February 22
CinéLune (Gaspé) – February 21

#TIFF22: “DECISION TO LEAVE”

By Amanda Gilmore

Visionary South Korean Director Park Chan-Wook is back with this visually stunning romantic Thriller Noir.

After a man falls to his death from a mountain, Detective Hae-joon (Park Hae-il) meets his widow Seo-rae (Chinese Actress Tang Wei). She seems to be unaffected by the death of her husband. This causes suspicion amongst the detectives in the precinct. All signs point to her as suspect number one. But Hae-joon doesn’t believe that this mysterious woman could do such a thing. After stakeouts and an interrogation, Hae-joon becomes smitten with the mysterious Seo-rae. Now he must decide if his feelings get in the way of the investigation.

Decision to Leave starts out as a Detective Thriller and turns into something more heartfelt. In brilliant Chan-Wook style the edits and transitions are a visual feast for the eyes. Chan-Wook makes these transitions feel like they are one continuous take. They transport our detective into another scene that is playing out inside his mind. It’s a mesmerizing camera technique that is a delight to witness. There are shots that will dazzle and make any cinephile gasp.

The first half plays out like a gritty Detective Thriller Noir. Hae-joon is on a mission to find who threw this man off of the mountain. It seems like he found his prime suspect but her demeanour throws Hae-joon off. He finds this woman mesmerizing. The effect she has on him is paramount and the audience understands the emotion, thanks to the strong performance from Hae-il. He looks at her like she has all the answers in the world.

That’s when this noir turns into something more romantic. A blossoming relationship flourishes between the two. In lesser hands, this wouldn’t work. However, Chan-Wook excels in this storytelling. Seo-rae has clearly lived a difficult life. She’s been abused by her deceased husband. She carries this weight with her and it’s part of the reason Hae-joon falls for her. The audience is swept-away in this romance because of the chemistry between the two leads.

It’s in the second half when Seo-rae comes back into Hae-joon’s life that Chan-Wook’s intention comes through. This is a story about two people who fall in love in the oddest of circumstances. It’s about how far someone will go to protect the one they love. Wei’s performance is one of the best of the entire decade. It’s a special one that needs to be seen to be believed. She masters the art of mystery within her character. Although some would play Seo-rae as a psychopath, Wei grounds her. She’s a person who has never received real love and care until she met Hae-joon. Due to this, she will stop at nothing to feel it again. 

Overall, Decision to Leave despite being a Thriller, also is tender and romantic. It has an insurmountable performance from Wei that will not be forgotten. Additionally, it reminds us that love is unexpected, needed and selfless.

Decision to Leave screens at TIFF ’22 as follows:

Mon, Sep 12 IN-PERSON Visa Screening Room at the Princess of Wales Theatre 9:45pm

Thu, Sep 15 IN-PERSON Scotiabank Theatre Toronto 7:30pm

#CANNES22: “DECISION TO LEAVE” REVIEW

By Amanda Gilmore

Visionary South Korean Director Park Chan-Wook is back with this visually stunning romantic Thriller Noir.

After a man falls to his death from a mountain, Detective Hae-joon (Park Hae-il) meets his widow Seo-rae (Chinese Actress Tang Wei). She seems to be unaffected by the death of her husband. This causes suspicion amongst the detectives in the precinct. All signs point to her as suspect number one. But Hae-joon doesn’t believe that this mysterious woman could do such a thing. After stakeouts and an interrogation, Hae-joon becomes smitten with the mysterious Seo-rae. Now he must decide if his feelings get in the way of the investigation.

Decision to Leave starts out as a Detective Thriller and turns into something more heartfelt. In brilliant Chan-Wook style the edits and transitions are a visual feast for the eyes. Chan-Wook makes these transitions feel like they are one continuous take. They transport our detective into another scene that is playing out inside his mind. It’s a mesmerizing camera technique that is a delight to witness. There are shots that will dazzle and make any cinephile gasp.

The first half plays out like a gritty Detective Thriller Noir. Hae-joon is on a mission to find who threw this man off of the mountain. It seems like he found his prime suspect but her demeanour throws Hae-joon off. He finds this woman mesmerizing. The effect she has on him is paramount and the audience understands the emotion, thanks to the strong performance from Hae-il. He looks at her like she has all the answers in the world.

That’s when this noir turns into something more romantic. A blossoming relationship flourishes between the two. In lesser hands, this wouldn’t work. However, Chan-Wook excels in this storytelling. Seo-rae has clearly lived a difficult life. She’s been abused by her deceased husband. She carries this weight with her and it’s part of the reason Hae-joon falls for her. The audience is swept-away in this romance because of the chemistry between the two leads.

It’s in the second half when Seo-rae comes back into Hae-joon’s life that Chan-Wook’s intention comes through. This is a story about two people who fall in love in the oddest of circumstances. It’s about how far someone will go to protect the one they love. Wei’s performance is one of the best of the entire decade. It’s a special one that needs to be seen to be believed. She masters the art of mystery within her character. Although some would play Seo-rae as a psychopath, Wei grounds her. She’s a person who has never received real love and care until she met Hae-joon. Due to this, she will stop at nothing to feel it again. 

Overall, Decision to Leave despite being a Thriller, also is tender and romantic. It has an insurmountable performance from Wei that will not be forgotten. Additionally, it reminds us that love is unexpected, needed and selfless.

Decision to Leave screens at Cannes ’22:

Mon, May 23 at 6:00 PM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 8:30 AM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 7:30 PM at SALLE AGNÈS VARDA

Tue, May 24 at 9:30 PM at LICORNE

Wed, May 25 at 9:30 AM at CINEUM IMAX

Thu, May 26 at 12:00 PM at CINEUM AURORE

#CANNES: 2022 CANNES FILM FESTIVAL PREVIEW

The 2022 Cannes Film Festival kicks-off Tuesday, May 18, 2022 and runs till Saturday, May 28, 2022. This will be our first official year at the Festival as our Amanda Gilmore will be on the French Riviera covering the Festival!

Returning to its traditional May slot, the Festival serves as a major precursor to what we might see Awards Season later this year. But timed perfectly, some huge Blockbusters like TOP GUN: MAVERICK and Baz Luhrmann‘s ELVIS will be getting their chance to premiere before the world. Many eyes will be on Openight Night film Michel Hazanavicius’ FINAL CUT, David Cronenberg’s Athens-filmed CRIMES OF THE FUTURE and Closing Night selection SHOWING UP from Director Kelly Reichardt.

Amanda previews for us her six-most eagerly-anticipated titles of the Festival.

CRIMES OF THE FUTURE

Canada’s David Cronenberg is finally back at Cannes and is bringing Kristen Stewart, Lea Seydoux and Viggo Mortensen with him. Crimes of the Future takes place in the not-so-distant future where the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. In a recent interview, Cronenberg said he’s expecting walkouts at the Festival screenings. This only makes us want to see it more! It will compete for the prestigious Palme d’Or.

DECISION TO LEAVE

After spending some time making television, Director Park Chan-wook has returned to Film with Decision to Leave. It’s a mystery thriller that follows a detective who falls for a widow after she becomes the prime suspect in his latest murder investigation. We are fans of Chan-wook’s prior films such as Oldboy and Stoker. We can’t wait to see what he’s got up his sleeve for Decision to Leave. It will compete for the prestigious Palme d’Or.

ELVIS

We have been waiting for this biopic of Elvis Presley for some time now after production was halted at the beginning of the pandemic. Finally, it will be having its world premiere at the Festival and we couldn’t be happier. Baz Luhrmann is bringing his dazzling direction to the Rock Legend’s life and he’s assembled quite the cast. We can’t wait to see Austin Butler become the man himself and Tom Hanks’ portrayal of his manager Colonel Tom Parker.

THE SILENT TWINS

This Film tells the true, eerie story of twin sisters who were entirely silent, communicating only with each other as children. As teenagers, they became obsessed with writing fiction, then with teenage boys, and finally, with crime. It’s Written and Directed by Agnieszka Smoczynska and stars Letitia Wright as both sisters. It will screen in-competition for the Un Certain Regard Award.

THREE THOUSAND YEARS OF LONGING

Writer-Director George Miller is returning to Cannes for this Fantasy Romance starring Idris Elba and Tilda Swinton. It follows a lonely scholar on a trip to Istanbul who discovers a Djinn who offers her three wishes in exchange for his freedom. What she wants is love, but can and should he grant it to her? We can’t wait to see what epic journey Miller brings us on this time.

WAR PONY

Actress Riley Keogh is making her Director Debut with War Pony. She Co-Directs with Gina Gammell and the Film is based on real events. It follows the interlocking stories of three Lakota men living on Pine Ridge Indian Reservation. The three tales explore the concept of belonging: a child belonging to a family, a man belonging to “America,” and an elder belonging to his Tribe. It will screen in-competition for the Un Certain Regard Award.

Stay tuned for our coverage and bookmark this link for updated Reviews and coverage!