By Amanda Gilmore

Love Lies Bleeding is a captivating Queer Romance Neo-Noir with brutal violence and an indelible beating heart.

Writer-Director Rose Glass’ follow-up to her beloved debut feature Saint Maud, follows reclusive gym employee Lou (Kristen Stewart) who falls hard for Jackie (Katy O’Brian), an ambitious bodybuilder headed through town to Las Vegas in pursuit of her dream. But their love ignites violence that pulls them into the web of Lou’s criminal family.

It’s set in a desert town in rural New Mexico in ‘89. Gun ranges are common, and owning guns is even more prevalent. Corruption is simple, you pay off the cops. This is precisely how Lou’s father Lou Sr. (performed brilliantly by an eerie hair-extension-wearing Ed Harris) has gotten away with his criminal enterprise.

The Film’s central question is: what would you be willing to do for love? For Lou and Jackie, who’re head-over-heels, they’d do anything. Including kill. In this regard, Love Lies Bleeding is reminiscent of True Romance and Natural Born Killers all while executing a cinematic style that’s all Glass’ own. The Script, which Glass co-wrote with Weronika Tofilska, is loaded with raw sex, brutal violence, and a story about true love.

The Film’s succeas lies in its Cast selling this wild ride. And each one is fully committed. O’Brian gives a star-making turn as the American Dreamer with a big heart that has led her to some violent situations. Stewart is magnetic as a woman with a bubbling anger inside who is finally found someone to become smitten by. She makes you hang on to her every move.

A24/VVS Films release Love Lies Bleeding in cinemas on March 8, 2024.

Love Lies Bleeding screens at Sundance ’24:

Jan 20 at 10:00 PM at Eccles Theatre

Jan 21 at 9:00 PM at Redstone Cinemas – 1

Jan 22 at 9:30 PM at Rose Wagner Center

Jan 25 at 8:00 PM at Library Centre Theatre

Jan 27 at 11:00 PM at The Ray Theatre

By Amanda Gilmore

Love Me is the wildly-imaginative debut feature from writer-director duo Sam and Andy Zuchero. It takes place long after humanity’s extinction and tells the love story of a Smart Buoy (Kristen Stewart) and an Orbiting Satellite (Steven Yeun) that spans a billion years and probes the mysteries of being and consciousness.

The Zucheros begin this journey with the introduction of humanity’s extinction. A Smart Buoy is the first thing to ‘awaken’ on earth. Soon it overhears a Satellite in space. To get its attention it mimics its words. Almost immediately, the Satellite shares the intelligence stored within it, mostly from YouTube, with the Buoy. Before long, the Buoy becomes enraptured by an influencer named Deja (also Stewart) and her partner Liam (also Yeun).

The Buoy wants to live like Deja and starts an Instagram page, convincing the Satellite to do the same. As the Buoy becomes increasingly consumed by Deja’s —fake— persona it gets the Satellite to create avatars of them so they can live as humans did. Stewart is truly a delight to watch as this sham influencer.

When the Buoy and Satellite transition into avatars the movie transitions into memoji-esque animation. This is a change that will be hit or miss amongst audiences. However, it gives Stewart and Yeun an amazing showcase for their voice work, both transcending the animation.

It’s when the Satellite is left alone for a billion years without the Buoy that the Satellite becomes ‘real’. It ditches the fake life the Buoy wanted and finds who it truly is. This is when the animation transitions into standard film format. Once we arrive at this Final Act, Yeun and Stewart give immensely captivating performances. Making us wish the animation section was more condensed to get more of their physical presence on-screen.

This may be sold as a love story, and it is, but the Zucheros deliver much more. Love Me is a film that questions what it means to be alive. In the tight runtime, they manage to leave us with questions about humanity and how we interact with technology. And as a result, they question what it means to be our authentic selves.

Love Me has already won the Alfred P. Sloan Prize at Sundance ’24. The price is awarded to an outstanding feature film focusing on science or technology as a theme.

Love Me is in the U.S. Dramatic Competition at this year’s Festival.

Love Me screens at Sundance ’24:

Jan 19 at 12:00 PM at Eccles Theatre

Jan 20 at 9:30 AM at Prospector Square Theatre

Jan 21 at 11:00 AM at Rose Wagner Center

Jan 24 at 8:45 PM at Redstone Cinemas – 2

Jan 26 at 7:45 PM at Library Center Theatre

Online — Jan 25 – Jan 28

This looks amazing. From Writer/Director Rose Glass and starring Kristen Stewart, Katy O’Brian, Jena Malone, Anna Baryshnikov, with Dave Franco, and Ed Harris. LOVE LIES BLEEDING – In theaters March 2024 via VVS Films in Canada, following its Sundance Premiere. Today we get a brand-new Trailer!

(Photo/video credit: A24/VVS Films)

The Canadian Star System in full forcelast night at the North American Premiere of David Cronenberg’s Body Horror, CRIMES OF THE FUTURE. The Film, shot in Athens, got its World Premiere earlier this month in Cannes.

The Film looks Saul Tenser (Viggo Mortensen) and Caprice (Léa Seydoux), the former, a celebrity Performance Artist, who publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.

The film has received wide-acclaim, sticking to Cronenberg‘s shocking sensibilites.

In attendance at the Red Carpet Premiere at TIFF BELL LIGHTBOX was a who’s-who of Canadian Cinema including:

Don’t forget to visit TIFF Bell Lightbox as they celebrate Cronenberg‘s iconic career with display pieces from the David Cronenberg Permanent Collection throughout the building for a limited time only. TIFF will screen Crash (1996), setting the stage for both the theatrical release of Crimes of the Future and a four-film TIFF Cinematheque series spotlighting Cronenberg’s earlier work, titled Cronenberg: Crimes of the Past and running July 2 to July 10. The series features screenings of Videodrome (1983), Dead Ringers (1988), eXistenZ (1999), and a second screening of Crash.  More at tiff.net.

Sphere Films will release CRIMES OF THE FUTURE June 3, 2022.

(Photo/video credit: Sphere Films/Mr. Will Wong)

By Amanda Gilmore

This latest effort from Auteur David Cronenberg takes place sometime in the future when the human species has adapted to a synthetic environment. In doing so, the human body undergoes new transformations and mutations. Saul (Viggo Mortensen) is a man whose organs metamorphosis. This leads him and his partner Caprice (Léa Seydoux) to put on performance art shows where she operates on him, removing one of these mysterious organs at a time. However, a mysterious underground group believe that Saul’s ever-growing insides might just be the next step toward evolution.

Cronenberg opens with a young boy searching the ocean as a rotted shipwreck is just off the coast. It’s clear something has happened to Earth due to climate change. His mother warns him to not eat anything he finds. From her urgent, disgusted tone it’s clear he does this a lot. Soon we watch as he eats a plastic garbage bin. It’s a powerful opening to a film that works best as a commentary on climate change.

The impact of this climate change has caused the human body to transform in order to survive. However, this has led the species to feel no pain. As mentioned in the Film, pain acts as a warning sign. This brings into question how one can survive without it. The hollowness that comes with these characters causes them to crave something to feel.

The surgeries, and performance art, act as a substitute for sex in Crimes of the Future. As Kristen Stewart’s character Timlin explains: “Surgery is the new sex.” Stewart steals the show with her portrayal of the mousey Timlin. Particularly, in her advances upon Saul. It’s a shame she’s underused. But this statement is true as we see when watching Caprice (a daring and captivating performance from Seydoux) perform the surgeries on Saul. The look of desire and lust spreads across her face as she controls the procedure.

This theme of sex throughout the Film directly correlates to the idea of reproduction that continuously comes up. The evolution of humans won’t happen if no one is reproducing. One scene has Caprice unzip a part of Saul’s stomach and perform what is akin to oral sex. It’s as though Cronenberg is asking: how will the human race continue if they don’t procreate? They can adapt all they want, but without procreating the species will cease to exist.

The stylistic world Cronenberg and his Production Design team have created brings us into this futuristic world. The bed Saul sleeps in resembles a cocoon. He eats in a chair shaped like a skeleton that constantly moves. When he’s getting operated on, the machine looks like he’s in an incubator. This world and Cronenberg’s vision are fully realized.

There are Subplots that Cronenberg explores in the Film. He touches on how the Government police human bodies. They don’t want the characters to stray from the natural transformation their bodies are going through. This is the significance and the young boy from the beginning and the underground group who are attempting to perform surgeries to progress the human body. This Subplot is an intriguing one and we wish we had more time spent to evaluate it.

Crimes of the Future does have its share of queasy moments, however, it might not be as nauseating as was promised. The gruesome aspects come from the operations Caprice performs on Saul. Although, even then these scenes aren’t horrific – unless you are terrified of organs. The brutal aspects come more from the child. These two segments of the Film aren’t for the faint of heart, but they do tie everything together.

Crimes of the Future screens at Cannes ’22:

Mon, May 23 at 9:30 PM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 12:00 PM at GRAND THÉÂTRE LUMIÈRE

Tue, May 24 at 7:00 PM at LICORNE

Tue, May 24 at 7:30 PM at SALLE BAZIN

Wed, May 25 at 12:30 PM at CINEUM IMAX

Thu, May 26 at 9:30 AM at CINEUM AURORE

The 2022 Cannes Film Festival might have started a week ago, but the excitement continues to build as David Cronenberg’s CRIMES OF THE FUTURE premiered tonight. In attendance were none other than Kristen Stewart, whom our Amanda Gilmore spotted at the Press Junket and Photo Call earlier in a pink Chanel suit. Also in attendance were Léa Seydoux, Scott Speedman and Viggo Mortensen.

The Horror centers on a Performance Artist couple Caprice (Léa Seydoux) and Saul Tenser (Viggo Mortensen), whom publicly showcase the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.

The Horror received both walkouts and a standing ovation, divisive as Cronenberg expected. CRIMES OF THE FUTURE arrives in theatres June 3, 2022 via Sphere Films.

Also spotted around town were Jamie Foxx, seen enjoying the French Riviera on a yacht.

Canada’s Nina Dobrev and Shaun White also were spotted around town at both the Top Gun: Maverick Premiere last week, and a Fundraiser for Ukraine, the With Love for Peace Gala.

Review here for CRIMES OF THE FUTURE.

(Photo credit: Amanda Gilmore/Mr. Will Wong)

Huge news! Hot off its Premiere at Cannes, David Cronenberg‘s CRIMES OF THE FUTURE will get a Canadian Premiere in Toronto at TIFF BELL LIGHTBOX on May 30, 2022. This event is brought to us by TIFF, Sphere Films (known formerly as MK2 | MILE END) and Seredipity Point Films.

The event will be followed by Q&A with the Director, the Producer, and members of the Cast at TIFF Bell Lightbox, the exclusive Canadian venue to screen the film’s North American premiere. The Film opens across North America on Friday, June 3, 2022 including TIFF Bell Lightbox.
 
Tickets for the Crimes of the Future special one-night-only event as well as tickets for the film’s regular theatrical screenings go on sale starting at 10am on Wednesday, May 18, 2022 for TIFF Members, and to the general public on Thursday, May 19, 2022. Tickets will be limited and are available on a first-come, first-served basis.

Synopsis:
 
Crimes of the Future is a meditation on human evolution. As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission — to use Saul’s notoriety to shed light on the next phase of human evolution.
 
Following its North American premiere on May 30, Crimes of the Future will start its theatrical run at TIFF Bell Lightbox on June 3, 2022. On Tuesday, May 31, the day after the premiere, TIFF will screen Crash (1996), setting the stage for both the theatrical release of Crimes of the Future and a four-film TIFF Cinematheque series spotlighting Cronenberg’s earlier work, titled Cronenberg: Crimes of the Past and running July 2 to July 10. The series features screenings of Videodrome (1983), Dead Ringers (1988), eXistenZ (1999), and a second screening of Crash. Tickets for Cronenberg: Crimes of the Past go on sale Wednesday, June 22 for TIFF Members and to the public the following week on June 29. All screenings will take place at TIFF Bell Lightbox.  Pieces from David Cronenberg‘s collection will be on-display also throughout TIFF Bell Lightbox in celebration of the Film.

(Photo credit: Sphere Films)
 

David Cronenberg‘s CRIMES OF THE FUTURE will be premiering at Cannes! This is the sixth time the Canadian Filmmaker has appeared at the Festival in competition.

Shot in Athens, the Film stars Viggo Mortensen, Léa Seydoux, Kristen Stewart and Scott Speedman.

Synopsis:

As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. With his partner Caprice (Léa Seydoux), Saul Tenser (Viggo Mortensen), celebrity performance artist, publicly showcases the metamorphosis of his organs in avant-garde performances. Timlin (Kristen Stewart), an investigator from the National Organ Registry, obsessively tracks their movements, which is when a mysterious group is revealed… Their mission – to use Saul’s notoriety to shed light on the next phase of human evolution.

From Sphere Films (formerly MK2 | MILE END), the Film will be opening across Canada on June 3, 2022, following its world premiere in the Official Competition at the Festival de Cannes

(Photo/video credit: Sphere Films)

Elevation Pictures x Mr. Will want to give Readers across Canada a chance to win a Digital Download of SPENCER. Witness the performance everyone is raving about, by Kristen Stewart!

Synopsis:

The marriage of Princess Diana and Prince Charles has long since grown cold. Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen’s Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. But this year, things will be profoundly different. SPENCER is an imagining of what might have happened during those few fateful days.

To enter for a chance to win, click “like” on this Post at MR. WILL ON FACEBOOK. Re-Tweet this Contest Tweet for an extra chance.

Rules and regulations here.

Elevation Pictures release #SPENCER on digital and on demand November 23rd, 2021.

(Photo/video credit: Elevation Pictures)

Kristen Stewart continues to win accolades as Princess Diana Biopic, SPENCER.

Synopsis:

The marriage of Princess Diana and Prince Charles has long since grown cold. Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen’s Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. But this year, things will be a whole lot different. SPENCER is an imagining of what might have happened during those few fateful days. 

Elevation Pictures release SPENCER November 5, 2021 in theatres.

(Photo/video credit: Elevation Pictures)