For a second straight week, THE BATMAN dominates the Box Office with no new challengers. Disney and Pixar‘s TURNING RED which was to go to theatres, wound-up taking a direct-to-Disney+ route of release. This latest from the DC universe takes $66 million from 4,417 theatres across North America for Warner Bros. Over two weeks, it has grossed an impressive $238.5 million.
In second is UNCHARTED with $9 million from 3,725 theatres for Sony Pictures, a total $113.1 million over two weeks.
Third goes to DOG with $5.1 million from 3,407 theatres for United Artists Releasing/Elevation Pictures, bringing its run to $47.6 million.
SPIDER-MAN: NO WAY HOME is in fourth $4 million, bringing it closer to the $800 million mark in its domestic run for Sony Pictures.
Bollywood flick RADHE SHYAM caps things off with $3.2 million in fifth, playing at 800 theatres across North America.
It’s all THE BATMAN and the rest of them this weekend as this latest DC Comics adaptation pulls moviegoers back out in droves. This latest Film starring Robert Pattison, makes $120 million in its opening, from 4,417 theatres for Warner Bros. This makes it the biggest opening for a movie thus far in 2022. Critical reactions have been strong, with an 85% score on the Rotten Tomatoes Tomatometer. Biggest opening for the Batman franchise still goes to 2016’s Batman v Superman: Dawn of Justice which debuted with $166 million.
UNCHARTED falls to second spot after a strong run its first two weeks out, with $12,4 million from 3,875 theatres for Sony Pictures, a tally of $101.6 million in its third weekend.
Third goes to DOG with $6.5 million, a total $40.4 million from 3,507 theatres in this third weekend for United Artists Releasing/Elevation Pictures.
SPIDER-MAN: NO WAY HOME is in fourth with $4.7 million from 2,709 theatres for Sony Pictures, making its way to $786 million domestically.
Fifth belongs to DEATH ON THE NILE, with $2.9 million for 20th Century Studios, a total $37 million to date.
UNCHARTED takes the top spot once again at the Box Office with $23 million from 4,275 theatres in its second week out for Sony Pictures. This accounts for a total $83 million grossed domestically.
In second again this weekend is Channing Tatum’s directorial debut DOG, with $8.5 million from 3,677 theatres for United Artists Releasing/Elevation Pictures. This makes for a total $29.3 million over two weeks.
SPIDER-MAN: NO WAY HOME hangs onto third spot with $6.1 million from 2,900 theatres for Sony Pictures, a total $780 million to date.
DEATH ON THE NILE is in fourth with $4.2 million from 3,100 theatres, a total $32.5 million for 20th Century Studios.
JACKASS FOREVER rounds things out with $3.2 million from 3,000 theatres for Paramount Pictures, a tally of $52.2 million thus far.
UNCHARTED continues Spider-Man star Tom Holland‘s Box Office reign, debuting atop the Box Office with $40 million from 4,275 theatres across North America for Sony Pictures. The Action-Adventure, also starring Mark Wahlberg, garners 39% on Rotten Tomatoes.
In second is Channing Tatum‘s directorial debut DOG, with $12.3 million from 3,677 theatres for Elevation Pictures/United Artists Releasing. The Human-Dog Buddy Dramedy gets 76% on the Tomatometer.
Third goes to SPIDER-MAN: NO WAY HOME with $7.6 million from 2,956 theatres for Sony Pictures, a total $772 million made domestically to date.
DEATH ON THE NILE lands in fourth with $6.5 million from 3,280 theatres for 20th Century Studios, a total $26.3 million over two weeks in theatres.
Rounding-out the Top Five is JACKASS FOREVER with $5.2 million for Paramount Pictures, a total $47 million over three weeks.
DEATH ON THE NILE is alive at the Box Office this weekend, taking top spot with $12.7 million from 3,280 theatres for 20th Century Studios. The Thriller from Kenneth Branagh based on the Novel by Agatha Christie, gets 65% on the Tomatometer.
JACKASS FOREVER is in second with $8.3 million from 3,653 for Paramount Pictures in its second weekend out, a total $37 million made in North America thus far.
Third goes to MARRY ME with $8 million from 3,642 theatres for Universal Pictures. Reviews actually weren’t too bad, tallying-in at 58% on Rotten Tomatoes for this latest effort by J-Lo.
SPIDER-MAN: NO WAY HOME comes in fourth with $7 million, a total $758 million domestically for Sony Pictures in its ninth weekend.
BLACKLIGHT is in fifth with $3.3 million from 2,772 theatres for VVS Films/Briarcliff Entertainment. 6% on the Tomatometer for this latest from Liam Neeson.
20th Century Studios Canada x Mr. Will want to give Readers a chance to win Advance Passes to see DEATH ON THE NILE. Screenings take place in Toronto and Vancouver on Wednesday, February 9, 2022 at 7 PM.
Based on the 1937 novel by Agatha Christie, “Death on the Nile” is a daring mystery-thriller about the emotional chaos and deadly consequences triggered by obsessive love. Kenneth Branagh, back as the iconic detective Hercule Poirot, is joined by Tom Bateman, four-time Oscar® nominee Annette Bening, Russell Brand, Ali Fazal, Dawn French, Gal Gadot, Armie Hammer, Rose Leslie, Emma Mackey, Sophie Okonedo, Jennifer Saunders and Letitia Wright. “Death on the Nile,” which reunites the filmmaking team behind 2017’s global hit “Murder on the Orient Express,” is written by Michael Green, adapted from Christie’s novel, and is produced by Ridley Scott, Kenneth Branagh, p.g.a., Judy Hofflund, p.g.a. and Kevin J. Walsh, with Mark Gordon, Simon Kinberg, Matthew Jenkins, James Prichard and Mathew Prichard serving as executive producers.
Belgian sleuth Hercule Poirot’s Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short. Set against an epic landscape of sweeping desert vistas and the majestic Giza pyramids, this dramatic tale of love gone wrong features a cosmopolitan group of impeccably dressed travelers and enough wicked twists and turns to leave audiences guessing until the final, shocking denouement.
Filmed with 65mm Panavision cameras in late 2019, “Death on the Nile” transports audiences to the 1930s, recreating many of the locations that served as inspiration for Christie’s glamorous, high society thriller.
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