By David Baldwin
Cheerleaders Riley (Devery Jacobs) and her girlfriend Amanda (Kudakwashe Rutendo, TIFF Rising Star ’23 and Share Her Journey Fellow) have just been selected to be part of an elite cheer squad. With a major competition coming up – not to mention needing to impress ice cold head coach Eileen (Evan Rachel Wood) – there is no room for either of them to mess up this opportunity. And Riley is starting to buckle under that pressure.
I am not a gymnast, nor have I ever tried to be. Thankfully, that does not matter because Director D.W. Waterson (in their feature-length debut) does everything they can to make it so that you feel all of the pain, excitement and fear Riley feels from start to finish. The camera is always moving, taking in Riley’s experiences, amd honing in frequently on shots utilizing a Go-Pro to really embed deep into her psyche. When she starts having a panic attack, you feel it with her. When she starts pulling out her eyebrow hairs, you feel it with her. It is frequently disorientating and intense, but that is deliberate. Waterson is not so much making BACKSPOT into a film so much as they are making a visceral experience.
Jacobs is revelatory here, excelling equally at the physical and emotional elements of her character. She dives fearlessly into every moment, with the extreme close-ups on her face brilliantly depicting the toil this training is having on her. Her innocent, intimate connection with Rutendo is terrific, as are the standard coming-of-age tropes Riley finds herself falling into. Where the Film falters is in what is happening in the background of Riley’s home life, and more specifically her school work. We only get to see fragments of it or nothing at all, with everything that is not just gymnastics (including Shannyn Sossamon’s thankless performance as Riley’s Mom) kind of fading into the background. The number of scenes taking place at Cineplex Mississauga gave me a giggle though.
All of that said, Wood is the Film’s not-so secret weapon. She relishes at playing such a fiendish and nasty character. But when Riley and Amanda refer to her as middle-aged, despite being in her mid-30s? That innocuous, throwaway of a line hit me square in the gut. I am not sure I will ever forget it.
BACKSPOT screens at TIFF’ 23:
Friday, September 8 at 8:30 PM at TIFF Bell Lightbox
Monday, September 11 at 3:00 PM at TIFF Bell Lightbox
Friday, September 15 at 9:45 PM at Scotiabank Theatre Toronto
Page Boy Productions, Night is Y and Prospero Pictures announce principal photography has started on the queer-led, highly anticipated BACKSPOT, marking the feature film debut of creator/director D.W. Waterson (That’s My DJ) starring award-winning actor Devery Jacobs (Reservation Dogs, Marvel’s Echo) and newcomer Kudakwashe Rutendo in lead roles. Acclaimed actors Thomas Antony Olajide (Learn to Swim, White Lie, The Spencer Sisters) and Olunike Adeliyi (The Porter, Revenge of the Black Best Friend), the incomparable Wendy Crewson (On the Basis of Sex, Room, Gray) and the iconic Shannyn Sossamon (A Knight’s Tale, Wristcutters: A Love Story, 40 Days and 40 Nights) also join the cast. Produced by Alona Metzer, D.W. Waterson, Kawennáhere Devery Jacobs, Martin Katz, and Executive Produced by Elliot Page, BACKSPOT is written by Joanne Sarazen, based on a story by Waterson. The film will shoot until mid-March in the Toronto area.
Riley and Amanda are formidable members of their mid-level cheerleading squad until professional coach, Eileen McNamara, gives them the opportunity to join The Thunderhawks, a high-performance squad. Young, ambitious and in love, Riley (Jacobs) and Amanda (Rutendo) would be on top of the world if only Riley could get her anxiety under control and Amanda had less overwhelming responsibility. Desperate to be heard and appreciated, two qualities her home life severely lacks, Riley will do anything to ingratiate herself to her new coach. Amanda, on the other hand, has begun to notice a shift in Riley and is a bit suspicious of Eileen’s tactics. Battered, unrelenting and with a competition looming, these two young athletes must negotiate their space, find their voices and come to an understanding with the generation of women who came before them.
“I’m so proud and excited to finally be going to camera after five long years. We’ve assembled an absolutely stacked cast, and an incredible crew, and we are thrilled to be creating something that’s truly kick*ass, raw, and that has a magic energy behind it,” said D.W. Waterson, director. “Competitive cheer is incredibly athletic, and our young, queer youth are so resilient. I am beyond looking forward to highlighting both of these communities in Backspot.”
Executive Producers are Elliot Page, Matthew Jordan Smith, John Davidson, and Katisha Shaw. BACKSPOT will be distributed by levelFILM in Canada, and will subsequently stream on Crave, followed by CBC and CBC Gem. The film is produced in association with Telefilm Canada, Ontario Creates, CBC Films, and Shaw Rocket Fund. International and US rights to BACKSPOT are represented by UTA.
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