The teaser trailer and poster for a truly terrifying cinematic experience from producer Ridley Scott and director/writer Fede Alvarez, 20th Century Studios’ “Alien: Romulus,” is here! “Alien: Romulus” opens exclusively in theatres nationwide August 16, 2024.
The sci-fi/horror-thriller takes the phenomenally successful “Alien” franchise back to its roots: While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe. The film stars Cailee Spaeny (“Priscilla”), David Jonsson (“Agatha Christie’s Murder is Easy”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“The Last of Us”), Spike Fearn (“Aftersun”), Aileen Wu. Fede Alvarez (“Evil Dead,” “Don’t Breathe”) directs from a screenplay he wrote with frequent collaborator Rodo Sayagues (“Don’t Breathe 2”) based on characters created by Dan O’Bannon and Ronald Shusett. “Alien: Romulus” is produced by Ridley Scott (“Napoleon”), who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” Michael Pruss (“Boston Strangler”), and Walter Hill (“Alien”), with Fede Alvarez, Elizabeth Cantillon (“Charlie’s Angels”), Brent O’Connor (“Bullet Train”), and Tom Moran (“Unstoppable”) serving as executive producers.
20th Century Studios’ new “Alien” film starring Cailee Spaeny (“Mare of Easttown”) will begin production in Budapest on March 9. 2023. Joining Spaeny in the cast are David Jonsson (“Industry”), Archie Renaux (“Shadow and Bone”), Isabela Merced (“Rosaline”), Spike Fearn (“The Batman”) and Aileen Wu (“Away from Home”). Fede Alvarez (“Evil Dead,” “The Girl in the Spider’s Web,” “Don’t Breathe”) directs from a screenplay he wrote with his frequent collaborator Rodo Sayagues. Ridley Scott, who directed the original “Alien” and produced and directed the series’ entries “Prometheus” and “Alien: Covenant,” and Michael Pruss (“Boston Strangler” upcoming) are producing under their Scott Free banner, with Brent O’Connor (“Bullet Train”), Elizabeth Cantillon (“Persuasion”) and Tom Moran (“The Donut King”) serving as executive producers.
In this ninth entry in the immensely popular and enduring film series, a group of young people on a distant world find themselves in a confrontation with the most terrifying life form in the universe.
(Photo/video credit: 20th Century Studios)
Truly we are blessed to work with an outstanding Team whom we wouldn’t be able to do it without. While you will see many Year’s Best Lists pop-up around this time of year, what makes our Team unique is that we genuinely are paying Filmgoers like you. These are real opinions without the critical pretension, of individuals who know a lot about Film and individuals who live and breathe Film. We all work day and night jobs like all of you, juggling screenings and junkets into our crazy schedules for the love of Film.
We thank David Baldwin, Jonathan Godfrey, Siobhán Rich, Amanda Gilmore and Justin Waldman for their amazing work on the daily!
We thank you for joining us on our adventures throughout the year and hope you’ll be around as we share our thoughts with you on the upcoming 2018 slate.
From our family to yours!
DAVE BALDWIN
The real world may have been a complete nightmare in 2017, but the celluloid world was nothing short of incredible. Each month gifted us with exceptional films that continually surpassed any and all expectations. While there were some terrible stinkers sprinkled throughout, 2017 will go down as a banner year for cinema. There was something for everyone, from blockbusters to indies to everything in-between, and it was incredibly hard to narrow down a list of just 10 of those films. I could easily list 10-20 more genuinely outstanding pictures — it was really that great of a year. And while there is a dark cloud over Hollywood right now, I’d like to think this year’s films prove that we are finally moving in the right direction instead of reliving the past.
1. The Shape of Water
2. The Big Sick
3. Baby Driver
4. Ingrid Goes West
5. Get Out
6. Call Me By Your Name
7. Raw
8. The Disaster Artist
9. Three Billboards Outside Ebbing, Missouri
10. I, Tonya
JONATHAN GODFREY
The Red Turtle
Valerian and the City of a Thousand Planets
Trainspotting 2
mother!
Ghost in the Shell
Blade Runner 2049
Alien Covenant
Justice League
Your Name.
Star Wars: The Last Jedi
These are the movies that moved me the most this year. Many of them performed poorly with regards to revenue and reviews. Nevertheless, I enjoyed them deeply, and in my own way. They are all passion projects that were beautiful to behold. So much so that I don’t have an overall “favourite.” I have “favourites,” and I can’t wait to find ten more in 2018.
SIOBHÁN RICH
The Big Sick
Call Me By Your Name
Don’t Talk to Irene
Foxtrot
Get Out
Girls Trip
Ladybird
Loveless
The Post
Shape of Water
Split
Three Billboards Outside Ebbing, Missouri
I found it incredibly difficult to narrow down my list this year. Presented as always in alphabetical order, this list does not include Logan, Wonder Woman or Baby Driver but does include a movie that was criminally left off TIFF’s list for Canada’s Top Ten. I included a comedy that had people falling off their seats and one that reflects what my family looks like. I also snuck in some early favourites to balance out my top two foreign films from TIFF ’17 and a late entry which blew me away. Finally, I rounded out my top twelve with a few hits from TIFF that will definitely be making a comeback during Oscar season.
AMANDA GILMORE
Lady Bird
Call Me By Your Name
The Florida Project
Get Out
A Ghost Story
Dunkirk
The Shape Of Water
The Disaster Artist
Mudbound
Three Billboards Outside Ebbing, Missouri
My Top Ten are in no particular order. In my Top Ten there are Films that I found unique, told honest depictions of the human condition and/or pushed the boundaries of filmmaking. All the Films showcase outstanding acting, writing and direction done by all involved. These Films are in my Top Ten because no matter what time they came out throughout 2017 they have stayed with me until the end. And will probably stay with me throughout the years to come. Hope you enjoyed them if you have seen them. And I hope you seek out the ones you haven’t!
JUSTIN WALDMAN
2017 has been one roller coaster of a year for Hollywood, or Christopher Plummer being in like every movie (ha!). However if you can look past all the horrible things that have plagued Hollywood this year, there are plenty of quality films that hit the silver screen this year. In absolutely no particular order here at my top ten movies for 2017.
The Big Sick
Logan/Wonder Woman
Lady Bird
Call Me By Your Name
Get Out
Star Wars: The Last Jedi
The Disaster Artist
The Post
The Shape of Water
Logan Lucky
These films all possess something to them that made them stand out this year, whether it be the subject matter, the performances, the unexpected fantastic ride it took you on, each of these 11 movies gave me something this year. As well they all have massive re-watch value and are endlessly delights to watch.
For Mr. Will‘s Best-Of 2017 including Movies, Music and Celeb Spottings, click here!
ALIEN: COVENANT makes it a winning weekend for 20th Century Fox with an authoritative $40 million opening from 3,761 theatres. The latest in the Aliens franchise from Sir Ridley Scott, gets a 73% on the Tomatometer and an B CinemaScore. By comparison, Prometheus, the previous Film in the franchise, opened in 2012 with $51 million.
GUARDIANS OF THE GALAXY, VOL. 2 makes it a close match after two weeks atop the Box Office, with $35 million for Marvel/Disney this weekend from 4,347 theatres. Thus far it has just surpassed $300 million over three weeks in North America.
In third in its debut is EVERYTHING, EVERYTHING, adapted from Nicola Yoon‘s Young Adult Novel of the same name. It earns $12 million for Warner Bros. from 2,801 theatres and gets a 42% on the Tomatometer and an A- CinemaScore.
SNATCHED lands in fourth with $8.6 million in its second week out for 20th Century Fox. It has earned $32 million thus far domestically.
Opening in fifth is another release from 20th Century Fox, DIARY OF A WIMPY KID: A WIMP WILL RISE with $7 million from 3,157 theatres. The second installment in the franchise in 2011 set an all-time best opening of $23 million for the series. Critics gave it a 19% on the Tomatometer and a B CinemaScore.
HOW TO BE A LATIN LOVER rounds-out the Top Ten with $2.1 million for Lionsgate Films. It is on the cusp of the $30-million-mark.
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