#TIFF23: “GONZO GIRL” REVIEW

By Amanda Gilmore

Patricia Arquette makes her feature debut with Gonzo Girl the adaptation of Cheryl Della Pietra’s semi-autobiographical novel chronicling her time as Hunter S. Thompson’s personal assistant. 

Set in 1992, we follow Alley Russo (Camila Morrone) who’s been hand-picked to be the assistant to the father of gonzo journalism, Walker Reade (Willem Dafoe). It’s been 15 years since Walker’s written anything decent. He’s more interested in consuming cocaine, acid and alcohol than sitting down and writing. Getting him to finish his latest novel is what Alley’s hired to do.

Gonzo Girl is a fast-paced, bold trip through the few months Alley spends with Walker. Arquette and screenwriters Rebecca Thomas and Jessica Caldwell focus on Alley. Allowing the audience to see this man and the women around him, his girlfriend Devaney (Elizabeth Lail) and long-term manager Claudia (Arquette), through her eyes.

Everything she sees is spellbindingly brought to the screen by cinematographer Bobby Bukowski. When Alley first takes acid, he brings us into the world as she sees it. Filled with animation and walls pulsating. Even when no drugs are being taken, Bukowski uses the lens to capture the bizarre world Alley is now a part of, such as seeing the room through the reflection of Water’s sunglasses.

At the centre of Gonzo Girl are two powerhouse performances from Dafoe and Morrone. Dafoe gives a controlled yet outlandish performance as Walker. With a filmography loaded with best performances, his take on Walker will stand near the very top. Rising talent Morrone gives a firecracker performance as Alley who learns more about herself and steps into her independence.

Gonzo Girl screens at TIFF ’23:

Thursday, September 7 at 8:45 PM at Royal Alexandra Theatre

Friday, September 8 at 5:30 PM at Scotiabank Theatre Toronto

Saturday, September 16 at 3 PM at TIFF Bell Lightbox