Swifties!!!  Taylor Swift, The Eras Tour Concert Film will be available to Rent starting December 13, 2023 (Taylor’s birthday!) on Prime Video in Canada.

The rental version Includes three song performances not seen in the theatrical version.

For more info visit: https://tstheerastour.taylorswift.com/

THE MARVELS debuts on top this weekend with $52 million from 4,030 theatres for Disney/Marvel. It gets 62% on the Tomatometer from Critics. While this is a success, this would be the lowest debut in the MCU, with 2008’s The Incredible Hulk opening with $55 million.

In second is FRIDAY NIGHTS AT FREDDY’S with $9 million from 3,694 theatres for Universal Pictures. Over three weekends, the Horror has earned $127 million domestically.

TAYLOR SWIFT: THE ERAS TOUR debuts takes $6.5 million from 2,848 theatres, bringing it to $173 million in its fifth weekend for AMC/Cineplex Pictures.

KILLERS OF THE FLOWER MOON is in fourth with $5 million for Paramount Pictures/Apple Original Films, a total $60 million grossed domestically over four weekends.

Rounding this out is PRISCILLA with $4.8 million, expanding to 2,361 theatres, taking it to $12 million over three weekends for A24/Elevation Pictures.

FRIDAY NIGHTS AT FREDDY’S takes the top spot again at the Box Office a second week with $17.8 million for Universal Pictures, an impressive two week tally of $112 million in North America.

In second is TAYLOR SWIFT: THE ERAS TOUR with $11.9 million, a four weekend total of $164.3 million.

Third is KILLERS OF THE FLOWER MOON with $6.2 million for Apple Original Films/Paramount, a total $51 million in its third weekend.

PRISCILLA bows in fourth with $5.5 million from 1,450 theatres for A24/Elevation Pictures. It gets 85% on the Tomatometer.

Rounding things out is AFTER DEATH with $2.9 milion for Angel Studios, a run of $10.2 million to date.

FRIDAY NIGHTS AT FREDDY‘S has a record-smashing debut this weekend, primed right for Halloween next week. This sets a record for best Halloween weekend opening ever, easily surpassing 2011’s PUSS IN BOOTS which opened with $34 million. This Video Game adaptation from Blumhouse, gets $78 million from 3,550 theatres for Universal Pictures, which is even more impressive considering it also already is streaming on American streaming service, Peacock. While Critics didn’t love it with 26% on the Tomatometer, moviegoers are loving it with an A- CinemaScore.

In second is TAYLOR SWIFT: THE ERAS TOUR with $16.5 million from 3,773 theatres, taking it to $151.1 million for AMC/Cineplex Pictures.

Third is KILLERS OF THE FLOWER MOON with $11 million in its second weekend, a tally of $43.6 million for Apple Original Films/Paramount Pictures.

Documentary AFTER DEATH gets a $6.1 million opening for Angel Studios in its debut, good enough for fourth.

THE EXORCIST: BELIEVER rounds things out with $3.7 million for Universal Pictures, a total $60 million in its domestic run.

It’s two weeks of Tay-Tay! TAYLOR SWIFT: THE ERAS TOUR takes the top spot once again at the Box Office with $32 million from 3,855 theatres for AMC/Cineplex Pictures. Because the experience is primarily playing during the weekend, its two week total is boosted to $130.7 million.

Debuting in second spot is KILLERS OF THE FLOWER MOON with $22 million from 3,628 theatres for Paramount Pictures/Apple Original Films. This would be Martin Scorsese’s widest opening ever for a film, and he is still in fine form, garnering 92% on the Tomatometer from Critics.

PAW PATROL: THE MIGHTY MOVIE is in third with $5.6 million from 3,364 theatres for Paramount Pictures/Elevation Pictures, a total run of $56.7 million.

Fourth is TIM BURTON’S A NIGHTMARE BEFORE CHRISTMAS, re-released to 1,650 theatres by Disney to the tune of $4.3 million, adding to the 1993 classic’s $91.5 million worldwide gross to date.

THE EXORCIST: BELIEVER is hanging-on in fifth spot with $3.9 million, a domestic tally of $52.6 million for Universal Pictures.

She’s on-top of the world! TAYLOR SWIFT: THE ERAS TOUR is poised to debut atop the Box Office with a jawdropping $97 million this weekend from 3,850 theatres for AMC/Cineplex Pictures. Previous best for a North American October opening was held by JOKER with $96.3 million. At once, it becomes highest grossing Concert Film ever too! Critics and fans agree this is an amazing experience, nabbing a rare 100% on the Tomatometer.

Second is THE EXORCIST: BELEIVER with $11 million in its second weekend from 3,684 theatres for Univeral Pictures. Thus far it has grossed $44.9 million.

In third we’ve got PAW PATROL: THE MIGHTY MOVIE with $5.7 million from 3,707 theatres for Paramount Pictures/Elevation Pictures, taking it to $48.5 million in weekend three.

Fourth is SAW X with $5.3 million for Lionsgate/Cineplex Pictures, a $41.1 million run now in its third weekend.

THE CREATOR is fifth with $3.3 million, taking it to $33 million for 20th Century Studios.

Taylor Swift’s ‘Look What You Made Me Do (Taylor’s Version)’ has been revealed as the song of the opening titles for UK Original thriller series Wilderness. The re-recorded track from Reputation makes its global debut in the series teaser released today. Wilderness will launch globally on Prime Video on 15 September, 2023.

The defiant ‘Look What You Made Me Do (Taylor’s Version)’ reflects Liv’s (Jenna Coleman) transformation after her supposed “happily-ever-after” quickly turns into a living nightmare on discovering her husband Will (Oliver Jackson-Cohen) is having an affair.

Liv becomes the actress starring in Will’s bad dreams after she learns about his betrayal, and her heartbreak is swiftly followed by another emotion: fury. The couple embark on an American road trip Liv’s fantasised about since she was little, from the Grand Canyon on through Yosemite, before ending up with a hedonistic weekend in Las Vegas. For Will, it’s a chance to make amends; for Liv, it’s a very different prospect—a landscape where accidents happen all the time. The perfect place to get revenge. Look what he made her do…  

It was an incredibly star-studded second day of TIFF ’22 with various Premieres kicking-off around the City ahead of what will be a busy weekend with mega-watt power at the Festival. See who spotted around town premiering their Films and doing their rounds!

We started out day early with an appearance on CP24 Breakfast with Sonia Mangat! Sbe actually has a Short Film premering at the Festival! So amazing! Thanks to those who tuned-in and sent their supportive messages!

THE WOMAN KING

Such an honour being invited to this event in celebration of Gina Prince-Blythewood‘s film. The Cast really brought home the message of the importance of supporting this black female-led Action Film starring Viola Davis, on its opening weekend, at the #TakeUpSpace event presented by Twitter at Mademoiselle.

TAYLOR SWIFT – IN-CONVERSATION

BROTHER

EMILY

BUTCHER’S CROSSING

ON THE COME UP

THE INSPECTION

BROS

While we’re expecting to see more of the Cast tomorrow, how cool is this moment between Comedy icons Seth Rogen and Judd Apatow? Rogen is here for THE FABELMANS and reunited with his Knocked Up collaborator Apatow at this Premiere for BROS. So happy we met Joel Kim-Booster, who was seen this past Summer in FIRE ISLAND!

It’s 3 AM, time for bed and yet another early rise tomorrow! We were a little slow to start and hoping to get into our rhythm finally on Day Three. I know this sounds a little absurd since we had so many sightings but trust me, this even is a little off our usual pace. See you again in a few hours!

(Photo/video credit: Mr. Will Wong)

TIFF is thrilled to announce a special In Conversation With… Taylor Swift on Friday, September 9, at 7pm at TIFF Bell Lightbox as part of the 47th annual Toronto International Film Festival. Swift will introduce the first-ever screening of All Too Well: The Short Film on 35mm, and join TIFF CEO Cameron Bailey in an engaging conversation about filmmaking and the visual aspects of her music. 

“We love the intersection of film and other art forms, and Taylor Swift is a brilliant visual thinker,” said Bailey. “We’re excited to hear Taylor’s version of how absorbing influences from cinema led to her creating All Too Well: The Short Film, which we’ll present in its original 35mm form for the first time at TIFF.”

Swift is a creative powerhouse. Singer, songwriter, producer, actor, director — this multi-hyphenate artist is the only woman in history to win the Grammy Award for Album of the Year three times, tying for the most wins by any artist (alongside Frank Sinatra, Stevie Wonder, and Paul Simon), as well as earning prizes in eight other categories. In addition to music, Swift has long been a visual storyteller. From influencing the edits of her music videos, to writing the treatments herself and then making the jump to director, she has defined a distinct style that extends out of her songwriting. In 2021, she released re-recordings of Fearless (Taylor’s Version) and Red (Taylor’s Version), her acclaimed second and fourth albums, as an act of reclamation and creative empowerment. The latter release was followed by All Too Well: The Short Film, which she directed, wrote, produced, and appeared in. 

This year’s In Conversation With… series connects audiences and film lovers around the world with some of the most talented artists working today. The 2022 lineup includes award-winning actors and creators who have helped shape the discourse in the entertainment industry.

Tickets for this special In Conversation with… will go on sale to TIFF Members beginning September 3, with remaining tickets on sale to the public on September 5 at tiff.net/tickets.  Industry pass holders and accredited press pass holders with public ticket allocations will be able to secure tickets in advance and on the day of the event.

(Photo credit: Universal Music)

Ed Sheeran and Taylor Swift have teamed-up at long last on this gorgeous new version of “The Joker and The Queen” from Sheeran‘s latest LP “=”. Well if that doesn’t get you in the mood for love this Valentine’s Day, I don’t know what will! Sadly, our star vocalists don’t appear in the Video, but younger versions of themselves played by Ava James and Jack Lewis, do a fantastic job. Like watching a Movie!

(Photo/video credit: Warner Music)