Ravyn Lenae releases her third studio album Blue Island via Atlantic Records. Executive-produced by Bird’s Eye collaborator and GRAMMY Award-winning producer Dahi, Blue Island is an immersive world shaped by poise, playfulness, and the confidence of an artist who knows this is only the beginning.
Blue Island represents a threshold that Ravyn has inhabited both mentally and physically over the past year. Following the success of her hit single “Love Me Not,” which reached No. 5 on the Billboard Hot 100, No. 10 on the Billboard Global 200, No. 2 on the UK Singles Chart, and charted in Canada, Australia, and more, the world was finally catching up. While this newfound success meant a host of new opportunities that she had always dreamed of, it also meant bouts of joy, anxiety, loneliness, and even heartbreak. Paired with ill-informed questions about her Blackness and reignited conversations about whether she belonged in certain music spaces, she looked to her musical influences such as Santigold, Janet Jackson, and Tracy Chapman, whose masterful catalogs reaffirmed to her that Black women artists can express their artistry through different genres and thrive doing so.
She uses Blue Island to explore the full scope of her identity: the quirks, flirty energy, “teenage angst” that often bleeds well into years outside its allotted window, as well as the quiet, lonely, “off-beat” moments that happen when you are in the midst of a transformation.
Sonically, the record widens Ravyn’s world. Armed with contributions from industry heavyweights like Justin Tranter (Chappell Roan, Britney Spears, Justin Bieber), Diana Gordon (Beyoncé, Mark Ronson, Lil Yachty), and Andrew Aged (Lorde, Mk.gee, Blood Orange), and a dazzling feature from friend and past collaborator Doechii on “Babygirl,” Ravyn expands on her classic sound while also incorporating the
sounds of her listening diet, such as Blondie, The Sundays, The Cranberries, Martin Rev, and even the dramatic chorus structures and high vocal tones of Bollywood soundtracks.
Speaking on the album, she shared, “‘Blue Island’ is a point of arrival, and feeling set in my ways and in who I am, and feeling free of any of those preconceived notions about Blackness or what I had to be in the past. So I think now it’s fun to challenge the idea of what R&B is supposed to sound like, what pop is supposed to sound like… and really say ‘fuck all of that’ and do my own thing.”
The album includes her previously released singles “Saturday Night,” “Reputation” featuring Dominic Fike, “Bobby,” and “Handle,” the last of which ushered in this new era and arrived alongside a stunning new music video that saw Ravyn incorporating choreography into her artistry for the first time. With live shows in mind, she joined forces with New York-based movement director Akira Uchida to remind listeners how a song can remain personal while also reaching the back row, and how intimacy can still feel expansive. Their collaboration was best illustrated this past June, with her debut performances at Primavera Sound in Barcelona and Governor’s Ball in New York City just 48 hours later. The latter earned praise from Billboard, which described her choreography as “landing somewhere between Fosse and David Winters.”
She’ll be heading on the road again this month to perform on a string of European and UK festivals before launching her 22-date headline North American tour this fall, with support from Lexa Gates, Nourished By Time, and Q on select dates. Tickets are available for purchase via https://www.ravynlenae.com/tour.
Listen to Blue Island above, find touring details below, and stay tuned for more from Ravyn Lenae.
Upcoming Live Dates
^ = Nourished By Time
8/13 – Copenhagen, DK @ Syd for Solen
8/14 – Gothenburg, SE @ Way Out West
8/15 – Oslo, NO @ Oya Festival
8/20 – St. Poelten, AT @ Frequency Festival
8/22 – Biddinghuizen, NL @ Lowlands Festival
8/23 – Hasselt, BE @ Pukkelpop Festival
8/25 – Lausanne, CH @ Headline
8/26 – Paris, FR @ Rock en Seine
8/28 – London, UK @ All Points East
8/29 – Lisbon, PT @ Kalorma
8/30 – County Laois, IE @ Electric Picnic
9/15 – Sacramento, CA @ Channel 24 +
9/16 – Oakland, CA @ Fox Theater +
9/18 – Las Vegas, NV @ Brooklyn Bowl +
9/19 – Salt Lake City, UT @ Rockwell at The Complex +
9/20 – Denver, CO @ Ogden Theatre +
9/22 – Minneapolis, MN @ The Fillmore +
9/25 – Chicago, IL @ The Salt Shed +
9/26 – Detroit, MI @ Masonic Jack White Theatre +
9/29 – Washington, D.C. @ The Anthem +
9/30 – Boston, MA @ Roadrunner ^
10/2 – New York, NY @ Kings Theatre ^
10/3 – Philadelphia, PA @ Franklin Music Hall ^
10/5 – Toronto, ON @ HISTORY ^
10/8 – Raleigh, NC @ The Ritz *
10/9 – Atlanta, GA @ The Eastern *
10/10 – Nashville, TN @ Marathon Music Works *
10/11 – Memphis, TN @ Satellite Music Hall*
10/13 – Dallas, TX @ House of Blues ^
10/14 – Austin, TX @ Emo’s ^
10/16 – Tucson, AZ @ Rialto Theatre ^
10/17 – Phoenix, AZ @ Van Buren ^
10/21 – Los Angeles, CA @ The Greek Theatre ^ +
Blue Island
August 7th, 2026
Atlantic Records
Ravyn Lenae announces her third studio album, Blue Island, due August 7, 2026 via Atlantic Records and shares her new single “Handle.” Executive-produced by Bird’s Eye collaborator and GRAMMY Award-winning producer Dahi, Blue Island is an immersive world shaped by poise, playfulness, and the confidence of an artist who knows momentum is only the beginning.
“Handle,” alongside the previously released songs “Reputation” featuring Dominic Fike and “Bobby,” paint the portrait of an artist evolving in real time. On “Handle,” Ravyn expands beyond expected genres and themes with a seductive new verve that forces you to hold on tight as the Chicago artist hopscotches through her mind’s inner workings on love. The single arrives alongside a stunning new music video that sees Ravyn incorporating choreography into her artistry for the first time. With live shows in mind, she joined forces with New York-based movement director Akira Uchida to remind listeners how a song can remain personal while also reaching the back row, and how intimacy can still feel expansive.
Blue Island represents a threshold that Ravyn has inhabited both mentally and physically over the past year. Following the success of her hit single “Love Me Not,” which reached No. 5 on the Billboard Hot 100, No. 10 on the Billboard Global 200, No. 2 on the UK Singles Chart, and charted in Canada, Australia, and beyond, the world was finally catching up. While this newfound success meant a host of new opportunities that she had always dreamed of, it also meant bouts of joy, anxiety, loneliness, and even heartbreak. Paired with ill-informed questions about her Blackness and reignited conversations about whether she belonged in certain music spaces, she looked to her influences (Santigold, Janet Jackson, Tracy Chapman), whose masterful catalogs pushed back against confines placed on how Black women artists should express themselves. She uses Blue Island to explore the full scope of her identity: the quirks, flirty energy, “teenage angst” that often bleeds well into years outside its allotted window, as well as the quiet, lonely, “off-beat” moments that happen when you are in the midst of a transformation.
Sonically, the record widens her world, expanding on her classic sound while also incorporating the sounds of her listening diet, such as Blondie, The Sundays, The Cranberries, Martin Rev, and even the dramatic chorus structures and high vocal tones of Bollywood soundtracks. Speaking on the album she shares, “‘Blue Island’ is a point of arrival, and feeling set in my ways and in who I am, and feeling free of any of those preconceived notions about Blackness or what I had to be in the past. So I think now it’s fun to challenge the idea of what R&B is supposed to sound like, what pop is supposed to sound like… and really say ‘fuck all of that’ and do my own thing.”
2025 was a breakthrough year for Ravyn Lenae, which saw her perform on Jimmy Kimmel Live!, Good Morning America, make her debut performances at Coachella and her hometown of Chicago’s Lollapalooza, a sold-out, two night, four-show residency at the famed Blue Note Jazz Club which Billboard heralded as “a dexterous display of musicality and wisdom,” a brand partnership with Coach, as well as headline North American and UK/EU tour, in addition to the runaway success of “Love Me Not.” Alongside these feats, she joined Sabrina Carpenter and Reneé Rapp on select dates of their arena tours in North America and performed at multiple international festivals. Next week, she’ll perform at Barcelona’s famed Primavera Sound music festival on June 4th before taking the stage for New York’s Governors Ball on June 6th.
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