FEAR OF DANCING explores the global fear of many to dance! It is coming soon to CBC Gem.
FEAR OF DANCING is a documentary Channel original film chronicling director Michael Allcock’s global quest to understand why he and so many others on this planet are terrified by the simple act of dancing – what science calls chorophobia. Along the way, he encounters a celebrity chorophobe, dancing robots, virtual reality and a mysterious dancing plague.
See the Trailer:
FEAR OF DANCING arrives on CBC GEMFriday, November 27, 2020.
In 2013, a man was killed for a fisherman for poaching lobster, sending shockwaves through an entire community in Nova Scotia.
The Killing of Phillip Boudreau, a new documentary from award-winning filmmaker Megan Wennberg, Tell Tale Productions, and CBC Docs POV, tells the story of a death that tore apart the Nova Scotia community of Isle Madame. On June 1, 2013, halfway through the spring lobster season, the crew of the lobster fishing vessel the ‘Twin Maggies’ killed notorious local poacher Phillip Boudreau. The gruesome crime shook the close-knit community to its core, with repercussions that are still felt today. The homicide underscored the glaring and complex social issues within a remote Maritime community wrought with hardened ideals of masculinity, pride, and history. The crime was dubbed ‘Murder for Lobster,’ and while this made a clickable headline, it ignored the larger problems at play, causing harm that is still felt throughout the community seven years later.
See the Trailer:
THE KILLING OF PHILLIP BOUDREAU airs on CBC DOCS POV. Coming soon.
The Internet is something we cannot live without, but has our obsession now led to feelings of dread against it? Filmmaker Brett Gaylor explores what is known as a “Techlash” in his latest Documentary, airing on CBC DOCS POV, THE INTERNET OF EVERYTHING.
The Internet of Everything directed by award-winning filmmaker Brett Gaylor (Rip! A Remix Manifesto, Do Not Track) is a documentary that examines the hype and hubris hurtling towards the next frontier in the Internet’s evolution. Using the never-ending list of devices we are told we want, the film provides a landscape for a broader discussion about whether the Internet has indeed been a democratizing force or, instead, a fertile ground for the formation of new empires.
Kristina is developing a device that transmits fertility data to the cloud from inside a woman’s private parts; Nellie Bowles, a journalist for the New York Times, introduces a survivor of domestic abuse who was terrorized by her partner’s “smart home.” China’s smart city vision reward citizens for behaviour conforming to social norms, as well as Alphabet’s vision for a corporate neighbourhood built “from the Internet up.” In Barcelona, we grasp a new potential for the Internet to allow for the copying of physical goods, turning the material world of atoms into digital bits that can be transmitted at zero cost anywhere on earth.
See the Trailer:
THE INTERNET OF EVERYTHING airs Sunday, March 22, 2020 on CBC DOCS POV 9:00 PM EST. It will also stream on CBC GEM.
Nominations for the 2019 Canadian Screen Award were announced this morning at The Globe and Mail Centre in Toronto, honouring accomplishments in Canadian Film, Television and Digital Media. Leading this pack once again this year are ANNE WITH AN E and SCHITT’S CREEK with 14 nominations each.
Dominating the Film categories are French-language Films Just a Breath Away (Dans la brume) and The Great Darkened Days (La grande noirceur), the latter which partly is English.
Others to be honoured at the Awards this year include: The Kids in the Hall receiving the Academy Icon Award, Deepa Mehta, receiving the Lifetime Achievement Award, Mary Walsh receiving the Earle Grey Award and Golden Globe nominee Stephan James who will be named the first ever recipient of the Radius Award.
Women were front and center this year with receiving 50% of all nominations in Writing, Film Direction, Feature Film and Web Performance categories. We continue to see a focus on equity and diversity in the Canadian Entertainment landscape with several initiatives like #AfterMeToo and #ShareHerJourney aiming at sharing the female voice and addressing women’s concerns.
Canadian Screen Week runs March 25 – 31, 2019 and includes five Galas:
•The CTV GalaHonouring Non-Fiction Programming (March 26, 2019)
•The CTV Gala Honouring Creative Fiction Storytelling (March 27, 2019)
•The Gala Honouring Digital & Immersive Storytelling (March 28, 2019)
•The Cinematic Arts Gala (March 31, 2019)
•The Canadian Screen Awards: Broadcast Gala (March 31, 2019)
Canadians can vote for their favourite screen personality to win the Cogeco Fund Audience Choice Awardhere.
The 2019 Canadian Screen Awards Broadcast Gala airs on CBCSunday, March 31, 2019 at 8 PM ET.
For those of you home this Sunday night, CBC has a fascinating Documentary which looks at gender roles in the animal kingdom. Do humans have it backwards?
Synopsis: Mommy Wildest is a compelling, intimate portrait of three animal families where it’s the females that rule and mother who knows best. We enter the lives of fierce lion sisters, majestic elephant grandmothers, and regal baboon mothers who form sisterhoods to raise their families.
The legacy of Anne of Green Gables is unparalleled. With over 50 million copies of Lucy Montgomery‘s novel being sold and fans spanning the globe, CBC is ready to unveil a new seven-episode television adaptation of the beloved story, known simply as ANNE. Its sights are set high working with a substantial budget, comparable to that of a U.S. cable television series (and it certainly looks it), and it already has secured global distribution via leading internet television service Netflix. Acclaimed Filmmaker Niki Caro (Whale Rider, McFarland, USA) signed-on to direct the two-hour premiere. Fans old and new can expect this to be a darker take, exploring deeper some of the aspects of the story previous Films and Mini-Series had not, speaking to an audience of now.
At the center of it all is fresh-faced and well-spoken 15-year-old actress Amybeth McNulty whom while being part-Canadian (her mother is from Calgary), resides in and is home-schooled in Ireland. McNulty, whose background primarily has been in theatre, starred in 2016 Thriller Morgan as the ten-year-old version of the titular character. She takes on the ambitious task in Anne of portraying the iconic talkative red-haired orphan and does so more than ably.
We sit down and chat with McNulty at the CBC Headquarters coincidentally on St. Patrick’s Day, about becoming Anne and winning the coveted role over 1,800 young actresses in an international search just last year. On what we can expect from the Series, she tells us “It really shows a lot more of her abuse and the trauma. It shows with full brutal honesty what she and a lot of orphans went through back then.”.
McNulty, who actually is a natural blonde, tells us about filming in P.E.I. where the story is set in the late 1800s. “I live in Ireland myself, so it reminds me a lot of Ireland with its rolling hills and those beautiful cliffsides.”. She even went to the actual Anne of Green Gables Store (it actually exists!) and shares an awkward but humorous anecdote. “I went down to the Anne shop when I had just got my red hair done and the people there were like, ‘Oh, you’d make a great Anne!’ she laughs. “And I was like ‘thank you’ and then I just quickly left!”.
While being a huge fan of Lucy Maud Montgomery‘s books, the Series’ source material, she admits never to having watched the previous Mini-Series and Films which followed. “It wasn’t really a conscious decision”, she says. “I didn’t really want to be affected. I wanted my portrayal really to come from me and Moira (Walley-Beckett, Series Writer) and the rest of the team.”.
Spending much of her spare time dancing and singing, working on Anne also has taught McNulty a thing or two about filmmaking, developing her own YouTube channel, chronicling her life and travels. “I learned a lot about filming and editing through the crew and I use it in filming vlogs.”. Check it out here.
“I think anyone living in P.E.I. is going to be very proud of their hometown and how beautiful it looks”, McNulty leaves us on a parting note as she gets ready to head out to do a live hit on TV downstairs – a face that soon will be familiar around the world.
It’s that time of the year again and you can bet we’re super-pumped for CANADIAN SCREEN WEEK! As in previous years, FAMILY FAN DAY will give us a chance to connect with some of our favourite Canadian stars of the screen! Taking place Saturday, March 11, 2017 at Sony Centre for the Performing Arts, the event runs from 10 AM to 2 PM and guess what? It’s free!
Exciting activations and contests are being planned and did you know that the first 100 in line will get a free swag bag? There will be doughnuts from JELLY MODERN, a MAC booth giving you inspiration for your spring 2017 look, exciting animals from HANDS ON EXOTICS and also a coding workshop by LADIES LEARNING CODE.
Stars in attendance this year include:
• Dan Riskin and Ziya Tong, Daily Planet (Bell Media)
• Kristian Bruun, Orphan Black (Bell Media)
• Simu Liu, Andrea Bang and Andrew Phung, Kim’s Convenience (CBC)
• Hélène Joy and Lachlan Murdoch, Murdoch Mysteries (CBC)
• Alisha Newton, Heartland (CBC)
• Janaye, Tony, Victor, Gary the Unicorn and Dot, CBC Kids (CBC)
• Dwight Drummond, CBC News Toronto (CBC)
• Kim Coates, Bad Blood (Rogers Media)
• Dina Pugliese and Kevin Frankish, Breakfast Television (Rogers Media)
• Victoria Baldesarra and Shelby Bain, The Next Step (Family Channel)
• Chelsea Clark and Ehren Kassam, Degrassi: Next Class (Family Channel)
• Devyn Nekoda, Colin Petierre and Julia Tomasone, Backstage (Family Channel)
• Hosts from Global’s The Morning Show (Corus Entertainment)
• Mike Holmes and Mike Holmes Jr., Holmes + Holmes (Corus Entertainment)
• Noah Cappe, The Bachelor Canada (Corus Entertainment)
• Anthony Farnell, Global News (Corus Entertainment)
• Ella Ballentine, Sara Botsford, Kate MacDonald Butler, L.M. Montgomery’s Anne of Green Gables (Corus Entertainment/Breakthrough Entertainment)
…and several more!
YTV‘s Carlos Bustamante will fill hosting duties.
Here’s a couple tips for taking the best selfies with the stars, from your resident expert, Mr. Will:
1. Be calm, stars are more like us than we are led to believe.
2. Ask nicely. If you are a real fan, let them know how they have touched your life.
3. Give them space and let them initiate it if they want to get closer to you.
4. Make sure there’s no glaring light behind you in the photo. This is v. unflattering and will almost always ruin your photo. If there is light, make sure it is shining on your faces.
5. Nobody likes a double-chin, so tilt that camera/cell phone up just a bit and tilt that chin down.
6. Look into the lens of the camera, not the screen on your cell phone and smile! Keep your eyes open!
7. Take an extra snap quickly just in case the first didn’t turn out – it’s always good to have a back-up.
8. Thank the star.
Enjoy and g’luck! We’ll be seeing you around Canadian Screen Week!
Nominations were announced earlier today at Oliver & Bonacini‘s Aperture Room for the 2017 Canadian Screen Awards, now in their fifth year. Announcing nominees were a trio of Canadian talent including actors Maxim Roy (Shadowhunters), Simu Liu (Kim’s Convenience) and Amanda Brugel (The Handmaid’s Tale).
With 134 categories, divided by Digital Media, Television and Film, the Awards brought out some familiar and new names. Leading the Television nominees once again is ORPHAN BLACK with a stellar 14 nominations (and wins in the past three consecutive years) including Best Dramatic Series and Actress (Tatiana Maslany).SCHITT’S CREEK, also a multi-CSA winner which just premiered in its third season, follows closely in second with 13 nominations, while KIM’S CONVENIENCE gets 11 nominations in its debut. The latter two, both from CBC, compete for Best Comedy Series.
Leading the Film nominations with nine nods is Xavier Dolan‘s IT’S ONLY THE END OF THE WORLD including Best Motion Picture and Direction, Canada’s Best Foreign Picture entry at the upcoming Academy Awards. RACE, also filmed in Montreal like WORLD, gets eight nominations, while BEFORE THE STREETS, OPERATION AVALANCHE and WEIRDOS each get six nods apiece.
Newly-appointed Academy CEO Beth Janson who returned to Canada recently after a stint in the U.S., comments on the lack of a star system in Canada and hence the necessity of recognizing our own Canadian talent which she is certain has no shortage of. “The stories we tell are increasingly reflective of our diverse experiences as Canadians, and that is a trend to cherish”, she tells a room of industry, media and nominees.
Some Snaps from the Breakfast:
Academy President, Martin Katz
Actress, Amanda Brugel
Actor, Simu Liu
Actress, Maxim Roy
Nominees Jennifer Dale and Adrian Holmes
Team Schitt’s Creek congratulate Catherine O’Hara on her nod!
The 2017 Canadian Screen Awards air live on CBCSunday, March 12, 2017 at the Sony Centre for the Performing Arts, hosted by Howie Mandel. Academy Award winner Christopher Plummerthat night is slated to be honoured with aLifetime Achievement Award. The Awards cap-off Canadian Screen Week, which takes place between Monday, March 6 – Sunday, March 12, 2017. Academy Award winner Christopher Plummer that night is slated to be honoured with a Lifetime Achievement Award.
Like previous years, Fans will have a chance to engage with various events set to take place leading up to the Awards. Visit ACADEMY.CA for updates.
Taking place five years after its acclaimed first season, MICHAEL: THURSDAYS AND FRIDAYS returns to the CBC lineup as MICHAEL: EVERY DAY, after budget cuts at the network back in 2012 prevented a second season. Produced and directed by Genie and Tony Award winner Don McKellar (Sensitive Skin), this latest installment of the acclaimed series reunites Psychiatrist Dr. David Storper (Bob Martin) and his patient Michael (Matt Watts).
We meet the neurotic, though seemingly well-adjusted Michael just as he has an anxiety attack at the airport prior to boarding a flight, while David himself is coping with the traumatic loss of one of his patients recently, worse for wear than Michael, his 15-year patient. The Ottawa-made sitcom has these two characters reuniting once again unexpectedly and focuses on their intense and co-dependent friendship, darkly-comical while at once heartwarming how it looks at mental illness with a bit of lightness. At once it also makes the matter feel refreshingly “normal”.
We can’t wait to see where Michael and David’s in/out-of-office relationship takes them next. Also returning to the series is Tommie-AmberPirie as David’s endearing assistant Claire.
MICHAEL: EVERY DAY airs Sundays on CBC, find out more about it here.
See a special feature on Michael: Every Day from CBC:
Okay, we admit it. We never really got the internet phenomenon known as SHIT GIRLS SAY, hence when we heard its creators, Graydon Sheppard and Kyle Humphrey were unleashing a new web series, we didn’t think much of it.
New CBC Comedy web series COMING IN however takes the rebellious stereotype-owning spirit of SHIT GIRLS SAY and in that same vein of laughter, takes it a level further. This time around, the duo explore the idea of sexual fluidity and asks the question, what if a gay man suddenly were to turn straight?
The 11-part Web Series clocking-in at about three-to-five minutes per episode, centers on Mitchell (Dylan Archambault), a stage actor who on the day of his wedding to his boyfriend Greg (Noah Danby), realizes he no longer is atttacted to men. The story then follows his way over-the-top journey to self-discovery as he grapples with his sudden attraction to women and coping with himself and how the world now perceives him as a ‘straight’ male.
COMING IN while at times playing a bit too heavily on the stereotype for laughs than going deeper – a challenge of the series’ time constraints – ultimately is more a sex comedy of extremes than an examination of the questions we all ask ourselves. It is a voyeuristic fantasy that questions ‘what if’ we went the ‘other way’ and our inhibitons were dulled, managing to keep us engaged the whole time. The series is daring and surprisingly racy, fitting right-in in an era of orientation-diverse mainstream programming like Unbreakable Kimmy Schmidt.
Mitchell‘s friend and stage co-star Margot (Natalie Krill) proves a comical match to his perpetual self-absorption and Archambault is cast well in the role. Blink and you might miss a cameo from Toronto’s own Sugar Lyn Beard who has made a career of memorable sexually-daring yet funny roles in Mike & Dave Need Wedding Dates and Sausage Party.
You can now stream all 11 episodes of COMING INright here.