The Canadian Film Centre (CFC) is pleased to announce their inaugural Hair and Makeup Training Initiative, in partnership with CMU College of Makeup Art & Design. This unique training program acknowledges the need for hair and makeup equity in the film and television industry. With financial support from NABET 700-M UNIFOR, Warner Bros. Discovery Access Canada, and the Canadian Media Producers Association, this program strives to accelerate the career paths of the next generation of hair and makeup professionals from Black, Indigenous and racialized communities and to expand the industry’s expertise in serving all hair textures and skin tones. Artists selected to participate in the program will be announced in the summer.
The CFC will collaborate with professional mentors and partners to train, coach, and support participants by providing six weeks of valuable hands-on experience (on-set and behind the scenes) and mentorship to prepare them for work on Ontario-based productions. This career building opportunity was designed to support talent from communities underrepresented in the industry who have encountered historic barriers in the screen industry. CMU College will select early-career alumni at no cost to participate, who will grow their careers from the training and networking opportunities with industry leaders. Key to their experience will be their involvement in short film productions as part of the CFC’s curriculum to gain crucial on-set experience to build their professional portfolios.
“We’re seeing more opportunities for Black, Indigenous and creatives of colour as writers, directors, and actors yet there remains a lack of change in below-the-line creative roles that support our stories and on screen talent. Representation across all departments is crucial to a sense of belonging on-set,” said maxine bailey, Executive Director, Canadian Film Centre. “We’re proud to address this gap in the industry pipeline, to build community and safe spaces for artists, and to lead the charge together with our knowledgeable program partners, CMU College, NABET 700-M UNIFOR, WBD Access Canada and the CMPA. We acknowledge this is a small step but change is going to come.”
“Gaining valuable on-set experience and industry connections is crucial to building a successful career in makeup and hair in the screen industry,” said Deanna Cadette, Senior Vice President, CMU College of Makeup Art and Design. “As one of the premier educational institutions in the world, we are proud to support the professional development of our talented alumni, and to open more doors for artists from underrepresented communities.”
“NABET 700-M UNIFOR is pleased to support this important initiative, which will contribute to more career opportunities for artists in Canada’s film and TV industry,”said Ryan Pogue, President, NABET 700-M UNIFOR. “Future productions will greatly benefit from this training program, and we look forward to witnessing a positive, necessary shift that brings together more people from various communities.”
“We are thrilled to deepen our collaboration with CMU College and to partner with the CFC to contribute to their incredible suite of career changing programs,” said Melanie Nepinak Hadley, Senior Director, WBD Access Canada. “We eagerly anticipate the transformative impact this program will have on the below-the-line talent in Canada.”
This year’s CFC Hair and Makeup Training Initiative will begin in Fall 2024.
For more information, visit cfccreates.com.
The Canadian Film Centre (CFC) is pleased to announce the six writers selected to be part of the Comedy Story Room Intensive, which begins today. Presented by Bell Media, the Comedy Story Room Intensive is a professional training initiative for emerging and mid-level writers to support their career growth with invaluable mentorship from an experienced showrunner and on-the-job training.The Comedy Story Room Intensive has been designed for writers looking to gain experience in comedy writing and engage in a collaborative series writing room. This full time, 12 week program is for those who identify as Black, Indigenous or People of Colour to open opportunities for underrepresented voices and support the future of diverse storytelling. This intensive will put the writers through the paces of a comedy room model with professional turnaround expectations.“We’re so pleased to welcome these gifted writers to be part of the Comedy Story Room Intensive and grateful for Bell Media’s continued support in offering this invaluable opportunity to fresh new voices in the industry,” said Kathryn Emslie, Executive Lead, Programs – Talent Development and Content Creation, CFC. “We’re also lucky to have an extraordinary mentor, Anthony Q. Farrell, lead this comedy story room to help elevate these writers as they move into the next stages of their careers.” The intensive will provide a team-based approach to a writers’ room under the mentorship of experienced executive producer, comedian, writer and actor Anthony Q. Farrell. Farrell was named Playback’s 2021 Showrunner of the Year and received Writers Guild of Canada’s 2022 Showrunner Award. He will guide the writers and lead the story room as showrunner as they help develop his latest comedy series Truck U.“We’re thrilled to continue our partnership with the CFC and we couldn’t think of a better mentor for this group than Anthony Q. Farrell who will help bring this distinctive, tailored Comedy program to life,” said Carlyn Klebuc, General Manager, Original Programming, Bell Media. “Building on Bell Media’s commitment to tell authentic Canadian stories, we hope this program serves to catapult the careers of this talented group of writers so they may continue bringing fresh and unique voices to the genre and landscape.”“Collaborating with fellow comedy writers is one of my favourite things to do. Working towards a creative goal with a group of funny, intelligent people is a recipe for joy. I’m really looking forward to developing this series with these six talented scribes,” shared Anthony Q. Farrell. “The Canadian Film Centre has lifted the careers of so many great Canadian artists. I am truly honoured that they’ve asked me to help them in their pursuit of a stronger, more diverse entertainment industry.” |
The 2024 Comedy Story Room Intensive Participants:
Mostafa Shaker (He/They) is an Egyptian-Canadian comedian, writer, actor and producer. He expresses his comedic voice through projects that reflect his experience as a queer Arab immigrant. He’s appeared in over 40 theatre, film and TV projects. As a writer, he’s been part of the Netflix BANFF Diversity of Voices Program, BIPOC TV & Film Showrunners Program, NSI Series Incubator and Reel World’s E20 Program. Mostafa is in development with Crave and Sphere Media on a half hour comedy inspired by his own life and with OMNI Film on a half hour family comedy.What Comedy Series would you have loved to have been in the story room for and why?Superstore – not only did I love what the show had to say, and the specificity of the characters, it’s also my type of humour, funny-forward with a lot of heart. |
Della Haddock (She/Her/Hers) is a writer, improv and sketch comedian, story editor, and producer, who has performed at Just For Laughs Vancouver, the Vancouver Improv Festival, and the Vancouver Fringe Festival. She is a member of the improv troupe ‘Hot Snack’, and she can also be seen as an alumni House Team performer at Blind Tiger Comedy. She has been on the programming committee of the Vancouver Short Film Festival, a CMPA Diverse Producers mentee, a Netflix-BANFF Diversity of Voices Initiative fellow, and was one of the six screenwriters selected to participate in the 2022 Whistler Film Festival Screenwriters Lab.What Comedy Series would you have loved to have been in the story room for and why?Broad City exemplifies how an honest portrayal of flawed and brazen women still feels surprising and fresh in all its iterations – and I hope audiences never grow tired of that! This show created a language of humour around two unique leading voices and I, a desperate fanatic, would have paid to be in that room if only to witness the jokes that never made it to the page. |
Aditi Raina (She/Her/Hers) is an data analyst turned comedy writer who grew up in India and lives in Toronto. Most recently, she was a writer for Abroad Season 2 on OMNI, a sketch comedy show about Canadian immigrants. She is a contributor for Reductress and The Beaverton. When not writing, she is busy overthinking about how she isn’t writing.What Comedy Series would you have loved to have been in the story room for and why?I would have loved to be in the Story Room for Broad City. I love writing about female friendships and absurdities of everyday life. The dream is to write something as relatable, silly and insane as Broad City, no pressure! |
Qaseem Fazal (He/Him/His) is a Muslim, gay, comedy writer. He recently finished working as a Jr. Story Editor on the second season of Family Law. Qaseem is also a graduate of the Pacific Screenwriting Program, The Reel World E20 Program and The Warner Bros. Discovery Access Canada: Mid-Level Writers Room. His queer coming-of-age comedy series titled What’s Normal Anyway? is currently in development with Amaze Film + Television. Qaseem loves showcasing queer stories from underrepresented communities. His hope is that his stories inspire a new generation of youth to never be afraid of their race or who they chose to love.What Comedy Series would you have loved to have been in the story room for and why?Never Have I Ever because It’s a diverse comedy that normalizes the experience of immigrant south Asians in a way that recognizes their existence. Also, it’s such a funny show and to have my jokes included would have been a dream come true. |
Marushka Jessica Almeida (They/Them/Theirs) is a Middle East born and raised, South Asian writer/producer, ex-accountant, former music-business-exec and many other failed careers their parents are too depressed to list. Currently, they’re an executive producer/co-creator on the upcoming Get Up, Aisha (CBC). They have written/story edited on Made for TV (Crave) Homeschooled (CBC), Near or Far (Wattpad, CBC), Streams Flow From a River (Superchannel) and other Canadian comedies. When Marushka isn’t swimming in a whirlpool of existential dread they can be found complaining about why public nap areas don’t exist.What Comedy Series would you have loved to have been in the story room for and why?I would have killed to be in the room for the Comeback. Top tier cringe comedy? character journeys that were decades in the making? And our lord and saviour Lisa Kudrow!? |
Nattasha Shrestha (She/Her/Hers) is a Southeast Asian storyteller who writes dramedy narratives that cut close to the bone. Having been raised internationally in over five countries and continents, she brings a distinct, sharp and robust POV in screenwriting, seeking to explore the intersection between grief and comedy. After graduating from the University of British Columbia and the Vancouver Film School, she’s been a story editor for multiple shows and festivals, a writer for Netflix’s Womens in Animation Program and the winner of the VAFF Bell Media Series Development Competition. She is currently in development for three of her own original shows, all in pursuit to celebrate unusual and underrepresented stories on screen.What Comedy Series would you have loved to have been in the story room for and why?I always thought I would’ve loved to have been in the storyroom for Sex Education. I think it’s one of those shows that portrays comedy in a way that’s both nostalgic and also uncomfortable in its naked (literally) portrayal of deeply flawed people. That intersection of funniness and unsettling vulnerability is what I want to explore, both as a viewer and a writer alike. |
Anthony Q. Farrell (He/Him) is a BAFTA-winning, Emmy-nominated writer/producer who has worked in Canada, the US, and the UK for over 20 years. He recently served as the creator, showrunner and executive producer of CTV’s half-hour comedy Shelved. He has served as executive producer and showrunner of CBC’s Run the Burbs, Overlord and the Underwoods, The Parker Andersons/Amelia Parker, and the BAFTA-winning Secret Life of Boys. Anthony’s writing credits also include NBC’s The Office, Nickelodeon’s The Thundermans, and Little Mosque on the Prairie. Anthony was honoured as Showrunner of the Year at the Writers Guild of Canada Awards in 2022, after receiving the same title from Playback in 2021. |
For more information, visit cfccreates.com.
The Canadian Film Centre (CFC) is pleased to announce that Netflix has returned as a lead partner for the Norman Jewison Film Program for the second consecutive year. This is CFC’s longest running and signature film program for emerging to mid-level Canadian filmmakers, which has helped launch the careers of some of the country’s most notable talents. Applications are now open here and close January 31, 2024.
“Seeing the success of the Norman Jewison Film Program never gets old, and we are honoured to play a part in it,” said Stéphane Cardin, Director of Public Policy for Netflix in Canada. “Supporting the vision of bold new stories is what we set out to do when we started this partnership, so we’re excited to continue working with CFC in doing exactly that.”
The Norman Jewison Film Program is an accelerated professional film program for new voices in Canadian film including directors, writers, producers and editors. Thanks to Netflix’s generous support, residents will have an opportunity to improve their narrative storytelling, grow their body of work, expand their creative community and build their career through workshops, industry sessions, collaborations, mentorships and more.
Many of Canada’s acclaimed storytellers are alumni of this program, which aims to support the next generation of talent and to help them become influential industry leaders. Past alumni include Sarah Polley (Women Talking), Clement Virgo (Brother) and Zarrar Khan (In Flames).
“We’re pleased that Netflix has renewed their partnership with the Norman Jewison Film Program, reaffirming the importance of supporting the next wave of homegrown filmmaking,” said maxine bailey, CFC Executive Director. “Their continued contributions to the CFC enables us to provide vital opportunities for bold, new voices in the industry who need an extra boost to progress in their careers. The future is bright for Canadian storytelling and we’re grateful for Netflix’s partnership.”
The participants of the 2024 Norman Jewison Film Program will be announced in early July, and the program will run from July 15 to Dec 13, 2024 at CFC’s campus in Toronto. Learn more about the Norman Jewison Film Program here.
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