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Aftersun

#GIVEAWAY: ENTER FOR A CHANCE TO WIN AN ON-DEMAND RENTAL OF “AFTERSUN”

Sphere Films Canada x Mr. Will want to give Readers a chance to win an on-demand rental of Charlotte Wells’ AFTERSUN. The Film was just named Best Picture by the Toronto Film Critics Association.

Synopsis:

At a fading vacation resort, 11-year-old Sophie treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie’s tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father she knew with the man she didn’t, in Charbrlotte Wells’ superb and searingly emotional debut film.

To enter for a chance to win, click “like” on this Post at MR. WILL ON FACEBOOK. Please indicate your City in the comments. Re-Tweet the below also for another chance!

Rules and regulations here.

Note: Winners will only be contact via a direct message from our official account. Do not respond to third-party comments or messages asking you for your personal information.

Sphere Films Canada release AFTERSUN, in theatres now and available now on-demand.

(Photo/video credit: Sphere Films Canada)

#TFCA: CHARLOTTE WELLS’ “AFTERSUN” WINS BEST PICTURE AT 2022 TFCA AWARDS

The Toronto Film Critics Association met today to determine winners of the 26th annual TFCA Awards. The Awards, to be held March 6, 2023 at the OMNI King Edward Hotel will see a winner named for the Rogers Best Canadian Film Award. Up for the $100k prize are Clement Virgo’s Brother, David Cronenberg’s Crimes of the Future and Anthony Shim’s Riceboy Sleeps. Runners-Up will each receive $5,000.

Leading the winners this year is Charlotte Wells’ AFTERSUN, the semi-autobiographical Drama follows an 11 year-old girl’s recollections of a trip to a Turkish resort with her troubled father for his 31st birthday, following her parents’ separation. The Film is Wells’ first Feature, impressively seeing her sweep Best Picture, Director and Best First Feature. Star Paul Mescal also won Best Actor.

The full list of 26th annual TFCA Awards winners and runners-up below:

Best Picture

Aftersun (Sphere Films)
 
Runners-up: Everything Everywhere All at Once (Elevation Pictures), Women Talking (Universal Picture Canada)

Best Director

Charlotte Wells – Aftersun (Sphere Films)

Runners-up: Daniels, Everything Everywhere All at Once (Elevation Pictures); Sarah Polley, Women Talking (Universal Pictures Canada)

Best Screenplay, Original or Adapted

The Banshees of Inisherin – Martin McDonagh (Searchlight Pictures)

Runners-up: Todd Field, Tár (Universal Pictures Canada); Sarah Polley, Women Talking (Universal Picturs Canada)

Best Actress

Cate Blanchett in Tár (Universal Pictures Canada)

Runners-up: Danielle Deadwyler in Till ((Universal Pictures Canada; Michelle Yeoh in Everything Everywhere All at Once (Elevation Pictures)

Best Actor

Paul Mescal in Aftersun (Sphere Films)

Runners-up: Colin Farrell in The Banshees of Inisherin (Searchlight Pictures); Brendan Fraser in The Whale (Elevation Pictures)

Best Supporting Actress

Keke Palmer in Nope (Universal Pictures Canada)

Runners-up: Jessie Buckley in Women Talking (Universal Pictures Canada); Stephanie Hsu in Everything Everywhere All at Once (Elevation Pictures)

Best Supporting Actor

Ke Huy Quan in Everything Everywhere All at Once (Elevation Pictures)

Runners-up: Brendan Gleeson in The Banshees of Inisherin (Searchlight Pictures); Barry Keoghan in The Banshees of Inisherin (Searchlight Pictures)

Best Animated Feature

Turning Red, directed by Domee Shi (Walt Disney Pictures Canada)

Runners-up: Guillermo del Toro’s Pinocchio (Netflix); Marcel the Shell with Shoes on (Elevation Pictures)

Allan King Documentary Award

All the Beauty and the Bloodshed, directed by Laura Poitras (Elevation Pictures)

Runners-up: Fire of Love (Mongrel Media); Moonage Daydream (Elevation Pictures)

Best International Feature

Saint Omer, directed by Alice Diop (Films We Like)

Runners-up: Decision to Leave (Mongrel Media); EO (Films We Like)

Best First Feature

Aftersun, directed by Charlotte Wells (Sphere Films)

Runners-up: Marcel the Shell with Shoes on (Elevation Pictures); Turning Red (Walt Disney Pictures Canada)

Rogers Best Canadian Feature Award Nominees

Brother, directed by Clement Virgo (Elevation Pictures)
Crimes of the Future, directed by David Cronenberg (Sphere Films)
Riceboy Sleeps, directed by Anthony Shim (Game Theory Films)

Special Citation
To Iranian filmmakers Jafar Panahi, Mohammad Rasoulof and Mostafa Al-Ahmad, who are currently in jail in Ira yet continue to make subtle movies that talk about life in their country, in spite of threats and restrictions from the regime. We stand in solidarity with them and add our voices to the international arts community calling for their release.

(Photo credit: Sphere Films)

#TIFF22: “AFTERSUN”

By Amanda Gilmore

Aftersun is an assured, haunting Feature Debut for Writer-Director Charlotte Wells. It tells the story of Sophie (played by Celia Rowlson-Hall as an adult) who reflects on her holiday to a Turkish seaside resort with her father 20 years earlier.

Callum (Paul Mescal), 30, is a divorcee father to his 11-year-old daughter Sophie (Frankie Corio). After leaving his wife and daughter in Scotland and moving to England, Callum knows how precious time with his daughter is. This is why he makes the most of his time with her while at the Turkish seaside resort. All seems well with Callum until the curious Sophie turns their MiniDV camera on him and asks personal questions. Slowly, we begin to see that the face he puts out to the world protects the melancholy he struggles with inside.

The majority of Aftersun takes place with Callum and Sophie at the resort. Wells places them in quiet moments together, such as putting sunscreen on in their hotel room. These moments allow us to observe these characters, however, Wells keeps their inner lives a mystery. This is shown when Sophie turns the MiniDV camera onto Callum and asks him about where he thought he would be at 30. His answer is one that is deeply personal, however, we still don’t understand what he is fully struggling with.

These moments at the resort are interrupted with fleeting images of Sophie as an adult, standing on a crowded dance floor with white strobe lights flashing. Every time this extended scene appears, we are given a deeper look at the father just as things become clearer for the adult Sophie. At first adult Sophie stands alone, later flashes of her father (still 30) appear, and finally, she makes her way to him from across the dance floor. This masterful use of imagery shows how reflecting on this past trip has helped her understand her father. She can now see him and embrace him for who he was and what he was dealing with. The outstanding Direction and Screenplay by Wells, allow the audience to empathize with Callum. She does this with heartbreaking images of Callum crying uncontrollably and walking into the ocean.

Aftersun’s heavy emotional impact is thanks to both Wells and the powerful performances from Mescal and the young Corio. Corio turns in a mature performance as a curious girl who’s too young to understand but knows something is wrong. While Mescal, who many will know from his outstanding performance in Normal People, gives a heartbreaking portrayal of a man struggling but trying to do everything for his child.

Aftersun screens as follows at TIFF ’22:

Mon, Sep 12 IN-PERSON at TIFF Bell Lightbox at 6:45 pm

Tue, Sep 13 at Scotiabank Theatre at 3:15 pm

Sat, Sep 17 at Scotiabank Theatre at 12:15 pm

For advertising opportunites please contact mrwill@mrwillwong.com