OWN THE ROOM follows thought leaders of tomorrow as they attend a high-profile entepreneurship competition! The Documentary arrives this month on Disney+.

Synopsis: 

“Own the Room” chronicles five students from disparate corners of the planet as they take their big ideas to Macau, China, host of one of the most prestigious entrepreneurship competitions in the world, the Global Student Entrepreneur Awards. Santosh is from a small farming town in Nepal; Alondra works the register at her family’s bakery in Puerto Rico; Henry is a programming wiz from Nairobi; Jason is a marketing machine from Greece; and Daniela is an immigrant escaping the crisis in Venezuela, taking on the chemical industry from her lab at NYU. They’ve each overcome immense obstacles in pursuit of their dreams, from hurricanes to poverty to civil unrest. Their ideas have already changed their own lives, but are they ready to change the world? 

See the Trailer:

OWN THE ROOM arrives on Disney+ Friday, March 12, 2021.

(Photo/video credit: Disney)

Monday, March 8, 2021 is International Women’s Day and to celebrate, Hollywood Suite all month long are bringing you a selection of curated Films either directed by women or centering on powerful female characters. Kicking things off on March 8th is 2018’s COLETTE starring Keira Knightley.

Additional Films to be spotlighted:

RBG (2018) – March 2 at 6:30 pm ET
DIRECTORS: BETSY WEST and JULIE COHEN
A documentary showcasing the life and career of US Supreme Court Justice Ruth Bader Ginsburg. From
being a trailblazer for women’s rights to becoming a pop culture icon in her final decade, West and Cohen
get behind-the-scenes, unprecedented access to the woman known lovingly as RBG.

REAL GENIUS (1985) – March 2 at 9pm ET
DIRECTOR: MARTHA COOLIDGE
When two college students discover their project is being eyed by nefarious government officials to be
used as a weapon, they set out to put a stop to their plans.

BLACK GIRL (1972) – March 9 at 9pm ET
DIRECTOR: Ossie Davis
STARRING: PEGGY PETTITT, LESLIE UGGAMS, RUBY DEE, CLAUDIA MCNEIL
A dramatic exploration of family dynamics, the search for identity and the fulfillment of dreams among
three generations of Black women.

ENOUGH (2002) – March 10 at 9pm ET
DIRECTOR: MICHAEL APTED
STARRING: JENNIFER LOPEZ, JULIETTE LEWIS
A working-class waitress thinks her dreams have come true when she’s swept off her feet by a gorgeous
millionaire. She soon discovers that her dream man is anything but, forcing her to go on the run.

WELCOME TO ME (2014) – March 14 at 9pm ET
DIRECTOR: SHIRA PIVEN
STARRING: KRISTEN WIIG, LINDA CARDELLINI
After winning the lottery and deciding to go off her medications, a mentally unbalanced woman buys her
own talk show.

MIXED NUTS (1994) – March 19 at 9pm ET
DIRECTOR: NORA EPHRON
When threatened with eviction on Christmas Eve, the staff of a crisis hotline called Lifesavers – along with
a cast of oddball characters – are thrown into a state of crisis themselves.

GIRLFRIENDS (1978) – March 23 at 9pm ET
DIRECTOR: CLAUDIA WEILL
STARRING: MELANIE MAYRON
This critically acclaimed drama centres around a struggling New York City photographer who finds
herself dealing with a profound loneliness when her best friend moves out and gets married.

SEVEN MINUTES IN HEAVEN (1986) – March 30 at 9pm ET
DIRECTOR: LINDA FEFERMAN
STARRING: JENNIFER CONNELLY, MADDIE CORMAN
Trusted by her father to care for their home while he’s out of town, a straight-A student lets her two best
friends move in

(Photo credit: Elevation Pictures)

Universal Pictures Home Entertainment x Mr. Will are thrilled to give Readers a chance to win a copy of widely-acclaimed PROMISING YOUNG WOMAN on Blu-ray™ !

Synopsis:

Everyone said Cassie (Carey Mulligan) was a promising young woman…until a mysterious event abruptly derailed her future. But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night. Now, an unexpected encounter is about to give Cassie a chance to right the wrongs of the past in this thrilling and wildly entertaining story. Featuring incredible must-see performances from the entire cast, the bold and gritty PROMISING YOUNG WOMAN is led by critically acclaimed Mulligan who received the Los Angeles Film Critics Best Actress award for her role and has a phenomenal supporting cast including Bo Burnham (Eight Grade, The Big Sick), Alison Brie (Sleeping With Other People, “GLOW”), Clancy Brown (The Shawshank Redemption, Thor: Ragnarok), Jennifer Coolidge (Legally Blonde, American Pie), Laverne Cox (“Orange Is the New Black,” Grandma), Connie Britton (“Dirty John,” “Friday Night Lights”), Alfred Molina (Frida, Spider-Man 2), Adam Brody (Shazam!, “The OC”), Max Greenfield (“New Girl,” The Big Short), Christopher Mintz-Plasse (Superbad, Kick-Ass), Chris Lowell (The Help, Up in the Air), Sam Richardson (“Veep,” “New Girl”), and Molly Shannon (“Divorce,” Superstar).

BLU-RAY^TM, DVD & DIGITAL BONUS FEATURES:

• A Promising Vision – Writer/Director Emerald Fennell discusses her inspirations for writing this bold, genre-bending film.
• Two-Sided Transformation – A look at why Carey Mulligan was the perfect choice to play “Cassie” and how filmmakers used wardrobe, hair, and makeup to express the balance between light and dark.
• Balancing Act – Cast members discuss their unexpected reactions to the careful balance of levity and tragedy in director Emerald Fennell’s take on female revenge.
• Feature Commentary with Writer/Director Emerald Fennell

PROMISING YOUNG WOMAN will be available on Blu-ray^TM, DVD and Digital.

• Blu-ray^TM unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theatre-quality surround sound.
• Digital lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

See the Trailer:

To enter for a chance to win, click “like” on this Post at MR. WILL ON FACEBOOK. Re-Tweet this Contest Tweet below for another chance!

Rules and regulations here.

 Universal Pictures Home Entertainment release PROMISING YOUNG WOMAN on Digital March 2, 2021 and Blu-ray^TM and DVD March 16, 2021.

(Photo/video credit: Universal Pictures Home Enterainment)

At the forefront of discussion of late has been the College Admissions Scandal which rocked the world and landed celebrities in jail. OPERATION VARSITY BLUES: THE COLLEGE ADMISSIONS SCANDAL is coming soon to Netflix, starring Matthew Modine, examining this news headliner.

Synopsis:

An examination that goes beyond the celebrity-driven headlines and dives into the methods used by Rick Singer, the man at the center of the shocking 2019 college admissions scandal, to persuade his wealthy clients to cheat an educational system already designed to benefit the privileged. Using an innovative combination of interviews and narrative recreations of the FBI’s wiretapped conversations between Singer and his clients, Operation Varsity Blues offers a rare glimpse into the enigmatic figure behind a scheme that exposed the lengths wealthy families would go to for admission into elite colleges, and angered a nation already grappling with the effects of widespread inequality. From Chris Smith and Jon Karmen, the filmmakers behind Fyre, and starring Matthew Modine as Rick Singer.

See the Trailer:

Operation Varsity Blues: The College Admissions Scandal arrives on Netflix March 17, 2021.

(Photo/video credit: Netflix)

The 78th annual Golden Globe Awards took place tonight and for the first time ever, the Awards were bi-coastal, with many presenters and nominees opting to attend virtually. Tina Fey and Amy Poehler hosted a fourth time this year and did not hold back in their opening speech addressing some of the Awards’ controversies this year including a lack of black members on the Hollywood Foreign Press Association, who decide Golden Globe Award winners. Fey stated, “Look, we all know award shows are stupid. But the point is… inclusivity is important and there are no Black members of the Hollywood Foreign Press“. She also proceeded to call-out Emily in Paris’ nominations mentioning that “French Exit (for which Michelle Pfeiffer is nominated for Best Actress in a Motion Picture Comedy or Musical) is what I did after I watched the first episode.”. The lighthearted Series starring Lily Collins drew a bit of controversy with many questioning its deservingness of recognition.

Leading the way was Netflix‘s THE CROWN sweeping all categories for which it was nominated: Best Television Series – Drama, Best Actor – Television Series Drama (Josh O’Connor), Best Actress – Television Series Drama (Emma Corrin), Best Supporting Actress – Series, Miniseries or Television Film (Gillian Anderson).

Netflix also saw its well-received THE QUEEN’S GAMBIT score for Limited TV Series and Actress in a Limited TV Series (Anya Taylor-Joy).

With three female Directors being nominated for Director in a Motion Picture, Chloé Zhao has the distinction of being the first woman of Asian descent (and second woman ever) to win a Golden Globe in the category for NOMADLAND. The Film also won for Motion Picture Drama and it is one of the favourites to take Best Picture at the Oscars. Another Asian-American Filmmaker, Lee Isaac Chung, also was recognized for his Film MINARI for Foreign Language Film.

BORAT Subsequent Moviefilm also was a big winner this evening taking Motion Picture Comedy or Musical and Sacha Baron Cohen taking Actor in a Motion Picture Comedy or Musical. He revealed he almost got shot twice making this Film, thanking his Bodyguard who went unnamed.

Canada shined bright on the global stage with SCHITT’S CREEK winning for TV Musical or Comedy Series. Stars Eugene Levy and Catherine O’Hara won also for Actor and Actress in a TV Comedy Series.

Posthumously, Chadwick Boseman was awarded Actor in a Motion Picture Drama for his performance in Ma Rainey’s Black Bottom. His surviving wife Taylor Simone Ledward accepted tearfully on his behalf saying “He would thank God, his parents and ancestors for their guidance and sacrifices… He would say something beautiful, something inspiring, something that would amplify that little voice inside us that tells us you can.”.

Winners tonight included:

Best Motion Picture, Drama – “Nomadland”

Best Motion Picture, Musical or Comedy – “Borat Subsequent Moviefilm”

Best Director, Motion Picture – Chloé Zhao, “Nomadland”

Best Performance by an Actress in a Motion Picture, Drama – Andra Day, “The United States vs. Billie Holiday”

Best Performance by an Actress in a Motion Picture, Musical or Comedy  – Rosamund Pike, “I Care a Lot”

Best Performance by an Actress in a Supporting Role in Any Motion Picture – Jodie Foster, “The Mauritanian”

Best Performance by an Actor in a Motion Picture, Drama – Chadwick Boseman, “Ma Rainey’s Black Bottom”

Best Performance by an Actor in a Motion Picture, Musical or Comedy – Sacha Baron Cohen, “Borat Subsequent Moviefilm”

Best Performance by an Actor in a Supporting Role in Any Motion Picture -Daniel Kaluuya, “Judas and the Black Messiah”

Best Screenplay, Motion Picture – Aaron Sorkin, “The Trial of the Chicago 7”

Best Original Score, Motion Picture – Trent Reznor, Atticus Ross and Jon Batiste, “Soul”

Best Original Song, Motion Picture – “Io Sì (Seen),” “The Life Ahead”

Best Motion Picture, Animated – “Soul”

Best Motion Picture, Foreign Language – “Minari”

Best Television Series, Drama –  “The Crown”

Best Television Series, Musical or Comedy –  “Schitt’s Creek”

Best Limited Series, Anthology Series or a Motion Picture Made for Television – “The Queen’s Gambit”

Best Performance by an Actress in a Television Series, Drama – Emma Corrin, “The Crown”

Best Performance by an Actress in a Television Series, Musical or Comedy – Catherine O’Hara, “Schitt’s Creek”

Best Performance by an Actress in a Limited Series, Anthology Series or a Motion Picture Made for Television – Anya Taylor-Joy, “The Queen’s Gambit”

Best Performance by an Actress in a Television Supporting Role – Gillian Anderson, “The Crown”

Best Performance by an Actor in a Television Series, Drama – Josh O’Connor, “The Crown”

Best Performance by an Actor in a Television Series, Musical or Comedy – Jason Sudeikis, “Ted Lasso”

Best Performance by an Actor in a Limited Series or a Motion Picture Made for Television – Mark Ruffalo, “I Know This Much Is True”

Best Performance by an Actor in a Television Supporting Role – John Boyega, “Small Axe”

Carol Burnett Award – Norman Lear

Cecil B. DeMille Award – Jane Fonda

One of the evening’s most relatable moments was a technical glitch experienced as Daniel Kaluuya was named winner for Supporting Actor in a Motion Picture for Judas and the Black Messiah. While his audio could not be heard, leading Presenter Laura Dern to try to move on, he rebutted, “You guys did me dirty!” after almost losing his change to give his speech. He then was able to carry-on.

While many nominees and presenters appeared on the broadcast from the comfort of their homes, there still was some dazzling fashion to beheld. See some of the evening’s most fantastic looks.

Amanda Seyfried in Oscar de la Renta

Angela Bassett in Dolce & Gabbana

Carey Mulligan in Prada

Regina King in Louis Vuitton

Anya Taylor-Joy in Dior

Awards Season culminates in the 93rd Academy Awards, which air on ABC April 25, 2021 on ABC.

(Photo credit: Golden Globes)

By Mr. Will Wong

RAYA AND THE LAST DRAGON is the latest Feature Film from Walt Disney Animation Studios and this astonishing-looking Fantasy Adventure is set in the world of Kumandra, a place where dragons and humans once co-existed together. After monsters known as the Druun surfaced, dragons sacrificed their lives almost becoming extinct. A young warrior named Raya (Kelly Marie Tran) is tasked with locating the last dragon, Sisu (Awkwafina) to stop the Druun from destroying humanity. However, zany Sisu alone might not be enough and Raya and her enemies, including Namaari (Gemma Chan), must learn to overcome their differences and trust one another to accomplish this.

With production taking place over the Pandemic, its Cast and Crew of 450 people – many who worked from home – RAYA AND THE LAST DRAGON is a mystical journey that explores division and the importance of trust and community. Featuring a predominantly Asian Principal Voice Cast, the Film arrives at a time where some of its sentiments echo what the Asian community is be experiencing as we heal from a divide in the aftermath of the Pandemic.

See the Trailer:

We were thrilled to join the Global Press Conference for RAYA AND THE LAST DRAGON and joining us were:

• Don Hall and Carlos López Estrada – Directors
• Qui Nguyen and Adele Lim – Writers
• Osnat Shurer – Producer
• Kelly Marie Tran – Raya
• Awkwafina – Sisu
• Gemma Chan – Namaari
• Sandra Oh – Virana, Namaari‘s mother
• Daniel Dae Kim – Chief Benja, Raya‘s father
• Benedict Wong – Tong, a giant
• Izaac Wang –  Boun, a ten-year-old Entrepreneur 
• Thalia Tran –  Little Noi, a toddler Ongi (a bit like a money, a bit like a catfish)

Moderating was Television Personality Jeannie Mai.

The symbology of dragons are very present in the Film and we learn that the Eastern Dragon is very different from common perception.

Lim: “It was so exciting to celebrate the Eastern Dragon and we realized this was something most of the world was not familiar with. In East Asia they are referred to as Nāgas , they’re water deities who bring auspiciousness, so it’s very different from the Western Dragon who’s winged and fire-breathing, something you have to destroy and take-down. We love this symbology in our Movie because Raya thinks she’s bringing forth this Water Dragon thinking she can just snap her fingers and solve all the problems in the world. Instead, what she finds is this crazy, zany creature voiced by Awkwafina, and she’s vulnerable and needs to be protected. She’s just quirky and always sees the good in people and Raya as a warrior, thinks this is nuts. It’s so rare we get a Hollywood movie with a special female friendship at the heart of it. The humour here comes from seeing the best in people, people who Raya thought were her enemies, people who’ve let you down. It was the Dragon who could see that potential and it inspires everyone to come together and get past it.”.

The younger Cast members Isaac Wang and Thalia Tran talk about the Film’s Southeast Asian family values.

Wang: “It’s pretty crazy to think 450 people working on this Movie and they just stuffed a bunch of cultures into this Movie. It’s amazing to see all the things that are included from the food to the weapons that you see. I’ve been centered around only a couple cultures my whole life, so to see all these cultures is really amazing to me.”.

Tran (Thalia): “Playing Noi is like nothing I’ve ever done before. She doesn’t use English words, she speaks in her own language but that connection she has with her gang of Ongis (like catfish-monkeys), Tong, Raya and the whole gang, that sense of camaraderie and the sense of family, that is something I related to. Growing up in a Vietnamese family, I learned that family always comes first, from traditions to every day life, especially now in quarantine where I’m with my family all the time. It’s something that definitely clicked with me as I know what it feels like. For her to be so young and have her family be turned to stone by the Druun, and her to have to raise herself with the Ongis, that sense of strength I feel is something very common in Southeast Asian families, especially because it’s something very valued in terms of independence. There’s a lot about Noi even though she can’t speak words, people still can connect with.”.

RAYA AND THE LAST DRAGON explores a central theme of female friendship. Gemma Chan and Kelly Marie Tran comment on their characters’ rivalry and love-hate relationship.

Chan: “I love that they have this love-hate dynamic, but at the core they have so much in common. I love that Namaari has this aggressive exterior but underneath it all, she’s got this huge heart. She has this love for dragons that’s really been there since childhood and I really love that first scene where she locks eyes with Sisu. It’s as if she’s become a child again. I love that and that was my way into her really. We’ve all got people in our lives we’ve got a love-hate relationship with and I think it’s such a fine line. I love that Namaari and Raya have had that connection since childhood.”.

“It shows as children when we’re young we don’t inherently hate each other. It’s learned whether it comes through as something that’s parental, a family influence or a particular tribe. Those things are learned, but they can be unlearned. Kids get on and that’s something to take away from the Movie.”.

Tran (Kelly Marie): “Setting-up these characters as kids and seeing how authentically they can connect at a young age, and then cutting-forward and seeing the way they’ve been divided, it’s really incredible. We have this idea that the two characters switch places at one point. When I really think about it in my life when things like that have happened to me, I think about just how difficult it is to get out of your own biases from someone you see as an enemy. Incredibly by the end of the story, Raya and Namaari are willing to step outside of themselves and risk everything for this idea of community and what their relationship could have been all this time. It’s really inspiring and something I want to do in my own life. Their relationship in this Movie is one of my favourites because of how complicated it is.”.

Awkwafina comments on her comedic influences for the scene-stealing role of Sisu.

Awkwafina: “Genie was one of my favourite characters from my childhood so maybe there was a subconscious thing. The real beauty here is when I was approached to play Sisu and hear what her vibe was, I think I was given a chance to add my own voice to it and simultaneously build her up with the Directors who were always willing to explore and play. I think she was really born out of that process. The really cool thing about Sisu is that she was part my voice.”.

The Film also explores the father-daughter relationship between Chief Benja and Raya. The former is the Chief of Kumandra‘s heartland and Raya in line to be a ruler next.

Tran (Kelly Marie): “Benja and Raya are so reminiscent of the relationship between me and my own father – that reverence for your elders, how important family is and the way he bestows upon Raya all these incredible ideas at such a young age. Gosh, I cried in so many scenes with Benja.”.

Kim: “I really give a lot of credit to Don, Carlos and the Producing Team because the pitfall of the character is that he can be a Centurion Oratour, the kind of King who’s going to dictate the way everything is. But they kept pushing me to say ‘No, you have a really intimate, loving relationship with your daughter. Take it down, make it more intimate’, and it triggered something different in me and led me to finding that relationship. The second thing is Kelly, I was following you in the news and knew all the things you were about and these were characteristics I could relate to and connect to. It wasn’t just about our roles as characters, but knowing who you were as a person and that I could connect to that. When I watched the Film, I felt that we had that connection even though we weren’t in that booth together. It’s a real testament to your performance.”.

Aside from stunning lifelike animation, the Martial Arts in RAYA AND THE LAST DRAGON is phenomenal. The Film’s two Directors Don Hall and Carlos López Estrada speak to this.

Hall: “We were fortunate the Martial Arts Coordinator also happened to be one of the Writers. We leaned on Qui quite a bit. There was one day he brought into the studio – how he got it past Security I don’t know – he brought a giant bag of weapons in to show us he was a legit Martial Arts Choreographer, which we didn’t doubt. But I think after seeing that bag of weapons, we probably treated him a little better after that too!

Estrada: “Just so that this doesn’t become a headline, I will back you up and say that they were stage weapons. The entire Crew, it was really special for them to have Qui down the hall. The Story Artists, the Animators, the vista of people, could just knock on his door and just say ‘Hey, check this move out, does this make sense?’ and Qui would give them links and bring them movies, do some in-office demonstrations. To have that direct access to someone who’s so knowledgeable in that region is invaluable and you really see that in the fights, they feel so different and so unique.”.

Nguyen: “A lot of credit goes to Maggie Macdonald who choreographed a lot of our reference fights and it was important for me to bring on a female Fight Choreographer. She brought on a female team of fighters to do the references because of our two leads are Raya and Namaari. The way a female body moves is just different and we had something that was really utilizing speed, strength and agility. You often see in movies like this Kung-Fu or Karate. It’s nice to see Southeast Asian Martial Arts shown in this way.”.

A point this Film is making is one about representation. The Cast is asked about the importance of this.

Oh: “It’s difficult because this was made in COVID times and the way Animation is made, you don’t get to meet everyone all the Directors do. I think it’s really seeing how Animation has moved on for someone like myself growing-up in the ’70s and ’80s and we didn’t really see anything. I feel like that has been the same way representation wise for a really long time. I actually am glad I’m still alive to be a part of this type of screen (she refers to the grid of predominantly Asian faces on the Zoom call grid) where you get to see the type of people who have made it. In that way it’s very exciting. It’s exciting to hear what Isaac and Thalia have to say and give them an opportunity to have their voices heard. Especially for the much younger generation for them to have a space to be heard. It’s an exhilarating change for someone like me to be a part of and witness.

Tran (Thalia): “We owe it all to people like you”.

We are faced with news of some horrific treatment the Asian community has faced subsequent to the Pandemic. The Cast talks about RAYA AND THE LAST DRAGON‘s place in the world today.

Oh: “I was moved by the theme and ending of the story, which ultimately is about trust and how I myself am struggling with that. Art is here to pose questions and to potentially suggest possibility. And I think even if we start with that question in one’s self, ‘Who do I trust? How can I trust? Can I trust that other side? Can I trust that other side when it seems it’s very proof-positive that this is what has been done to me?’. As the theme of the story goes, we cannot continue without this open-heartedness. And the truth I think Raya learns is that you just have to keep having your heart broken again and again just to keep it open. Hate is not finished by hate, it is only won over by love. We have to each individually and as a large community – societally – move towards this because all of us are on the same boat. 2020 in all its destructiveness, if one can see opportunity to somehow it also has broken all our hearts open. So what can we do with all of that?”.

Hall: There were certainly moments during the making of the Film where we were very aware of how this Film which was meant to be timeless was unbelievably timely. I think it emboldened us to continue forward as I felt we had something to say. If this Film can just teach one person to be brave enough to trust someone, then we’ve done what we set-out to do.

Benedict Wong, who came dressed like his fumbling giant character, Tong, tells us about his experience watching the Film with his son.

Wong: “It was the first time we actually sat down and watched the Film entirely all the way through. Afterwards, he turned, gave me a hug and said ‘I trust you, Daddy’. We need this to unite. We are living through remnants of hate that have permeated through the world and again it’s very timely with our beautiful Film that shows that love can lead the way.”.

RAYA AND THE LAST DRAGON arrives on Disney+ with Premier Access and in theatres Friday, March 5, 2021.

(Photo/video credit: Disney)

Hollywood Suite and Mongrel Media will be teaming-up for World Cinema Wednesdays, kicking-off with PERSEPOLIS March 3, 2021. The partnership will see over 20 Mongrel Media’s most acclaimed titles from around the world premiere on Hollywood Suite over the next year.

Other WORLD CINEMA WEDNESDAYS titles include the likes of SUN CHILDREN, which has been shortlisted for Best International Feature for the 2021 Academy Awards. Bandar Band, RBG, A Fantastic Woman, The Lobster, The Lunchbox, A Royal Affair and Let the Right One In are among the other titles.

March’s selections from the Series include:

Beau Travail, Natalie Portman’s A Tale of Love and Darkness, Rubaiyat Hossain’s Made in Bangladesh and Chantal Akerman’s Jeanne Dielman, 23, quai du Commerce, 1080 Brussels. All five titles will be available On Demand in March as well.

Visit Hollywood Suite’s website https://hollywoodsuite.ca for more.

(Photo credit: Mongrel Media)

Costume Design is such an integral part of our movie and TV-watching experience. They take us right into the story and without them these characters become that much more believable.

The 2021 Digital CAFTCAD Awards will take place Saturday, May 1, 2021 on Facebook and YouTube at 8 PM ET. The Awards from the Canadian Alliance of Film & Television Costume Arts & Design (CAFTCAD) honour the best in Costume Design in Canadian productions.

Glenne Campbell, who has designed costumes for Series like Battlestar Galactica and Outlander, will be honoured with the ICON Award for career achievements.

The nominees in 15 categories include:

Excellence in Crafts – Illustration 
The Stand, Season 1
Illustrator: Andy Poon
Costume Designer: Angelina Kekich, 1st Assistant Designer: Debbie Geaghan, Costume Supervisor: Margaret Perry, 2nd Assistant Designer: Erin Samuda, 3rd Assistant Designer: Jayme Hansen

Altered Carbon, Season 2
Illustrator: Keith Lau
Costume Designer: Cynthia Summers, Assistant Costume Designer: Phoebe Parsons, Assistant Costume Designer: Madeleine Mckibbon, Costume Coordinator: Susan Davis, Prep Costumer / Graphics / Buyer: Kelsey Chobotar, Prep Costumers: Marcia Mior, Jaime Leigh Gianopoulos & Daria Magnusson, BG Coordinator: Deanna Palkowski, BG Set Supervisor: Natalina Sabathil, BG Prep Costumer: Diva MacDonald, Cutter: Laszlo Marton, Stitchers: Sisi Chan, Sarah Baxter, Nicola Ryall, Karen McVey & Inna Tokareva, Key Breakdown Artist: Sage Lovett, Breakdown Asst: Chance Lovett, Breakdown Artist: Shelby Page, Kit Pfeil, Lorenzo Pepito & Jessica Waddell, Set Supervisor: Steve Holloway, Truck Costumer: Sanchia Wong,  Set Costumer: Steve Oben, Assistant Costume Designer (LA Unit): Ivy Thaide, Costumer (LA Unit):  Franny Orbison 

Star Trek: Discovery, Season 3 
Illustrator: Ciara Brennon
Costume Designer: Gersha Phillips

The Twilight Zone, Season 2
Illustrator: Terry Pitts
Costume Designer: Carol Case, Assistant Costume Designer: Laurie Giles, Coordinator: Eva Zawalak, BG Coordinator: Michelle Grossmith, Buyers: Zoya Niechoda, Tory Class, Kayla Straub, Prep Costumers: Mike Fleming, Michelle Murti, Cutter: Slavica Grkavac, Stitcher: Michelle Twui, Set Supervisor: Brook Hessein, Truck Supervisor: Misty Greer, Set Assis: Clare Briffett, Key BG Costumer: Taylor Stan

Snowpiercer, Season 1
Illustrator: Keith Lau
Costume Designer: Cynthia Summers, Asst Costume Designer: Lux Petrova, Costume Coordinators: Meg Schmon & Courtney Mckenzie, Prep Costumers: Marcia Mior, Kelsey Chobotar, Madeleine Mckibbon, Athena Theny & Natasha Defazio, Illustrator / Builder: Keith Lau, Set Supervisor: Steve Holloway, Set Costumer: Steve Oben, Truck Costumer: Sanchia Wong, BG Coordinator: Deanna Palkowski, BG Costumer: Natalina Sabathil,  Master Ager/ Dryer: Sage Lovett, Ager/ Dryer: Chance Lovett, Breakdown Artists: Brittany Morrow, Shelby Page, Kit Pfeil & Christina Dietterle, Lead Cutter: Laszlo Marton, P/T Cutter: Janet Dundas, Stitchers: Lisa Truong, Dori Voros Szaabo, Tina Hsu, Sisi Chan,  Nicola Ryall, Sarah Baxter Stitcher & Chantal Laurandeau

Star Trek: Discovery, Season 3
Illustrator: Keith Lau
Costume Designer: Gersha Phillips, Costume Supervisors: Karen Lee, Kim Harkness, Assistant Costume Designers: Carly Nicodemo, Daina Valiulus, Michael Ground, Buyers: Kaitlyn Fifield, Loretta Chin, Money Tracker: Tova Harrison, Costume Assistants: Melanie Lian, Bianka Meore, Jo Jin, Digital Asset Manager: Kayso Wong, Head Cutter: Tanya Batanau-Chuiko, Cutters: Carla Mingiardi, Ryan Smith, Paula Ling, Sewers: Gülay Cokgezen, Leanne Reimer, Chloe Tekavcic, Luan Zhang, Malia Janveax, Malika Ben Slimane, Brit Wacher, Carly Cumpsom, Marie Glas, David Frankovich, Tori Lang, Key Textile Artist: Bonnie McCabe, Textile Artists: David Webb, Chantelle Hermiston, Jamie Quail, Key FX Costumer: Ray Wong, FX Costumer: Hayley Stolee-Smith, Blake Hyland, Andrew Cook, FX Sculptor/Molder: Alex Silberberg, Set Supervisor: Kymn Keating, Truck Supervisor: Chelsea Oliver, Assistant Set Supervisor: Tara Thompson, BG Coordinators: Heather Constable, Jennifer Choy, Madelaine Humeniuk, Illustrators: Christian Cordella, Ciara Brennan, 
______________________________________________________________________________

Excellence in Crafts – Building
The Expanse 402, “Jetsam”
Cutter: Ahmad Zargaran, Stitcher: Maria Belperio, Stitcher: Tara McLeod, Stitcher: Hannah Pham
Costume Designer: Joanne Hansen, Asst. Costume Designer: Nancy Granfield, BG Coordinator: Ann Henshaw, Assistant BG Coordinator: Debbie William, Buyer: Eydi Caines Floyd, Buyer: Lou Decampo, Set Supervisor: Lindsay Walker, Truck Supervisor: Kim Porter, Key Breakdown: Alexandria Goldman, Breakdown: Karen Rodd, Costumes Asst.: Andy Gaskin, BG Coordinator: Sarah Armstrong, Assistant BG Coordinator: Tal Avital, Breakdown Artist/Stitcher: Erica Steenburg, Breakdown Artist/Stitcher: Meg Ancheta, Illustrator: Ciara Brennan

Snowpiercer, Season 1
Cutter: Laszlo Marton, Stitchers: Janet Dundas, Sisi Chan, Nicola Ryall, Tina Hsu, Sarah Baxter, Chantal Laurandeau, Lisa Truong

Altered Carbon, Season 2
Cutter: Lazlo Marton, Stitchers: Sisi Chan, Nicola Ryall, Inna Tokareva, Sarah Baxter, Chantal Laurandeau, Karen McVey

Odd Squad Mobile Unit
Costume Cutters/Builders: Alicia Zwicewicz, Sandra Mandich & Ashley Gennuso
Costume Designer: Christine Toye, Costume Assistants: Becky Wasser & Kelsey Lammers, Set Supervisor: Ahna Dunn-Wilder. On Set Assistant: Ivy Hill, Truck Supervisor: Estee Mancini

Star Trek: Discovery, 301: That Hope is You, Part 1
Head Cutter: Tanya Batanau-Chuiko, Cutters: Carla Mingiardi, Ryan Smith, Sewers: Gülay Cokgezen
Costume Designer: Gersha Phillips, Costume Supervisors: Karen Lee, Kim Harkness, Assistant Costume Designers: Carly Nicodemo, Daina Valiulus, Michael Ground, Buyers: Kaitlyn Fifield, Loretta Chin, Money Tracker: Tova Harrison, Costume Assistants: Melanie Lian, Bianka Meore, Jo Jin, Digital Asset Manager: Kayso Wong, Cutters: Paula Ling, Sewers: Leanne Reimer, Chloe Tekavcic, Luan Zhang, Malia Janveax, Malika Ben Slimane, Brit Wacher, Carly Cumpsom, Marie Glas, David Frankovich, Tori Lang, Key Textile Artist: Bonnie McCabe, Textile Artists: David Webb, Chantelle Hermiston, Jamie Quail, Key FX Costumer: Ray Wong, FX Costumer: Hayley Stolee-Smith, Blake Hyland, Andrew Cook, FX Sculptor/Molder: Alex Silberberg, Set Supervisor: Kymn Keating, Truck Supervisor: Chelsea Oliver, Assistant Set Supervisor: Tara Thompson, BG Coordinators: Heather Constable, Jennifer Choy, Madelaine Humeniuk, Illustrators: Christian Cordella, Ciara Brennan, 
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Excellence in Crafts – Textiles
What We Do In The Shadows, Season 2
Key Textile Artist: Anna Pantcheva
Costume Designer: Amanda Neale, Assistant Costume Designer: Laura Montgomery, Costume Supervisor: Barbara Cardoso, Set Supervisor: Erminia Diamantopoulos, Truck Supervisor: Les Handrahan, Cutter: Samantha Wyton, Sewers: Victoria McKay & Laura Stewart, Buyer: Beverley Ball, BG Coordinator: Jill Lerner, Wardrobe Assistant: Ella Bakker-Moffitt 

The Chilling Adventure of Sabrina, Season 2
Textile Arts Team: The Dye Dept – Anthea Mallinson; Emily Kathleen McIntyre; Ahra Ko; Layne Eustace Beck; Katie Blecker 
Costume Designer: Angus Strathie Assistant Costume Designer: Kelli Dunsmore Costume Supervisor: Dawn Grey Prep Costumer: Jenny Lang Prep Costumer: Victor Goodchild 

The Boys, Season 2
Key Breakdown Artist: Sarah Blostein, Breakdown Artist/Dyer: Madeline Brian (Ep 4-8), Breakdown Artist/Dyer: Emma Doyle (Ep 1), Breakdown Artist: Zita Katz (Ep 2,4), Breakdown Artist/Dyer:  Anna Pantcheva (Ep 3), Breakdown Artist/Dyer: Susan Willis (Ep 2, 4), Breakdown Assistant: Ilana Soloman (Ep 3)
Supersuits Designer: Laura Jean Shannon, Costume Designer: Rebecca Gregg, Assistant Costume Designer: John Dunnett

Star Trek: Discovery, Season 3
Key Textile Artist: Bonnie McCabe, Textile Artists: David Webb, Chantelle Hermiston, Jamie Quail
Costume Designer: Gersha Phillips, Costume Supervisors: Karen Lee, Kim Harkness, Assistant Costume Designers: Carly Nicodemo, Daina Valiulus, Michael Ground, Buyers: Kaitlyn Fifield, Loretta Chin, Money Tracker: Tova Harrison, Costume Assistants: Melanie Lian, Bianka Meore, Jo Jin, Digital Asset Manager: Kayso Wong, Head Cutter: Tanya Batanau-Chuiko, Cutters: Carla Mingiardi, Ryan Smith, Paula Ling, Sewers: Gülay Cokgezen, Leanne Reimer, Chloe Tekavcic, Luan Zhang, Malia Janveax, Malika Ben Slimane, Brit Wacher, Carly Cumpsom, Marie Glas, David Frankovich, Tori Lang, Key FX Costumer: Ray Wong, FX Costumer: Hayley Stolee-Smith, Blake Hyland, Andrew Cook FX Sculptor/Molder: Alex Silberberg, Set Supervisor: Kymn Keating, Truck Supervisor: Chelsea Oliver, Assistant Set Supervisor: Tara Thompson, BG Coordinators: Heather Constable, Jennifer Choy, Madelaine Humeniuk, Illustrators: Christian Cordella, Ciara Brennan, Keith Lau

Altered Carbon, 208: Broken Angels 
Key Breakdown Artist: Sage Lovett, Breakdown Artists: Chance Lovett, Shelby Page,
Kit Pfeil, Lorenzo Pepito & Jessica Waddell

Snowpiercer, Season 1
Master Ager/dyer: Sage Lovett, Ager/dyer: Chance Lovett, Breakdown Artists: Brittany Morrow, Shelby Page, Kit Pfeil & Christina Dietterle
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Excellence in Crafts – Special Effects Costume Building
Umbrella Academy, Season 2
Special Effect Costume Builder: Milena Radeva
Costume Designer: Christopher Hargadon, Assistant Costume Designers: Heather Crepp, William Ng, Costume Supervisor: Jane Fieber, Cutter: Roland Heizinger, Breakdown Artist: Karen Rodd

American Gods, 308: The Rapture of Burning 
Key FX Costumer: Robin Careless, Key FX Costumer: Ian Campbell, Key FX Costumer: Jenn Burton-Aulbrook, FX Costumers: Sequoia Erickson,
Costume Designer: Robert Blackman, Assistant Costume Designer: Jennifer Bunt, Assistant Costume Designer: Lindsay Jacobs, Key FX Costumer: Robin Careless, FX Costumers: Karlee Morse, Tabitha Burtch, Sarah McCaw, Chandros Ross, Janneke Tenbroek, On Site FX Costumer: Lisa Creelman, Breakdown Artist: Wayne Thomas & Sue Willis

Odd Squad Mobile Unit
Specialty Costume Builder: Bonni Burns, Henchmen Studios, Costume Builder / Milliner: Ashley Gennuso
Costume Designer: Christine Toye, Costume Cutters / Builders: Alicia Zwicewicz, Sandra Mandich, Costume Assistants: Becky Wasser, Kelsey Lammers Set Supervisor: Ahna Dunn-Wilder, On Set Assistant: Ivy Hill Truck Supervisor:  Estee Mancini

The Boys, Season 2
Key FX Costumer: Robin Careless, FX Costumers: Ian Campbell, Jenn Burton-Aulbrook, Cutter: Ritta Koleva
Costume Designer: Rebecca Gregg, Assistant Costume: Designer John Dunnett
Key FX Costumer: Ann Peiponen, FX Costumers: Ilana Solomon, Sewers: Monique Wiebe & Michelle Nguyen, Key Breakdown Artist: Sarah Blostein

Star Trek: Discovery, 303: People of Earth
Key FX Costumer: Ray Wong, FX Costumer: Hayley Stolee-Smith, Blake Hyland, Andrew Cook
Costume Designer: Gersha Phillips, Costume Supervisors: Karen Lee, Kim Harkness, Assistant Costume Designers: Carly Nicodemo, Daina Valiulus, Michael Ground, Buyers: Kaitlyn Fifield, Loretta Chin, Money Tracker: Tova Harrison, Costume Assistants: Melanie Lian, Bianka Meore, Jo Jin, Digital Asset Manager: Kayso Wong, Head Cutter: Tanya Batanau-Chuiko, Cutters: Carla Mingiardi, Ryan Smith, Paula Ling, Sewers: Gülay Cokgezen, Leanne Reimer, Chloe Tekavcic, Luan Zhang, Malia Janveax, Malika Ben Slimane, Brit Wacher, Carly Cumpsom, Marie Glas, David Frankovich, Tori Lang, Key Textile Artist: Bonnie McCabe, Textile Artists: David Webb, Chantelle Hermiston, Jamie Quail, FX Sculptor/Molder: Alex Silberberg, Set Supervisor: Kymn Keating, Truck Supervisor: Chelsea Oliver, Assistant Set Supervisor: Tara Thompson, BG Coordinators: Heather Constable, Jennifer Choy, Madelaine Humeniuk, Illustrators: Christian Cordella, Ciara Brennan, Keith Lau
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Costume Design in Short Film
Hekademia 
Costume Designer: Soroush Matoor, Costume Designer: Odessa Bennett
VR Suit Builder/Designer: Caroline Cheng, Set Supervisor: Ina Takiguchi, Costumer: Eva Ghaddor, Costumer: Mallory Wagner, Costumer: Annie Kirouac, Prep Costumer: Alexandra Morris

The Rabbit Hunters
Costume Designer: Sandra Soke
Seamstress: Hillary Klassen, Dresser: Tess Gebel 

Plush
Costume Designer: Deanna Sciortino

Mortal Decree
Costume Designer: Juliann Wilding

Freya
Costume Designers: Karyna Barros, Vladimir Markovic 
Assistant Costume Designers: Robin Metcalfe, Fabricio Borges
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Costume Design in Web Series
Band Ladies
Costume Designer: Tala Kamea Berkes
Costume Assistants: Dariush Zadeh, Linda Pelletier, Samantha Rice

Lockdown, 101: The Scream Next Door
Costume Designer: Christine Toye

Queens, 103: Naomi
Costume Designer: Vanessa Magic 
Assistant Costume Designer: Eyob Desalgne , Wardrobe Assistants: Kristyn Matthews & Victoria Lus

The D Cut
Wardrobe Designer: Casey Jane Tuninga, Wardrobe Assistant: Evely Escobar, Wardrobe Swing: Kendra Bowes

Most Dangerous Game
Costume Designer: Natalie Bronfman, Supervisor: Helena Davis Perry, Cutter: Nancy Da Silva, Sewer: Peter Stuckless, Costume Set Key: Marie-Elyse McGuire, Truck: Aimee Tobolka, BG Coordinator: Amanda Lowthian, Breakdown Artist: Bob Walsh, Costume Assistant: Brandon Schaus
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Styling/Costume Design in Music Videos and Commercials 
Koffee – Pressure
Stylist: Charlene Akuamoah
Assistant Stylist: Bianca Brown

Solid – Savannah Re 
Stylist: Charlene Akuamoah
Assistant Stylist: Jess Mori

Heritage Minutes: Elsie MacGill
Costume Designer: Nicole McCormick 
Assistant Costume Designer: Aurelia Cerquozzi On set Background Costumer: Jackie Haug

Do Better (Anjulie ft. Priyanka) 
Key Stylist: Jess Mori, Costume Designer:  Leelando Mitchell, Jess Mori
Assistant Stylist: Cathleen Calica, Hat Designer: Gorm Garms

Coca Cola “Open”
Costume Designer: Katry Sertic
Assistant Costume Designer: Rachel Ludlow, Breakdown Artist: Alynne Lavigne, Classic Superhero Builder: Parallel Life Studios, Costume Assistant: Cenk Papila, Costume Assistant: Alissa Moszynski
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Costume Design in Indie Feature
The Cuban
Costume Designer: Kristin Somborac
Assistant Costume Designer/Set Super: Delaney Hicock

Jump, Darling
Costume Designer: John Dunnett
Assistant Costume Designer: Hanna Litster, Wardrobe Assistant: Jessica Agbayani, Cutter: Meghan Erin, Costume Concept Artist: Samantha Washington

Sugar Daddy
Costume Designer: Mara Zigler
Assistant Costume Designer/ Set Supervisor: Zoë Walton, Cutter/Costume Assistant: Reilly Kizer

Tammy’s Always Dying 
Costume Designer: Crystal Silden
Assistant Costume Designer: Emily McHugh, Set Supervisor: Shannon Wilson, Truck Supervisor: Tammie Moody

Hunter Hunter
Costume Designer: Sandra Soke
Breakdown Artist :Grant Macdonald , Set Supervisor: Savannah Jensen, Truck Supervisor: Tess Gebel 
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Costume Design in TV – Contemporary
Odd Squad Mobile Unit, 311: Music of Sound
Costume Designer: Christine Toye
Costume Cutters/Builders: Alicia Zwicewicz, Daniela Barbat, Sandra Mandich & Ashley Gennuso, Costume Assistants: Becky Wasser & Kelsey Lammers, Set Supervisor: Ahna Dunn-Wilder, On Set Wardrobe: Ivy Hill, Truck Supervisor: Estee Mancini

Upload, 103: The Funeral
Costume Designer: Farnaz Khaki-Sadigh
Assistant Costume Designer: Suzanne Milka, Costume Coordinator: Brandon Mark Peterson, Manuelita Kinsey-Johnson Build/Breakdown: Julian Lecrec, Heather Schmidt Cutter: Kari Appelquist, Karley Scovell

Riverdale, 417: Wicked Little Town
Costume Designer: Rebekka Sorensen-Kjelstrup
Assistant Costume Designer: Tammy Joe, Assistant Costume Designer : Deneen McArthur, Assistant Costumer: Stephanie Pols, Costume Coordinator: Fiona Magee, Costume Coordinator: Tabitha Savoie, Prep Costumer: Andrea Hakesley, Prep Costumer: Jessica Yeaman, Part Time Buyer: Marni Fernandes, Part Time Buyer: Tarla Goertzen, Buyer: Jessica Ram, Buyer: Yordanos Isack Set Supervisor: Adam Reinsman, Set Supervisor : Charlene Rowley, Set Costumer Mel Alpe, Truck Supervisor: Alex Hartley, Truck Costumer Christina Guy, Truck Costumer: Jody Petford Lead Cutter: Lore Penner, Cutter: Tricia Boyko, Cutter: Danielle Keeping, Seamstress: Bernarda Antony BG Coordinator: Karen Van Es, BG Assistant Coordinator Carita Kostyal, BG Set Costumer: Amy Kikkert, BG Truck Costumer: Jenn Mills

The Comey Rule, 103: Night Two
Costume Designer: Anne Dixon
Assistant Costume Designer : Anna Dal Farra, Costume Supervisor: Sheila Pruden, Costume BG Coordinator : Lidsay Fordes, Assistant Costume BG Coordinator: Clarke Stanley, Costume Assistant: Jodi Orsini, Costume Assistant: Sonilda Teague , Costume Set Supervisor: Wayne Godfrey, Costume Set Assistant: Alan Chau, Costume Truck Supervisor: Elizabeth Gregg, Costume BG Set Supervisor: Moira MCCallum , Costume Buyer: Angela Gardner, Costume Buyer: Cecilia Tachini , Cutter: Muhammad Alamgir, Seamstress: Malika Ben Slimane, Costume Tracker: Daniela Novoa

Trickster, 104
Costume Designer: Adriana Fulop, Co-costume Designer: Sage Paul
Assistant Designer: Alisha Robinson, Set Supervisor: Emma Lees, Truck Supervisor: Natalie Ellis, Background Coordinator: Vanessa Young, Buyer: Katrina Carrier, Breakdown Artist: Gwendolyne Preboy, Dailies: Stephanie Smethurst, Faith Campbell, Sean Mittelholzer
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Costume Design in TV – Period 
Murdoch Mysteries, 1312: Fox Hunt
Costume Designer: Joanna Syrokomla
Assistant Designer: Charlene Seniuk, Background Coordinator: Nathan Laws, Set Supervisors: Jenny Buck & Maria Popoff, Truck Supervisor: Paul Breckenridge, Cutter: Erika Fulop, Sewers: Mary Furlong & Sam Crossley, Set daily: Leslie McCann

Fortunate Son, 10: Fortunate Son
Costume Designer: Jennifer Haffenden
Assistant Designer: Benjamin Toner, Set Supervisor: Laura Anderson, Truck Costumer: Jennifer Crighton, Costume Buyer: Hilary Boterman, Cutters: Stephanie Martin, Brianna Maryon, Key Breakdown Artist: Carley Powell, Tailor: Carolyn Devins

Age of Samurai; Battle for Japan, 104: Enter the One-Eyed Dragon
Costume Designer: Lyndsay Reader
Assistant Costume Designer: Tina Razian, Set Supervisor: Eyob Desalgne, On-set Dresser: Lara Olynik, Specialty Costumer: Adam Smith, Specialty Costumer: Erica Steenburg, Sewer: Richard Crossman

New Eden, 105: A Whole Lotta Buzz
Costume Designer: Nicole Manek
Assistant Costume Designer: Sheila Fitzpatrick, Assistant Costume Designer: Elise Taylor, Set Supervisor: Delaney Hicock, Truck Supervisor: Aleksia Pavlovic, BG Coordinator: Geoff Stevens

The Hardy Boys, 108: What Happened in Bridgeport
Costume Designer: Judith Ann Clancy
Assistant Designer: Jenna McCutchen Buyer: Sara Brzozowski, Background Co-Ordinator: Alyssa Zygarliski, Set Supervisor: Lisa Bonari, Truck Supervisor: Amanda Wood
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Costume Design in TV – Sci-Fi/Fantasy
Altered Carbon, 208: Broken Angels
Costume Designer: Cynthia Summers
Assistant Costume Designer: Phoebe Parsons, Madeleine McKibbon, Ivy Thaide,  Costume Coordinator: Susan David, Prep Costumer / Graphics / Buyer: Kelsey Chobotar, Prep Costumer: Natasha Defazio, Marcia Mior, Jaime Leigh Gianopoulos, Daria Magnusson, Background Coordinator: Deanna Palkowski, Background Costume Supervisor: Natalina Sabathil, Background Prep Costumer: Anthony Lewis, Cutter: Laszlo Marton, Stitcher: Sisi Chan, Sarah Baxter, Nicola Ryall, Karen McVey, Ina Tokareva, Breakdown Artist: Sage Lovett, Chance Lovett, Shelby Page, KIt Pfeil, Lorenzo Pepito,  Jessica Waddell, Set Supervisor – Main Unit: Steve Holloway, Truck Costumer – Main Unit : Sanchia Wong,  Set Assist – Main Unit: Steve Oben, Illustrator: Keith Lau

Snowpiercer, 103: Access is Power
Costume Designer: Cynthia Ann Summers
Assistant Costume Designer: Lux Petrova, Costume Coordinator: Meg Schmon, Courtney Mckenzie, Prep Costumer: Marcia Mior, Madeleine Mckibbon, Athena Theny, Natasha Defazio, Prep Costumer / Graphics: Kelsey Chobotar, Illustrator: Keith Lau, Set Supervisor: Steve Holloway, Truck Costumer: Sanchia Wong, Set Assistant: Steve Oben, BG Coordinator: Deanna Palkowski, BG Costumer: Natalina Sabathil, Master Ager/Dyer: Sage Lovett, Ager/Dyer: Chance Lovett, Breakdown Artist: Brittany Morow, Shelby Page,  Kit Pfeil, Christina Dietterle, Lead Cutter: Lazlo Marton, PT Cutter: Janet Dundas, Stitcher: Lisa Truong, Sisi Chan, Dori Voros Szaabo,  Tina Hsu, Nocola Ryall

The Expanse, 402: Jetsam
Costume Designer: Joanne Hansen
Assistant Costume Designer: Nancy Granfield, BG Coordinator: Ann Henshaw, Assistant BG Coordinator: Debbie Williams, Buyer: Eydi Caines Floyd, Buyer: Lou Decampo, Set Supervisor: Lindsay Walker, Truck Supervisor: Kim Porter, Key Breakdown: Alexandria Goldman, Breakdown: Karen Rodd, Cutter: Ahmad Zargaran, Stitcher: Maria Belperio, Stitcher: Tara McLeod, Stitcher: Hannah Pham, Costumes Assistant: Andy Gaskin, BG Coordinator: Sarah Armstrong, Assistant BG Coordinator: Tal Avital, Breakdown Artist/Stitcher: Erica Steenburg, Breakdown Artist/Stitcher: Meg Ancheta, Illustrator: Ciara Brennan

Star Trek: Discovery, 301: That Hope is You, Part 1 
Costume Designer: Gersha Phillips
Costume Supervisors: Karen Lee, Kim Harkness, Assistant Costume Designers: Carly Nicodemo, Daina Valiulus, Michael Ground, Buyers: Kaitlyn Fifield, Loretta Chin, Money Tracker: Tova Harrison, Costume Assistants: Melanie Lian, Bianka Meore, Jo Jin, Digital Asset Manager: Kayso Wong, Head Cutter: Tanya Batanau-Chuiko, Cutters: Carla Mingiardi, Ryan Smith, Paula Ling, Sewers: Gülay Cokgezen, Leanne Reimer, Chloe Tekavcic, Luan Zhang, Malia Janveax, Malika Ben Slimane, Brit Wacher, Carly Cumpsom, Marie Glas, David Frankovich, Tori Lang, Key Textile Artist: Bonnie McCabe, Textile Artists: David Webb, Chantelle Hermiston, Jamie Quail, Key FX Costumer: Ray Wong, FX Costumer: Hayley Stolee-Smith, Blake Hyland, Andrew Cook, FX Sculptor/Molder: Alex Silberberg, Set Supervisor: Kymn Keating, Truck Supervisor: Chelsea Oliver, Assistant Set Supervisor: Tara Thompson, BG Coordinators: Heather Constable, Jennifer Choy, Madelaine Humeniuk, Illustrators: Christian Cordella, Ciara Brennan, Keith Lau

Odd Squad Mobile Unit, 312: pt. 2 Villain Network
Costume Designer: Christine Toye
Costume Cutters/Builders: Alicia Zwicewicz, Daniela Barbat, Sandra Mandich, Ashley Gennuso, Costume Assistants: Becky Wasser, Kelsey Lammers, Set Supervisor: Ahna Dunn-Wilder, On Set Wardrobe: Ivy Hill
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Costume Design in Film – Contemporary 
Tales from the Hood 3
Costume Designer: Heather Neale, Assistant Costume Designer: Brenda Zachanowich, Costume Coordinator: Joanne Rodriguez, Set Supervisor: TJ Kshymensky, Truck Costumer: Brenda Zachanowich, Breakdown Artist: Meg McMillan, Cutter: Greg Blagoev 

The Craft: Legacy
Costume Designer: Avery Plewes
Assistant Costume Designer: Laura Gardner, Costume Supervisor: Chelsea Graham, Set Supervisor: Candice Beuckx, Truck Supervisor: Sophie King-Hyslop, Background Costume Supervisor: Julia Cronin, Key Costumer: Griffith Park Unit, Pablo Borges, Costume Supervisor: Brooke Mulkins, Costumer: Griffith Park Unit, Mary Wuliger

Love Guaranteed
Costume Designer: Valerie Halverson
Assistant Designer: Kevin Kim, Set Supervisor: Kevin Kim, Truck Supervisor: Jenny Cummer, Prep Costumer: Alanna Kuznetsov, Office coordinator: Greta Hedley, Office coordinator: Marcia D Mior 

Poisoned Love
Costume Designer: Odessa Bennett
Assistant Costume Designer: Soroush Matoor, Set Supervisor: Lisa Price, Truck Costumer: Bianca Kristensen, Lead BG Costumer: Aiya Feldman, Costumer: Angelique Basson, Cutter: Hannah Tikkanen

Fatman
Costume Designer: Jennifer Stroud
Assistant Designer: Iwan Fay-Fright, Wardrobe Coordinator: Jacki Lyons, Wardrobe Supervisor: Karine Dashney, Background Costume Coordinator: Ella James-Beswick, Stitchers: Jan Cogley & Amanda Collie, Daily Wardrobe: Allison Chesher, Jasmine Murray-Bergquist & Amanda Collie
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Costume Design in Film – Period 
Let Him Go
Costume Designer: Carol Case
Assistant Designer: Michelle Carr Set Supervisor: Tannis Moore Truck Costumer: Devora Brown Key Breakdown Artist: Kim Lennox Background Supervisor: Shelly Schwieder Breakdown Artist: Yvonne Mullock First Hand: Kathleen Morley Costume Trainee: Jenna Giacomelli Shopper: Shelly Goldsack Costume Assistant: Ben Corner

The Clark Sisters: The First Ladies of Gospel
Costume Designer: Julia Patkos
Assistant Costume Designer: Sheryl Willock Second Assistant Costume Designer: Hanne Whitfield Costume Supervisor: Sheila Pruden Set Supervisor: Erin Daprato Truck Supervisor: Augusta Maclachlan Costume Assistant: Stephanie Flinn Bg Coordinator: Jennifer Bunt Buyer: Leonie Reid Buyer: Marya Duplaga Buyer: Sara Schilt Buyer (Daily): Deborah Burton, Buyer: Christina Barry Breakdown Artist :Tamara Rigby-funke Dresser: Ann Peiponen Dresser: Megan Cole, Cutter: Michel Proulx, Cutter: Sue Furlong, Seamstress: Judy Macdougall,Seamstress: Heather Rautiainen, Seamstress: Alyssa Nasvadi

Stardust
Costume Designer: Julia Patkos
Assistant Costume Designer: Sarah Lake Buyer: Alyssa Zygarliski On set supervisor: Nathan Black, Truck supervisor: Jasmine Nichols-Piesik, Costume Background Supervisor: Emily Stranges, Costume Maker: Izzy Camilleri, Costume Dailies: Jenni Lee Tina & Razian Celine Floyd 

Salt-N-Pepa
Costume Designer: Michelle Lyte
Assistant Designer: Jeanette Linton, Supervisor: Judy Lukkanen, Costume Assistants: Alima Meybloom & Diane Sobers, Costume Buyers: Eryne Reid, Roslyn Griffith Hall, Sheronna Osbourne & Mary Louise Cunningham, Cutter: Daniela Barbat, Builders: Manon De Gagne & Jessica Mae, Set Supervisor: Yvette Romano, Truck Supervisor: Camie Manswell, Set Assistant: Kenneth Shelley, BG Coordinator: Andy Shultz, Assistant BG Coordinator: Val Andrews, BG Set Supervisor: Anessa Abdus-Samad

Beans
Créateur des costumes: Éric Poirier
Costumière: Odile Depratto, Chef Habilleuse: Lison Daigneault, Habilleur figuration: Bruno St-Gelais
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Costume Design in Film – Sci-Fi/Fantasy
Aliens Stole My Body
Costume Designer: Valerie Halverson 
Assistant Designer: Kristen Meerse,  Set Supervisor: Kevin Kim, Truck costumer: Brice Horton, Alien Dresser: Taiyoh Halverson

Z.O.M.B.I.E.S. 2
Costume Designer: Trysha Bakker
Assistant Costume Designer: Donna Butt, Costume supervisor: Barbara Cardoso, Set supervisor: Soo Luen Tom, Truck supervisor: Karen Renaut, Costume buyers: Melissa Stewart & Marya Duplaga, Key breakdown artist: Anna Pancheva. Assistant Breakdown: Ella Bakker Moffitt, Cutter: Michel Proulx. Seamstress: Judy MacDougall, Sewers: Soso Lin & Jaya Ducharme, Sewer Decorators: Teresa Artibello & Sarah Blostein, Costume Assistant: Lindsay Devlin, On set assistant: Janice Skinner, Costume Assistant: Trelawnie Mead, BG Coordinator: Mary Partridge, BG Set Supervisors: Genevieve Pearson & Yvette Romano, BG CostumeBuyer: Jennifer Bunt

Possessor Uncut
Costume Designer: Aline Gilmore
Assistant Costume Designer: Kim Forrest, Costume Buyer: Shannon Pomakov, Set Supervisor: Joey Watson, Truck Supervisor: Rivkah Weisdorf, Costumers: Sara Brzozowski, Mara Zigler, Cutter: Melinda Dempster of Cactus Sewing Studio, Breakdown Artist: Kristen O’Reilly
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Costume Design in Film – International 
All Day and a Night 
Costume Designer: Antoinette Messam
Supervisor (Oakland): Mildred Brignoni, Supervisor (LA): Conan Castro, Costume Coordinator: Erica Schwartz, Truck Costumer: Bess Stansell, Set Costumer: Markus Fokken, Set Costumer: Allison Cohen, Costumer: Margaret Bolten Grace, Costumer: Bridget Bruce

The Banker 
Costume Designer: Aieisha Li
Assistant Costume Designer / Supervisor: Jennifer Leigh-Scott

Operation Christmas Drop 
Costume Designer: Glenne Campbell
Set Supervisor: Joan Boyco, Truck Costumer: Debbie Tallman, Buyer: Crystine Booth, Buyer: Oriana Graber

Love and Monsters
Costume Designer: Luis Sequeira
Assistant Costume Designer: Ann Steel, Assistant Costume Designer (LA): Antoinette Messam, Supervisor: Mel Dykes, Costume Coordinator: David Tiggeman, Workroom Coordinator: Sam Brown, Textile Artist: Melanie Turcotte, Art Finisher: Marie-Rose Payne, Assistant Art Finishers: Zana Komene, Shane Phillips, Assistant Art Finisher/Dyer: Lisa Worley, Costume Buyers: Natalie Gardner, Sophie Bora, Assistant Costume Buyer: Juliette Hogan, Costume/Fabric Buyer: Manuela Masoch, Cutter: Michelle Wiki, Cutter/Sewer: Janet Francis, Sewer: Heather Anne Lamb, Carole Richards, Costume Maker: Lauren Kenyon, Costume Designer PA: Maren Preuss, Costume Runner: Tyson Young, Costume Concept Artist: Cody Madder, Daniel Hyun Lim, Michael Uwandi, Key Costume Standby: Andrea Hood, Standby Costume Truck: Carina Caldarone, Extras Costumer: Alexander James Barton, Standby Assistant Costumer: Second Unit: Erin Louise Cardoo, Raphael Cohen, Costume Runner: David Cook, Costume Assistant: Jacinta Crane, Costume Standby: Second Unit: David Olde, Sarah Ryan, Costume Assistant: Jill Robinson, Costume Illustrator: Oksana Nedavniaya

Disney and Pixar present a Teaser for their next Feature coming this Summer, LUCA!

Synopsis:

Set in a beautiful seaside town on the Italian Riviera, Disney and Pixar’s original feature film “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface. Directed by Academy Award® nominee Enrico Casarosa (“La Luna”) and produced by Andrea Warren (“Lava,” “Cars 3”), “Luca” releases Summer 2021.

Cast includes:

·         Jacob Tremblay (“Room,” “Wonder”) lends his voice to Luca Paguro, a bright and inventive 13-year-old sea monster with endless curiosity—especially when it comes to the mysterious world above the sea.

·         Jack Dylan Grazer (“We Are Who We Are,” “Shazam”) voices Alberto Scorfano, an independent, free-spirited teenage sea monster with unbridled enthusiasm for the human world. 

·         Emma Berman provides the voice of Giulia, an outgoing and charming adventurer who befriends Luca and Alberto.

·         Maya Rudolph (“Bridesmaids,” “Saturday Night Live,” “Big Mouth”) voices Daniela, Luca’s mother.

·         Marco Barricelli voices Massimo, Giulia’s father. 

·         Jim Gaffigan (“The Pale Tourist,” “Troop Zero”) voices Lorenzo, Luca’s father

See the Teaser:

LUCA arrives June 18, 2021 on Disney+.

(Photo/video credit: Disney)

At long last, a new Trailer for upcoming Mighty Ducks Reboot, THE MIGHTY DUCKS: GAME CHANGERS, coming soon to Disney+!

Synopsis:

In the 10-episode season set in present day Minnesota, the Mighty Ducks have evolved from scrappy underdogs to an ultra-competitive, powerhouse youth hockey team. After 12-year-old Evan Morrow (Brady Noon) is unceremoniously cut from the Ducks, he and his mom, Alex (Lauren Graham), set out to build their own team of misfits to challenge the cutthroat, win-at-all-costs culture of youth sports today. With the help of Gordon Bombay (Emilio Estevez), they rediscover the joys of playing just for love of the game.

See the Trailer:

THE MIGHT DUCKS: GAME CHANGERS arrives on Disney+ Friday, March 26, 2021.

(Photo/video credit: Disney)