#TIFF24: “DISCLAIMER” REVIEW

By Amanda Gilmore

In his first venture into television, beloved film Writer-Director Alfonso Cuarón tells an intelligent, savage tale of a woman’s past coming back to bite her.

Based on the Novel by Renée Knight, Disclaimer tells the story of celebrated journalist Catherine (Cate Blanchett) who begins reading a novel that was mysteriously delivered to her. To her horror, the novel is about her and the awful secret she’s kept for two decades.

TIFF is screening the first two episodes of this Limited Series. Over those episodes, Cuarón slowly unravels the story. The first episode brings us to two time periods. It’s clear the people in each are connected in some way. But what way and why? That’s where Cuarón excels. In keeping the mystery of these people and their connection a secret until the final frame.

Once we’re given the context of who’s who and how people have met, we’re brought to episode two. This is where the tension rises. The book has been delivered to Catherine’s son Nicholas (Kodi Smit-McPhee) and her husband Robert (a pitch-perfect Sasha Baron Cohen). Nicholas hasn’t connected the character to his mother, but Robert sure has. The confrontation between the two at the end of the episode is masterfully written and acted. 

Blanchett, as always, is flawless. This time delivering a complex character with many faults and a dark moment in her past, yet gives her a charm that allows us to root for her.

Disclaimer screens at TIFF ’24:

Mon, Sept 9 at 4 PM at Royal Alexandra Theatre

Wed, Sept 11 at 2 PM at Scotiabank Theatre

Sun, Sept 15 at 11:45 AM at Scotiabank Theatre