#TIFF25: “THE SECRET AGENT” REVIEW

By Amanda Gilmore

Brazilian Filmmaker and TIFF veteran Kleber Mendonça Filho returns to the festival with this political thriller that explores that won multiple prizes at this year’s Cannes.

The Film is set in 1977 Brazil, during the country’s notorious military dictatorship. It follows technology expert Marcelo (an outstanding Wagner Moura) as he flees from a mysterious past and seeks asylum in the northern city of Recife, which also brings him closer to his young son. But when he finds out men have been sent to kill him, he searches for a way to get himself and his son out of Brazil.

The Secret Agent isn’t a film strictly about the dictatorship, but instead, about a man living under the oppressive regime. Therefore, some viewers may feel there are parts of the history they don’t fully understand. However, Mendonça Filho delivers visuals and plot points that expose the insidious environment of surveillance and danger. The opening sequence has Marcelo pull into a gas station, where a dead body has been left for days under a piece of cardboard. The police show up, but they ignore the body. Instead, they inspect Marcelo’s ID.

Mendonça Filho tells this story across three parts and varying timelines. Thus, unveiling its plot is like a puzzle. This mirrors the daily life of those living in Brazil under its military dictatorship at the time. How oppressive regimes can conceal the truth and impact people’s memories, even decades later.

It comes as no surprise that Moura won the Best Actor prize at Cannes earlier this year. He’s magnetic as the calm, determined Marcelo. For as much as Marcelo is calm on the exterior, Moura subtly portrays the fear encased within the man.

The Secret Agent screens at TIFF ’25 as follows:

Sun. Sept 7 at 8:00 PM at Royal Alexandra Theatre

Mon. Sept 8 at 7:00 PM at Scotiabank Theatre Toronto

Fri. Sept 12 at 12:00 PM at Scotiabank Theatre Toronto