Premiering at Sundance, here’s a first look at a Teaser for jeen-yuhs: A Kanye Trilogy, a Docu-Series about Rap and Fashion icon Kanye West.
Synopsis:
A landmark documentary event presented in three acts from Clarence “Coodie” Simmons and Chike Ozah, jeen-yuhs: A Kanye Trilogy is an intimate and revealing portrait of Kanye West’s experience, showcasing both his formative days trying to break through and his life today as a global brand and artist.
jeen-yuhs: A Kanye Trilogy will hold its world premiere virtually at the Sundance Film Festival in January 2022. On Feb. 10, Iconic Events Releasing and TIME Studios will debut Act 1 (Vision) in theaters nationwide for a one-day engagement, giving Ye fans an exclusive opportunity to see part of this groundbreaking project before it premieres in a three-week event on Netflix on February 16th.
(Photo/video credit: Netflix)
The 2022 Sundance Film Festival takes place January 20–30, 2022; ticket packages go on sale on December 17, 2021 at 10am MT and single film tickets go on sale January 6, 2021 at 10am MT.
Factoring-in the current climate we are in, the Festival once again will take on a hybrid format. Feature films will premiere in person in Utah, before premiering online with a live Q&A and premiere party on platform The Spaceship. Subsequent screenings will take place in-person and in on-demand windows on the platform.
An exciting slate of Day One films will open the Festival in Park City: 11 features and a shorts program will illustrate the scope of Festival work across genre and form. Day One Features are Emergency, Fire of Love, Fresh, La Guerra Civil, A Love Song, Marte Um (Mars One), The Princess, Tantura, When You Finish Saving the World, and The Worst Person in the World. Lucy and Desi is the 2022 Sundance Film Festival’s Salt Lake City Opening Night Gala Film, premiering at the Rose Wagner Performing Arts Center on January 21, 2021.
A total eight Films have been selected for the Festivals Satellite Screens across America, allowing for the enjoyment of the Festival for those who can’t make it to Park City. These Films include: Alice; Emergency; Every Day in Kaimukī; Free Chol Soo Lee; Honk for Jesus, Save Your Soul; La Guerra Civil; Marte Um (Mars One); and Sirens.
We are thrilled the share with you the programming line at the 2022 Sundance Film Festival:
U.S. DRAMATIC COMPETITION
Presenting the world premieres of fiction feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include CODA, Passing, Minari, Never Rarely Sometimes Always, The Farewell, Clemency, Eighth Grade and Sorry to Bother You.
892 / U.S.A. (Director and Screenwriter: Abi Damaris Corbin, Screenwriter: Kwame Kwei-Armah, Producers: Ashley Levinson, Salman Al-Rashid, Sam Frohman, Kevin Turen, Mackenzie Fargo) — When Brian Brown-Easley’s disability check fails to materialize from Veterans Affairs, he finds himself on the brink of homelessness and breaking his daughter’s heart. No other options, he walks into a Wells Fargo Bank and says “I’ve got a bomb.“ Cast: John Boyega, Michael Kenneth Williams, Nicole Beharie, Connie Britton, Olivia Washington, Selenis Leyva. World Premiere.
Alice / U.S.A. (Director and Screenwriter: Krystin Ver Linden, Producer: Peter Lawson) — When a woman in servitude in 1800s Georgia escapes the 55-acre confines of her captor, she discovers the shocking reality that exists beyond the treeline…it’s 1973. Inspired by true events. Cast: Keke Palmer, Common, Jonny Lee Miller, Gaius Charles. World Premiere.
blood / U.S.A. (Director and Screenwriter: Bradley Rust Gray, Producers: David Urrutia, Bradley Rust Gray, So Yong Kim, Elika Portnoy, Alex Orlovsky, Jonathon Komack Martin) — After the death of her husband, a young woman travels to Japan where she finds solace in an old friend. But when comforting turns to affection, she realizes she must give herself permission before she can fall in love again. Cast: Carla Juri, Takashi Ueno, Gustaf Skarsgård, Futaba Okazaki, Issey Ogata. World Premiere.
Cha Cha Real Smooth / U.S.A. (Director and Screenwriter: Cooper Raiff, Producers: Dakota Johnson, Ro Donnelly, Erik Feig, Jessica Switch, Cooper Raiff) — A directionless college graduate embarks on a relationship with a young mom and her teenage daughter while learning the boundaries of his new bar mitzvah party-starting gig. Cast: Dakota Johnson, Cooper Raiff, Vanessa Burghardt, Evan Assante, Brad Garrett, Leslie Mann. World Premiere.
Dual / U.S.A. (Director and Screenwriter: Riley Stearns, Producers: Nate Bolotin, Aram Tertzakian, Lee Kim, Riley Stearns, Nick Spicer, Maxime Cottray) — After receiving a terminal diagnosis, Sarah commissions a clone of herself to ease the loss for her friends and family. When she makes a miraculous recovery, her attempt to have her clone decommissioned fails, and leads to a court-mandated duel to the death. Cast: Karen Gillan, Aaron Paul, Beulah Koale. World Premiere.
Emergency / U.S.A. (Director: Carey Williams, Screenwriter: KD Davila, Producers: Marty Bowen, Isaac Klausner, John Fischer) — Ready for a night of partying, a group of Black and Latino college students must weigh the pros and cons of calling the police when faced with an unusual emergency. Cast: RJ Cyler, Donald Watkins, Sebastian Chacon, Sabrina Carpenter. World Premiere. DAY ONE
Master / U.S.A. (Director and Screenwriter: Mariama Diallo, Producers: Joshua Astrachan, Brad Becker-Parton, Andrea Roa) — Three women strive to find their place at an elite New England university. As the insidious specter of racism haunts the campus in increasingly supernatural fashion, each fights to survive in this space of privilege. Cast: Regina Hall, Zoe Renee, Talia Ryder, Talia Balsam, Amber Gray. World Premiere.
Nanny / U.S.A. (Director and Screenwriter: Nikyatu Jusu, Producers: Nikkia Moulterie, Daniela Taplin Lundberg) — Aisha is an undocumented nanny working for a privileged couple in New York City. As she prepares for the arrival of the son she left behind in Senegal, a violent supernatural presence invades her reality, threatening the American dream she is painstakingly piecing together. Cast: Anna Diop, Michelle Monaghan, Sinqua Walls, Morgan Spector, Rose Decker, Leslie Uggams. World Premiere.
Palm Trees and Power Lines / U.S.A. (Director and Screenwriter: Jamie Dack, Screenwriter: Audrey Findlay, Producers: Leah Chen Baker, Jamie Dack) — Seventeen-year-old Lea spends her summer aimlessly tanning with her best friend, tiptoeing around her fragile mother, and getting stoned with a group of boys from school. This monotony is disrupted by an encounter with Tom, a man twice her age, who promises an alternative to Lea’s unsatisfying adolescent life. Cast: Lily McInerny, Jonathan Tucker, Gretchen Mol. World Premiere.
Watcher / U.S.A. (Director: Chloe Okuno, Screenwriter: Zack Ford, Producers: Roy Lee, Steven Schneider, Derek Dauchy, John Finemore, Aaron Kaplan, Mason Novick) — A young woman moves into a new apartment with her fiancé and is tormented by the feeling that she is being stalked by an unseen watcher in an adjacent building. Cast: Maika Monroe, Karl Glusman, Burn Gorman, Ciubuciu Bogdan Alexandru. World Premiere.
U.S. DOCUMENTARY COMPETITION
World-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Summer of Soul (or, When the Revolution Could Not Be Televised), Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders.
Aftershock / U.S.A. (Directors and Producers: Paula Eiselt, Tonya Lewis Lee) — Following the preventable deaths of their partners due to childbirth complications, two bereaved fathers galvanize activists, birth-workers and physicians to reckon with one of the most pressing American crises of our time – the U.S. maternal health crisis. World Premiere.
Descendant / U.S.A. (Director: Margaret Brown, Producers: Essie Chambers, Kyle Martin) — Clotilda, the last ship carrying enslaved Africans to the United States, arrived in Alabama 40 years after African slave trading became a capital offense. It was promptly burned, and its existence denied. After a century shrouded in secrecy and speculation, descendants of the Clotilda’s survivors are reclaiming their story. World Premiere.
The Exiles / U.S.A. (Directors: Ben Klein, Violet Columbus, Producers: Maria Chiu, Ben Klein, Violet Columbus) — Documentarian Christine Choy tracks down three exiled dissidents from the Tiananmen Square massacre, in order to find closure on an abandoned film she began shooting in 1989. World Premiere.
Fire Of Love / U.S.A. (Director: Sara Dosa, Producers: Shane Boris, Ina Fichman, Sara Dosa) — Intrepid scientists and lovers Katia & Maurice Krafft died in a volcanic explosion doing the very thing that brought them together: unraveling the mysteries of volcanoes by capturing the most explosive imagery ever recorded. A doomed love triangle between Katia, Maurice and volcanoes, told through their archival footage. World Premiere.DAY ONE
Free Chol Soo Lee / U.S.A. (Directors: Julie Ha, Eugene Yi, Producers: Su Kim, Jean Tsien, Sona Jo, Julie Ha, Eugene Yi) — After a Korean immigrant is wrongly convicted of a 1973 San Francisco Chinatown gang murder, Asian Americans unite as never before to free Chol Soo Lee. A former street hustler becomes the symbol for a landmark movement. But once out, he self-destructs, threatening the movement’s legacy and the man himself. World Premiere.
I Didn’t See You There / U.S.A. (Director: Reid Davenport, Producer: Keith Wilson) — Spurred by the spectacle of a circus tent that goes up outside his Oakland apartment, a disabled filmmaker launches into an unflinching meditation on freakdom, (in)visibility, and the pursuit of individual agency. World Premiere.
The Janes / U.S.A. (Directors: Tia Lessin, Emma Pildes, Producers: Emma Pildes, Daniel Arcana, Jessica Levin) — In the spring of 1972, police raided an apartment on Chicago’s South Side. Seven women were arrested. The accused were part of a clandestine network. Using code names, blindfolds and safe houses, they built an underground service for women seeking safe, affordable, illegal abortions. They called themselves JANE. World Premiere.
Jihad Rehab / U.S.A. (Director: Meg Smaker, Producers: Meg Smaker, Bryan Storkel) — A group of Al-Qaeda members are transferred from Guantanamo to a secretive rehabilitation center for Islamic extremists. World Premiere.
TikTok, Boom. / U.S.A. (Director: Shalini Kantayya, Producers: Ross M. Dinerstein. Shalini Kantayya, Danni Mynard) — With TikTok now crowned the world’s most downloaded app, these are the personal stories of a cultural phenomenon, told through an ensemble cast of Gen-Z natives, journalists and experts alike. This film seeks to answer, ‘why is an app, best known for people dancing, the target of so much controversy?’ World Premiere.
WORLD CINEMA DRAMATIC COMPETITION
Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include Hive, Luzzu, The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.
Brian And Charles / U.K. (Director: Jim Archer, Screenwriters: David Earl, Chris Hayward, Producer: Rupert Majendie) — A story of friendship, love, and letting go. And a 7ft tall robot that eats cabbages. A comedy shot in documentary format. Cast: David Earl, Chris Hayward, Louise Brealey, Jamie Michie, Lowri Izzard, Mari Izzard. World Premiere.
The Cow Who Sang A Song Into The Future / Chile/France/U.S.A/Germany (Director and Screenwriter: Francisca Alegría, Screenwriters: Fernanda Urrejola, Manuela Infante, Producers: Tom Dercourt, Alejandra García) — Cecilia and her children travel to her aging father’s dairy farm after he has a heart attack. Back in her childhood home, Cecilia is met by her mother, a woman dead for many years, whose presence brings to life a painful past chorused by the natural world around them. Cast: Leonor Varela, Mia Maestro, Alfredo Castro, Marcial Tagle, Enzo Ferrada, Luis Dubó. World Premiere.
Dos Estaciones / Mexico (Director and Screenwriter: Juan Pablo González, Screenwriters: Ana Isabel Fernández, Ilana Coleman, Producers: Jamie Gonçalves, Ilana Coleman, Bruna Haddad, Makena Buchanan) — In the bucolic hills of Mexico’s Jalisco highlands, iron-willed businesswoman Maria Garcia fights the impending collapse of her tequila factory. Cast: Teresa Sánchez, Tatín Vera, Rafaela Fuentes, Manuel García-Rulfo. World Premiere.
Gentle / Hungary (Directors: Anna Eszter Nemes, László Csuja, Screenwriters: László Csuja, Anna Eszter Nemes, Producers: András Muhi, Gábor Ferenczy) — Edina, a female bodybuilder, is ready to sacrifice everything for the dream she shares with Adam, her partner and trainer: to win the world championship. The odd love she finds on her way there makes her see the difference between her dreams and her true self. Cast: Eszter Csonka, György Turós, Csaba Krisztik. World Premiere.
Girl Picture / Finland (Director: Alli Haapasalo, Screenwriters: Ilona Ahti, Daniela Hakulinen, Producers: Leila Lyytikäinen, Elina Pohjola) — Mimmi, Emma and Rönkkö are girls at the cusp of womanhood, trying to draw their own contours. In three consecutive Fridays two of them experience the earth-moving effects of falling in love, while the third goes on a quest to find something she’s never experienced before: pleasure. Cast: Aamu Milonoff, Eleonoora Kauhanen, Linnea Leino. World Premiere.
Klondike / Ukraine/Turkey (Director and Screenwriter: Maryna Er Gorbach, Producers: Maryna Er Gorbach, Mehmet Bahadir Er, Sviatoslav BulakovskyI) — The story of a Ukrainian family living on the border of Russia – Ukraine during the start of war. Irka refuses to leave her house even as the village gets captured by armed forces. Shortly after, they find themselves at the center of an air crash catastrophe on July 17, 2014. Cast: Oxana Cherkashyna, Sergey Shadrin, Oleg Scherbina, Oleg Shevchuk, Artur Aramyan, Evgenij Efremov. World Premiere.
Leonor Will Never Die / Philippines (Director and Screenwriter: Martika Ramirez Escobar, Producers: Monster Jimenez, Mario Cornejo) — Fiction and reality blur when Leonor, a retired filmmaker, falls into a coma after a television lands on her head, compelling her to become the action hero of her unfinished screenplay. Cast: Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon. World Premiere.
Marte Um (Mars One) / Brazil (Director and Screenwriter: Gabriel Martins, Producer: Thiago Macêdo Correia) — In Brazil, a lower-middle-class Black family of four tries to keep their spirits up and their dreams going in the months that follow the election of a right-wing president, a man who represents everything they are not. Cast: Rejane Faria, Carlos Francisco, Camilla Souza, Cícero Lucas. World Premiere.DAY ONE
Utama / Bolivia/Uruguay/France (Director and Screenwriter: Alejandro Loayza Grisi, Producers: Santiago Loayza Grisi, Federico Moreira, Marcos Loayza, Jean-Baptiste Bailly-Maitre) — In the Bolivian highlands, an elderly Quechua couple has been living the same daily life for years. When an uncommon long drought threatens their entire way of life, Virginio and his wife Sisa face the dilemma of resisting or being defeated by the environment and time itself. Cast: Jose Calcina, Luisa Quispe, Santos Choque. World Premiere.
You Won’t Be Alone / Australia (Director and Screenwriter: Goran Stolevski, Producers: Kristina Ceyton, Sam Jennings) — In an isolated mountain village in 19th century Macedonia, a young feral witch accidentally kills a peasant. She assumes the peasant’s shape to see what life is like in her skin, igniting a deep-seated curiosity to experience life inside the bodies of others. Cast: Noomi Rapace, Anamaria Marinca, Alice Englert, Carloto Cotta, Félix Maritaud, Sara Klimoska. World Premiere.
WORLD CINEMA DOCUMENTARY COMPETITION
Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Flee, Honeyland, Sea of Shadows, Shirkers, This Is Home, Last Men in Aleppo and Hooligan Sparrow.
All That Breathes / India, U.K. (Director and Producer: Shaunak Sen, Producers: Aman Mann, Teddy Leifer) — Against the darkening backdrop of Delhi’s apocalyptic air and escalating violence, two brothers devote their lives to protect one casualty of the turbulent times: the bird known as the Black Kite. World Premiere.
Calendar Girls / Sweden (Directors, Screenwriters and Producers: Maria Loohufvud, Love Martinsen) — A coming-of-golden-age look at Florida’s most dedicated dance team for women over 60, shaking up the outdated image of “the little old lady,” and calling for everyone to dance their hearts out, while they still can. World Premiere.
A House Made of Splinters / Denmark (Director: Simon Lereng Wilmont, Producer: Monica Hellström) — In Eastern Ukraine, follow the daily life of children and staff in a special kind of home: an institution for children who have been removed from their homes while awaiting court custody decisions. Staff do their best to make the time children have there safe and supportive. World Premiere.
Midwives / Myanmar (Director: Snow Hnin Ei Hlaing, Producers: Bob Moore, Ulla Lehman, Mila Aung-Thwin, Snow Hnin Ei Hlaing) — Two midwives work side-by-side in a makeshift clinic in Myanmar. World Premiere.
The Mission / Finland (Director and Screenwriter: Tania Anderson, Producers: Isabella Karhu, Juho-Pekka Tanskanen) — A revelation of the inner lives of young LDS missionaries, as they leave their homes for the first time and embark upon the most emotionally, physically and psychologically challenging period of their life. World Premiere.
Nothing Compares / Ireland, U.K. (Director: Kathryn Ferguson, Producers: Eleanor Emptage, Michael Mallie) — The story of Sinéad O’Connor’s phenomenal rise to worldwide fame and subsequent exile from the pop mainstream. Focusing on Sinéad’s prophetic words and deeds from 1987 to 1993, the film reflects on the legacy of this fearless trailblazer through a contemporary feminist lens. World Premiere.
Sirens / U.S.A., Lebanon (Director, Screenwriter and Producer: Rita Baghdadi, Producer: Camilla Hall) — On the outskirts of Beirut, Lilas and Shery, co-founders and guitarists of the Middle East’s first all-female metal band, wrestle with friendship, sexuality and destruction in their pursuit of becoming thrash metal rock stars. World Premiere.
Tantura / Israel (Director and Screenwriter: Alon Schwarz, Screenwriter and Producer: Shaul Schwarz. Producer: Maiken Baird) — In 1948, the State of Israel was established and civil war broke out. Hundreds of Palestinian villages were destroyed with their inhabitants killed or exiled. The film focuses on one village: Tantura, bringing to light Israel’s founding myth and its society’s inability to come to terms with its dark past. World Premiere. DAY ONE
The Territory / Brazil/Denmark/United States (Director: Alex Pritz, Producers: Will N. Miller, Sigrid Dyekjær, Lizzie Gillett, Anonymous) — When a network of Brazilian farmers seizes a protected area of the Amazon rainforest, a young Indigenous leader and his mentor must fight back in defense of the land and an uncontacted group living deep within the forest. World Premiere.
We Met in Virtual Reality / U.K. (Director, Screenwriter and Producer: Joe Hunting) — Filmed entirely inside the world of VR, this vérité documentary captures the excitement and surprising intimacy of a burgeoning cultural movement, demonstrating the power of online connection in an isolated world. World Premiere.
NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT is presented by Adobe.
The Cathedral / Italy, U.S.A. (Director and Screenwriter: Ricky D’Ambrose, Producer: Graham Swon) — An only child’s account of an American family’s rise and fall over two decades. Cast: Brian d’Arcy James, Monica Barbaro, Mark Zeisler, Geraldine Singer, William Bednar-Carter. North American Premiere. Fiction.
Every Day In Kaimukī / U.S.A. (Director: Alika Tengan, Screenwriters: Naz Kawakami, Alika Tengan. Producers: Jesy Odio, Chapin Hall, Alika Tengan, Naz Kawakami) — A young man is determined to give his life meaning outside of Kaimukī, the small Hawaiian town where he grew up, even if it means leaving everything he’s ever known and loved behind. Cast: Naz Kawakami, Rina White, Holden Mandrial-Santos. World Premiere. Fiction.
Framing Agnes / Canada, U.S.A. (Director: Chase Joynt, Producers: Samantha Curley, Shant Joshi, Chase Joynt) — After discovering case files from a 1950s gender clinic, a cast of transgender actors turn a talk show inside out to confront the legacy of a young trans woman forced to choose between honesty and access. World Premiere. Documentary.
A Love Song / U.S.A. (Director and Screenwriter: Max Walker-Silverman, Producers: Dan Janvey, Jesse Hope, Max Walker-Silverman) — Two childhood sweethearts, now both widowed, share a night by a lake in the mountains. A love story for those who are alone. Cast: Dale Dickey, Wes Studi, Michelle Wilson, Benja K. Thomas, John Way, Marty Grace Dennis. World Premiere. Fiction.DAY ONE
Mija / U.S.A. (Director: Isabel Castro, Producers: Tabs Breese, Isabel Castro, Yesenia Tlahuel) — Doris Muñoz is a young, ambitious music manager whose undocumented family depends on her ability to launch pop stars. When she loses her biggest client, Doris hustles to discover new talent and finds Jacks, another daughter of immigrants for whom “making it” isn’t just a dream: it’s a necessity. World Premiere. Documentary.
RIOTSVILLE, USA / U.S.A. (Director: Sierra Pettengill, Producers: Sara Archambault, Jamila Wignot) — Welcome to Riotsville, a fictional town built by the U.S. military. Using footage shot by the media and government, the film explores the militarization of the police and the reaction of a nation to the uprisings of the late ’60s, creating a counter-narrative to a critical moment in American history. World Premiere. Documentary.
Something In The Dirt / U.S.A. (Directors: Justin Benson, Aaron Moorhead, Screenwriter: Justin Benson, Producers: David Lawson, Aaron Moorhead, Justin Benson) — When neighbors John and Levi witness supernatural events in their Los Angeles apartment building, they realize documenting the paranormal could inject some fame and fortune into their wasted lives. An ever-deeper, darker rabbit hole, their friendship frays as they uncover the dangers of the phenomena, the city, and each other. Cast: Justin Benson, Aaron Moorhead. World Premiere. Fiction.
PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year. Documentaries that have screened in Premieres include The Dissident, On the Record, and Miss Americana, and past fiction features include Kajillionaire, Promising Young Woman, The Report, Late Night, and The Big Sick.
2nd Chance / U.S.A. (Director and Screenwriter: Ramin Bahrani, Producers: Daniel Turcan, Johnny Galvin, Charles Dorfman, Ramin Bahrani, Jacob Grodnik) — Bankrupt pizzeria owner Richard Davis invented the modern-day bulletproof vest. To prove that it worked, he shot himself 192 times. He launched a multi-million-dollar company and became a cult figure among police. Davis’ rise and fall reveals a man of contradictions and the nature of power and impunity in America. World Premiere. Documentary.
AM I OK? / U.S.A. (Directors: Stephanie Allynne, Tig Notaro, Screenwriter: Lauren Pomerantz, Producers: Jessica Elbaum, Will Ferrell, Erik Feig, Dakota Johnson, Ro Donnelly, Lauren Pomerantz) — Lucy and Jane have been best friends for most of their lives and think they know everything there is to know about each other. But when Jane announces she’s moving to London, Lucy reveals a long-held secret. As Jane tries to help Lucy, their friendship is thrown into chaos. Cast: Dakota Johnson, Sonoya Mizuno, Jermaine Fowler, Kiersey Clemons, Molly Gordon, Sean Hayes. World Premiere. Fiction.
Brainwashed: Sex-Camera-Power / U.S.A. (Director and Producer: Nina Menkes) — Based on Nina Menkes’ acclaimed talk “Sex & Power: The Visual Language of Cinema”, a mesmerizing journey into how shot design intersects with the twin epidemics of sexual abuse/ assault and employment discrimination against women. Containing over 175 film clips, this will unalterably change the way we view and make movies. World Premiere. Documentary.
Call Jane / U.S.A. (Director: Phyllis Nagy, Screenwriters: Hayley Schore, Roshan Sethi, Producers: Robbie Brenner, David Wulf, Kevin McKeon, Lee Broda, Claude Amadeo, Michael D’Alto) — Chicago, 1968: after having a life-saving secret abortion, a suburban housewife seeks to give women access to healthy and safe abortions through an underground collective of women known as “Jane.” Cast: Elizabeth Banks, Sigourney Weaver, Chris Messina, Kate Mara, Wunmi Mosaku, Cory Michael Smith. World Premiere. Fiction.
DOWNFALL: The Case Against Boeing / U.S.A. (Director: Rory Kennedy, Screenwriters: Mark Bailey, Keven McAlester, Producers: Rory Kennedy, Mark Bailey, Sara Bernstein, Justin Wilkes, Keven McAlester, Amanda Rohlke) — An investigation of the two Boeing 737 MAX crashes that killed 346 people, exploring both the root causes and the human cost. At once a chilling portrait of a crumbling corporate culture and a fierce indictment of Wall Street’s corrupting influence. World Premiere. Documentary.
Emily the Criminal / U.S.A. (Director and Screenwriter: John Patton Ford, Producers: Tyler Davidson, Aubrey Plaza, Drew Sykes) — Down on her luck and saddled with debt, Emily gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles, ultimately leading to deadly consequences. Cast: Aubrey Plaza, Theo Rossi, Megalyn Echikunwoke, Gina Gershon. World Premiere. Fiction.
FINAL CUT / France (Director and Screenwriter: Michel Hazanavicius, Producers: John Penotti, Noëmie Devide, Alain de la Mata, Brahim Chioua, Michel Hazanavicius, Vincent Maravalr) — Things go badly for a small film crew shooting a low-budget zombie movie when they are attacked by real zombies. Cast: Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Lutz, Raphaël Quenard. World Premiere. Fiction.
God’s Country / U.S.A. (Director: Julian Higgins, Screenwriters: Shaye Ogbonna, Julian Higgins, Producers: Miranda Bailey, Halee Bernard, Julian Higgins, Amanda Marshall) — When a grieving college professor confronts two hunters she catches trespassing on her property, she’s drawn into an escalating battle of wills with catastrophic consequences. Cast: Thandiwe Newton, Jeremy Bobb, Joris Jarsky, Jefferson White, Kai Lennox, Tanaya Beatty. World Premiere. Fiction.
Good Luck to You, Leo Grande / U.K. (Director: Sophie Hyde, Screenwriter: Katy Brand, Producers: Debbie Gray, Adrian Politowski) — Nancy Stokes, a retired school teacher, is yearning for some adventure, and some sex. Good sex. And she has a plan: she hires a young sex worker named Leo Grande. Cast: Emma Thompson, Daryl McCormack. World Premiere. Fiction.
Honk for Jesus, Save Your Soul / U.S.A. (Director and Screenwriter: Adamma Ebo, Producers: Daniel Kaluuya, Adanne Ebo, Rowan Riley, Amandla Crichlow, Jesse Burgum, Matthew Cooper) — In the aftermath of a huge scandal, Trinitie Childs, the first lady of a prominent Southern Baptist megachurch, attempts to help her pastor husband, Lee-Curtis Childs, rebuild their congregation. Cast: Regina Hall, Sterling K. Brown. World Premiere. Fiction.
jeen-yuhs: A Kanye Trilogy / U.S.A. (Directors: Clarence “Coodie” Simmons, Chike Ozah, Producers: Clarence “Coodie” Simmons, Chike Ozah, Leah Natasha Thomas) — Kanye West in three acts. The story beyond the iconic music, an intimate and empathetic chronicle featuring never-before-seen footage from 21 years in the life of a captivating figure. World Premiere. Documentary.
La Guerra Civil / U.K. (Director: Eva Longoria Bastón, Producers: Eva Longoria Bastón, Grant Best, Bernardo Ruiz, Ben Spector, Andrea Cordoba) — The epic rivalry between iconic boxers Oscar De La Hoya and Julio César Chávez in the 1990s sparked a cultural divide between Mexican nationals and Mexican-Americans. A chronicle of a battle that was more than a boxing rivalry, and examines a fascinating slice of the Latino experience in the process. World Premiere. Documentary. DAY ONE
Living / U.K. (Director: Oliver Hermanus, Screenwriter: Kazuo Ishiguro, Producers: Stephen Woolley, Elizabeth Karlsen) — In 1952 London, veteran civil servant Williams has become a small cog in the bureaucracy of rebuilding England post-WWII. As endless paperwork piles up on his desk, he learns he has a fatal illness. Thus begins his quest to find some meaning in his life before it slips away. Cast: Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke. World Premiere. Fiction.
Lucy and Desi / U.S.A (Director: Amy Poehler, Producers: Michael Rosenberg, Justin Wilkes, Nigel Sinclair, Jeanne Elfant Festa, Amy Poehler, Mark Monroe) — Lucille Ball had an immense influence on the creation of TV syndication, as she rose to become a true entrepreneur and multi-faceted mogul. Through interviews and archival, a tribute to one of the greatest trailblazers in comedy and entertainment. World Premiere. Documentary. SALT LAKE CITY OPENING NIGHT
My Old School / U.K. (Director: Jono McLeod, Producers: John Archer, Olivia Lichtenstein) — The astonishing true story of Scotland’s most notorious imposter. It’s 1993 and 16-year-old Brandon is the new kid in school. Soon he’s top of the class, acing exams and even taking the lead in the school musical. He’s the model pupil, until he’s unmasked… Cast: Alan Cumming. World Premiere. Documentary.
The Princess / U.K. (Director: Ed Perkins, Producers: Simon Chinn, Jonathan Chinn) — Princess Diana’s story is told exclusively through contemporaneous archive creating a bold and immersive narrative of her life and death. Turning the camera back on ourselves, it also illuminates the profound impact she had and how the public’s attitude to the monarchy was, and still is, shaped by these events. World Premiere. Documentary. DAY ONE
Resurrection / U.S.A. (Director and Screenwriter: Andrew Semans, Producers: Tory Lenosky, Alex Scharfman, Drew Houpt, Lars Knudsen, Tim Headington, Lia Buman) — Margaret’s life is in order. She is capable, disciplined, and successful. Soon, her teenage daughter, who Margaret raised by herself, will be going off to a fine university, just as Margaret had intended. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret’s past. Cast: Rebecca Hall, Tim Roth, Grace Kaufman, Michael Esper, Angela Wong Carbone. World Premiere. Fiction.
Sharp Stick / U.S.A. (Director and Screenwriter: Lena Dunham, Producers: Lena Dunham, Michael P. Cohen, Kevin Turen, Katia Washington) — Sarah Jo is a naive 26-year-old living on the fringes of Hollywood with her mother (longing for money) and sister (longing for exposure). She just longs to be seen. When she begins an affair with her older employer, she is thrust into an education on sexuality, loss and power. Cast: Kristine Froseth, Jon Bernthal, Scott Speedman, Lena Dunham, Taylour Paige, Jennifer Jason Leigh. World Premiere. Fiction.
To The End / U.S.A. (Director: Rachel Lears, Producers: Sabrina Schmidt Gordon) — Stopping the climate crisis is a question of political courage, and the clock is ticking. Over three years of turbulence and crisis, four remarkable young women of color fight for a Green New Deal, and ignite a historic shift in U.S. climate politics. World Premiere. Documentary.
We Need to Talk About Cosby / U.S.A. (Director: W. Kamau Bell, Producers: Andrew Fried, Katie A. King, Geraldine L. Porras, Dane Lillegard, Sarina Roma, Jordan Wynn) — Can you separate the art from the artist? Should you even try? While there are many people about whom we could ask those questions, none pose a tougher challenge than Bill Cosby. World Premiere. Documentary.
When You Finish Saving the World / U.S.A. (Director and Screenwriter: Jesse Eisenberg, Producers: Ali Herting, Dave McCary, Emma Stone) — Evelyn and her oblivious son Ziggy seek out replacements for each other as Evelyn desperately tries to parent an unassuming teenager at her shelter, while Ziggy fumbles through his pursuit of a brilliant young woman at school. Cast: Julianne Moore, Finn Wolfhard. World Premiere. Fiction.DAY ONE
MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Hereditary, Mandy, Relic, Assassination Nation, and The Babadook.
Babysitter / Canada (Director: Monia Chokri, Screenwriter: Catherine Léger, Producers: Martin Paul-Hus, Catherine Léger, Pierre-Marcel Blanchot, Fabrice Lambot) — After a sexist joke goes viral, Cédric loses his job and embarks on a therapeutic journey to free himself from sexism and misogyny. His girlfriend Nadine is exasperated by his narcissistic introspection, until they hire a mysterious and liberated babysitter to help shake things up. Cast: Patrick Hivon, Monia Chokri, Nadia Tereszkiewcz, Steve Laplante, Hubert Proulx. World Premiere. Fiction.
FRESH / U.S.A. (Director: Mimi Cave, Screenwriter: Lauryn Kahn, Producers: Adam McKay, Kevin Messick, Maeve Cullinane) — The horrors of modern dating seen through one young woman’s defiant battle to survive her new boyfriend’s unusual appetites. Cast: Daisy Edgar-Jones, Sebastian Stan, Jojo T. Gibbs, Charlotte Le Bon, Andrea Bang, Dayo Okeniyi. World Premiere. Fiction.DAY ONE
Hatching / Finland (Director: Hanna Bergholm, Screenwriter: Ilja Rautsi, Producers: Mika Ritalahti, Nico Ritalahtit) — While desperately trying to please her demanding mother, a young gymnast discovers a strange egg. She tucks it away and keeps it warm, but when it hatches, what emerges shocks everyone. Cast: Jani Volanen, Siiri Solalinna, Sophia Heikkilä, Saija Lentonen, Reino Nordin, Oiva Ollila. World Premiere. Fiction.
Meet Me In The Bathroom / U.K. (Directors: Dylan Southern, Will Lovelace, Producers: Vivienne Perry, Sam Bridger, Marisa Clifford, Thomas Benski, Danny Gabai, Suroosh Alvi) — An immersive journey through the New York music scene of the early 2000s. Set against the backdrop of 9/11, the film tells the story of how a new generation kickstarted a musical rebirth for New York City that reverberated around the world. Inspired by the book by Lizzy Goodman. World Premiere. Documentary.
PIGGY / Spain (Director and Screenwriter: Carlota Pereda, Producers: Merry Colomer, David Atlan-Jackson) — Sara deals with constant teasing from girls in her small town. But it comes to an end when a stranger kidnaps her tormentors. Sara knows more than she’s saying and must decide between speaking up and saving the girls or saying nothing to protect the strange man who spared her. Cast: Laura Galán. World Premiere. Fiction.
Speak No Evil / Denmark (Director and Screenwriter: Christian Tafdrup, Screenwriter: Mads Tafdrup, Producer: Jacob Jarek) — A Danish family visits a Dutch family they met on a holiday. What was supposed to be an idyllic weekend slowly starts unraveling as the Danes try to stay polite in the face of unpleasantness. Cast: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev. World Premiere. Fiction.
SPOTLIGHT
The Spotlight section is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, Birds of Passage, The Rider, Ida, and The Lobster.
After Yang / U.S.A. (Director and Screenwriter: Kogonada, Producers: Andrew Goldman, Caroline Kaplan, Paul Mezey, Theresa Park) — In the near future, a father and daughter try to save the life of Yang, their beloved robotic family member. Cast: Colin Farrell, Jodie Turner-Smith. Justin H. Min, Malea Emma Tjandrawidjaja, Haley Lu Richardson. North American Premiere. Fiction.
Happening / France (Director and Screenwriter: Audrey Diwan, Screenwriter: Alice Girard, Producers: Edouard Weil, Alice Girard) — France, 1963. Anne is a bright student with a promising future. But when she falls pregnant, she sees the opportunity to escape the constraints of her social background disappearing. With final exams approaching and her belly growing, Anne resolves to act, even if she must risk prison to do so. Cast: Anamaria Vartolomei, Kacey Mottet-Klein, Luana Bajrami, Louise Chevillotte, Pio Marmai. Fiction.
Neptune Frost / U.S.A./Rwanda (Directors: Anisia Uzeyman, Saul Williams, Screenwriter: Saul Williams, Producers: Ezra Miller, Stephen Hendel, Dave Guenette, Maria Judice) — In an otherworldly e-waste dump camp, a subversive hacking collective attempts a takeover of the authoritarian regime exploiting the region’s natural resources — and its people. When an intersex runaway and an escaped coltan miner find each other through cosmic forces, their connection sparks glitches within the greater divine circuitry. Cast: Cheryl Isheja, Elvis Ngabo “Bobo”, Bertrand Ninteretse “Kaya Free”, Eliane Umuhire, Rebecca Muciyo, Trésor Niyongabo. Fiction.
Three Minutes – A Lengthening / Netherlands (Director and Screenwriter: Bianca Stigter, Producer: Floor Onrust) — Three minutes of footage are the only moving images known of the Jewish inhabitants of Nasielsk in Poland before the Holocaust. An examination of that film — in color, random, full of life — reveals historical and personal dimensions. Narrated by Helena Bonham Carter. Documentary.
The Worst Person in the World / Norway (Director: Joachim Trier, Screenwriter: Eskil Vogt, Joachim Trier, Producer: Thomas Robsahm, Andrea Berentsen Ottmar) — Four years in the life of Julie, a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is. Cast: Renate Reinsve, Anders Danielsen Lie, Herbert Nordrum. Fiction.DAY ONE
KIDS
This section of the Festival is especially for our youngest independent film fans. Programmed in cooperation with Utah Film Center, which presents the annual Tumbleweeds Film Festival, Utah’s premiere film festival for children and youth. Films that have played in this category in recent years include The Elephant Queen, Science Fair, My Life as a Zucchini, The Eagle Huntress, and Shaun the Sheep.
Maika / Vietnam (Director and Screenwriter: Ham Tran, Producers:Jenni Trang Le, Duy Ho, Anderson Le, Bao Nguyen) — After a meteor falls to earth, 8-year-old Hung meets an alien girl from the planet Maika, searching for her lost friend. As Hung helps her otherworldly friend search, the alien inadvertently helps Hung make new friends and heal a broken heart. But danger lurks everywhere… Cast: Phu Truong, Diep Anh Tru, Tin Tin, Ngoc Tuong, Kim Nha. World Premiere. Fiction.
Summering / U.S.A. (Director: James Ponsoldt, Screenwriters: Benjamin Percy, James Ponsoldt, Producers: Peter Block, P. Jennifer Dana) — During their last days of summer and childhood — the weekend before middle school begins — four girls struggle with the harsh truths of growing up and embark on a mysterious adventure. World Premiere. Fiction.
SPECIAL SCREENINGS featuring extended conversations following the screening, to allow audiences and storytellers to connect more deeply.
LAST FLIGHT HOME / U.S.A. (Director: Ondi Timoner, Producers: Ondi Timoner, David Turner) — An examination of Eli Timoner’s intentional death and his family’s emotional turmoil as they grapple with his decision to end his own life. The family journeys back through Eli’s remarkable, painful life to discover what true love looks like and help him shed shame he’s carried for forty years. World Premiere. Documentary.
FROM THE COLLECTION
Archival screenings are made possible by the Sundance Institute Collection at UCLA, and give audiences the opportunity to discover and rediscover the films that have shaped the heritage of both Sundance Institute and independent storytelling. To address the specific preservation risks posed to independent film, Sundance Institute partnered with UCLA Film & Television Archive in 1997 to form the Sundance Institute Collection at UCLA and preserves independent films supported by Sundance Institute. The Collection has grown to over 4,000 holdings representing nearly 2,300 titles. From the Collection screenings have included The Blair Witch Project, Hours and Times, River of Grass, Paris is Burning, Desert Hearts, Daughters of the Dust, El Mariachi, sex, lies, and videotape, Hoop Dreams, and Paris, Texas.
Just Another Girl on the I.R.T. / U.S.A. (Director and Screenwriter: Leslie Harris, Producers: Leslie Harris, Erwin Wilson) — A Brooklyn young woman, smart, witty, and confident, is not just another teenager on the NYC subway. Determined to make it out of her neighborhood and become a doctor, she confronts adversity while navigating challenging waters to achieve her dreams and goals… Cast: William Badget, Chequita Jackson, Ebony Jerido, Ariyan Johnson, Kevin Thigpen, Jerad Washington. 1993 Sundance Film Festival – winner of the Special Jury Prize for Outstanding Achievement in a First Feature.
Digitally restored from the original 16mm A/B negatives, and a new DCP created in collaboration between Sundance Institute, the Academy Film Archive, and UCLA Film & Television Archive.
INDIE EPISODIC PROGRAM
A dedicated showcase for emerging creators of independently produced content for episodic platforms. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Episodic Program is presented by DoorDash.
Bring on the Dancing Horses / U.S.A. (Director and Screenwriter: Michael Polish, Producers: Kate Bosworth, Michael Polish) — An assassin is out to complete her list of targets and exact her own brand of justice. Cast: Kate Bosworth, Jasper Polish, Lance Henriksen, Happy Anderson, DJ Qualls, Thomas Francis Murphy. World Premiere. Fiction.
Chiqui / U.S.A. (Director and Screenwriter: Carlos Cardona, Producers: Daniel Fermín Pfeffer, Sophia de Baun) — It’s 1987. Chiqui and Carlos immigrate from Colombia to the United States to find a better life for themselves and their unborn son. Upon their arrival, they quickly realize that the American dream is not as easy to achieve as they thought. Cast: Brigitte Silva, Sebastián Beltranini, Catherine French, Gregg Prosser. World Premiere. Fiction.
CULTURE BEAT / U.S.A. (Directors: Andre Hyland, Kitao Sakurai, Screenwriters: Andre Hyland, Kitao Sakurai, Eric Andre, Producers: Eric Andre, Kitao Sakurai, Andre Hyland) — A show that investigates high culture institutions through the lowbrow lens of various characters. The 2021 love child of Da Ali G Show and Anthony Bourdain: No Reservations. Cast: Andre Hyland. World Premiere. Documentary.
The Dark Heart / Sweden (Director: Gustav Möller, Screenwriter: Oskar Söderlund, Producers: Anna Carlsten, Caroline Landerberg) — Sweden: in a mythological landscape, search parties roam through forests of spruce, secret conversations are whispered in open fields, and verbal duels fought on narrow country roads. A story of family feuds, inheritances and forbidden love. Cast: Aliette Opheim, Clara Christiansson Drake, Gustav Lindh, Peter Andersson. World Premiere. Fiction.
Instant Life / U.S.A. (Directors: Mark Becker, Aaron Schock, Producers: Mark Becker, Aaron Schock, Julie Gaynin) — Destitute without electricity and running water, Yolanda Signorelli Von Braunhut has lost control of her late husband Harold’s iconic Amazing Live Sea Monkeys novelty. Yet she alone knows their secret formula, and from her crumbling estate on the Potomac, Yolanda wages legal and existential battles to fully win them back. World Premiere. Documentary.
My Trip to Spain / U.S.A. (Director and Screenwriter: Theda Hammel, Producers: Allie Jane Compton, John Early) — Alexis, a successful trans woman, is heading to Spain to get some cosmetic surgery. She has asked her embittered old friend Charlie to housesit while she’s away. During the handoff, he tries his best to convince her to cancel, while simultaneously pursuing a sexual liaison with her brooding gardener Bruno. Cast: John Early, Theda Hammel, Gordon Landenberger. World Premiere. Fiction.
NEW FRONTIER
The 2022 edition of the Festival’s New Frontier section will be a fully biodigital showcase, presented simultaneously on a bespoke WebXR spatialized virtual venue, The Spaceship, that has touchpoints in a newly conceived, free-to-access venue in Park City, The Craft. Ticketed New Frontier performances will also be presented in Park City’s iconic Egyptian Theatre, with simultaneous presentations on The Spaceship.
The Spaceship, globally accessible via laptop or VR headset, houses spaces for Festivalgoers to see the official New Frontier lineup, interact with others and gather together to watch programs and performances in an immersive arthouse theater. This year, Sundance, working again with the creative studio Active Theory, will unveil a number of upgrades to enhance The Spaceship’s functionality and accessibility. Festival attendees, both on the ground in Park City and online, can interact with each other in avatar and maintain the sense of community that the Festival always aims to provide, including a bleeding-edge human-scale Biodigital Bridge that allows Festivalgoers in Park City to gather with those attending The Spaceship online from anywhere in the world — establishing the Festival as a metaverse that overlays the physical event with a virtual one.
Since 2007, the New Frontier exhibition has showcased multimedia storytelling, art installations, and biodigital performances that make use of emerging technologies like virtual reality, haptic tech and AI, among other tools. The 2022 edition is visualized as a human-scale and person-first digital experience that balances connection with a wondrous and meaningful sense of place.
The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity, Canon USA, Inc., Metaplex Studios, Rally, Adobe, Dell Technologies, and RAIR Tech.
32 Sounds / U.S.A. (Lead Artist: Sam Green) — An immersive documentary and sensory film experience that explores the elemental phenomenon of sound and its power to bend time, cross borders, and profoundly shape our perception of the world around us. The film will be presented in its “live cinema” form, featuring live music and live narration. World Premiere. DAY ONE
Atua / New Zealand (Lead Artists: Tanu Gago, Jermaine Dean, Key Collaborators: Kat Lintott, Carthew Neal, Nacoya Anderson) — Centuries ago, gender- and sexuality-diverse Pacific peoples were impacted by the arrival of Christianity. This work utilizes a Māori concept of time and space, reimagining Te Kore as a celestial being. Te Kore is the Void, a nonbinary state of chaos, abundant with possibilities and the unlimited potential for being. World Premiere.
Child of Empire / U.K. (Lead Artists: Sparsh Ahuja, Erfan Saadati, Stephen Stephenson, Omi Zola Gupta, Key Collaborators: Sam Dalyrmple, Saadia Gardezi, Jayosmita Ganguly) — Experience the largest forced migration in human history, the 1947 Partition of India and Pakistan. Embody the childhood memories of two survivors, as they reflect on their journeys across a divided homeland. World Premiere.
Cosmogony / Switzerland (Lead Artists: Gilles Jobin, Susana Panadés Diaz, Camilo de Martino, Tristan Siodlak, Key Collaborator: Pierre-Igor Berthet) — A live digital performance in which 3 dancers are motion captured in Geneva and projected remotely in real time. North American Premiere.
Diagnosia / U.S.A. (Lead Artists: Mengtai Zhang, Lemon Guo, Producers: Mengtai Zhang, Lemon Guo, Yue Huang) — In this VR experience, the director locks us inside his teenage memories of being incarcerated in a military-operated internet addiction camp in Beijing in 2007, where internet addiction and other youth issues were treated as severe mental disorders, and sometimes by violent means. North American Premiere.
Flat Earth VR / Brazil (Lead Artist: Lucas Rizzotto) VR is known as the ultimate empathy machine that lets users experience others’ perspectives. But what happens when those perspectives are delusional? Experience the ultimate flat-earther fantasy: ascend into the stars and prove all globe-earthers wrong by taking photos of the planet as it truly is: flat like a pancake. World Premiere.
Gondwana / Australia (Lead Artists: Ben Joseph Andrews, Emma Roberts, Key Collaborators: Lachlan Sleight, Michelle Brown, The Convoy) — A durational VR experience that runs over 24 hours, and a constantly-evolving virtual ecosystem chronicling the possible futures of the world’s oldest tropical rainforest, the Daintree. Powered by climate data, each showing is unrepeatable and speculative, a meditation on time, change and loss in an irreplaceable landscape. World Premiere.
On the Morning You Wake (To the End of the World) / U.K. (Lead Artists: Dr. Jamaica Heolimeleikalani Osorio, Mike Brett, Steve Jamison, Arnaud Colinart, Pierre Zandrowicz, Key Collaborators: Jo-Jo Ellison, Bobby Krlic) — On a regular Saturday morning in January 2018, as Hawaiian citizens went about their daily routines, the entire state population received an SMS from the Hawaii Emergency Management Agency, which read: “BALLISTIC MISSILE THREAT INBOUND TO HAWAII. SEEK IMMEDIATE SHELTER. THIS IS NOT A DRILL.” World Premiere.
Seven Grams / France (Lead Artist: Karim Ben Khelifa, Key Collaborators: TT Hernandez, Quentin Noirfalisse) — An entirely new way for people to understand the human cost that went into producing their smartphones. This project brings the Democratic Republic of Congo’s tragic mining industry straight to the smartphone that its mineral resources helped make, via an app on both IOS and Android systems. North American Premiere.
Suga’- A Live Virtual Dance Performance / U.S.A. (Lead Artist: Valencia James, Key Collaborators: Thomas Wester, Simon Boas) — An immersive experience that features live dance performance as volumetric video in social virtual reality space. The performance weaves together movement, family stories, and cultural heritage to imagine virtual environments as a site for healing and reclamation of spaces that were historically filled with pain and injustice.
Surrogate / U.S.A. (Lead Artist: Lauren Lee McCarthy, Key Collaborators: Dorothy R. Santos, David Leonard, Stefanie Tam) — How do we relate to the future while living in a world in crisis? Amidst climate change, inequity, and pandemic, it’s no longer possible to view ourselves as separate from past and future. How much control should we have over a birthing person’s body, and a life before it’s born? North American Premiere.
The Inside World / U.S.A. (Lead Artists: Jennifer McCoy, Kevin McCoy, Key Collaborators: Annie J. Howell, Peter Rostovsky) — The city of Las Vegas is now operated by artificial intelligence. Fourteen AI “Managers” handle every sector of the city. The problem is, one of them is secretly human… Digital Art NFTs meet gameplay in this community driven mystery. World Premiere.
The State of Global Peace / U.S.A (Lead Artists: Daanish Masood Alavi, Key Collaborators: Igal Nassima, Erica Newman) — The prime minister of a fictitious country – played by you – is about to deliver a speech at a virtual UN General Assembly in the near future. A group of students hijacks the security system and takes over the screens, asking to have a dialogue. World Premiere.
They Dream in My Bones – Insemnopedy II / France (Lead Artist: Faye Formisano, Key Collaborators: Ludovic De Oliveira, Lilou-Magali Robert, Cindy Coutant) — Immersed on virtual veils, this VR360 experience tells the story of Roderick Norman, a researcher in onirogenetics, the science he founded, which makes it possible to extract dreams from an unidentified skeleton at the frontier of gender and the human. North American Premiere.
This Is Not A Ceremony / Canada (Lead Artist: Ahnahktsipiitaa (Colin Van Loon), Key Collaborators: Olivier Leroux, James Monkman, Jessica Dymond) — Darkly humorous and occasionally caustic, this cinematic VR experience offers insights into the struggles and conflicts of growing up an Indigenous man. World Premiere
More here.
(Photo credit: Sundance)
Just premiering last September at TIFF ’20, Canadian-made VIOLATION continued its Festival run at Sundance and next will premiere at SXSW in March. The Film is a collaboration between Writer-Producer-Directors Madeleine Sims-Fewer and Dusty Mancinelli; Sims-Fewer also stars.
Synopsis:
VIOLATION is a chilling and gruesome portrait of trust, loyalty, and sibling rivalry that pulls the audience through a dark vortex into a PTSD memory smash and untangles a sticky web of trauma and resentment.
In a film that transports itself seamlessly between recent past and present, the audience first meets Miriam (Sims-Fewer) and her partner Caleb (Obi Abili) as they drive to the rustic lakeside cottage property owned by Dylan (Jesse LaVercombe), who is married to Miriam’s sister Greta (Anna Maguire).
A sibling relationship that is outwardly loving and bonded by a shared British upbringing, soon reveals unspoken fractures, and bottled-up resentments that play out in the course of a profoundly troubled weekend.
Meanwhile, Dylan, the almost aggressively understanding and helpful brother-in-law, has another side that lies not far beneath the surface.
Trailer:
Pacific Northwest Pictures will release VIOLATION in Canada. You will be able to see it at home digitally as follows:
Exclusive Digital-Cinema Release
Digital TIFF Bell Lightbox
Begins March 19
Digital-Cinema Release
VIFF Connect Virtual Theatre
Begins March 26
(Photo/video credit: Pacific Northwest Pictures)
Review by Amanda Gilmore for Mr. Will Wong
Through crowdsourced footage, Life in a Day 2020 shows what people in 192 countries were doing on July 25, 2020.
Impressively, Director Kevin MacDonald manages to find a narrative with this random video footage. We begin with the miracle of life, some happening in hospitals and others at home. MacDonald switches from here to start of the beginning of people’s day. And we end with the world going back to sleep.
Through the narrative we see people coping with the impacts of the pandemic. We hear from doctors and people who are ill, with transition shots of empty streets all over the world. MacDonald includes the things we were able to experience at home. People trying new recipes and finding safe ways to exercise. We see the importance of love from family, spouses and pets to help us get through that summer.
Some of the highlights from the footage is hearing from people who marched and peacefully protested for George Floyd. Additionally, the message about the effects of climate change. As we stayed home, we saw wildlife and nature try to recoup. He edits this with footage of the negative effects some countries experienced due to climate change. If you look carefully, around the one-hour mark you will see Toronto jockey Emma-Jayne Wilson among those featured.
Life in a Day 2020 shows us a that in one of the most isolated times we are all connected in more ways than we think.
Life in a Day 2020 screens at Sundance:
Live Premiere: February 1 at 6 PM (EST)
On-Demand (available for 24 hours): February 3 at 10 AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
After a storm causes short circuits at her place of work, Ana (Grace Van Patten) wakes up on a mysterious island. She quickly finds herself among an army of girls — Marsha (Mia Goth), Bea (Havana Rose Lui), and Gert (Sono) — who are in a never-ending war. The leader of the pack, Marsha, explains that Ana was sent there because of the sexist experiences and assault she endured. The four women spend their days luring men to the island through false mayday calls to hunt them.
Writer-Director Karen Cinorre has created a feminist Fantasy film with a beautiful setting and compelling visuals. There is an alternate reality feeling to the island. A place where women can seek revenge on those who have wronged them. Cinorre creates conflict on this idyllic island by throwing in the good guys with the bad. When Ana realizes that not all the men are a threat tensions heighten between her and the war-intent Marsha.
Marsha is the standout character and Goth gives a commanding performance. She’s at her best when butting heads with Van Patten over the altering views. Same goes for Van Patten who is great as the level headed Ana. The rest of the ensemble, which includes a minor but memorable role from Juliette Lewis, is strong and play well off each other.
Although the Film drags at times, Cinorre gets her message and questions surrounding empowerment across. Additionally, she’s got a strong creative flair that brings her feminist message to a reimagined war-fantasy.
Mayday screens at Sundance:
Live Premiere: January 31 at 3 PM (EST)
On-Demand (available for 24 hours): February 2 at 10AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
Cusp follows three teenage girls through one summer in their Texas town.
Directors Parker Hill and Isabel Bethencourt have given us a snapshot reminder of what it’s like to be a female adolescent. We watch as these girls make impulsive decisions, like getting a piercing, and partaking in underage drinking and recreational drug use. However, Hill and Bethencourt have done more than simply scratch the surface of American girlhood, thanks to their subjects.
Brittany, Autumn and Aaloni speak honestly about their life: past, present and dreams of their future. Through nights partying around a campfire or chilling in a room, they open up and discuss their harrowing experiences. We listen, and sometimes bare witness, to issues within their household. We observe them speak and experience a range of mental, emotional, verbal and physical abuse. At its most heartbreaking are the stories of sexual violence some of them have endured.
Through listening and witnessing to Brittany, Autumn and Aaloni, we see the complexity of femininity and resilience of girlhood. Overall, Cusp is a rewarding, difficult watch.
Cusp screens at Sundance:
Live Premiere: January 30 at 6 PM (EST)
On-Demand (available for 24 hours): February 1 at 10 AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
A ruthless banker, aptly named Hero (Nicolas Cage), sits in a cell in the treacherous frontier city of Samurai Town. He gets a chance to seek redemption when he’s hired by the despicable Governor (Bill Moseley) to find one of his missing employees (Sofia Boutella), who he considers his adopted granddaughter. But this journey isn’t going to be easy. The granddaughter is being held a prisoner of the Ghostland, a place no one escapes from. And if Hero doesn’t bring her back within 5 days, the leather suit he’s forced to wear will detonate.
Popular Japanese Filmmaker Sion Sono creates a post-apocalyptic Western that’s just the right kind of bonkers. He’s working off a Script by Co-writers Aaron Hendry and Reza Sixo Safai that tells a mythical journey filled with ghosts, gunslingers and more. One of the greatest scenes happens toward the end. The main fight sequence, that’s expertly shot, is entertaining, funny, and has some splashes of gore. The Film is perfect for a midnight audience and a match for Cage.
The heightened performance style Cage has become known for, labelled Cage Rage by fans, thrives in Prisoners of the Ghostland. His acting matches Sono’s vision and atmosphere. The script offers many characters to give unhinged performances. That extends to some of the lesser-explored female characters working for The Governor. These actors make an impact with great delivery of one-liners and reaction shots.
Although people might come for Cage, they stay for the talented Boutella. She’s written and thought to be the damsel character, but by the end, she becomes a hero for herself and a friend under the Governor’s rule. It’s wonderful to watch her go from voiceless to a sword-wielding fighter. This is refreshing to see in a film where the main character’s name is Hero. But then again, Prisoners of the Ghostland is a mixed bag that is liberated of genre conventions.
Overall, this isn’t going to be a film every audience will love. But it’s an entertaining, wacky ride that is visually stunning thanks to Sono’s creative vision.
Prisoners of the Ghostland screens at Sundance:
Live Premiere: January 31 at 9 PM (EST)
On-Demand (available for 24 hours): February 2 at 10 AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
Aging jockey Jackson (Clifton Collins Jr.) has become weathered due to decades on the riding circuit. After noticing changes in his hand, he learns he’s facing a debilitating illness. Realizing this might be his last championship race, he practises with the help of trainer Ruth (Molly Parker) and a promising young horse. Further changes begin happening in Jackson’s life when young jockey, Gabriel (Moisés Arias), claims to be his son.
Director and Co-Writer Clint Bentley has brought audiences into the life of a middle-aged jockey. We witness the importance of the relationship between jockey, trainer and horse. And while peaking on the men who ride, we learn of the costs to body and mind. Bentley’s shots, with help from the talents of Director of Photography Adolpho Veloso, of the Arizona sunsets against the stables and track, are breathtaking. They collide with the heartbreaking performance from Collins Jr.
He steers this touching portrait of a man facing the sunset of his career. He embodies a complex man who has spent his life at something that is about to be ripped away from him. He excels particularly in Jackson‘s refusal to accept Gabriel as his son. And then slowly exposing the hope that grows in believing he might be. Collins Jr. and Arias have beautiful chemistry that leaps from the screen. They depict two men at different stages of their career: one ending, one beginning. We get to see the excitement of beginning in the career you yearn for, and the anguish in watching it slip away.
Arias is strong as Gabriel whose aspiration and ambition are palpable. He’s best in quiet scenes between Gabriel and Jackson discussing the passion for the sport. Additionally, Parker is a standout as empathetic Ruth. She exudes both Ruth’s hunger for a win and her care for Jackson’s condition.
Jockey is a poignant look at the desires of career and family. It brings us right into the world of being a jockey and its taxing costs to the body. Further, it’s an exploration of the importance of family; whether it be through blood or spirit.
Jockey screens at Sundance:
Live Premiere: January 31 at 6 PM (EST)
On-Demand (available for 24 hours): February 2 at 10 AM (EST)
By Amanda Gilmore for Mr. Will Wong
Miriam (Madeleine Sims-Fewer) joins her husband, sister and brother-in-law Dylan (Jesse LaVercombe) on a relaxing trip to a lakeside cabin. As Miriam feels more isolated among the group, she seeks comfort in her friendship with Dylan. However, dynamics change when Miriam experiences an act of transgressive sexual assault. After carefully planning, Miriam embarks on a crusade to get revenge on her vicious assaulter.
Directing and Screenwriting Duo Sims-Fewer and Dusty Mancinelli create an enthralling Revenge Thriller, giving Canada representation at Sundance. Prior filmmakers have tackled the rape-revenge genre, but none have done it like this. Their story is rooted in documenting how acts of sexual violence happen more often from those we trust. That is part of the violation they focus on, which is a unique take on this genre.
Violation is a revenge tale with an intelligent lead. Miriam thoroughly plans exactly what she’s going to do and how she’ll get away with it. This creates a fortifying character who doesn’t solely act out of emotion, but also wit. Sims-Fewer and Mancinelli also root their brutal film in authenticity. Because Miriam is physically smaller than her attacker, each scene is seeping in suspense and fear that her plan may turn eerie. And their build-up leads to a pivotal scene where Miriam loses the upper-hand. This is something that would happen to people with their physical differences. Thus, creating a realistic take on the dynamic within this Thriller.
Their realistic gaze coincides with their ability to throw us into the physical and emotional challenges Miriam faces. We are thrust into her thirst for revenge by the filmmaking-duo’s camera work, which causes us to become disoriented. This places us in Miriam’s state-of-mind throughout. And this is where Violation stands-out: it has something to say about the destructive power that comes along with the most righteous of rages. They challenge the audience to question if Miriam’s gruesome acts of revenge are giving her the catharsis she’s searching for.
Sims-Fewer does triple duty by taking on the main role. She gives a fully committed performance as Miriam and displays all of her characters complexities. At times Miriam could be considered going too far in her desire for revenge. But Sims-Fewer steadies Miriam in her quest and constantly portrays dual emotions. She’s both fragile and strong, vengeful and remorseful. It’s a masterful performance.
Overall, Violation is more than just a gruesome and brutal Revenge Thriller. It has a complex lead character and something to say about warranted vengeance. It’s a must watch.
Violation screens at Sundance:
Live Premiere: February 1 at 12 AM (EST)
On-demand (available for 24hrs): February 2 at 10 AM (EST)
Review by Amanda Gilmore for Mr. Will Wong
Teenage delinquent Sammy Ko (Miya Cech) is going through a hard time. She’s still mourning the loss of her mother, and her father’s (Leonardo Nam) blooming relationship with Marianne (Pauline Lule) isn’t helping. However, life slowly becomes easier to handle when she has a chance encounter with magician Margot (Rhea Perlman). As Margot teaches Sammy the art of magic a bond develops that nourishes them both.
Marvelous and the Black Hole is a hilarious and heartwarming film. The central storyline involves a young girl dealing with her grief. This could slip into drama territory, but Writer-Director Kate Tsang builds her Script with honest humour that creates a quirky comedy. At the heart of her story is the theme of family. She takes us for a magical ride with two characters who are equally delightful — especially when Sammy is seeping in teenage angst.
Writing a young teen female character like Sammy, who smokes and has a short-fuse, is original on-screen. However, Sammy is an accurate depiction of the inner emotions and outward actions of many teenage girls (specifically those suffering). Tsang has perfectly cast this feisty and charming character with newcomer Cech. At such a young age she delivers each line like a pro, making us laugh and empathize from beginning to end. She has great chemistry with Perlman who is wonderful as Margot.
As the story unfolds, we learn more about Margot and how she’s yearning for her long-lost family, just as Sammy aches for her mother. This is the tie that binds these two kooky characters together, along with the magic; which is exciting to watch, especially when done in one frame with no edits.
Marvelous and the Black Hole screens at Sundance:
Live Screening: January 31 at 12 PM (EST)
On-Demand (available for 24 hours): February 2 at 10 AM (EST)
For advertising opportunites please contact mrwill@mrwillwong.com