The Canadian Film Centre (CFC) announced the appointment of five esteemed new members to its Board of Directors: Erin Haskett President and Executive Producer of Lark Productions, Wendy Noss, President of the Motion Picture Association-Canada, Tara Parker, partner in the Goodmans Entertainment Law Group, Blake Tohana, CFO of 9 Story Media Group, and Austin Wong, Vice President of Business and Legal Affairs for New Metric Media. These distinguished individuals bring immense experience in the film and television industries and will further CFC’s mission to support the next generation of Canadian storytellers.

The CFC also expresses deep gratitude to six outgoing board members whose dedication and service have significantly impacted the future of Canadian screen industries: Kate Alexander Daniels (elected 2007), Cheryl Hudson (elected 2016), Raja Khanna (elected 2020), Mark Sakamoto (elected 2023), Hilary Smith (elected 2021) and David Zitzerman (elected 2004).

“Each of these departing members have left a meaningful mark on the CFC’s evolution — from expanding our programs to deepening our commitment to equity and inclusion,” said maxine bailey, Executive Director, Canadian Film Centre. “As we welcome this new group of leaders to our board, we’re energized by their passion and perspective. They represent the best of what our industry can be: innovative, collaborative and committed to elevating Canadian stories.”

Current Board of Directors are:
Neishaw Ali (Chair), Harold Gronenthal (Treasurer), Councillor Rachel Chernos Lin (Ex Officio), Tassie Cameron, Stéphane Cardin, Guillermo del Toro, Duane Green, Erin Haskett, Anne Loi, Owen McCorquodale, John Morayniss, Wendy Noss, Tara Parker, Magali Simard, Blake Tohana, Clement Virgo, and Austin Wong.

Bios:

Erin Haskett (she/her), President and Executive Producer at Lark Productions, drives Lark’s strategy and operations and oversees the company’s slate of scripted and unscripted content. Having executive produced over 200 hours of television, Erin’s track record in delivering high quality productions and leading with an emphasis on inclusive collaborative partnerships has resulted in ratings success and global appeal, including bringing hit international formats to Canadian screens. Erin executive produced the record-breaking smash hit Law & Order Toronto: Criminal Intent (Citytv), police procedural Allegiance (CBC), and legal drama Family Law (Global, The CW), as well as two seasons of reality series Farming For Love (CTV) and pop culture phenomenon The Real Housewives of Toronto and Vancouver (Slice). Erin is a current CMPA National Board Director and past Chair. She also serves on the Pacific Screenwriting Program Board of Directors. Erin is an alumnus of the 2002 CFC Producer’s Lab.

Wendy Noss (she/her) is the President of the Motion Picture Association-Canada and leads government relations, policy development, and advocacy on behalf of the MPA studios and their domestic affiliates. Wendy has been with the association since 2006, creating strategic alliances to further the health of the film and television industry and foster an environment of respect for the creative industries in Canada. Wendy is a respected government and public affairs executive with more than two decades of experience representing creative industries and intellectual property owners. Prior to joining the MPA, she was a practicing lawyer focusing on intellectual property law and policy, and in advancing the rights of international rights holders in the digital environment. She previously acted as Counsel and Director of Government Affairs for the national copyright collective, representing authors and publishers. Wendy received her Bachelor of Arts degree from Western University and her J.D. from Osgoode Hall Law School in Toronto. She is a member of the Board of Directors of the Canadian American Business Council, works as an effective partner with film and television stakeholders across the country, and has been selected as a trusted advisor to serve on various government boards, councils, advisory groups and organizations.

Tara Parker (she/her) is an entertainment partner at Goodmans LLP. She represents major US, international and Canadian studios, broadcasters, streamers, producers, literary, musical, theatrical and other creative and business clients on financing structures, tax incentives, international co-productions and joint-ventures, rights acquisitions, format, distribution and digital media deals, errors and omissions insurance, talent deals, guilds/unions, clearance and intellectual property law matters. 2023 Toronto Entertainment Law “Lawyer of the Year” (Best Lawyers in Canada). Also recognized by Chambers Canada, The Canadian Legal Lexpert Directory, The Lexpert 500, The Legal 500 Canada, Lexology Index: Sports & Entertainment, and Euromoney’s Guide to the World’s Leading Technology, Media & Telecommunications Lawyers and Guide to the World’s Leading Women in Business Law. Frequent speaker/panelist at media conferences and guest lecturer. Has appeared as an expert on The Globe and Mail, BNN, CBC News, and CTV networks, and contributes articles to various Entertainment Law publications. Past president and chair of Crow’s Theatre. Member of LSO, WIFT-Toronto, Film Ontario, and past member of OBA’s Entertainment, Media, and Communications Law Section Executive. Duty counsel for ALAS (Artist’ Legal Advice Services).

Blake Tohana (he/him) is an accomplished finance executive with more than 25 years of senior management experience in the media and entertainment industry. Since April 2016, he has been Chief Financial Officer of 9 Story Media Group, a leading creator, producer and distributor of kids and family-focused intellectual property. In June 2024, 9 Story completed a transaction with Scholastic Inc., the global children’s publishing, education and media company, where Scholastic acquired 100% of the economic interest in and a minority of voting rights in 9 Story. Blake’s other senior management experience in the media and entertainment industry includes serving as CFO of Tricon Fims & Television, marblemedia Inc. and Fireworks Entertainment Inc., which he helped take public before it was acquired by CanWest Global Communications Corp. Blake got his start in the industry as Corporate Controller of Alliance Communications Corp., which was Canada’s largest filmed entertainment company at that time. From 2003 to 2010, he served as Executive Vice-President and CFO of Magna Entertainment Corp., which was North America’s largest horse racing company with media operations that included a U.S. television network and internet wagering business. Blake currently serves on the Board of Directors of Woodbine Entertainment Group and Leaside Hockey Association and the Audit Committee of the Canadian Media Producers Association. He also previously served on the Board of Directors of Ontario Creates (OMDC) and the Reelworld Film Festival. He is a CPA, CA and has an MBA from McMaster University and B.Sc. from The University of Western Ontario.

Austin Wong (he/him) is an entertainment lawyer, producer, writer and director. He has worked at such companies as Lions Gate Films, Corus, WildBrain, and Wattpad WEBTOON Studios, and is currently Vice President of Business and Legal Affairs for New Metric Media. He was a producer of Bruce McDonald’s feature film “This Movie is Broken” and was Associate Producer for such feature films as Fernando Meirelles’ “Blindness” starring Julianne Moore, and Paul Gross’s “Passchendaele”. He also wrote and directed a short film funded by BravoFact called “Gaysian”.

For more information, visit cfccreates.com.

About The CFC:

The Canadian Film Centre (CFC) is a charitable cultural organization that drives the future of Canadian storytelling. Our intensive, hands-on programs in film, television, and entertainment technologies empower, shape and advance opportunities for Canadian creators and entrepreneurs working in screen-based industries. Learn more at cfccreates.com.

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On Sunday, September 7, 2025, the Canadian Film Centre (CFC) residents, alumni and friends gathered during TIFF for the annual CFC HOMECOMING. This year’s event celebrated the creative spirit and impact of CFC’s alumni and programs, while helping raise vital funds to support the next generation of storytellers.

The event also showcased the incredible achievements of the CFC alumni – with over 29 films at TIFF this year.

The Canadian Film Centre (CFC) welcomed invited guests for an unforgettable afternoon of connection, creativity, and community.

Highlights of the event included:

Inspiring remarks from Carly Beath, CFC’s Director of Development; Neishaw Ali, President of SPIN VFX and CFC Board Chair; and Jonathan Bronfman, CEO of MARZ who announced a significant multi-year commitment from the Paul Bronfman Family Foundation in support of Canadian storytellers. The Foundation’s generous gift will ensure the annual CFC/CSC Cinematography Intensive for female Canadian DPs continues to flourish, nurturing the next generation of talent behind the camera. In recognition, a space on the CFC campus will be renamed in honour of Paul Bronfman, a lifelong champion of Canadian creators and of the CFC.

Live entertainment featuring a high-energy set by DJ Craig Dominic, performance by the incredible UNITY dance, and some mind bending acts by local mentalist Yan Markson.

Immersive activations on site most notably at the Netflix cottage, where guests stepped into the cinematic universe of Netflix, including a dedicated Frankenstein installation celebrating the highly anticipated new film from Director Guillermo del Toro, a CFC Board Member.

Food & beverage experiences from local vendors with a curated selection of refreshments to enjoy throughout the day.

(Photo credit: George Pimentel Photography)

cfccreates.com / @cfccreates / #CFCHomecoming

The Canadian Film Centre (CFC) is a charitable cultural organization that drives the future of Canadian storytelling. Their intensive, hands-on programs in film, television, and entertainment technologies empower, shape and advance opportunities for Canadian creators and entrepreneurs working in screen-based industries.

Click here for key messaging on CFC and their annual Homecoming event.

The Canadian Film Centre (CFC) and CBC are proud to announce a remarkable group of performers selected for the 2025 cohort of the CBC Actors Conservatory. Kicking off September 2, 2025 and running through February 27, 2026 at CFC’s Toronto campus, this prestigious program equips actors with the creative and professional tools to thrive in an ever-changing industry.

The CBC Actors Conservatory is a full-time, six-month immersive onscreen acting program designed to elevate each actor’s practice, process, community and career by strengthening their craft and confidence, expanding their onscreen portfolios, and building strong creative and professional networks. Through mentorship, intensive workshops, onscreen exercises, business sessions and practical guidance, this program empowers actors to navigate career and marketplace opportunities.

“The CBC Actors Conservatory has played a pivotal role in shaping the careers of many homegrown actors,” said Kathryn Emslie, Executive Lead, Programs, CFC. “Each year, we are inspired by the artists we encounter and thrilled to welcome them into CFC’s vibrant creative community. We’re also grateful to CBC for continuing to support this unique talent development program.”

“It is more important than ever to support Canada’s on-screen talent in developing their skills and connections, and by extension to bolster the creative industry in this country,” said Trish Williams, Executive Director, Scripted Content, CBC. “We’re proud to continue our partnership with the CFC on this crucial program, and offer congratulations to this year’s cohort of performers as they embark on this next chapter of their careers.”

Thanks to the generous support of the CBC as Lead Partner, as well as the RBC Foundation, the CBC Actors Conservatory has helped propel the careers of over 100 actors including Annie Murphy (Schitt’s Creek), Araya Mengesha (Law & Order Toronto: Criminal Intent), Ashton James (BoxCutter, Young Blood, Madness); Gia Sandhu (Star Trek Strange New Worlds, Stealing Vows), Giacomo Gianniotti (Wild Cards, Grey’s Anatomy), Grace Glowicki (Dead Lover), Michelle McLeod (Women Talking), Milcania Diaz-Rojas (40 Acres), Patrick Kwok-Choon (Star Trek: Discovery) and Supinder Wraich (Allegiance, Sort Of).

The 2025 Actors Conservatory residents:

Feaven Abera (She/Her/Hers) is an Ethio-Canadian actor and former fashion model based in Toronto. As a Hamilton native she began her career in print and runway modeling, appearing in fashion editorials before transitioning to screen. Always approaching her performances and style with curiosity and cultural clarity. Her early television work includes Nurses, Mayor of Kingstown, and Sort Of. In 2025, Feaven steps into a breakout season with four screen projects: a lead role in the romantic dramedy A Tribe Called Love opposite Dalmar Abuzeid; supporting roles in Netflix’s Wayward (created by Mae Martin) and Doin’ It (Lilly Singh); and a guest star appearance in the network medical drama DOC. Feaven’s sense of style has earned her recognition from FASHION Magazine and The Outset. And it’s her commitment to representing the community she didn’t see onscreen growing up that drives her work — creating space for multidimensional Black women in film and TV. Now entering her rising star era, Feaven brings an honest, visually compelling point of view to every role — and continues to share her journey as an artist actively shaping her own path.

Behtash Fazlali (He/Him/His) is an actor and first-generation immigrant from Iran. Growing up in Toronto, Ontario, he gravitated towards film as a channel to help navigate and gain a better understanding of his life between two worlds. Behtash is most noted for his performance in the short film Motherland, for which he won the Canadian Screen Award in 2024. As a rising voice in the Canadian film industry, he is committed to learning and growing with each new opportunity. To him, storytelling is a vital tool—one that can spark dialogue, foster empathy, and help bridge the gaps between people and cultures.

Brynn Godenir (She/Her/Hers) is a multi-disciplinary artist with a strong foundation in film, theatre, and movement. Originally from Winnipeg and now based in Toronto, she’s a proud prairie girl at heart. A graduate of the National Theatre School of Canada, Brynn brings a grounded, physical approach to her work—merging her movement training with a deep commitment to character and storytelling. She has appeared in notable TV shows such as Hell Motel (Shudder), Burden of Truth (CBC/CW), Coroner (CBC/CW), Law & Order: Toronto – Criminal Intent (CityTV), DOC (Fox), and Titans (HBO). Select film credits include Scared Sh*tless (Happy Cat Productions), Writing a Love Song (Vortex Media), Erase & Rewind (Clique Pictures), A Charming Valentine (CME), Take Me Back for Christmas (Hallmark) and Rich Kid (Jade Rose Films).

Adrian Pavone (They/Them/Theirs) is a Canadian Screen Award-nominated actor, born and raised in Scarborough. With most of their acting training from various studios around the city, they earned a degree at the University of Toronto for Psychology and Drama, Theatre, & Performance studies. This was where they began their journey in consequence, dramaturgy, and the inherent politicism in art. Their work focuses on the queer experience and the consequences of intersectional identities, particularly as a multi-ethnic person. Adrian was recently featured in GenV (Prime), The Hooves Belonged to the Deer (Makram Ayache; Peter Hinton-Davis), and starred in the critically-acclaimed series How to Fail as a Popstar (CBC Gem), garnering a CSA nomination.

Brian Quintero (He/Him/His) is a Canadian actor and filmmaker of Costa Rican heritage, born and raised in Toronto. A graduate of Seneca College’s Acting for Camera & Voice program, he has built a diverse body of work across film and television, fueled by a passion for performance that began at a young age. In television, he will appear in the pilot episode of Neagley, the Jack Reacher spinoff (Amazon Prime), and has a key role in The Abandons (Netflix), a highly anticipated Western series from Sons of Anarchy creator Kurt Sutter. He has also appeared in The Umbrella Academy (Netflix) and Billy the Kid (MGM+). In film, Quintero earned multiple nominations and awards for his performance as Nick Belvedere in the short film Narcissistic, and was nominated for Best Ensemble at FilmQuest for his portrayal of Aaron in the feature film The Killgrin. Next, he will star as Benito in the upcoming action-comedy feature film Karate Ghost, co-starring Tim Rozon, Jim Belushi, and Michael Jai White.

Chelsea Russell (She/Her/Hers) was born in Barbados and raised in Jamaica, she currently resides in Toronto. She studied in the Acting Conservatory at York University and has been working professionally as an actor in theatre, TV and film. Most recently Chelsea played as Beyonsea in Beyonsea & The Mothers at Green Light Arts (2025). She is also known for plays like Fairview (2023) at Canadian Stage, Soulpepper’s Pipeline (2022) and Soulpepper’s Da Kink In My Hair (2023).
She is passionate about working in afro-centric theatre, TV and film especially in these trying times. She is pleased to mention that she has been nominated for a Canadian Screen Award, a DORA and an Actra Award. Some credits include Fellow Travellers (Showtime), Skymed (Paramount Plus), Rebirth of the Afronauts (CBC Gem), Tiny Pretty Things (Netflix), See (Apple TV) and the upcoming season of Law & Order: Criminal Intent.

Shona Struthers (They/She/He) Shona is a multi-disciplinary theatre artist, being an actor, sound designer, combatant, technician, and fight coordinator. They are a UBC Acting graduate, Intermediate FDC Actor Combatant, Advanced BADC Actor Combatant, former Pacific Theatre apprentice, Affair of Honor Creative Associate & Company Member, a many-hat-wearer. They have performed with ITSAZOO Productions (Under the Needle & Sunrise Betties Workshops), Affair of Honor (Playthings, Soul Samurai), Pacific Theatre (Mother of the Maid, Christmas Presence), With A Spoon & Rumble Theatre (The Wolves). They have sound designed and assisted for The Search Party, Alley Theatre, Rumble Theatre, Pacific Theatre, Presentation House Theatre, Arts Umbrella, Western Gold, Affair of Honor. They have performed in a slew of short films, and are the recipient of Run & Gun’s Best Ensemble Award (2024) and Run & Gun’s Best Performance Nominee (2024).

Rosalie Tremblay (She/Her/Hers) is a bilingual (English and French) actor, and stand-up comedian, originally from Vancouver Island BC. A graduate of the National Theatre School, she works professionally both on screen, and stage. Most notably, Clue (The Grand, The Royal Manitoba Theatre Centre.) She has performed her stand up across Canadian cities, and is now based in Toronto, ON.

For more information, visit cfccreates.com.

The Canadian Film Centre (CFC) and Canadian Society of Cinematographers (CSC) are pleased to announce the five participants joining the 2025 Cinematography Intensive, a comprehensive two-week training opportunity for female-identifying DOPs in collaboration with the Norman Jewison Film Program. With continued support by the Paul Bronfman Family Foundation, this groundbreaking intensive honours the late Paul Bronfman’s legacy by helping cinematographers elevate their craft, strengthen their storytelling, teamwork and technical skills, and expand their professional network. The five talented artists from across Canada arrived at the CFC for the Cinematography Intensive on August 11, 2025. See here for more information.

As part of the Intensive, the Directors of Photography (DOP) will take part in a series of workshops and mentorship sessions led by CSC cinematographers Arthur Cooper and Zoe Dirse. They will also have the opportunity to collaborate with CFC directors, producers and editors working across multiple productions, while continuing to refine their craft and develop their distinctive visual approach. Following the Intensive in the final week of August, participants and their mentors will take part in a virtual group screening to share their work and reflect on the process. The DOPs will leave the program with new skills, connections and high-quality, original material to include in their reels to enhance their portfolio of work.

“Continuing to support the Cinematography Intensive is a meaningful way to honour my father’s dedication to Canadian cinema,” said Jonathan Bronfman, Paul Bronfman Family Foundation. “His leadership helped shape the industry and create opportunities, especially for emerging artists working behind the lens. Through this program, his impact lives on and his commitment to nurturing talent continues to inspire.”

“This initiative remains a bold and necessary investment in the future of cinematography,” said Zoe Dirse CSC, President of the Canadian Society of Cinematographers. “It empowers emerging female-identifying cinematographers to grow their skills and expand their networks in a meaningful way. It also serves as a tribute to the late Paul Bronfman, whose decades-long support for the CSC and passionate advocacy for Canadian talent helped shape both this organization and opportunities like the CFC/CSC Cinematography Intensive. His impact continues to resonate in everything we do.”

“Now in its second year, the Cinematography Intensive has played a significant role in shaping the future of the Canadian screen industry,” said Kathryn Emslie, Executive Lead, Programs, CFC. “We are proud to continue our partnership with the CSC to build pathways for female-identifying cinematographers to thrive in an industry where their perspectives have long been underrepresented. We are grateful for the Paul Bronfman Family Foundation’s generous support, which carries forward his legacy by fostering the next generation of artists behind the camera.”

The Cinematography Intensive also receives vital support through in-kind services and equipment from Keslow Camera Toronto, Urban Post and Sunbelt Rentals.

The Cinematography Intensive participants:

Alexis Moar (Calgary, AB) is an Alberta-based cinematographer and camera operator with over a decade of experience in the film industry. She studied Film and Video Production at the Southern Alberta Institute of Technology (SAIT) and since then her work has spanned narrative, documentary, and experimental projects. Alexis continually works to grow as an artist by drawing inspiration from the people she surrounds herself with, the natural world around her, and evocative surrealist imagery. A dedicated member of the film community, she has mentored emerging female filmmakers through programs like Herland and remains committed to lifting up others in their creative journeys. Her work is driven by curiosity, discovery, and a desire to create with sensitivity and depth.

Belen Garcia (Vancouver, BC) is a Mexican cinematographer living and working in Vancouver, Canada. With a background in animation, photography, and design, she brings a unique visual sensibility to her work. In 2018, she received a full scholarship to attend the VFS Film Production Program and has since built a career in both the independent and commercial space. Belen is a hands-on DP who loves being on set, with a particular passion for lighting. She’s committed to fostering positive, safe environments on set and is a proud member of Apertura, a Mexican collective of women cinematographers. She was selected for the 2022–2023 ASC Vision Mentorship Program, where she was mentored by Oliver Bokelberg ASC, and is currently an Associate Member of the Canadian Society of Cinematographers.

Kadri Koop (Pemberton, BC) is an Estonian cinematographer, residing in Canada, constantly hopping between North America and Europe. She spent her early 20s exploring, studying, and working across Europe and Asia before landing in the U.S. on a scholarship to study documentary film at Stanford. After a stint working in the field, Kadri found her true passion in cinematography and dove headfirst into the American Film Institute, honing her skills in narrative storytelling. Since then, she’s been shooting both short and long-form narrative and documentary projects with her unique visual style that bridges naturalism with heightened realism. Her work hasn’t gone unnoticed—Kadri has been nominated for the ASC Heritage Award and the Student Emmy’s. Most recently, she snagged the 2024 Angénieux Special Encouragement Award at the Cannes Film Festival, sharing the honor with legendary Indian cinematographer Santosh Sivan ASC ISC.

Nadzeya Mikhalchenkava (Toronto, ON) is a Belarusian-born cinematographer based in Toronto whose work has been showcased at the Women Film Festival, Sunderland Film Festival, Paris Film Awards, and numerous festivals across France, England, and Canada. In 2024, she received Best Cinematography at the IBDFF for the short film Vanamaaly. Awarded a scholarship to study film in Paris, Nadzeya began developing her distinctive visual style, influenced by Tarkovsky, Bergman, and Herzog. She later earned a Master’s in Film and TV from the University of Sunderland, refining her expertise in camera operation, lighting, directing, editing, and color grading. At the conclusion of her Master’s, her thesis film—which she directed—won the Best Overall Post-Graduate Project (Film) award. A professional musician and dancer, she incorporates rhythm, movement, and musicality into her cinematography, using these sensibilities to shape pacing, framing, and camera choreography. This fusion of disciplines lends her work both visual impact and a sense of harmonic composition. Having lived and worked in Belarus, France, China, Cambodia, England, and now Canada, Nadzeya brings a multicultural perspective and a sensitivity to diverse cultural contexts, creating visually expressive, emotionally resonant imagery that connects across borders and artistic forms.

Talia Woodland (Whitehorse, Yukon / Toronto, ON) is an ex-dancer turned filmmaker currently based in Toronto. After being raised far from the film industry in Whitehorse, Yukon, she has built a busy camera career with a passion for environmental and social justice projects. Talia is passionate about supporting other women identifying and nonbinary folks to join and succeed in the field of cinematography. As a Steadicam Operators Association Certified Steadicam Operator/owner, Talia has a growing list of Steadicam/camera operating credits on a range of projects. Her years on set as an AC and operator have led her to the role of cinematographer, a new journey she is excited to take. Some of her recent cinematography work includes a climate comedy series: THE BIG OIL ALLIANCE, winner of Best Cinematography (Comedic) at New Jersey Web Fest. Talia graduated from Humber College’s Film and Television Production Advanced Diploma program, with a focus in Cinematography, and Directing/Producing. She is the recipient of Humber’s 2019 Women in Film Award/Scholarship for achievement of overall excellence in the program. Her thesis short documentary film ALL IT GIVES, has screened at 18 global film festivals and has won 3 awards.

Lights, Camera, Lawn Chairs! The Canadian Film Centre (CFC) today announced its free outdoor film festival lineup taking place July 18 and 19, 2025 at the CFC campus on Windfields Estate in North York. Celebrating Canadian film one story at a time, the CFC Outdoor Film Festival invites cinephiles to enjoy a selection of inspiring homegrown movies this summer from CFC alumni.

With support from Presenting Partner MUBI, CFC will screen Bobby Singh Brown’s debut feature Stealing Vows on Friday, July 18 at 9:00 PM, with Brown and the cast in attendance for a post-screening Q&A, and Jeremy Schaulin-Rioux and Kirk Thomas’ award-winning documentary Handle With Care: The Legend of the Notic Streetball Crew will screen on Saturday, July 19 at 9:00 PM. Each feature will be preceded by short films created by residents of the CFC’s Norman Jewison Film Program. For more information on the CFC and its work in the Canadian film landscape visit cfccreates.com.

“We are excited to open our campus to the public to showcase these Canadian stories during our warm summer nights,” said Carly Beath, Director of Development, CFC. “We’re grateful to MUBI’s support in presenting these films and we hope audiences will gain a deeper connection to the remarkable talent emerging from the CFC and our national film community.”

The event is free to the public.

Stealing Vows (2024)
Date: Friday, July 18, 2025
Doors open: 8:00 p.m.
Screening begins: 9:00 p.m.
Address: CFC Campus (Centre Lawn at Windfields Estate), 2489 Bayview Avenue, Toronto, ON M2L 1A8
Director/Writer/Producer: Bobby Singh Brown
Cast: Gia Sandhu, Fuad Ahmed, Anand Rajaram, Ali Hassan
Length: 120 min.
Synopsis: Four disgruntled wedding vendors (an emcee, a photographer, a caterer and a decorator) embark on a summer heist spree, robbing their wealthy clients’ homes during wedding receptions in the hopes of buying their own happily-ever-afters.

*Director Bobby Singh Brown and select cast in attendance for a post-screening Q&A.

Handle With Care: The Legend of the Notic Streetball Crew (2021)
Date: Saturday, July 19, 2025
Doors open: 8:00 p.m.
Screening begins: 9.00 p.m.
Address: CFC Campus (Centre Lawn at Windfields Estate), 2489 Bayview Avenue, Toronto, ON M2L 1A8
Directors: Jeremy Schaulin-Rioux and Kirk Thomas
Length: 86 min.
Synopsis: The Notic underground basketball group of players surprised the world bursting into global fame 20 years ago. First making a name for themselves at the NBA Hoop It Up tournament near Science World in 2003, the group unleashed a whole new arsenal of unique tricks and moves on the coattails of the famous And1 Mix Tape streetball movement. The VHS highlights comprising their first mix tape were revolutionary. This documentary has revived the original group of basketball players and is shot by the original makers, Jeremy Schaulin-Rioux and Kirk Thomas, who now chronicle the group’s rise, fall, and rebirth in true documentary fashion.

For more information, visit cfccreates.com.

The Canadian Film Centre (CFC), with support from Presenting Program Partner Bell Media and Program Partner Blink49 Studios, is pleased to announce the new Comedy Series Lab, a full time professional comedy writing and series development initiative dedicated to fostering the next wave of Canadian talent. This ​high impact program​ balances the collaborative comedy story room work with the nurturing of individual creative voices and development of original new ​content that is ready ​for the marketplace. Applications can be made here.

Building off the CFC’s previously acclaimed Prime Time TV model, the Comedy Series Lab will offer four emerging to mid-level Black, Indigenous, and/or racialized writers in Canada with the opportunity to be immersed in a professional comedy writing room while developing a new series under the mentorship of a top Comedy Showrunner, establish strong collaborative relationships, and build confidence in their story room skills. This Lab will also see each writer develop their own original comedy series pilot, deliver on a produced TV teaser to promote their voice and series, and gain a greater understanding of the new creative tools and business considerations in this fast changing content landscape. The Comedy Series Lab will run from October 2025 to March 2026 and applications are now open here.

“We’re proud to offer this incredible opportunity for exciting, authentic comedy writers/creators to deepen their skills and expand their career opportunities through the Comedy Series Lab,” said maxine bailey, Executive Director, Canadian Film Centre. “We’re delighted to have Bell Media and Blink49 Studios on board as partners; together we’ll help usher a new wave of talent into the pantheon of legendary Canadian comedy creators.”

“We’re excited to team up with Bell Media and the CFC for the launch of this year’s Comedy Series Lab and support the next wave of comedic talent in Canada,” said John Morayniss, CEO, Blink49 Studios. “This partnership is a key part of our strategy to build a robust comedy pipeline across North America, following our recent acquisition of Pier 21 Films and our strategic investment in the digital comedy production studio, Stapleview. It reflects our shared commitment to bold, original storytelling that connects with audiences both at home and globally.”

“Supporting emerging comedic talent is at the heart of Bell Media’s mission to deliver innovative and engaging content,” said Justin Stockman, VP, Content Development & Programming, Bell Media. “Building on our existing partnerships with Blink49 Studios and the CFC, this new collaboration on the Comedy Series Lab allows us to invest directly in the next generation of creators who will shape the future of Canadian comedy. We’re proud to be part of this exciting journey and look forward to the bold, original stories that will come to life through this program.”

For more information, visit cfccreates.com.

About The CFC:
The Canadian Film Centre (CFC) is a charitable cultural organization that drives the future of Canadian storytelling. Our intensive, hands-on programs in film, television, and entertainment technologies empower, shape and advance opportunities for Canadian creators and entrepreneurs working in screen-based industries. Learn more at cfccreates.com.

About Blink49 Studios:
Blink49 Studios is a full-service independent studio developing, producing, and monetizing premium scripted and unscripted content for global audiences. Headquartered in Toronto with offices in Los Angeles and Vancouver, the company was launched in partnership with anchor investor and strategic partner FIFTH SEASON. With strategic investments in Front Street Pictures, as well as the recent acquisition of Pier21 Films, Blink49 has expanded its vertically integrated operations across Canada and the U.S. The studio’s content-first approach is driven by strong creative partnerships and a commitment to championing new and diverse voices.

Named Playback’s Producer of the Year (2024) and Dealmaker of the Year (2022), Blink49’s slate includes scripted hits like Wild Cards (CBC/The CW), Sight Unseen (CTV/The CW), The Trades (Crave), Late Bloomer (Crave) and Don’t Even (Crave/APTN), alongside unscripted titles such as Queen of the Castle (CTV Life), Beast Games (Prime Video), The Braxtons, and Toya & Reginae (We TV). Library series include Ride (The CW), Run the Burbs (CBC, The CW, Hulu) and The Beaverton (CTV).

The Canadian Film Centre (CFC), with support from presenting sponsor TD Bank Group (TD), is proud to present the next installment of the Black Excellence Speaker Series with celebrated writer/producer/director Jennifer Holness. Taking place on Thursday, June 26 at 7:00 p.m. at Hot Docs Ted Rogers Cinema, this free public event, moderated by CFC Executive Director maxine bailey, will spotlight one of Canada’s most dynamic creators whose work continues to shape the cultural and cinematic landscape. The evening will offer an inspiring and candid conversation with Holness as she shares personal insights from her career in film and television, along with exclusive behind-the-scenes stories from her latest film 40 Acres, which premiered at TIFF 2024.

CFC Conversations: Black Excellence provides a platform for Black creatives across the screen-based industry – spanning directors, writers, actors, producers, costume designers, and more—to speak openly about their experiences and the challenges they face, while celebrating their achievements and contributions. The event explores the intersections of craft, community, and what it means to build space for Black stories and storytellers

Jennifer Holness’ credits include critically acclaimed films and series such as Home Again, Subjects of Desire, and Shoot the Messenger and she’s the first Black woman in Canada to win a Canadian Screen Award (CSA) for Best Writing for the mini-series Guns. She recently won a Best Direction CSA for her episode of the doc series BLK: An Origin Story (2023). As co-founder of Hungry Eyes Media with her partner Sudz Sutherland, Holness continues to champion powerful, socially relevant storytelling.

“We are proud to welcome Jennifer to this year’s Black Excellence Speaker Series,” said maxine bailey, Executive Director of the CFC. “Her impressive body of work and commitment to elevating Black voices in the entertainment industry continues to inspire artists and creatives.”

“Through the TD Ready Commitment, we’re pleased to support this series and help create space where stories shaped by diverse lived experiences can be shared and explored,” said Alicia Rose, AVP, Social Impact & Strategy, TD Bank Group. “Jennifer’s work is helping to redefine narratives in film and television, and we look forward to hearing more about her journey.”

Past guests of the CFC Black Excellence Speaker Series include filmmaker Karen Chapman, costume designer Anoinette Messam, actress Amanda Brugel and director Clement Virgo.

With generous support from TD, the event is free to the public. Ticket information is available here.

Jennifer Holness Bio:

Jennifer Holness is a writer, producer, and director, and the first Black woman in Canada to win a CSA for writing. A self-described happy workaholic, Jen’s work spans fiction and documentary, including the multiple festival award winner, Subjects of Desire, which premiered on TVO and Starz and the acclaimed docuseries BLK: An Origin Story for History Channel and Global. She is currently co-directing the Sundance supported doc #WhileBlack about social media and witnessing police brutality, and directing the CBC developed doc, Nothing Fits. Jen also co-produced the Tribeca and Hot Docs award-winning Stateless (PBS/NFB), and is an EP on Black Zombie, Maya Annik Bedward’s feature doc.

She is the producer of 40 Acres, the debut feature from R.T. Thorne is being distributed by Magnolia Pictures in the US and Mongrel Media in Canada. The film hits theatres July 4th in Canada.

Her TV dramatic work includes Shoot the Messenger and Guns (CBC), which earned five CSAs and a Rose d’Or nomination. Jen co-wrote and produced Home Again and Love, Sex and Eating the Bones, both internationally sold, with numerous film-festival wins and CSA/Genie-nominations. Her early short My Father’s Hands won the HBO Short Film Award and five Golden Sheaf Awards. Beyond her creative work, Jen is a tireless advocate for equity in the industry. She’s a founding member of the Black Screen Office and has mentored and supported dozens of diverse creatives through Reelworld, Black Women Film!, and other initiatives. She has served on numerous boards, including CMPA and Ontario Creates. She has 3 daughters, 2 dogs and 1 husband who is also her partner at Hungry Eyes Media.

(Photo credit CFC)

The Canadian Film Centre (CFC) is pleased to announce that acclaimed Canadian film and television luminaries Jennifer Podemski, Rick Mercer, and Don McKellar will each be honoured with the inaugural Norman Jewison Founder’s Council Award at the 2025 CFC Gala: Growing Futures, taking place on June 12, 2025 at the Four Seasons Hotel Toronto. Tickets to the CFC Gala are available here.

This marks the first year of the Norman Jewison Founder’s Council Award, which will be presented annually at the Gala to up to three recipients whose work reflects the legacy of CFC’s founder Norman Jewison. Developed by CFC’s Founder’s Council, the award recognizes film and television visionaries whose work embodies Norman’s legacy, are committed to social justice in their storytelling, and/or have made a global impact in the industry.

“This award celebrates the spirit and legacy of Norman Jewison – a filmmaker who has made a lasting mark on the industry,” said Steven DeNure, Chair of the CFC Founder’s Council. “Jennifer, Rick, and Don each exemplify creativity, courage, and leadership and have made significant contributions to the screen industry in Canada and abroad. We’re pleased to recognize their remarkable achievements with this inaugural award.”

The Norman Jewison Founder’s Council is a non-fiduciary consultative body established by the Board to champion the CFC, its mission, vision and initiatives. The work of the Founder’s Council enhances CFC’s fundraising activities, connections to industry, innovation and expertise. Current members include: Eric Belcher, Don Carmody, Neal Clarence, Suzette Couture, David Cronenberg, Steven DeNure (Chair), Blake Goldring, Christina Jennings, Kevin Jewison, George Lewis, David W. Middleton, Bob Munroe, Gary Slaight, and Barbara Williams with Kate Alexander Daniels joining this fall.

The Norman Jewison Founder’s Council Award is the Council’s first initiative and will serve as a tribute to Jewison’s immeasurable impact. The 2025 honourees will attend the CFC Gala to receive their awards.

The CFC Gala brings together industry leaders, artists, and supporters to help raise vital funds that contribute to robust hands-on programs that train the next generation of Canadian screen creatives. The highly anticipated and lively evening will include a performance by Toronto’s top mentalist Kevin Hamdan and music from DJ Fly Lady Di.

For more information, visit cfccreates.com.

The Canadian Film Centre (CFC) is proud to unveil the 19 participants selected for the 2025 Norman Jewison Film Program, CFC’s premier professional development initiative for emerging to mid-level Canadian directors, writers, producers, and editors. This program continues to play a crucial role in shaping the voices and careers of many of Canada’s leading screen-based storytellers and has had a profound impact on the country’s film and television industries. The program is generously supported by Netflix as a lead partner for the third consecutive year and will run from July 14 to December 12, 2025, at the CFC campus in Toronto.

“Each year, we’re inspired by the calibre of talent coming through the Norman Jewison Film Program, and 2025 is no exception,” said Kathryn Emslie, Executive Lead, Programs at the CFC. “This year’s storytellers offer up an exciting range of authentic creative voices and inventive storytelling that reflect Canada’s vibrant culture. We’re excited to welcome them into our CFC community and to be a part of this next chapter in their journeys.”

With Netflix’s continued support, the 2025 cohort will have the opportunity to advance their narrative storytelling and business skills, grow their body of work while developing and producing original new content, and expand their creative community.

“The Norman Jewison Film Program remains a pillar in developing Canadian screen talent,” said Lindsay Doyle, Director, Global Affairs, Netflix Canada. “We’re proud to support this initiative that equips creators with the tools and opportunities to thrive and enrich our industry with compelling, original stories.”

The 2025 residents of the Norman Jewison Film Program (Bios below):

Directors’ Lab:
Haaris Qadri
Hiromu Yamawaki
Luwam Tekeste
Ryan Leedu
Vanessa Sandre

Editors’ Lab:
Beth Biederman
Nathan Martinak
Sara Bulloch
Shetu Modi

Producers’ Lab:
Amanda Pileggi
Anastasia Itkina
Emmanuel Kabongo
Momo Daud
Torrin Blades

Writers’ Lab:
Beatriz Yuste
Berend McKenzie
Brianna Russell
Laura Stubbs
Walker MacDonald

The Norman Jewison Film Program aims to elevate talented professionals to go on to become among Canada’s leading storytellers. Some of the award-winning alumni of this program include Alyson Richards (Children Ruin Everything), Anar Ali (Allegiance), Ann Marie Fleming (Can I Get A Witness), Anna Catley (Paying For It), Clement Virgo (Brother), Don McKellar (Last Night), Erin Haskett (Law & Order Toronto: Criminal Intent), Gareth C Scales (The Salt Path), Kaveh Mohebbi (Queen Tut), Marc Tétreault (Sharp Corner), Maureen Grant (Sort Of), Naomi Jaye (Darkest Miriam), Reza Dahya (Boxcutter), Sarah Polley (Women Talking), and Zarrar Khan (In Flames).

Learn more about the Norman Jewison Film Program here. The Norman Jewison Film Program is generously supported by lead partners Netflix and Telefilm Canada, Program Partner The Norman and Margaret Jewison Family Foundation, and Contributing Partner DGC Ontario.

For more information, visit cfccreates.com.

BIOS
Directors’ Lab:

Haaris Qadri (He/Him, Brampton, ON) is a filmmaker who has written and directed “majboor-e-mamool”, “Kashif” and most recently a short that is entering the festival circuit “Jo Mera, Woh Tumhara.” He aims to make films that blend the authenticity of naturalism with the vividness of a painter’s realism. His works delve into the essence of everyday life, capturing the subtle moments that evoke deep emotions and perhaps change. Haaris is drawn to diasporic narratives, exploring themes of identity, familial fragmentation, and the nuances of intergenerational dynamics.

Hiromu Yamawaki (He/Him, Vancouver, BC) is a Vancouver-based writer and director from Tottori, Japan. Informed by his experiences living abroad, his work focuses on intercultural experiences and bilingual storytelling. Since graduating with a B.A. (Hons) in Film Studies from Carleton University and a diploma in Film Production from Vancouver Film School, he has created three short films, Okuribi, Counting Days, and Stand In — which have been screened at over 20 film festivals around the world. He is committed to advancing Asian representation both on screen and behind the camera.

Luwam Tekeste (She/Her, Toronto, ON) is a Toronto-based filmmaker and creative producer with nearly a decade of experience across film, television, and commercial production. A graduate of York University’s Cinema and Media Studies program, Luwam is driven by a deep commitment to storytelling that explores identity, morality, and the layered experiences of intersectionality. Her body of work includes short films such as “Other”, “Mother Tita”, “Illegal(ized)” and “Judas Goat”, projects that center characters often excluded from mainstream narratives. She brings an intentional, research-driven approach to her work, drawing from lived experience, historical context, and a desire to provoke meaningful dialogue. Luwam is a proud alumna of Black Women Film! Canada and is dedicated to developing bold, character-driven stories that sit at the intersection of social inquiry and emotional truth.

Ryan Leedu (He/Him, Edmonton, AB) is a filmmaker from the Canadian prairies. Interested in exploring thoughtful and complex human stories, and experimenting with matters of style, narrative, and formal technique, Ryan is dedicated to making bold, original, and relevant films. Inspired by filmmakers as diverse as Kiarostami, Godard, Kieślowski, Varda, Wenders, Yang, Fassbinder, and Claire Denis, Ryan has a broad array of cinematic influences. He is interested in films that are patient, stylistically and narratively innovative, and above all, rooted in a sense of time and place that is socially / artistically / politically relevant to the present. Ryan’s short films have played at various festivals around North America, including the Canadian Film Fest, Vancouver and Edmonton International Film Festivals, Toronto Arthouse and Montreal Independent Film Festivals, Palm Springs International ShortsFest, and others. He recently participated in the “Talent Lab” of the 2024 Reykjavik International Film Festival, designed for emerging filmmakers working toward their first feature. Alongside developing his narrative film projects, Ryan directs music videos and commercials, and is also one of the most in-demand location scouts around Alberta. He currently sits on the board as President of the Film and Video Arts Society of Alberta (FAVA).

Vanessa Sandre (She/Her, Toronto, ON) is a Brazilian filmmaker based in Toronto, Canada. She holds a Bachelor’s degree in Film and a Master’s degree in Literature focused on Women and Gender Studies. Vanessa has cultivated a diverse career as a screenwriter, director, producer, and performer for the last 15 years. As a Latina immigrant and artist, she finds inspiration in crafting narratives that amplify underrepresented voices through a decolonial and intersectional feminist lens. ‘The Pleasure is All Mine’ (O Prazer é Todo Meu, 2023) is her latest fictional short film and addresses the taboo subject of female sexuality in old age. Filmed in Brazil, it has been selected for over 40 film festivals worldwide, including the 32nd MixBrasil, Inside Out Toronto 2SLGBTQ+, and the 35th St. John’s International Women’s Film Festival. The short also received 30 awards, including ‘Best of the Showcase’ and ‘Audience Award’ at the 2024 WIFT + Toronto Showcase. Vanessa was a participant in the 2024 Creators of Colour Incubator (CCI), and the Career Advancement Module of the Women in Director’s Chair (WIDC) program.

Editors’ Lab:

Beth Biederman (They/Them, Toronto, ON) is an editor with over 15 years of experience in Canada, New Zealand and Australia. They have worked on a variety of projects, including documentary, reality, current affairs and children’s programming. A recent Canadian Cinema Editors Award nominee (2025), Beth is a passionate storyteller who strives to bring a sense of humor and realness to every project. Credits include: Canada’s Drag Race, Made for TV with Boman Martinez-Reid, Bondi Vet, The Project, Gaby’s Farm and My Restaurant in India.

Nathan Martinak (He/Him, Toronto, ON) has edited episodes of many family television projects, including Jane for Apple TV+, Beyond Black Beauty for Amazon Prime Video and Get Curious with Kamala Harris for YouTube Originals. He was also nominated for CCE and CSA awards for his work on Endlings and Odd Squad, respectively. He holds a Bachelor’s degree from the University of Toronto, and is an alumnus of Sheridan College’s Advanced Television and Film program. Nathan also adopted his dog Linus after falling in love with him while editing CBC’s Mittens and Pants.

Sara Bulloch (She/Her, Winnipeg, MB) has edited films and series like ABERDEEN (TIFF 2024), ALTER BOYS (CBC), ANCIENT BODIES (National Geographic), and numerous short films including I WOULD LIKE TO THANK MY BODY, which won Audience Choice Award at Gimli Film Fest. Short films she’s often written/directed explore mental health, identity and relationships, and have screened with the8fest, Toronto Jewish Film Fest and Les Mains Gauches. Her short film HOT DOG GUY won People’s Choice Award at Vox Popular Film Fest. She’s also a motion graphics artist and community organizer. From 2019-2023, she organized OurToba Film Network & Fest for women, non-binary and gender diverse Manitobans in film.

Shetu Modi (She/Her, Toronto, ON) is a picture editor with over 10 years of experience cutting factual content in newsrooms, including The Canadian Press, HuffPost Canada and Entertainment Tonight Canada. She is also a writer and director whose short films focus on the inner struggles of anxious and immature South Asian women. She’s often chosen to edit narrative content centered around similar characters, especially in the realms of comedy and drama. Post-production is her favourite stage of the filmmaking process, and she edits all her own projects. Her short dramedy “The Pits” screened at 15 festivals worldwide and won three audience choice awards; and her latest film, “Fan Girl,” is currently streaming on CBC Gem. She shoots and edits the YouTube cooking series “Smita’s Eats.” Shetu holds a BFA in film production from York University and an MA in journalism from Western.

Producers’ Lab:

Amanda Pileggi (She/Her, Toronto, ON) is an entertainment professional with 10+ years of experience in scripted creative development, production, business affairs, and community arts programming. Pileggi produced the feature RACEWALKERS, winner of the Unstoppable Feature Grand Jury Prize at the 2025 Slamdance Film Festival, co-produced CODE 8: PART II (Netflix) starring Robbie Amell and Stephen Amell, which achieved the #1 spot on Netflix’s Top Ten globally, and associate produced FLOAT (Wattpad Studios, Lionsgate, Elevation). In television, she held development and production roles at Temple Street and Boat Rocker Media, and was Head of Development at Archipelago Productions, where she championed the mini-series CONTENT FARM (CBC Gem). She is the 2024 recipient of the TIFF Share Her Journey fellowship through the TIFF Series Accelerator program. Pileggi got her start at arts festivals (Luminato & TIFF) before managing the Regent Park Film Festival and its year-round programming for over four years. She holds a B.A. from McGill University and Certificate in Entertainment Law from Osgoode Hall.

Anastasia Itkina (She/Her, Vancouver, BC) is a Ukrainian-Canadian writer, producer, and sometimes director based in Vancouver. Born in Ukraine, she was raised in a Reform Ashkenazi community in Kyiv and later moved to Vienna and then Vancouver to study film at Simon Fraser University. Her debut short film, Hiraeth (2023) premiered at the Oscar-qualifying Festival du Nouveau Cinéma, was nominated for the Scythian Deer award at Molodist IFF, and was screened at Vancouver’s Cinematheque. Her recently produced short film My Dad, The Rockstar is premiering at Tribeca Film Festival 2025 in New York.

Emmanuel Kabongo (He/Him, Toronto, ON) is an award-winning actor, producer, and creator whose work spans film, television, and digital media. Known for bringing depth and emotional truth to his performances, Kabongo has earned three Canadian Screen Award nominations for standout roles in Teenagers, Death She Wrote, and Chateau Laurier. His critically acclaimed performance in the breakout feature Sway, which he also produced, further solidified his reputation as a dynamic leading man and visionary storyteller. Kabongo’s creative voice extends beyond acting—he has produced and co-created several short films and digital series, including the award-winning Teenagers and A Man’s Story, both praised for their authenticity and cultural relevance. His work has been featured in major festivals such as the Pan African Film Festival, the Toronto Black Film Festival, and the Montreal International Black Film Festival. A graduate of the Canadian Film Centre’s Actors Conservatory and a recipient of multiple accolades—including Best Actor and Best Producer—Kabongo continues to build a body of work that reflects his passion for bold, character-driven storytelling. Whether in front of or behind the camera, he is committed to crafting stories that resonate across cultures and communities.

Momo Daud (He/Him, Brampton, ON) is a Pakistani-Canadian creative producer based in Toronto. With a background in both the camera and production departments, he brings a sharp visual sensibility and extensive on-set experience to his work, making him a highly versatile producer. His debut feature as lead producer, HIS FATHER’S SON, was awarded Telefilm Canada’s Talent to Watch grant, and won the Audience Choice Award at the Toronto Reel Asian International Film Festival. The film has been acquired by Mongrel Media for a theatrical release in Canada, followed by a streaming release on Crave. He’s produced several short films, including his award-winning directorial debut RUBY (2021), and CUL-DE-SAC (2023). In addition, he works as a production manager on independent features and TV movies. As lead producer, Momo is currently in-development on his second feature, EXP, which has also received financial support from the Talent to Watch program. Through his work, Momo is focused on telling bold, impactful stories about human connection that have global appeal and strong commercial viability.

Torrin Blades (He/Him, Toronto, ON) is a creative producer committed to bold, director-driven projects that amplify underrepresented voices. He has produced a range of short films, including Solemates (TIFF 2024, HKIFF 2025, Regard 2025, Sidewalk 2025), which was acquired by Ouat Media and is currently streaming on Crave. His credits include POP (2024), currently in development as a series, and the documentary short The North Star: Finding Black Mecca (2021), which aired on CBC Gem’s Absolutely Canadian series. In 2024, Torrin was selected for the OYA Black Arts Coalition Emerging Producer Incubator, where he honed his skills in development and financing while line-producing the short film Green Thumb (2025). His production management experience spans commercial and music video work for clients such as EA Games, TD Bank, Concord Independent Music, Warner Music Group, and Ninja Tune Records. His credits include Together Right, shortlisted at the Berlin Commercial Festival, and Get Down, nominated for Best Hip Hop Video at the iHeartRadio MMVAs. As an independent producer, he is passionate about shaping a distinct Canadian cinematic voice through genre-driven narratives that blur memory, myth, and the unreal to reimagine how we see the world.

Writers’ Lab:

Beatriz Yuste (She/Her, Toronto, ON) has written for stage and screen, and worked as an actress in theatre, television and film for almost twenty-five years. She is fully trilingual in English, French and Spanish, and has had many adventures and experiences to draw from, having lived and worked in Mexico, Spain, Paris, New York, Peru and across Canada. She has a unique perspective and brings an artistic vision to her writing that leans into dystopian worlds, anti-heroines, magical realism and those dark comedic moments that one can only call art imitating life. She was last seen on Law & Order Toronto, and is currently writing the feature, His Last Wish, for 100 Dragons.

Berend McKenzie (He/She/They/Interchangeably, Toronto, ON) is a Treaty 13 (Toronto) based, award-winning playwright, essayist, actor, screenwriter, and publisher. Berend’s writing journey began in 2004 when they started crafting short plays for the Loud & Queer Festival in Edmonton, Alberta. These early works laid the foundation for their first full-length play, the outrageous, award-winning queer puppet show for adults, Get Off the Cross Mary! In 2009, Berend premiered a groundbreaking one-person show for young audiences titled NGGRFG (Would you say the name of this play?), which they performed for students across Canada and at the 2011 Edinburgh Festival Fringe. Berend is an alumnus of the 2021-2022 Warner Brothers. Discover X Global Access Writers’ Academy, the 2021 Catalyst Theatre Confluence Fellowship Program and the 2021 Writers’ Guild of Alberta’s Writing Mentorship Program. Berend was named a delegate in the 2024 Netflix Diversity of Voices Initiative at the Banff World Media Festival and participated in the 2024 Reelworld Emerging 20 Mentorship Program and the 2024 Rogers-BSO Script Development Fund. Berend’s film and TV acting credits include Life or Something Like It, Andromeda, Connie and Carla, Jeremiah and Catwoman.

Brianna Russell (She/Her, Clarke’s Beach, Newfoundland) is a screenwriter and director whose work focuses on queerness in media, genre filmmaking, as well as the history and folklore of her childhood home. Brianna’s films have premiered at national and international film festivals, including the St. John’s International Women’s Film Festival. She was a quarterfinalist in the Outstanding Screenplay Competition for her feature film script POSTER CHILD, and her short of the same name premiered at the Closing Night Gala of SJIWFF, ahead of Fawzia Mirza’s THE QUEEN OF MY DREAMS. Brianna is the 2022 recipient of the RBC Michelle Jackson Emerging Filmmaker Award, an alumni of the WIDC Career Advancement Module, and a participant in the 2024 Whistler Film Festival Screenwriters Lab.

Laura Stubbs (She/Her, Etobicoke, ON) is a queer screenwriter/filmmaker. She studied screenwriting at UCLA with a focus in comedy. To raise money for tuition, she organized a stand-up show called Laughs for Laur, where she came out to all of her friends and family on stage… after charging them $25 to be there. She wrote, directed, and produced the short film no, which premiered at the 2022 Inside Out 2SLGBTQ+ Film Festival. Right Under My Roof, a digital series she wrote, produced, and directed, is now available on Bell Fibe TV1 and Amazon Prime US and UK. She is the proud founder and president of Ticket Stubbs Productions Inc., a Toronto-based production company that strives to tell stories from underrepresented groups and provide opportunities to folks from equity-deserving communities. Their series My Bully Mia, which was selected as one of 21 projects by the Independent Production Fund (IPF) out of a historic 225 applications, is currently in development. Laura uses her academic background in psychology to create complex characters by critically examining human behaviour and relationships.

Walker MacDonald (He/Him, Charlottetown, PE) is a screenwriter, designer, and filmmaker whose work has been recognized by Whistler Film Festival, Austin Film Festival and the Academy Nicholl Fellowship among others. He has also been a regular contributor to satire publications like The Hard Times, Hard Drive and Palette Swap. Since 2024, he has served as manager & program director at Tivoli Cinema, Charlottetown’s premiere independent cinema. 70% of his body is made of movies.

The Canadian Film Centre (CFC) is pleased to announce that industry leaders Neishaw Ali, CEO and Executive Producer of SPIN VFX and CFC Board Chair, and board member Magali Simard, Cinespace Studios’ Director of Industry & Community Relations will serve as co-chairs for the 2025 CFC Gala: Growing Future, taking place on Thursday, June 12 at 6:00 p.m. at the Four Seasons Hotel Toronto. As long-time champions of the CFC and the Canadian screen sector, they will elevate this year’s gala theme, which reflects the organization’s dedication and commitment to shaping the future of storytelling in Canada. Tickets to the CFC Gala are available here.

Continuing to strengthen and expand the film and television industry, the CFC has empowered a vibrant and ever-growing network of more than 2,200 alumni—trailblazing artists and creators shaping today’s screen landscape. Through essential, hands-on training initiatives like the Norman Jewison Film Program, CBC Actors Conservatory, Cinematography Intensive, Hair & Makeup Intensive, and Comedy Story Room Intensive, the CFC continues to evolve. With several exciting new programs already underway—and even more transformative opportunities on the horizon— essential fundraising contributions will help drive the future of film and television.

“This is the time of year that we encourage those who are committed to financially supporting the next generation of creators to come out to help us ensure those brilliant visionaries get the opportunities they deserve,” said maxine bailey, Executive Director, Canadian Film Centre. “The Gala’s Growing Futures theme encapsulates the ongoing growth, opportunity, and creative impact we cultivate every day through our programs, partnerships, and community building. We look forward to sharing a memorable evening honouring our remarkable alumni and celebrating with Canada’s screen industry.”

The CFC Gala is a celebration of the extraordinary talent supported through the organization’s work and the innovative stories the CFC has helped bring to life that push boundaries, reflect diverse experiences, and inspire audiences here and around the world. The highly anticipated and lively evening will bring together industry leaders, artists, and supporters to help raise vital funds that contribute to CFC’s robust hands-on programs to guide and empower the next wave of creatives.

For more information, visit cfccreates.com.